Louise Lawler Bibliographie / Bibliography Selected monographs and one-person catalogues 2018 Schor, Gabriele (ed.): 'Selected and Related: Works by Louise Lawler Aquired by the Sammlung Verbund Collection, Vienna and Others', The Sammlung Verbund Collection, Vienna. 2017 Marcoci, Roxana (ed.): 'Louise Lawler: Receptions', The Museum of Modern Art, New York. 2014 Baudoin, Tanja and Sven Lutticken (eds.): Louise Lawler: 'A Movie Will Be Shown Without the Picture', If I Can’t Dance I Don’t Want To Be Part Of Your Revolution, Amsterdam. 2013 Kaiser, Philip (ed.): 'Louise Lawler: Adjusted', Museum Ludwig, Cologne and Prestel Verlag, Munich, London, New York. Molesworth, Helen and Taylor Walsh (ed.): 'Louise Lawler', Essays and interviews by Andrea Fraser, Kate Linker, Rosalind Krauss, Douglas Crimp, Louise Lawler, Bruce Hainley, George Baker, Rosalyn Deutsche, Helen Molesworth and Stephen Melville, October files 14, MIT Press, Cambridge, MA, London, England. 2012 Elger, Dietmar (ed.): 'Louise Lawler and/or Gerhard Richter', Essay by Tim Griffin, Schirmer/Mosel Munich. 2008 Blondeau, Marc and Philippe Davet (eds.): 'Louise Lawler: The Tremaine Pictures 1984-2007', JRP Ringier, Zurich, Switzerland. 2006 Molesworth, Helen (ed.): 'Twice Untitled and Other Pictures (Looking Back)', Essays by Rosalyn Deutsche, Ann Goldstein, The MIT Press, Cambridge, MA. 2004 Kaiser, Philipp (ed.): 'Louise Lawler and Others', Essays by George Baker, Jack Bankowsky, Andrea Fraser, Isabelle Graw and Brigit Pelzer, Hatje Cantz, Ostfildern-Ruit, Germany. 2000 Crimp, Douglas: 'Louise Lawler: An Arrangement of Pictures, Aussouline', Paris and New York.

1998 'Emotion', Essays by Daniel Birnbaum, Carl Freedamn and Iwona Blazwick, Deichtorhallen Hamburg, Hamburg. Saxenhuber, Hedwig (ed.): 'A Spot on the Wall', Oktagon, Cologne. 1997 Lawler, Louise: 'Monochrome', Essay by Phyllis Rosenzweig, The Hirschorn Museum and Sculpture Garden, Washington, D.C. 1994 Lawler, Louise: 'For Sale', Essays by Dietmar Elger and Thomas Weski, Reihe Cantz, Leipzig. 1993 Crimp, Douglas: 'On the Museum's Ruins', MIT Press, Cambridge. 1986 Cameron, Dan: 'Art and Its Double: A New York Perspective', Fundacio Caixa de Pensions, Barcelona. Lawler, Louise and Claude Gintz: 'What is the Same' and 'The Same and the other in the Work of Louise Lawler', La Maison de la Culture et de la Communication de Saint-Etienne, Saint-Etienne, France. 1984 Miller-Keller, Andrea: 'Louise Lawler Matrix 77', Wadsworth Atheneum, Hartford, Connecticut. Katalogbeiträge (Auswahl) / Selected Catalogue Essays 2018 Jetzer, Gianni, Leah Pires and Bob Nickas: 'Brand New: Art and Commodity in the 1980s', Hirshhorn Museum, Washington, D.C. and Rizzoli Electa, New York, pp. 62-73, 76, 100, 152. Huberman, Anthony (ed.): 'Other Mechanisms', Secession, Vienna, p. 94. Trembly, Nicolas (ed.): 'THE SYZ Collection', JPR/Ringier, Zurich, pp. 140-143. 2017 Steininger, Florian und Verena Gamper (eds.): 'Remastered – The Art of Appropriation', Kunsthalle Krems, Austria, pp. 106-109. Meade, Fionn and Jordan Carter: 'Question the Wall Itself', Walker Art Center, Minneapolis, p. 15, 43, 96-97, 100, 232-243. Nesbit, Molly: 'Midnight –The Tempest Essays', Inventory Press, New York, pp.123-25, 132-34. 2016 Nickas, Bob: 'The Dept. of Corrections: Collected Writings 2007 – 2015', Karma, New York, p. 256-260. Bethenod, Martin (ed.): 'Pinault Collection 07', Pinault Collection, Paris, p. 95. Moloney, Ciara (ed.): 'KALEIDOSCOPE', Modern Art Oxford, Oxford, UK, pp. 112-115. Friedel, Helmut (ed.): 'Die Kerze – ein Motiv in der Zeitgenössischen Kunst', Museum Frieder Burda, Verlag der Buchhandlung Walther König, Cologne, pp. 80. Aigner, Carl and Nela Eggenberger (ed.): '5 x 5 Photo Tracks', Eikon, Vienna, Austria.

Baur, Simon and Christian Fluri (ed.): 'Mein Lieblingswerk im Kunstmuseum Basel', Christoph Merian Verlag, Basel. Von Flemming, Victoria, Daniel Berndt and Yvonne Bialek (ed.): '(Post) Fotografisches archivieren. Wandel - Macht - Geschichte: Das fotografische Dispositiv', Band 2. Jonas Verlag, Kromsdorf/Weimar, Germany, pp. 215-216. Hoffmann, Jens (ed.): 'Animality', Marianne Goodman Gallery, New York, London and Paris, p. 94. Burton, Johanna, Shannon Jackson and Dominic Willsdon (eds.): 'Public Servants', The MIT Press, Cambridge, MA and London, pp. 8-13 Crimp, Douglas: 'Before Pictures', Dancing Foxes Press and University of Chicago Press, Chicago and London, p. 163, 269-272. Meuer, Joyce, (ed.): 'Art at Work – The JP Morgan Chase Art Collection', JPMorgan Chase & Co., New York, p. 95. Bramlette Reeves, Teresa: 'Pollock and Soup Tureen (Traced), 1984/2013: An Abbreviated Biography', in: 'Transitions: State of Being', edited by Sarah Higgings, Theresa Bramlette Reeves and Kristie Trepper, Bernard A. Zuckermann Museum of Art, Kennesaw, GA, pp. 16-22. Byers, Dan (ed.): 'The Artist’s Museum', ICA Boston and Delmonico Bools / Prestel, Munich, London, New York, pp. 112-121. Greenough, Sara: 'Photography Reinvented', The Robert E. Meyerhoff and Rheda Becker Collection, National Gallery of Art, Washington and Princeton University Press, pp. 57-59. Kunz, Stephan and Stefan Zweifel (eds.): 'Solo Walks', Bündner Kunstmuseum, Chur, Switzerland, p. 147. Allred, Ry (ed.): 'Collected', Pier 24 Photography, San Francisco, p. 98, 100, 125. Gassner, Hubertus (ed.): 'Eight Centuries of Art', Hamburger Kunsthalle, Hamburg, p. 251. Rutland, Beau; Burton, Johanna and Rachel Harrison: 'Rachel Harrison: G-L-O-R-I-A', The Cleveland Museum of Art, p. 113. Demand, Thomas and Chiara Costa (eds.): 'L’image Volee', Fondazione Prada, Milan, p. 47, 77. Crosby, Eric (ed.): 'Ordinary Pictures', Walker Art Center, Minneapolis, pp. 127-129. Augaitis, Daina; Grenville, Bruce and Stephanie Rebick (eds.): 'Mashup: The Birth of Modern Culture', Vancouver Art Gallery, p. 170. 2015 Michalka, Matthias (ed.): 'To Expose, to Show, to Demonstrate, to Inform, to Offer. Artistic Practices Around 1990', mumok – Museum Moderner Kunst Stiftung Ludwig, Wien, p. 89, 128-131. Wolin, Joseph R (ed): 'Open This End: Contemporary Art from the Collection of Blake Byrne', The Skylark Foundation, Los Angeles, p. 29. Husslein-Arco, Agnes and Mario Codognato: 'Sleepless: The Bed in History and Contemporary Art', 21er Haus des Belvedere, Vienna, p. 247. Figner, Susanne: 'Louise Lawler', in: 'Et in Arcadia Ego', Edited by Susanne Figner and Harald Kunde, Museum Kulturhaus Kleve. Milazzo, Richard: 'The Mannequin of History: Art After Fabrications of Critique and Culture', Franco Cosimo Panini Editore, Modena, p. 203. Roselione-Valadez, Juan (ed.): 'No Man’s Land: Women Artists from the Rubell Collection', Rubell Family Collection/ Contemporary Arts Foundation, Miami, pp. 136-137. Miller, Dana (ed.): 'Whitney Museum of American Art: Handbook of the Collection’, Whitney Museum of American Art, New York, p. 220.

