Light at Home 2010

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description

Designed by Ole Jensen, the OJ family consists of a wall, a fl oor and a table fi xture. Same harmonious idiom, yet differently interpreted. Each fi xture has its own identity, while still sharing a clear, common style with the others – precisely what characterises a family. AJ 50 Wall is based on the indoor AJ family. Now developed for outdoor use. Robust and stylish today and tomorrow, in a year or in a decade. Architectural aesthetics at its best. Latest LED technology directly connectable to the existing electricity grid.

Transcript of Light at Home 2010

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news

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D e s i g n : O l e J e n s e n

OJfamily

new

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Lighting must be soft as accentuated by the shapes!

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OJ

7

Designed by Ole Jensen, the OJ family consists

of a wall, a fl oor and a table fi xture. Same

harmonious idiom, yet differently interpreted.

Each fi xture has its own identity, while still

sharing a clear, common style with the others –

precisely what characterises a family.

family

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Phot

o: K

aslo

v St

udio

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Creative hands Ole Jensen creates his designs by hand. His

training as a potter is clearly communicated in

his organic designs. Soft and round, interspersed

with edges, beautifully displayed in his version

of a jug. His designs simply and precisely reveals

their functions to us all.

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Simple is hardSimple, yet complicated. Focus on details,

focus on the whole. A new fi xture project

and a new designer, new at least to

Louis Poulsen. Ole Jensen is renowned

in Denmark for his designs particularly

of porcelain but also unique and brilliant

objects like his rubber washing-up bowl.

The washing-up bowl is testament to

Ole Jensen’s dedication to details.

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z

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It is as if the light is almost slipping out

like a plastic mass

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Based on the indoor AJ family. Now de-

veloped for outdoor use. Robust and styl-

ish today and tomorrow, in a year or in

a decade. Architectural aesthetics at its

best. Latest LED technology directly con-

nectable to the existing electricity grid.

AJ 50 WallAJ 50 WallPh

oto:

Jesp

er R

ay

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a j 5 0 w a l ld e s i g n : a r n e j a c o b s e n

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irgitt

a W

olfg

ang

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Often used. But what does it really mean? Something

that lasts forever? Or something we cannot refer to

a specifi c era? We believe that Louis Poulsen lighting

belongs in any age.

Our products appear contemporary in all styles, cul-

tures and architectural settings, precisely because

we do not look for inspiration in trends, but in our

perception of lighting and aesthetics. Nothing less!

timeless

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p h 8 0d e s i g n : p o u l h e n n i n g s e n

A mixed universe of

tastes from all over the

world. Mysticism mixed

with bold tattoos. Almost

a Rolling Stones universe

extending from fl ower-

power to hardcore rock.

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lear

light

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emotions

p h 4 ½ - 3 ½ g l a s s t a b l ed e s i g n : p o u l h e n n i n g s e n

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a j t a b l ed e s i g n : a r n e j a c o b s e n

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p a n t h e l l a f l o o rd e s i g n : v e r n e r p a n t o n

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a j f l o o rd e s i g n : a r n e j a c o b s e n

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Metropolis

p h 3 / 2 t a b l eb l a c k c h r o m e

d e s i g n : p o u l h e n n i n g s e n

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s n o wd e s i g n : l o u i s e c a m p b e l l

A globalised idiom. Pure and aesthetic, an almost reli-

gious attitude to simple contrasts inspired this interior

design. Masculine simplicity, elemental contrasts –

black and white – form the basis for this super-stringent

design.

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olfg

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p h 5 0d e s i g n : p o u l h e n n i n g s e n

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p h 5 - 4 ½d e s i g n : p o u l h e n n i n g s e n

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e n i g m a 5 4 5d e s i g n : s h o i c h i u c h i y a m a

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ira B

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S a t e l l i t ed e s i g n : v i l h e l m w o h l e r t

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c o l l a g e 4 5 0d e s i g n : l o u i s e c a m p b e l l

global

Inspiration from all over the world. Colourful

inspiration from Morocco combined with Asian

mysticism. Decorative souvenirs brought home

from travels embed memories in your surround-

ings. Illuminate your memories.

fo lklor icfolklor ic

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t o l d b o d 1 5 5 g l a s p e n d a n td e s i g n : l o u i s p o u l s e n

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p h 3 / 2 t a b l e b l a c k c h r o m e

d e s i g n : p o u l h e n n i n g s e n

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1. Aeros Pendant. Design: Ross Lovegrove. Materials: anodised aluminium in the colour Golden Sand. Dimension: Diameter 723mm, height 220mm, height with wire suspension 724mm.

