Lo Kite Sh Bar A

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 Sahasra-bhuja Sahasra-netra Avalokitevara (Thousand Armed Thousand Eyed  Avalokiteshvara) is one of the widely venerated forms of Avalokitevara.  He has 48 principal arms which hold various instruments, and the rest of the arms form a background. He has an eye in each of those thousand palms. In the Kraavyha Sutra, Avalokitesh vara enters the Avici hells, to save the beings there. He converts the fire pits into cool refreshing pool s, and makes the Avici Naraka a paradise. The Guardians report this to Yama. Yama wonders whether the being who had done such a transformation , was Shiva, Vishnu, a Rakshasa or some other supernatural being. When seen through his divine eyes, he finds Avalokiteshvara there.  He then appears before Avalokiteshvara, he places his head at the feet of avalokiteesvara and worships Him. He utters the following praises on Avalokitesvara: namostvavalokitevar ya, mahevary a, padmariye, varadya, vaakarya , pthivvaralocan akarya, jagadvsanakarya , atasahasrabh ujya, koatasahasran etrya, ekdaarya, vaavmukh aparyantya,[...] namostvavalokitevar ya, mahevary a, padmariye, varadya, vaakarya , pthivvaralocanakarya,  jagadvsanakarya, atasahasrabhujya ,koatasahasranetrya , ekdaarya , vaavmukhaparyantya,[...] The words in bold reads Hundred-Thousan d-Armed , Ten-Million-Hundred-Th ousand-Eyed,  Eleven-Headed. The God of Death, Yama praises Bodhisattva Avalokiteshvara as having hundred- thousand-arms and Ten-millions times that amount of E yes. But interestingly his heads seems to be constant always counting to Eleven There are lots of hymns praising the Thousand Armed Avalokitesvara, the most popular one is the "Mah Karu Dhra", popularly known as the Great Compassion Mantra.However there are other less known hymns to the Thousand Armed Avalokiteshvara, many of such hymns are presented in Lokesh Chandra's book, "Thousand Armed Avalokitsvara". One Such hymn is from Cary Kalpa of the Thousand Armed Avalokitesvara recorded by Amoghavajra

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 Sahasra-bhuja Sahasra-netra Avalokitevara (Thousand Armed Thousand Eyed Avalokiteshvara) is one of the widely venerated forms of Avalokitevara. He has 48 principal armswhich hold various instruments, and the rest of the arms form a background. He has an eye in eachof those thousand palms. 

In the Kraavyha Sutra, Avalokiteshvara enters the Avici hells, to save the beings there. Heconverts the fire pits into cool refreshing pools, and makes the Avici Naraka a paradise. TheGuardians report this to Yama. Yama wonders whether the being who had done such atransformation, was Shiva, Vishnu, a Rakshasa or some other supernatural being. When seenthrough his divine eyes, he finds Avalokiteshvara there. 

He then appears before Avalokiteshvara, he places his head at the feet of avalokiteesvara and

worships Him. He utters the following praises on Avalokitesvara:

namostvavalokitevarya, mahevarya, padmariye, varadya, vaakarya,

pthivvaralocanakarya, jagadvsanakarya, atasahasrabhujya, koatasahasranetrya,ekdaarya, vaavmukhaparyantya,[...]

namostvavalokitevarya, mahevarya, padmariye, varadya, vaakarya,pthivvaralocanakarya, jagadvsanakarya, atasahasrabhujya,koatasahasranetrya , ekdaarya,vaavmukhaparyantya,[...]

The words in bold reads Hundred-Thousand-Armed , Ten-Million-Hundred-Thousand-Eyed,

 Eleven-Headed. The God of Death, Yama praises Bodhisattva Avalokiteshvara as having hundred-

thousand-arms and Ten-millions times that amount of Eyes. But interestingly his heads seems to be

constant always counting to Eleven

There are lots of hymns praising the Thousand Armed Avalokitesvara, the most popular one is the

"Mah Karu Dhra", popularly known as the Great Compassion Mantra.However there are

other less known hymns to the Thousand Armed Avalokiteshvara, many of such hymns are

presented in Lokesh Chandra's book, "Thousand Armed Avalokitsvara".

One Such hymn is from Cary Kalpa of the Thousand Armed Avalokitesvara recorded

by Amoghavajra

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Corrected Text by Lokesh Chandra by comparing Taisho 1056 & 1062B) (From hisBook)

namo ratnatrayya

namaryvalokitevarya bodhisattvya mahsattvya mahkruikyamahvryasahasrkya sahasrarya sahasrapadya sahasrajihvya sahasrabhujya

ehi bhagavann ryvalokitevara

ugra atyugra mahugra mahnda

kili kili kili kili

mili mili mili (mili)

cili cili cili cili

naa naa naa naa

hasa hasa hasa hasa

kuru kuru kuru kuru

ehyehi mahvra

bala dada vrya dada

sarva kma me prayaccha

ghra vaa me

rra sarjaka kuru

sahasrabhuja sahasravra lokevara

sdhaya sad siddhi me

bhava varado bhavgro bhava meo namo'stute bhagavann ryvalokitevara

prabudhya prasda na

varado mama bhavhi svh

* Lokesh Chandra's text has 3 mili's, but it is more consistent to have 4 mili's.