Luckow, Dirk (ed.): 'Picasso in Contemporary Art', Snoeck Verladgesellschaft mbH, Cologne, pp. 192-193. 2014 Baldissera, Lisa, (ed.): 'Convoluted Beauty: In the Company of Emily Carr', Medel Art Gallery, Saskatoon, Canada, p. 104. Ruelfs, Esther and Sabine Schulze (eds.): 'Fette Beute – Reichtum zeigen', Museum für Kunst und Gewerbe, Bielefeld and Kerber, Berlin. Brown, Susanna (ed.): 'Horst: Photographer of Style', V&A Publishing, London, p. 278. Beard, Lee and Rebecca Morrill (eds.): 'The Twenty First Century Art Book', Phaidon Press Limited, London and New York, p. 152. 'Lawler, Louise: Michael, 2001', In 'Jeff Koons: A Retrospective', Edited by Scott Rothkopf, Whitney Museum of American Art, New York City, p. 117. 'Lawler, Louise: Foreground, 1994', In 'Jeff Koons: A Retrospective', Edited by Scott Rothkopf, Whitney Museum of American Art, New York City, p. 98. 'Lawler, Louise: Egg and Gun, At Large, 2008', In 'Jeff Koons: A Retrospective', Edited by Scott Rothkopf, Whitney Museum of American Art, New York City, p. 28. Hughes, Gordon: 'Resisting Abstraction', The University of Chicago Press, pp. 1-2. Ellegood, Ann and Johanna Burton (eds.): 'Take it or Leave it: Institution, Image, Ideology', Prestel, New York and the Hammer Museum, Los Angeles, p. 174. 2013 Fleming, Jeff: 'Louise Lawler', In 'Des Moines Art Center Collects', Edited by Lea Rosson Delong, Des Moines Arts Center, pp. 192-193. Faucon, Sébastien and Carine Fol: 'The Causes of Things', CNAP Centre national des arts plastiques, Paris, p. 42, 34. Day, Charlotte (ed.): 'Reinventing the Wheel: The Readymade Century', Monash Museum of Art, Caufield East, Australia. Molesworth, Helen and Taylor Walsh (ed.): 'Louise Lawler', Essays and interviews by Andrea Fraser, Kate Linker, Rosalind Krauss, Douglas Crimp, Louise Lawler, Bruce Hainley, George Baker, Rosalyn Deutsche, Helen Molesworth, and Stephen Melville, October files 14, MIT Press, Cambridge, Massachusetts, London, England. Wells, Rachel (ed.): 'Scale in Contemporary Sculpture', Ashgate Publishing, Surrey, England, p. 176, 119-120. Hafner, Hans-Jürgen: 'Das Beste vom Besten', Kunstverein Düsseldorf. 2012 De Boer, David, Eamonn Fox and Mary Grace Sanchez (eds.): 'Louise Lawler: Revealing Context', In 'Significant Ordinaries', University Art Museum, California State University, Long Beach. Molesworth, Helen: 'Louise Lawler: Just the facts', In: 'Interiors', Edited by Johanna Burton, Lynne Cook and Josiah McElheny. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York and Sternberg Press, Berlin, pp. 18-21. Morineau, Camille and Annalisa Rimmaudo (eds.): 'elles@centrepompidou', Centre Pompidou, Paris, Seattle Art Museum, p. 57. Rosenthal, Mark et al.: 'Regarding Warhol: Sixty Artists, Fifty Years', The Metropolitan Museum of Art, New York, p. 114. Dika, Vera: 'The (Moving) Pictures Generation', Palgrave Macmillan, New York, p. 169.

Engler, Martin (ed.): 'Painting in Photography', Städel Museum, Frankfurt and Kehrer Verlag, Berlin, pp. 78-83, cover. Sickler, Erin (ed.): 'Installation View', 601 Artspace, New York, p. 32, 35, 53, cover. Boynton, Jennifer (ed.): 'Real to Real: Photographs from the Traina Collection', Fine Arts Museum of San Francisco, Plate 27. Powell, Amy Knight: 'Depositions', Zone Books, New York, pp. 13, 34. Molesworth, Helen (ed.): 'This Will Have Been: Art, Love & Politics in the 1980s', Museum of Contemporary Art Chicago and Yale University Press, New Haven, pp. 89-91, 360-362. Rosentahl, Mark: 'Regarding Warhol: Sixty Artists, Fifty Years', The Metropolitan Museum of Art, New York, p. 114. 'Untitled: The Salomon Collection', Les presses de Cultura, Wetteren, Belgium, pp. 102-106. 2011 'Defining Contemporary Art: 25 Years in 200 Pivotal Artworks', Phaidon Press Limited, London, pp. 362-363. Blondin, Philippe (ed.): 'After Images', Jewish Museum of Belgium, Brussels, pp. 84-85. Buhler Lynes, Barbara and John Weinberg (ed.): 'Shared Intelligence: American Painting and the Photograph', University of California Press, Berkeley, Los Angeles, London, pp. xvi, cover. Princenthal, Nancy (ed.): 'The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991', Neuberger Museum of Art, DelMonico Books Prestel, Munich, pp. 124-127. Bankowsky, Jack and Emily Wei Rales: 'No Substitute', Glenstone Foundation, Potomac, Maryland, p. 101. Buhler Lynes, Barbara and John Weinberg (ed.): 'Shared Intelligence: American Painting and the Photograph', University of California Press, Berkeley, Los Angeles, London, cover, xvi. Princenthal, Nancy (ed.): 'The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, Neuberger Museum of Art, DelMonico Books Prestel, Munich, pp. 124-127. Kraus, Karola (ed.): 'Museum of Desire', DISTANZ Verlag, Berlin, pp. 50-52. 2010 'Adaptation: Between Species', The Power Plant, Toronto, p. 34. Ratibor, Stefan (ed.): 'Roy Lichtenstein: Still Lifes', Gagosian Gallery, New York, pp. 200-215. 2009 Breitwieser, Sabine (ed.): 'Modernologies: Contemporary Artists Researching Modernity and Modernism', Museu D'Art Contemporani, Barcelona, pp. 134-139. Eklund, Douglas: 'The Pictures Generation. 1974 - 1984', The Metropolitan Museum of Modern Art, New York. Eleey, Peter (ed.): 'The Quick and the Dead', Walker Art Center, Minneapolis, pp. 12-13, 340-34. Roselione-Valadez, Juan (ed.): 'Beg Borrow and Steal', Rubell Family Collection, Miami, pp. 146-149. 'See This Sound', Lentos Kunstmuseum, Linz, p. 95, 261. 2008 ‘An Unruly History of the Readymade', Fundación Jumex, Mexico City, pp. 70-71. ‘The Present: An Infinite Dimension', The Banco Espírito Santo Collection, Museu Colecção Berardo, Lisbon, pp. 208-209. '2008 Biennial Exhibition', Whitney Museum of American Art, New York and Yale University Press, New Haven, pp. 164-165.

'Exact Imagination', Columbus College of Art & Design, Columbus, Ohio, pp. 40-41. 'Real: From the Collection of the DZ Bank', Stadel Museum, Hatje Cantz, Ostfildern, pp. 108-109. Beck, Hubert and Günter Engelhard: 'Fotografie', Hatje Cantz Verlag, Ostfildern, pp. 156-157. Frey, James and Lisa Dennison: 'Wall Rockets', FLAG Art Foundation, New York, pp. 54-55. Heiser, Jörg: 'Art Versus Market: The Logic of Unseizable Gratification, Things That Matter in Contemporary Art', Sternberg Press, Berlin, pp. 248-251. Ruf, Beatrix (ed.): 'Blasted Allegories: Works from the Ringier Collection', JRP Ringier, Zurich, pp. 128-129, 146-147, 201. Schor, Gabriele (ed.): 'Held Together with Water'. Museum of Modern Art, Istanbul, pp. 54-61. Storr, Robert: 'Show and Tell. What Makes A Great Exhibition?', Philadelphia Exhibitions Initiative, Philadelphia, pp. 14-43. 2007 ‘Artworks: Progressive Collection', D.A.P, New York, p. 74. ‘Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection', Pera Museum and JPMorgan Chase, Istanbul, p. 88. 'Collection Art Contemporain', Éditions du Centre Pompidou, Paris, p. 271. 'Documenta 12', Documenta und Museum Fridericianum, Kassel, pp. 144-145. 'The Price of Everything: Perspectives on the Art Market', Whitney Museum of American Art, New York, pp. 18-21. 'Pop Art Is', Gagosian Gallery, London, pp. 128-137. 'Sequence 1: Selections from the Collection of François Pinault', Palazzo Grassi, Venice and Skira Editore, Milan, pp. 104-105, 122-131. Alberro, Alexander und Sabeth Buchmann (ed.): 'Art After Conceptual Art', MIT Press, Cambridge, p. 37, 159. Campbell, David and Mark Durden: 'Variable Capital', The Bluecoat and Liverpool University Press, Liverpool, pp. 114-121. Gielen, Denis: 'Atlas of Contemporary Art For Use by Everyone', Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, p. 288. Joffmann, Jens: 'For Sale', Cristina Guerra, Lisbon, pp. 78-79. Kroksnes, Andreas: 'Where is Meaning? Held Together With Water', Sammlung Verbund, Hatje Cantz, Ostfildern, pp. 300-313. Loock, Ulrich (ed.): 'The 80’s: A Topology', Museu Serralves, Portugal, p. 355. Miller-Keller, Andrea and Stephen Melville: ‘Louise Lawler: The Tremaine Pictures', BFAS Blondeau Fine Art Services, Geneva, p. 94. Wechsler, Jeffrey: 'A New Reality', Jane Voorhees Zimmerli Art Museum Rutgers, The State University of New Jersey, New Brunswick, p. 38. 2006 'Why Pictures Now', Museum Moderner Kunst, Austria, pp. 122-125. 'Superstars: Von Warhol bis Madonna', Kunsthalle Wien & BA-CA Kunstforum, p. 157, 160, 177. Foster, Hal: 'Art Since 1900', Thames & Hudson, United Kingdom. Porter, Jeanelle (ed.): 'MAKE YOUR OWN LIFE: Artists In & Out of Cologne', Institute of Contemporary Art, University of Pennsylvania.