2. AJ Pendant. Design: Arne Jacobsen. Material: White aluminium and steel. Dimension: Ø 370: Diameter 370mm, height 181mm, Ø 500: Diameter 500mm, height 225mm.

3. Campbell 210/275. Design: Louise Campbell. Material: Mouth-blown clear glass with sand-blasted stripes. Dimension: 210: Diameter 210mm, height 284mm, 275: Diameter 275mm, height 371mm.

4. Collage Pendant 450/600. Design: Louise Campbell. Material: Laser-cut acrylic in the colours Snow White (white), Hotlips (pink), Juicy Orange (orange), Lemon Yellow (yellow), Smoke Screen (smoke coloured). Dimension: 600: Diameter 600mm, height 360mm. 450: Diameter 450mm, height 288mm.

5. Enigma 425/545. Design: Shoichi Uchiyama. Light source: 425: 50W QR GU10, 545: 75W QR GU10. Material: Shades of matt-coated acrylic, cone in brushed and lacquered aluminium. Dimension: 425: Diameter 422mm, height 740mm, 545: Diameter 545mm, height 970mm. Enigma 825 available to order.

6. Flindt 220/475. Design: Christian Flindt. Pendant. Material: White, matt vinyl string, injection-moulded acrylic wings. Dimension: 220 pendant: Diameter 220mm, height 295mm, 475 pendant: Diameter 475mm, height 510mm.

For information about light sources, wattages and light-source size, see our continuously updated overview of light sources at: stayplugged.louispoulsen.com

p e n d a n t s

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1. Moser Design: Anu Moser. Material: Mouth-blown, white opal glass. Suspension in polished aluminium. Dimension: Ø 185: Diameter 185mm, height 255mm, Ø 205: Diameter 205mm, height 285mm, Ø 250: Diameter 250mm, height 360mm.

2. PH 2/1 Pendant. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with lampholder unit in high-lustre chrome-plated aluminium. Dimension: Diameter 200mm, height 140mm.

3. PH 2/1 Stem Chandelier. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with frame and lampholder unit in high-lustre chrome-plated brass and aluminium. Dimension: Diameter 596mm, height 551mm.

4. PH 3/2 Pendant. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with lampholder unit in high-lustre chrome-plated or black chrome-plated brass. Dimension: Diameter 290mm, height 242mm.

5. PH 3/2 Academy. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with frame and lampholder unit in high-lustre chrome-plated brass. Dimension: Diameter 680mm, height 345mm.

6. PH 4/3 Pendant. Design: Poul Henningsen. Material: White or brushed and painted aluminium. Dimension: Diameter 400mm, height 200mm.

7. PH 4½-4 Glass pendant. Design: Poul Henningsen. Material: Shades of mouth-blown white opal glass with lampholder unit in high-lustre chrome-plated alu-minium. Dimension: Diameter 450mm, height 410mm.

8. PH 5 Plus. Design: Poul Henningsen. Material: White aluminium. Dimension: Diameter 500mm, height 285mm.

9. PH 50. Design: Poul Henningsen. Material: Chili Red, Mint Blue, Wasabi Green, Coconut White or Olive Black aluminium. Dimension: Diameter 500mm, height 285mm.

For information about light sources, wattages and light-source size, see our continuously updated overview of light sources at: stayplugged.louispoulsen.com

p e n d a n t s

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41. PH Artichoke. Design: Poul Henningsen. Material: Leaves: Copper, brushed steel or white steel. Frame: High-lustre chrome-plated steel. Dimension: Ø 480: Diameter 480mm, height 497mm, Ø 600: Diameter 600mm, height 580mm. Ø 720 and Ø 840 available to order.

2. PH 5-4½. Design: Poul Henningsen. Material: White aluminium. Dimension: Dia-meter 466mm, height 318mm.

3. PH Snowball. Design: Poul Henningsen. Material: White aluminium with frame in high-lustre chrome-plated aluminium. Dimension: Diameter 400mm, height 390mm.

4. Satellite. Design: Vilhelm Wohlert. Material: Mouth-blown, white opal glass, pen-dant tube in brushed steel. Dimension: Ø 250: Diameter 250mm, height 270mm, Ø 300: Diameter 300mm, height 320mm, Ø 350: Diameter 350mm, height 370mm. Ø 400 available to order.

5. Toldbod 155/220 Glass Pendant. Design: Louis Poulsen. Material: Mouth-blown white opal glass, pendant tube in brushed, stainless steel. Dimension: 155: Dia-meter 155mm, height incl. pendant tube 260mm. 220: Diameter 220mm, height incl. pendant tube 375mm.

6. Toldbod 120 Pendant. Design: Louis Poulsen. Material: Shade in spun aluminium in the colours Misty Blue, Black Berry, Cloudy White, Yellow Blossom and Grey Thun-der. Refl ector in spun, anodised aluminium. Dimension: Diameter 120mm, height 121mm.