The Corrupted Version as recorded in the Chinese Tripitaka : CBETA Reader : Taisho No.1062B

namo ratna trayya

nama ryavalokitevarya bodhisatvya mahsatvya mahkruikya

makvrya sahasrkya sahasraya sahasrapadaya sahasrajidvya sahasrabhujya

ehi bhagava nryvalokitevara

ugra atmagra mahugra mahnda

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kili kli kili kili

mili mili mili

cili cili cili cili

nau nau nau nau

krasa krasa krasa krasakuru kuru kuru kuru

ehyehi mahvra

vala dada vrya dada

sava kma me

prayaccha ghra vaa me

rra sarjaka kuru

sahasrabhuja sahasravra lokevara

sdhaya sad siddhi me

bhava dharado bhava agro bhavmi

o namostute bhagava tnryvalokitecara

prapudhya prasda ma

varado mama bhavhi svh

The Corrupted Version as recorded in the Chinese Tripitaka : CBETA Reader : Taisho No.1056 Fascicle 2 

namo ratnatrayya

nama ryvalkitevarya bodhisatvya mahsatvya mahkruikya

mahvrya sahasrkya sahasraya sahasrapadya sahasrajihvya sahasrabhujya

eh bhagava nryvalokitevara

ugra tyugra mahugra mahmahnda

kili kili kili kili

mili mili mili mili

cili cili cili cili

nau nau nau nau nau

krasa krasa krasa krasa

kuru kuru kuru kuru kuru

ehyehi mahvra vala dada vrya dada

sava hma me prayaccha

ghra vaa me

rra sarjaka kuru

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sahasrabhuja sahasravra lokevara

sdhaya sad siddhi me

bhadharado bhavagro abhavmi

o namostute bhagava tnryvalokitevara

prapudhya prasda mavarado mama bhavhi svh

CBETA reader gives various footnotes or alternate readings (I am not sure what those

references in the middle of the text mean) for the above text. Replacing the sensible

alternate forms (some alternates dont make any sense) gives the following version. 

namo ratnatrayya

nama ryvalokitevarya bodhisatvya mahsatvya mahkruikya

mahvrya sahasrkya sahasrarya sahasrapdya sahasrajihvya sahasrabhujya

eh bhagava ryvalokitevara

ugra tyugra mahugra mahmahnda

kili kili kili kili

mili mili mili mili

cili cili cili cili

nau nau nau nau nau

krasa krasa krasa krasa

kuru kuru kuru kuru kuru

ehyehi mahvra vala dada vrya dada

sarva hma me prayaccha

ghra vaa me

rra sarjaka kuru

sahasrabhuja sahasravra lokevara

sdhaya sad siddhi me

bhadharado bhava agro bhavmi

o namostute bhagava ryvalokitevaraprapudhya prasda m

varado mama bhavhi svh

This hymn expands the appearance of Avalokitesvara as having Thousand Heads (Sahasra-Shirsha),

Thousand Feet (Sahasara-Pada) & Thousand Tounges (Sahasra-Jihva). One cannot but compare

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this form to the Vedic Purusha. The Purusha Sukta in Rig Veda explains the primordial Purusha,as

having "Thousand Heads", "Thousand Eyes", "Thousand Feet". ( sahasrar purua

sahasrka sahasrapt ). The followers of the Vedic religion believe that, it is from this Vedic

Purusha's body, the entire universe along with all the deities had emerged .

It is also to be noted that, in the Karandavyuha Sutra, Avalokiteshvara takes the role of this

primordial Purusha emanating all the Vedic gods from his body. (See: Srishtikarta Lokeshvara)

The description of Avalokiteshvara as having Thousand Heads, Feet and Tougues must be seen as

echoing this of Nature of Avalokiteshvara. He is completely metamorphosed into the Vedic Purusha.

No wonder, He is known to take any forms to teach the Dharma ! 

Siddham VariationsOne important thing that could be noted in these various recessions is that, some of the corruptionsoccur due to misreading of the closely-resembling siddham characters.

bha,va,ba are very similar in appearance, which may cause some amount of confusion. SeeJayarava's post here:

bhava dharado (T. 1062B) is actually bhava varado. vala (1056 & 1062B) is bala.

sahasrajidvya (T. 1062B) is sahasrajihvya (T. 1056), This has occured due to the fact that dva &

hva look similar.

I have no idea why ha & ka are interchanged. They are usually visually distinct.

T. 1062B makvrya (for mahvrya) :: T.1056 hma (for Kma)