2005 'Flashback: Revisiting the Art of the 1980s', Kunstmuseum Basel, Museum für Gegenwartskunst, Hatje Cantz Verlag, Switzerland. 'Museumsfeber: Works From the Collections. Included: Error! Contact not defined', Essays by Marianne Yvenes, Andrea Kroksnes and Ellen Lerberg, Museumsfeber, Oslo. 'Slide Show', Essays by Darsie Alexander and Robert Storr, The Pennsylvania University Press, University Park, Pennsylvania, pp. 114-117. Hamilton, Elizabeth (ed.): 'The Blake Byrne Collection', MOCA, Los Angeles, p. 50. Marzona, Daniel: 'Conceptual Art', Taschen, Cologne, pp. 74-75. 2003 'The Last Picture Show: Artists Using Photography 1960-1982', Walker Art Center, Minneapolis, MN; UCLA Hammer Museum, Los Angeles. Nickas, Robert: 'After the Observatory', Paula Cooper Gallery, New York, p. 26. 2002 'Extension', Magasin 3 Stockholm Konsthall, Stockholm, Sweden. Budak, Adam: 'Open House', Casino Luxembourg, Luxembourg. 'Photography Transformed', Essays by Klaus Kertess and Harry N. Abrams, New York, p. 128, 239. 'Visions from America. Photographs from the Whitney Museum of American Art', Whitney Museum of American Art, New York, p. 213. Osborne, Peter (ed.): 'Conceptual Art', Phaidon Press, London, pp 179. 2001 'American Visionaries', Whitney Museum of American Art, New York, p. 175. 'Televisions', Kunsthalle Wien, Vienna, Austria, p. 67. 'American Art', Galerie Rudolfinum, The Centre of Contemporary Art, Prague, Czech Republic. 'Ein/räumen - Arbeiten im Museum', Hamburger Kunsthalle, Germany. Grosenick, Uta (ed.): 'Women Artists', Taschen, Cologne, pp. 300-305. Grosenick, Uta and Burkhard Riemschneider (ed.): 'Art Now', Taschen, Cologne, pp. 94-95. Putnam, James: 'Art and Artifact - The Museum as Medium', Thames & Hudson, London. 2000 Antonelli, Paola and Kirk Varnedoe (ed.): 'Modern Contemporary: Art at MoMA Since 1980', Museum of Modern Art, New York, p. 220. 'Louise Lawler: An Arranagement of Pictures', Essay by Johannes Meinhardt, Assouline, Paris and New York. Nahas, Dominique: 'American Art Today: Fantasies & Curiosities', Art Museum at Florida International University, Miami. 1999 'The Museum As Muse', Intro by Kynaston McShine, Museum of Modern Art, New York, pp. 142-143. Grosenick, Uta and Burkardt Riemschneider (ed.): 'Art at the Turn of the Millennium', Taschen, pp. 302-305.

1998 'Notes on a Room (portfolio)', The Library Fellows of the Whitney Museum of American Art, New York. Schampers, Karel: 'Scratches on the Surface of Things', Museum Boijmans Van Beuningen, Rotterdam. Saxenhuber, Hedwig (ed.): 'A Spot on the Wall', Essays by Rosalind Krauss, Helmut Draxler, Claudia Jottes, Oktagon, Cologne. 1997 'Dramatically Different', CNAC – Le Magasin (Centre D'Art Contemporain), Grenoble. 'Fractured Fairy Tales: Art in the Age of Categorical Disintegration', Duke University Museum of Art, Durham. 'Jurassic Technologies Revenant', 10th Biennial of Sydney, Sydney. Schaffner, Ingrid and Matthias Winzin: 'Deep Storage: Arsenale der Erinnerung', Haus der Kunst, Munich/ Nationalgalerie SMPK, Berlin. 1995 '4 x 1 Albertinum', Staatliche Kunstsammlungen Dresden, Dresden. 'Art Museum', Center for Creative Photography, The University of Arizona, Tucson. 'Els Limits del Museu', Fundacio Antoni Tapies, Barcelona. 'Portrait', Matchbooks, Gramercy Park Festival, New York. Laboulaye, Pauline de and Jaqueline de Ponton D'Amécourt (ed.): 'Contemporary Photographs: Group Lhoist Collection', Saint-Jean-des-Bois. 'The End(s) of the Museum', Fundacio Antoni Tapies, Barcelona. 1993 'Louise Lawler, Cindy Sherman, Laurie Simmons', Edited by Asmund Thorkildsen, Kunstnernes, Oslo, p. 50. 'Commodity Image', International Center for Photography, New York. 'The Nightshade Family', Museum Fridericianum, Kassel. Thorkildsen, Asmund (ed): 'Louise Lawler, Cindy Sherman, Laurie Simmons', Kunstnernes Hus, Oslo. 'Knowledge: Aspects of Contemporary Art', University Art Museum, Santa Barbara. Saltz, Jerry: 'American Art of the Eighties', Museo d'Arte Moderna e Contemporanea di Trento, Trento. 1991 '(Art) 2, Art Appropriates Art', Art Gallery, California State University, Fullerton. 'Das Sibyllinische Auge', Künstlerwerkstätten Lothringerstasse, Munich. 'Oeuvres Originales', Fonds Regional d'Art Contemporain de Pays de la Loire, Carquefu. 'This Takes the Cake. Squid In Its Own Ink. The Cheese Stands Alone', Matchbooks, Carnegie International, The Carnegie Museum of Art, Pittsburgh. Meinhardt, Johannes: 'The Places of Art-The Photography of Louise Lawler', Hugo-Erfurth-Preis, Museum Morsbroich, Leverkusen, pp. 26-29. 1990 'The Decade Show', The New Museum of Contemporary Art, New York. 'The Indomitable Spirit', The International Center of Photography, New York. 'To Be and Not to Be', Centre d'Art Santa Monica, Barcelona.

'What is the Same: Louise Lawler', Maison de la Culture et de la Communication de Saint-Etienne, Saint-Etienne. Benezra, Neil: 'Affinities and Intuitions. The Gerald S. Elliot Collection of Contemporary Art', The Art Institute of Chicago, Chicago. 1989 'A Forest of Signs: Art in the Crisis of Representation', The Museum of Contemporary Art Los Angeles, MIT Press, Cambridge. 'Confronting the Uncomfortable: Questioning Truth and Power', Yale Art Gallery, New Haven. 'High Art Society: Clegg and Guttman, Leonel Moura, Louise Lawler', Galeria Atlantica, Porto. 'How Many Pictures', Metro Pictures, New York. 'In Other Words', Museum Am Ostwall, Dortmund. 'Mondi Possibli', Le Case d'Arte, Milan. 'Moscow – Vienna – New York', Wiener Festwochen, Vienna. 'Sid Sachs, Conspicuous Display', Stedman Art Gallery, Rutgers, The State University of New Jersey, Camden. 'Tenir l' image a Distance', Musee d'Art Contemporain de Montreal, Montreal. 'The Desire of the Museum', The Whitney Museum of American Art, New York. 'What Does She Want?', First Bank System Division of Visual Arts, Minneapolis. 'Works Concepts Processes Situations Information', Galerie Hans Mayer, Dusseldorf. Foresta, Merry A. and Joshua P. Smith: 'The Photography of Invention', National Museum of American Art, Washington, D.C. Weiermaier, Peter: 'Prospect Photographie', Frankfurter Kunstverein, Frankfurt. 1988 'Allan McCollum, Richard Prince, Louise Lawler, Barbara Bloom, Larry Johnson', Galerie Isabella Kacprzak, Stuttgart. 'It is something like putting words in your mouth', Institute of Contemporary Art, Philadelphia. Bankowsky, Jack: 'Investigations', Institute of Contemporary Art, University of Pennsylvania. Philadelphia. 1987 'Art and the Dialectic Process', Everhart Museum, Scranton. 'As Serious As a Circus', Announcement / mileage char, Isabella Kacprzak Gallery, Stuttgart. 'Eau de Cologne', Monika Sprüth Galerie, Cologne. 'Enough/Projects. Louise Lawler', The Museum of Modern Art, New York. 'Gauss', Museum of Art, Fort Lauderdale and Los Angeles County Museum of Art, Los Angeles. 'Implosion: A Postmodern Perspective', Moderna Museet, Stockholm. 'L'objet de la Peinture', Ecole Superior d' Art Visuel, Geneva. 'Perverted by Language', Hillwood Art Gallery, C. W. Post Campus, Long Island University, Brookville. 'This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966-86', The John and Mable Ringling Museum, Sarasota. Grundberg, Andy and Kathleen McCarthy: 'Photography and Art: Interactions Since 1946', Los Angeles County Museum, Los Angeles. Rosevear, Cora: 'Projects: Louise Lawler', The Museum of Modern Art, New York. Saltz, Jerry (ed.): 'Beyond Boundaries: New York's New Art', New York.

Wernicke, Ralph: 'Kunst mit Fotografie', Stuttgart. 1986 'Cahiers 17/18', Musee National d' Art Moderne, Centre George Pompidou, Paris. 'Rooted Rhetoric', Essays by Gabrielle Guercid and Guida Editore, Naples. Wallis, Brian and Hal Foster: 'Damaged Goods: Desire and the Economy of the Object', The New Museum of Contemporary Art, New York. 1985 'Interesting', Logo / Exhibition Card and Press Release, Nature Morte Gallery, New York. 'The Art of Memory. The Loss of History', The New Museum of Contemporary Art, New York. Gintz, Claude: 'Elsewhere and Otherwise', ARC Musee d'Art Moderne de la ville de Paris, Paris. 1984 'Art After Modernism: Rethinking Representation', Selection and arrangement of photos in collaboration with Brian Wallis, The New Museum of Contemporary Art, New York. 'Natural Genre', Fine Arts Gallery, Florida State University, Tallahassee. Lawson, Thomas: 'Interference on the Line', Contemporary Perspectives 1984, Bucknell University, Lewisburg. 1982 Lawler, Louise: 'Arrangements of Pictures', Metro Pictures, New York. 1981 'Flue', collaboration with Barbara Kruger and Sherrie Levine, New York. 'Passage to the North', New York. 1978 'Untitled. Black/White', New York. 'Untitled. Red/Blue', New York. Artikel und Rezensionen (Auswahl) / Selected press articles and reviews 2019 Nickas, Bob: 'Review: 'She´s Here'', Spike Art Magazine, Winter, pp. 163-164. Vukovi, Magdalena: 'Louise Lawler', EIKON, February, pp. 14-23. Micchelli, Thomas: 'Louise Lawler´s Quiet Melancholy', Hyperallergic.com, 26 January. Yerebakan, Osman Can: 'Artseen: Louise Lawler', TheBrooklynRail.org, 7 March. 2018 Lemaitre, Cristophe, Aurélien Mole and Remi Parcollet, Postdocument, Issue 11, November. Perez, Ingrid: 'This Will Mean More To Some Of You Than Others', eyeline, no 89, pp. 35-43.

2017 Pires, Leah: 'Kindling', Art in America, June/July, pp. 88-95. Durbin, Andrew: 'Louise Lawler', Frieze, September, pp. 162-163. Kitnick, Alex: 'Louise Lawler: Museum of Modern Art, Artforum, November, pp. 235-236. Lawler, Louise: 'It Remains to Be Seen and Distorted for the Times', Blouin Modern Painters, May, pp. 70-79 and cover. Budick, Ariella: 'Views from the inside', Financial times May 20, Life & Arts 13. Fenstermaker, Will: 'When An Image Works, Words Don´t Need To', The Brooklyn Rail, June, p. 60. Greenberger, Alex: 'Around New York', Artnews, Fall, pp. 120-124. Korman, Sam: 'Louise Lawler', Flash Art, September/October, p. 93. Higgs, Matthew: 'Best of 2017', Artforum, December, pp.176-177. Melville, Stephen: 'Institution et Exposision', Les Chaiers de L´Agart No 1, pp.16-33. Pollack, Barbara: 'Louise Lawler: Playing with Pictures', Photograph, May/June, pp. 26-31. Etgar, Yuval: 'The Ends of Collage', Luxembourg & Dayan, New York, p. 23. Indiana, Gary: 'Back in the Frame', T Magazine, 19 February, pp. 226-231. Russeth, Andrew: 'MoMA’s Louise Lawler Retrospective Captures the Jester With of an Artist Making Art About Other People’s Art', W Magazine, Online, 24 April. Schjedahl, Peter: 'Looking and Seeing: A Louise Lawler Retrospective', The New Yorker, 8 May, p. 72. Cotter, Holland: 'Emperor, See Thyself', The New York Times, 20 April. Trouillot, Terence: '10 Contemporary Artists Taking Photography in New Directions', Artnet, Online, 27 April. Donoghue, Katy: 'The Wit of Louise Lawler in 'Why Pictures Now' at MoMA', Whitewaller, Issue 10, p. 26. Gopnik, Blake: 'Louise Lawler’s Caustic Eye Gives a True View of the Art World', Artnet, Online, 1 May Smith, Roberta: 'Stealth Aesthetic, Muted Aura', The New York Times, May 12, C12, C16. 2016 Tarasoff, Sabrina: 'In the Avant-Foyer: On Decadence and De-Facement', Mousse Magazine, issue 52, February/ March, pp. 40-53. Azimi, Roxana: 'Louise Lawler', Le Quotidien De L'Art, Art Basel Edition, Special Issue, June, Kunstforum International, issue 241, August, pp. 138-139. Schiff, Hajo, Kunstforum International, issue 239, April/ May, pp. 220-221. 'Datebook: Louise Lawler Retrospective at the Museum of Modern Art, New York', BlouinArtInfo.com, Online, 30 August. Chiaverina, John: 'MoMA Plans Louise Lawler Retrospective for 2017', Artnews, Online, 23 June. Dafoe, Taylor: 'MoMA to Mount Louise Lawler Retrospective in 2017', BlouinArtInfo.com, 23 June. Linnert, Nicolas: 'Eau de Cologne' , Artforum, November, p. 285. Kitnick, Alex: 'Greater New York', Artforum, January, p. 236. Flower, Isabel: ‘Preview: 'Ordinary Pictures', Artforum, January, p. 138. Perlson, Hili: '10 Unmissable Works at Art Basel Unlimited 2016', artnet.com, 14 June. McDowell, Tara: 'Any Form of Cultural Labor is Collective', Mousse Magazine, April/ May, pp. 228-237. Boucher, Brian: 'MoMA Plans a Giant Louise Lawler Retrospective for 2017', Artnet, Online, 23 June. Chiaverina, John: 'MoMA Plans Louise Lawler Retrospective for 2017', ARTnews, Online, 23 June. 'Datebook: Louise Lawler Retrospective at the Museum of Modern Art, New York', Blouin Art Info, Online, 30 August.

2015 Benzer, Christer: 'Kirschbluete, Konzeptkunst und Shinto-Schreine', Der Standard, Online, 20 April. Borcherdt, Gesine: ‘Frauenbewegt', Welt am Sonntag, no 40, 4 October, p. 55. Briegleb, Till: 'Heilig, heilig, heilig', Sueddeutsche Zeitung, no 79, 7 April, p. 11. Grass, Matthias: 'US-Star kam gerne in die Klever Provinz’, Rheinische Post, Online, 25 August. Hinrichsen, Jens: 'In Berlin zeigen Sherman und Co. wo der hammer hängt’, Monopol, no 11, November. Hinrichsen, Jens: ‘Let there be rock!’, Monopol, Online, 19 October. Hohmann, Angela: ‘Spiel mit den Rollenklischees von Mann und Frau, Berliner Morgenpost, no 272, week 41, 6 October, p. 17. Kronthaler, Helmut: ‘Louise Lawler’, Artinvestor, no 2, February, pp. 5, 82–83. Munro, Cait: 'Making Sense of 2014 at the White Columns Annual‘, Artnet.com, 15 January. Rieger, Birgit: ‘Planet der Primaten', Der Tagesspiegel, no 22403, 18 May, p. 20. Schulp, Thomas: 'Collecting Lines', Kunst Bulletin, no 10, October, p. 83. Shaw, Anny: 'Cult all-female show revisited after 30 years', The Art Newspaper, Online, 17 September. 'Museum Brandhorst kauft Installation von Lawler', Monopol, Online, 11 March. 'Ape Culture / Kultur der Affen', Pankower Allgemeine Zeitung, Online, 5 May. 'Jenny Holzer, Barbara Kruger, Cindy Sherman, Rosemarie Trockel', Wertical, Online, 16 September. 'Jenny Holzer, Barbara Kruger, Louise Lawler, Cindy Sherman, Rosemarie Trockel at Sprueth Magers, Berlin', Artnews, Online, 28 September. 'Wohin am Mittwoch? ', Monopol, Online, 16 September. Springerin, Spring, pp. 16-17, 86, 93, cover. 2014 Boucher, Brian: 'The Lookout', Artinamericamagazine.com, 19 June. Laluyan, Oscar: 'PICTURE THIS: Drone Together at Metro Pictures', ArteFuse.com, 9 June. Art in America, April, cover. Scheller, Jörg: 'Louise Lawler at Museum Ludwig, Cologne', Frieze, March/April, pp. 116-117. Lutticken, Sven: 'Rotation: Event Horizon: On Johanna Burton and Anne Ellegood’s Take It Or Leave It: Institution, Image, Ideology', Texte Zur Kunst, December, p. 173. Schlaegel, Andreas: 'Pictures, Before and After: A Symposium and Exhibition for Douglas Crimp', Flash Art, no. 299, November/ December, p. 41. Stamler, Hannah: 'Louise Lawler, Metro Pictures', Modern Painters, September, p. 85. Duffy, Owen: 'Vector Analysis', Art in Print, September/October, Volume 4, Number 3, p. 38. Bowley, Graham: 'A Louise Lawler Billboard for the High Line', Artsbeat.blogs.nytimes.com, Online, 19 August. Freeman, Nate: 'A Louise Lawler Work Depicting A Room at Sotheby’s Will Greet Passersby Walking the High Line', GalleristNY.com, Online, 19 August. Vartanian, Hrag: 'The Values of Louise Lawler', Hyperallergic, Online, 21 July. Linnert, Nicholas: 'Louise Lawler at Metro Pictures', Artforum.com, Online, 15 July. Stamler, Hannah: 'Review: Louise Lawler at Metro Pictures', blouinartinfo, Online, 5 July. Hurwitz, Laurie: 'Louise Lawler at Yvon Lambert, Paris', ARTnews, Summer, p. 107. Slenske, Michael: 'Artist Louise Lawler Revisits Her Most Famous Work', Architectural Digest, Online, 2 July. Lange, Christy: 'Seven Subjects You Shouldn’t Photograph (Or Should You?) ', Frieze, Summer, p. 143. Boucher, Brian: 'The Lookout‘, Art in America, Online, 19 June. Laluyan, Oscar: 'PICTURE THIS: Drone Together at Metro Pictures', Arte Fuse, Online, 9 June. Krčma (ed.): 'Tacita Dean and Still Life', Art History, Association of Art Historians, November, p. 971.

2013 Rosenberg, Karen: 'Louise Lawler/Liam Gillick at Casey Kaplan', The New York Times, 22 November. 'A Portfolio (traced) ', Artforum, October, pp. 230-239. Keh, Pei-Ru: 'Artists Liam Gillick and Louise Lawler’s work comes together at Casey Kaplan in New York', Wallpaper.com, 4 November. Gopnik, Blake: 'Still Life with Warhol', The Daily Beast, 26 February. Nixon, Mignon: 'Preview: Louise Lawler: Adjusted', Artforum, September, p. 198. ‘Louise Lawler No Drones', Rosanne Altstatt Blog, 6 March. Kesley, Robin: 'Our Lady of Perpetual Help: Thoughts on Recent Scholarship on Photography', Aperture, Spring, pp. 50-55. 2012 Crimp, Douglas: 'Indirect Answers', Artforum, vol 51, no 1, September, pp. 502-505. Hafner, Hans-Jürgen: 'Curator’s Key', Spike, Winter, pp. 44-45. 'Louise Lawler. Albertinum Dresden', kunst:art, no. 25, May/ June, p. 10. Mclean-Ferris, Laura: 'Louise Lawler: No Drones’, Art Review, January/ February, p. 103. 'Gegen die Wand', Monopol, February, pp. 42-47. Chung, Jay and Q Takeki Maeda, 'Top Ten', Artforum, October, p.104. 2011 Koschmieder, Andrei: 'Best of 2011: Louise Lawler, Fitting at Metro Pictures', Artforum, December, p. 105. 'Portfolio', Abitare, November, pp. 26-31. Seligman, Isabel: 'Louise Lawler And The Politics', ArtLyst Online, 25 November. Lawler, Louise: 'Harrell Fletcher', Frieze, September, p. 128. Frankel, David: 'Louise Lawler at Metro Pictures', Artforum, September, p. 343. Leaver-Yap, Isa: 'Fit to Print', Spike, no. 28, Summer, pp. 122-123. Rosenberg, Karen: 'Louise Lawler: Fitting at Metro Pictures', The New York Times, 2 May, p. C25. Wolff, Rachel: 'Impressive Proportions: Louise Lawler Photographs Great Art—Then Treats it Like Taffy', New Yorker, 9 May, pp. 108-109. 2010 'Wer das Glashaus stützt', Monopol, October, p. 16. 2009 'Der Kunstwald lebt', nzz.ch, 26 October. 'Fotografisch zu Gast bei Yves Saint Laurent', Berliner Morgenpost, 28 October, p. 20. 'Mit dem Willen zum Spagat', artnet.de, 31 December. Allan, Stacey: 'Role Refusal: On Louise Lawler’s Birdcalls', Afterall, no. 20, Spring, pp. 108-113. Cotter, Holland: 'At the Met, Baby Boomers Leap Onstage', The New York Times, 24 April, pp. C27, C30. Cotter, Holland: 'Framing the Message of a Generation', The New York Times, 31 May. Gelder, Hilde Van and Helen Westgeest: 'Photography and painting in multi-mediating pictures', Visual Studies, vol. 24, no. 2, September, pp. 122-131. Gopnik, Blake: 'The Pictures Generation at the Metropolitan Museum of Art', thewashingtonpost.com, 15 May.

Graw, Isabelle: 'A Stroke of Genius: On Louise Lawler at Sprüth Magers, Berlin', Texte zur Kunst, no. 76, December, pp. 132-135. Graw, Isabelle: 'Der grosse Wurf. Über Louise Lawler bei Sprüth/Magers, Berlin', Texte zur Kunst, no. 76, December, pp. 196-201. Lorch, Catrin: 'Wo Mondrian schlief. Daheim bei Yves: Neues von Louise Lawler bei Sprüth Magers', Süddeutsche Zeitung, no. 227, 2-4 October, p. 21. Melville, Stephen: 'Twice Untitled and Other Shows', The Journal of Visual Culture, pp. 103-115. Pollack, Barbara: 'The Bowl and the Beautiful', Art in America, May, pp. 90-91. Saltz, Jerry: 'Great Artists Steal: The Met’s Pictures Show Captures a Moment When Borrowing Became Cool', New York, 18 May, pp. 66-67. Schjeldahl, Peter: 'Alien Emotions: Pictures Art Revisited', The New Yorker, 4 May, pp. 74-75. Schreiber, Daniel: 'Portfolio: Louise Lawler', Monopol, no. 9, September, pp. 68-79. Schwabsky, Barry: 'A Million Little Pictures: The Pictures Generation Revisited', The Nation, 1 June, p. 2. Trebay, Guy: 'The Last Collection', The New York Times Magazine, 15 February, pp. 46-47. Yablonsky, Linda: 'Photo Play: The Social Life of the Pictures Generation', Art in America, April, pp. 102-108. Van Gelder, Hilde and Helen Westgeest: 'Photography and painting in multi-mediating pictures', Visual Studies, vol 24, 2 September, pp. 122-131. 2008 'Profile: Shamim M. Momin & Henriette Huldisch', Whitewall, Spring, p. 46. Chan, Dawn: 'Critic’s Pick: Louise Lawler at Metro Pictures', artforum.com, 21 May. Coomer, Martin: 'Louise Lawler', Time Out London, 7 January. Ebner, Jörg: 'Wenn ein Lampenschirm ins Bild kriecht', Frankfurter Allgemeine Zeitung, 5 January. Goldstein, Ann: 'Best of 2008: Louise Lawler. Sucked In. Blown Out. Obviously Indebted or One Foot in Front of the Other', Artforum, December, p. 284. Halle, Howard: 'Anish Kapoor + Louise Lawler', Time Out New York, 4 June, p. 68. Hebron, Micol: 'Women in the City: San Francisco', Flash Art, May/June, p. 90. Heiser, Jörg: 'Art Versus Market - The Logic of Unseizable Gratification', Things That Matter in Contemporary Art, Strenberg Press, Berlin, pp. 248-251. Morgan, Susan: 'Sex in the City', The New York Times Magazine, 27 January, pp. 52-55. Nickas, Bob: 'Best of 2008: Louise Lawler. Sucked In. Blown Out. Obviously Indebted or One Foot in Front of the Other’, Artforum, December, p. 293. Saltz, Jerry: 'The Art World's Space Invader', New York, 2 June, pp. 76-77. Schwenke-Runkel, Ingeborg: 'Heute denken, morgen fertig', Kölner Stadt-Anzeiger, no. 92, pp. 19-20. 2007 Miller-Keller, Andrea and Stephen Melville: 'Louise Lawler. The Tremaine Pictures', BFAS Blondeau Fine Art Services, Geneva, p. 94. 'Louise Lawler', Monopol kompakt, no. 1, Summer. Anastas, Rhea: 'Her Kindling Voice', Texte zur Kunst, issue 67, September, p. 160. Birnbaum, Daniel: 'String Theory', Artforum, September, pp. 406-414. Comis, Guido: 'Sequence 1', Tema Celeste, September/October, pp. 96-97. 'Documenta 12.' Documenta und Museum Fridericianum, Kassel, pp. 144-145. Ermen, Rheinhard: 'Why Pictures Now?', Kunstforum International, no. 179, February-April,

pp. 349-350. Molesworth, Helen: 'Hidden Agendas', Frieze, September, pp. 140-141. 'Pop Art is...', Gagosian Gallery, London, pp. 128-137. Spampinato, Francesco: 'Art-Toy Story', Impackt: Contenitori e Contenuti, no. 2, pp. 108-120. 2006 Bryan-Wilson, Julia: 'Previews', Artforum, September, p. 164. Ermen, Reinhard: 'Why Pictures Now?', Kunstforum International, no. 179, February-April, pp. 349-350. Haverkamp, Anselm: 'Den Konflikt im Blick', Texte zur Kunst, December, pp. 208-214. Hichdorfer, Joachim: 'Louise Lawler', Camera Austria, vol. 92, pp. 9-22 and cover. Swenson, Kristen: 'Louise Lawler Looks Back', Art in America, December, pp. 116-121, 168. Walker, Hamza: 'Reviews: Twice Untitled and Other Pictures (Looking Back)', Modern Painters, November, pp. 100-101, 125. Walker, Hamza: 'Hamza Walker looks at Louise Lawler looking at art; Ossian Ward discovers Balthus's older brother', Modern Painters, November, pp. 100-101. Welling, James: 'Louise LawlerError! Contact not defined …', Bomb, no. 95, Spring, p. 22 and cover. 'Superstars: Von Warhol bis Madonna' Kunsthalle Wien & BA-CA', Kunstforum, p. 157, 160, 177. 2005 'The New MoMA', Artforum, February, pp. 131-143. Crüwell, Konstanze: 'Im Treppenhaus', Frankfurter Allgemeine Zeitung, no. 133, 11 June, p. 32. Goldstein, Ann: 'BEST OF 2005', Artforum International, December, p. 246. Henry, Max: 'Louise Lawler: Looking Forward', Modern Painters, February, pp. 106-107. Hochdörfer, Achim: 'Louise Lawler. Vorbemerkung zu einer Phänomenologie der Schnitte', Camera Austria, no. 92, pp. 9-22. Karcher, Eva: 'Gar nichts mehr heilig', Süddeutsche Zeitung, no. 199, 30 August, p. 12. Mack, Gerhard: 'Offenes Jahrzehnt', Art, November, p. 102. Princenthal, Nancy: 'Review of Exhibitions: Louise Lawler at Metro Pictures', Art in America, no. 2, February, pp. 125-126. Schambelan, Elizabeth: 'Louise Lawler – Metro Pictures', Artforum, February, p. 172. Sdun, Nora: 'Feindeskunst', Frankfurter Allgemeine Sonntagszeitung, no. 15, 17 April, p. 26. Sholis, Brian: 'Reviews: Louise Lawler at Metro Pictures', Untitled London, no. 33, Spring, p. 57. Alexander, Darsie and Robert Storr: 'Slide Show', The Pennsylvania University Press, University Park, Pennsylvania, pp. 114-117. Skolnik, Lisa: '5 Things You Need to Know about Collecting Photography', Chicago Tribune Magazine, 13 November, pp. 19-21. 2004 'Bilder von Bildern', Bolero, June. 'Kein Museum in Spanien hat so eine Sammlung', Photography Now, no. 3, July-September. Baer-Bogenschütz, Dorothee: 'Louise Lawlers Kunst der Aneignung', Kunstzeitung, no. 93, May, p. 19. Baumann, Daniel: 'Louise Lawler and Others', Spike, no. 01, October, p. 117. Burg, Dominique von: 'Über die Funktionsweisen des Kunstsystems', Kunst-Bulletin, no. 7/8, July/August, pp. 32-33. Hafner, Hans-Jürgen: 'Louise Lawler', Artist Kunstmagazin, no. 3, pp. 20-21.

Hainley, Bruce: 'Mata Hari Takes a Picture', Frieze, issue 85, September, pp. 80-87. Heartney, Eleanor: 'Pictures From the Exhibition', Art Press, no. 301, pp. 36-42. Heiser, Jörg: 'Bekamen Sie, was Sie verdienen? Mehr? Weniger?', Süddeutsche Zeitung, no. 154, 7 July, p. 12. Pereira, Raul: 'La fotografia como practica conceptual del arte', art.es, no. 4, July/August, pp. 21-23. Prince, Mark: 'Value Added', Art Monthly, March, pp. 1-5. Pollack, Barbara: 'Reviews – Louise Lawler – Metro Pictures', Time Out New York, 18 November, p. 84. 2003 Crüwell, Konstanze: 'Bilder vom Abbau einer Ausstellung', Frankfurter Allgemeine Zeitung, no. 69, 22 March. Gielen, Denis: 'Fantasmagorie, Psyche and paranoia', DITS, no. 3. Hainley, Bruce: 'Designs for Living – Margo Leavin Gallery', Artforum, December, p. 151. Hae-gyu, Yang: 'Ecology and Art Contained in the Frames', Art in Culture, p. 18, pp. 132-137. Pelzer, Birgit: 'Interpositions. The Work of Louise Lawler', Exit, no. 9, pp. 50-79. Schmitz, Rudolf: 'Der diskrete Charme des Provisorischen', Süddeutsche Zeitung, no. 177, 4 August, p. 13. 2002 Carson, Juli: 'Why Pictures Now', Art Journal, Summer, pp. 106-107. Extension, 'Magasin 3 Stockholm Konsthall', Stockholm, Sweden. Landi, Ann: 'Who Are the Great Women Artists?', Artnews, March, pp. 94-97. Gropp, Rose-Maria: 'Wer nichts wird, wird Model', Frankfurter Allgemeine Zeitung, 8 March, p. 41. 2001 Grasskamp, Walter: 'Verteidigung des Sofabildes', Frame, May/June, pp. 75-78. Hainley, Bruce: 'Louise Lawler', Frieze, January/February, p. 102. Meinhardt, Johannes: 'Erhellende Konstellation', Kunstforum, January-March, pp. 230-249. 2000 Aletti, Vince: 'Short List: Louise Lawler', The Village Voice, 15 February, p. 79. Alimanestianu, Irina: 'Louise Lawler at Richard Telles Fine Art', Art Issues, no. 63, Summer, p. 52. Buchmann, Sabeth: 'Auf den zweiten Blick', Texte zur Kunst, no. 39, September, pp. 200-207. Frimmel, Sandra: 'Drei Tage Dauerkauen', Die Tageszeitung, 27 June, p. 23. Hainley, Bruce: 'Best of 2000', Artforum, December, p. 132. Jones, Karen E.: 'Louise Lawler, More Pictures', Time Out New York, no. 232, 2-9 March, p. 57. Joseph, Branden W.: 'Blanc sur blanc', Les Cahier du Musée National d'Art Moderne, issue 71, Spring, pp. 4-32. Leffingwell, Edward: 'Louise Lawler at Metro Pictures', Art in America, June, pp. 121-122. Leguillon, Pierre: 'Le Début d’ une Histoire et La Fin d’ une Autre', Art Press (Spécial), no. 21, pp. 120-125. Pagel, David: 'Beauty, Through the Eye of Its Beholder', Los Angeles Times, 18 February, p. 34. Shottenkirk, Dena: 'Four on the Floor', International Contemporary Art, issue 66, Summer, p. 44. Smith, Roberta: 'Louise Lawler: Metro Pictures', The New York Times, 3 March, p. E53. Sundell, Margaret: 'Louise Lawler. Metro Pictures', Artforum, April, pp. 140-141. Wallach, Alan: 'Class Rites in the Age of the Blockbuster', Harvard Design Magazine, Summer,

pp. 48-54. 1999 'Reflektionen', Stadtrevue, no. 6. Kroksnes, Andrea: 'Louise Lawler: Specters of Modernism', Parkett, no. 57, December, pp. 156-161. Meinhardt, Johannes: 'Louise Lawler. Hand on her back and other pictures', Kunstforum International, no. 146, July/August, pp. 380-381. Molesworth, Helen: 'Louise Lawler at Skarstedt Fine Arts', Documents, pp. 59-62. Perrée, Rob: 'Louise Lawler stelt helt tentoonstellen ter discussie', Kunstbeeld, March, pp. 38-41. Smith, Roberta: 'Louise Lawler: Skarstedt Fine Art', The New York Times, 23 April, p. E35. 'The Museum As Muse' Intro by Kynaston McShine, Museum of Modern Art, New York, pp. 142-143. Ward, Frazer: 'Critical Mass', Frieze, Summer, pp. 57-56. 1998 Halle, Howard: 'Out of the Closet', Time Out New York, 13-20 August, p. 56. Politi, Giancarlo: 'Installation Art Old & New', Flash Art, November/ December, p. 46. 1997 Alberro, Alexander: 'Louise Lawler: Metro Pictures', Artforum, Summer, pp. 135-136. Baker, George: 'Paint, Walls, Pictures: Something Always Follows Something Else. She Wasn't Always a Statue', Texte zur Kunst, no. 26, pp. 88-93. Barrett, David: 'Collected: Photographer's Gallery. London', Frieze, September/October, pp. 96-97. Dixon, Glenn: 'Institutional Light and Magic', City Paper, 8-14 August, pp. 46-47. Glueck, Grace: 'Louise Lawer', The New York Times (Weekend), 21 February, p. C30. Goldberg, Rose Lee: 'Louise Lawler's Art Lessons', Mirabella, February, p. 20. Green, David A.: 'Process Art', The Village Voice, 18 February, p. 91. Molesworth, Helen: 'Louise Lawler. Metro Pictures, New York', Frieze, issue 34, May, pp. 73-74. Nichols Goodeve, Thyrza: 'Artists Making Movies', Guggenheim Magazine, Spring, pp. 40-47. Rimanelli, David: 'Ways of Seeing', Interior Design, October, pp. 178-181. Romer, Stefan: 'Wem gehört die Apropriation art?', Texte zur Kunst, no. 26., pp. 128-137. Schwendener, Martha: 'Louise Lawler', Time Out New York, 6-13 March, p. 44. Scott, Whitney: 'If these Walls Had Eyes', The New York Post, 15 February, p. 26. Stern, Steven: 'Taste: A Sampler', Documents 8, Winter, pp. 6-13. Shottenkirk, Dena: 'New York in Brief', C International Contemporary Art, issue 53, p. 67. Morgan, Robert C.: 'Louise Lawler', Art Press, May, pp. 64-65. Troncy, Éric: 'Display/Decor', Documents Sur L'Art, no. 11, Autumn/Winter, p. 60, 71. 1996 Krauss, Rosalind: 'Louise Lawler: Souvenir Memories', Aperture, no. 145, pp. 36-39. Riding, Alan: 'Flights of Imagination: How Birds Transfigure The Arts and Vice Versa', The New York Times, 7 August, pp. C11, C16. Sabuis, Jill: 'One Person's Trash Can Become Another Person's Treasure', The Atlanta Journal-Constitution (Weekend Preview), 29 November, p. 21. 1995 'Chronicle West', Kunst & Museumjournaal, vol. 6, pp. 22-23.

'Louise Lawler. A Part of Picture', Portfolio, Grand Street, no. 51. 'October Portfolio One', October, Fall. Heartney, Eleanor: 'The Museum: Lights On, Nobody Home?', Art in America, September, pp. 39-43. Hermes, Manfred: 'Louise Lawler – Monika Sprüth', Flash Art, vol. 28, no. 181, March/April, p. 108. Krauss, Rosalind: 'Art & Language se met a la peinture: etrange alea de l'art conceptuel', Art Press, no. 16, pp. 54-58. Schaffner, Ingrid: 'Deep Storage', Frieze, Summer, pp. 58-61. Sonna, Birgit: 'Perfekt gestylt' Süddeutsche Zeitung, 20 March. 1994 Buskirk, Martha: 'Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson', October, vol. 70, pp. 104-108. Dent, Troy: 'Alreadymade Female Louise Lawler', Parachute, no. 76, October-December, pp. 20-24. Doroshenko, Peter: 'A Part of the Picture', Grand Street, vol. 13, no. 3, Winter, p. 225-233. Periz, Ingrid: 'Louise Lawler', Art + Text, vol. 49, p. 82. Solomon-Godeau, Abigail: 'The Label Show: Contemporary Art and the Museum', Art in America, October, pp. 51-55. 1993 Sichel, Berta: 'Louise Lawler', Poliester, vol. II, no. 7, Fall, pp. 32-34. 'Louise Lawler, Cindy Sherman, Laurie Simmons', Edited by Asmund Thorkildsen, Kunstnernes, Oslo, p. 50. 1992 Forstbauer, Nikolai B.: 'Do you have all this needed?', Zyma, January/February, pp. 10-11. Meinhardt, Johannes: 'Erhellung der Situation. Louise Lawler. Situierungen und Fotographien von Situierungen', Kunst-Bulletin, no. 2. Meinhardt, Johannes: 'Louise Lawler. Kontext, Situation, Markt', Zyma, January/February, pp. 4-9. Schneider, Maria: 'Louise Lawler', Metropolis, February. 1991 Alden, Todd: 'Louise Lawler', Arts, October, p. 80. Criqui, Jean-Pierre: 'Louise Lawler. Critique d'art', Art Press, January, pp. 42-46. Meinhardt, Johannes: 'The Places of Art - The Photography of Louise Lawler', Hugo-Erfurth-Preis, Museum Morsbroich, Leverkusen, pp. 26-29. Smith, Roberta: 'Art in Review: Louise Lawler', The New York Times, 31 May, p. C26. Tallman, Susan: 'Report from Boston', Art in America, June, pp. 59-63. 1990 Abrams, Harry N.: 'A Day Without Art. Observed December 1st', Flash Art, March/April, p. 163. Barr, Peter: 'Deconstructing. Louise Lawler at the MFA', Art New England, December/January. Cottingham, Laura: 'New York', Contemporanea, March, p. 34. Fehlau, Fred: 'Louise Lawler Doesn't Take Pictures', Artscribe, May, pp. 62-65. 1989

'A Forest of Signs: Art in the Crises of Representation', essays by Ann Goldstein and Howard Singerman, The Museum of Contemporary Art, Los Angeles, Published by the MIT Press, Cambridge, Massachusetts. 'Louise Lawler', Kunstforum, November/December. 'Photography', The New Yorker, 4 December, p. 20. Ball, Edward: 'The Beautiful Language of My Century', Arts Magazine, January, pp. 65-72. Coleman, A. D.: 'Photography Review', The New York Observer, 18 December, p. 14. Cottingham, Laura: 'The Feminine De-Mystique', Flash Art, Summer, pp. 91-95. Decter, Joshua: 'Louise Lawler', Flash Art, October, pp. 127-128. Drohojowska, Hunter: 'Sign of the Times: The artist as double agent', The Journal of Art, September/October, p. 16-17. Drohojowska, Hunter: 'The 80's: Stop Making Sense', Artnews, October, pp. 146-151. Faust, Wolfgang Max: 'Kunst mit Fotografie heute', Wolkenkratzer Art Journal, January/February, pp. 24-45. Gilbert-Rolfe, Jeremy: 'The Price of Goodness', Artscribe, November/December, pp. 48-53. Handy, Ellen: 'New York Review', Arts Magazine, September, pp. 93-94. James, David E.: 'Signs Taken for Wonders', Art Issues, September/October, pp. 18-20. Johnson, Ken: 'Louise Lawler at Metro Pictures', Art in America, November, p. 191. Kozloff, Max: 'Hapless Figures in an Artificial Storm', Artforum, November, pp. 131-136. Meinhardt, Johannes: 'Allan McCollum, Louise Lawler, Barbara Bloom', Kunstforum, March/April, p. 200-220. Smith, Roberta: 'Downtown Galleries: Photo Show', The New York Times, 5 May. Smith, Roberta: 'Laurie Simmons: Photographs. Louise Lawler: Installation', The New York Times, 8 December. Smith, Roberta: 'The Whitney Interprets Museum's Dreams', The New York Times, 23 July, pp. 31-32. Soutif, Daniel 'Found and Lost on the Object in Art', Artforum, October, pp. 152-165. Storr, Robert: 'Louise Lawler: Unpacking the White Cube', Parkett, no. 22, pp. 105-108. Wise, Kelly: 'Show raises art-world issues,' The Boston Globe, 6 October. 1988 'Interpretazioni e Scambi Artistici', Casa Vogue, June. 'Louise Lawler, Project for Flash Art', Flash Art, November/December, pp. 93-94. 'Now New York New', Wolkenkratzer Art Journal, January, pp. 20-35. Baldrighi, Luciana: 'Photography in Contemporary Art', L' Arca, June. Durante, Alfred: 'Louise Lawler', Arts Magazine, April, p. 93. Ericsson, Lars O.: 'Implosion, Moderna Museet', Artnews, February, p. 169. Hart, Claudia: 'Louise Lawler, Museum of Modern Art', Artscribe, January/February, pp. 70-71. Javauet, Patrick: 'Knight, Lawler: Les lecons d'une confrontation Maison de la Culture et de la Communication', Art Press, January, pp. 70-71. Jones, Ronald: 'Hover Culture', Artscribe, Summer, pp. 46-52. Joselit, David: 'Investigating the Ordinary', Art in America, May, pp. 148-155. Koether, Jutta: 'Eau de Cologne: Monika Sprüth', Artscribe, March/April, p. 90. Magnani, Gregorio: 'I Fotografi 'Incantati', Per Lui, June. Woodruff, Mark: 'Louise Lawler. Museum of Modern Art', New Art Examiner, January, p. 61. 1987

'Louise Lawler des lieux ou des oeuvres d'art ont ete installées', Art Press, no. 113, pp. 18-19. Avgikos, Jan: 'Louise Lawler, Metro Pictures', C Magazine, Summer, pp. 69-70. Bankowsky, Jack: 'Fake. The New Museum of Contemporary Art', Flash Art, October, pp. 105-106. Bankowsky, Jack: 'Spotlight: Louise Lawler', Flash Art, April, p. 86. Cameron, Dan: 'Art and it's double: A New York Perspective', Flash Art (special supplement #1), May. Cameron, Dan: 'Post-Feminism', Flash Art, February/March, pp. 80-83. Cameron, Dan: 'Think Piece', Arts Magazine, April, pp. 25-29. Fisher, Jean: 'Louise Lawler', Artforum, April, pp. 121-122. Grundberg, Andy: 'A New Breed Challenges the Illusion of Realism', The New York Times, 27 December. 'Implosion: A Postmodern Perspective', Essays by Lars Nittve, Germano Celant, Kate Linker, Craig Owens, Moderna Museet, Stockholm. Meinhardt, Johannes: 'Louise Lawler: As Serious as a Circus', Kunstforum, October/November. Pincus-Witten, Robert: 'Electrostatic Cling or The Massacre of Innocence', Artscribe, Summer, pp. 36-41. Parachute, no. 46, March - May, cover. 1986 'Arranged for Living', File Magazine, no. 26, 25 December, pp. 36-47. 'Project', Artforum, November, p. 101. Hapgood, Susan: 'Group Show. Metro Pictures', Flash Art, February/March, pp. 49-50. Indiana, Gary: 'Talking Back', The Village Voice, 11 February, p. 84. Levin, Kevin: 'Louise Lawler', The Village Voice, 3 February, p. 68. Linker, Kate: 'Rites of Exchange', Artforum, November, pp. 99-101. Lurie, David, R.: 'Consumer and Connoisseur. On the New Museum's Damaged Goods. Desire and the Economy of the Object', Arts Magazine, November, pp. 16-18. Raynor, Vivien: 'Art: Objects are Subject of Damaged Goods', The New York Times, 18 July. Russell, John: 'Louise Lawler', The New York Times, 30 January, p. C22. Staniszewski, Mary Anne: 'Smart Set', Manhattan Inc., January, p. 159. Storr, Robert: 'L' Elatment de L' Ecole de New York', Art Press, February, pp. 46-48. 1985 Durand, Regis: 'New York – Ailleurs et Autrement', Art Press, no. 88, January, p. 22. Fraser, Andrea: 'In and Out of Place', Art in America, June, pp. 122-129. Gauville, Herve: 'Boy Meets Cow', Liberation, 25 January, p. 30. Grundberg, Andy: 'Beyond Still Imagery', The New York Times, 7 April, p. 24. Indiana, Gary: 'Memories Are Made of This', The Village Voice, 10 December, p. 93. Lamoureaux, Johanne: 'New York – Ailleurs et Autrement', Parachute, June/July/August, pp. 57-59. Silverthorne, Jeanne: 'Louise Lawler, Metro Pictures', Artforum, April, p. 89. 1984 Cameron, Dan: 'Four Installations: Francesc Torres, Merle Ukeles, Louise Lawler/Alan McCollum and Todt', Arts Magazine, December, pp. 66-70. Hanson, Bernard: 'Artist Takes Shots at Museums. Collectors', Hartford Courant, 4 March. Lawler, Louise: 'Arrangements of Pictures', October, no. 26, pp. 3-6.

Lichtenstein, Therese: 'Louise Lawler/Alan McCollum', Arts, December, p. 34. Linker, Kate: 'Eluding Definition', Artforum, December, p. 66. 1983 Eisenman, Stephen: 'Louise Lawler', Arts Magazine, January, p. 41. Gintz, Claude: 'A Pierre et Marie', Cover, Spring, p. 6. Grundberg, Andy: 'Photography View', The New York Times, 8 May. Lichtenstein, Therese: 'Louise Lawler', Arts Magazine, February, p. 5. Linker, Kate: 'Borrowed Time', Artforum, May, p. 100. 'An Arrangement of Pictures', October, No. 26, Fall, pp. 3-16. 1982 'A Picture Is No Substitute For Anything', Wedge, no. 2, Fall, pp. 58-67. Bellavance, Guy: 'Dessaisissement et Reappropriation: du photographique dans l'art americaine', Parachute, December - February, pp. 9-17. Buchloh, Benjamin: 'Allegorical Procedures: Appropriation and Montage in Contemporary Art', Artforum, September, pp. 48-49. Grundberg, Andy: 'Critics' Choices: Photography', The New York Times, 12 December. Knight, Christopher: 'Portraits', Los Angeles Herald Examiner, May. Sischy, Ingrid: 'Documenta 7', Artforum, September, p. 57. Smith, Roberta: 'Didacticism, Material and Immaterial', The Village Voice, 21 December, p. 113. 1978 Kingsley, April: 'Art Goes Underground', The Village Voice, 16 October. Publikationen und Druckerzeugnisse der Künstlerin (Auswahl) / Selected publications and printed materials by the artist 2019 '(Bunny) Sculpture and Painting (adjusted to fit, distorted for the times)‘, matchboxes printed on the occasion of Eau de Cologne, Sprüth Magers, Hong Kong. 2018 Edition for MOREpublishers in De Witte Raaf 195 (September-October), p. 34. 2014 Envelope for A Letter Always Arrives at its Destination, Panacée, Centre De Culture Contemporaine, Ville de Montpellier, France. 2013 'No Drones', colouring books printed on the occasion of 'Adjusted' at Museum Ludwig, Cologne.

2011 '(No Title) Adjusted to Fit', matchbooks printed on the occasion of Art Basel, Switzerland. '(No Title) Birdcalls', matchbooks printed on the occasion of 'Fitting', Metro Pictures,

New York. 'Civilian (Adjusted to fit)', matchbooks printed on the occasion of 'No Drones', Sprüth Magers, London. 2009 'Taking Place', exhibition announcement poster, Sprüth Magers, Berlin. '(No Title) NO SMOKING/RE-GIFT', matchbooks printed on the occasion ‘RE-GIFT’, Swiss Institute, New York. 2006 Hochdorfer, Achim: 'Louise Lawler', Camera Austria, Munich, vol. 92, pp. 9-22 and cover. 2005 'The New MoMA', photographs illustrating the new Museum of Modern Art, Artforum, February, pp. 131-143. 'MoMA in Hamburg: Louise Lawler', exhibition poster, Kunstverein in Hamburg, Hamburg. 2004 'Looking Forward', announcement card and wrapping paper, Metro Pictures, New York. 2003 'Propably Not in the Show', announcement card and exhibition poster, Portikus, Geneva. '(No Title) No Drinks For Those Who Do Not Support the Anti-War Demonstration', announcement card for Four Nudes, Metro Pictures, New York. 'After the Observatory', Paula Cooper Gallery, New York. 1999 'The Museum as Muse', napkin, Museum of Modern Art, New York. 1998 'Without Moving/ Without Stopping', www.stadiumweb.com (online exhibition). 'Birdcalls', www.stadiumweb.com (online exhibition). 1995 'Portrait', matchbooks, Gramercy Park Festival, Gramercy Park Hotel, New York. 1994 Grand Street, New York, vol.13, no.3, winter, pp. 225-232 and cover. 1991 'This Takes the Cake, Squid In Its Own Ink, The Cheese Stands Alone', matchbooks, Carnegie International, Carnegie Museum of Art, Pittsburgh. 1990 'Recognition Maybe, May not be Useful', cover, Artscribe, May.

1989 'How Many Pictures', decal exhibition card, Metro Pictures, New York. 1988 'Inserts', project by Group Material, advertising supplement, The New York Times, 5 May. 'Project For Flash Art', Flash Art, November/December, pp. 93-94. 'It Is Something Like Putting Words in Your Mouth‘, Insitute of Contemporary Art, Philadelphia, (exhibition catalogue). 1987 'It Remains To Be Seen …', calendar exhibition card, Metro Pictures, New York. 'Des lieux ou des oeuvres d´art ont ete installees', Art Press, no. 113, pp. 18-19. Parachute, no. 46, March-May, cover. 'De Appel', Amsterdam, no. 2, p. 27, cover and back cover. 'Margo Leavin Gallery Gift Certificates', Margo Leavin Gallery, Los Angeles. 'A Movie Will Be Shown Without The Picture', Picture This, films chosen by artists and poster, Hallwalls, Buffalo/New York, pp. 63-69. 'Enough/Projects Louise Lawler', pamphlet and flyer, The Museum of Modern Art, New York. 'As Serious As A Circus', announcement/mileage chart, Isabella Kacprzak Gallery, Stuttgart. 'Le Roi est Nu!, The Emperor´s New Clothes', t-shirt, Fonds Regional d´Art Contemporain. 1986 'Printed Matter 10th Anniversary Catalog', cover photo, Printed Matter, New York. 'Project', Artforum, November, p. 101. 'Arranged for Living', File Magazine, Toronto, no.26, December 25, pp. 36-47 and back cover. 1985 'Interesting', logo/exhibition card and press release, Nature Morte Gallery, New York. 'Talking Back to the Media', Amsterdam, Talking Back to the Media Foundation, p. 22. 1984 'New Observations', collabration with Allan McCollum, p. 8. 'Tellus', side A cut 1 (audio tape) and 5-6. 'Art After Modernism: Rethinking Representation', selection and arrangement of photos in collaboration with Brian Wallis, The New Museum of Contemporary Art, New York; David R. Godine, Boston. 1983 'A Movie Will Be Shown Without The Picture', poster, Franklin Furnace and Lawrence Weiner, New York. Art and Auction, cover, February 'Borrowed Time', matchbooks, Baskerville & Watson Gallery, New York. 'Leo Castelli Gallery', Gift certificates, Leo Castelli Gallery, New York.

1982 'A Picture is No Substitute for Anything', invitation cards, a collaborative work by Louise Lawler and Sherrie Levine. 'Louise Lawler, Arrangements of Pictures', matchbooks, Metro Pictures, New York. De Appel, back cover, no 1, Amsterdam. 'Documenta 7: A Story', stationary and envelopes. 'A Picture Is No Substitute For Anything', Wedge, no 2, fall, pp. 58-67. 1981 'Passage to the North', a structure by Lawrence Weiner and photographs by Louise Lawler, Tongue Press, New York. 'Swan Lake', invitation card, New York Real Life Magazine, autumn, cover, New York. 'Flue', design and centerfold project in collaboration with Barbara Kruger and Sherrie Levine, Franklin Furnace, New York. 1978 'Untitled. Red/Blue', book, New York. 'Untitled. Black/White', book with text by Janelle Reiring, New York. 1972 'Untitled', publication in collaboration with Joanne Caring, The Roseprint Detective Club, New York.