For information about light sources, wattages and light-source size, see our continuously updated overview of light sources at: stayplugged.louispoulsen.com

p e n d a n t s

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white Shades of

White comes in many shades. Light

and shadow constantly change in

white rooms. Pure and airy de-

signs interplaying with light and

shadow create fascinating experi-

ences. Small elements are accen-

tuated. Light is tinged in appeal-

ing and discrete ways. White is not

just white.

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irgitt

a W

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aj

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a j w a l ld e s i g n : a r n e j a c o b s e n

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a j t a b l ed e s i g n : a r n e j a c o b s e n

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a j t a b l e & f l o o rd e s i g n : a r n e j a c o b s e n

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Natura l g lowNatural materials create a cosy

atmosphere imbued in soft,

golden shades. The perpetual

shimmering colour hues engen-

der a tranquil, stimulating per-

ception of a room, further un-

derlined by the light emission of

each individual fixture.

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a e r o sd e s i g n : r o s s l o v e g r o v e

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o: C

lear

light

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a j t a b l ed e s i g n : a r n e j a c o b s e n

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p a n t h e l l a f l o o rd e s i g n : v e r n e r p a n t o n

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BlackOut

Vintage décor. Moss, rot and hues of green. A mix of impressions.

No one colours an area like nature itself – everything else is an illu-

sion. Lighting is a supplement. A small garden – actually a nursery in

southern Sweden – sets the framework for this nostalgic, yet contem-

porary dream world of nature and scenery.

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t o l d b o d 1 5 5 b o l l a r dd e s i g n : l o u i s p o u l s e n

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passionpassion

p a n t h e l l a t a b l e

d e s i g n : v e r n e r p a n t o n

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Colour cornucopia. Colours

create ambience and attract

attention. White fi xtures

exert a fascinating contrast to

garish environments. They

appear in natural purity,

blending effortlessly with

coloured settings.

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p a n t h e l l a f l o o rd e s i g n : v e r n e r p a n t o n

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p a n t h e l l a t a b l e

d e s i g n : v e r n e r p a n t o n

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1. AJ Table. Design: Arne Jacobsen. Material: steel in the colours: black, white, graphite grey, 1805 (petroleum), 1806 (red), 1808 (sand), 1809 (yellow/green) or 1810 (blue/green). Dimension: Depth 350mm, height 560mm.

2. AJ Floor. Design: Arne Jacobsen. Material: steel in the colours: black, white, graphite grey, 1805 (petroleum), 1806 (red), 1808 (sand), 1809 (yellow/green) or 1810 (blue/green). Dimension: Depth 325mm, height 1,300mm.

3. OJ Table. Design: Ole Jensen. Material: Shade: White steel; Stem and base: white steel. Dimension: Height: 485 mm, Diameter: 270 mm.

4. OJ Floor. Design: Ole Jensen. Material: Shade: White steel; Stem and base: white steel. Dimension: Height: 1,300 mm. Diameter: 186 mm.

5. PH 3/2 Table. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with lampholder unit and frame in high-lustre chrome-plated or black chrome-plated brass. Dimension: Diameter 290mm, height 472mm.

6. PH 3½-2½ Floor. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with stem and base in high-lustre chrome-plated brass and steel. Dimension: Diameter 330mm, height 1,300mm.

7. PH 4/3 Table. Design: Poul Henningsen. Material: Shades of white aluminium with frame and base in high-lustre chrome-plated brass and steel. Dimension: Diameter 450mm, height 540mm.

8. PH 4½-3 Glass Floor & Table. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with top plate and frame in high-lustre chrome-plated brass and steel. Dimension: Diameter 450mm, Table: height 550mm, Floor: height 1,250mm.

9. PH 80. Design: Poul Henningsen. Material: Shades of white, opal acrylic and polycarbonate, stem of high-lustre chrome-plated steel. Dimension: Diameter 550mm, height 1,315mm.

10. Panthella Floor & Table. Design: Verner Panton. Material: Shade in white, opal acrylic, stem in white-painted steel, base and top in white plastic. Dimension: Table: Diameter 400mm, height 580mm, Floor: Diameter 500mm, height 1,305mm.

11. Snow Floor. Design: Louise Campbell. Material: Transparent serigraphed acrylic (PMMA). Size: Diameter 350mm, height 1,505mm, depth 842mm.

12. Flindt 220 Floor. Material: String in white matt vinyl, wings in injection moulded acrylic. Dimensions: Diameter 220mm, height 1395mm.

For information about light sources, wattages and light-source size, see our continuously updated overview of light sources at: stayplugged.louispoulsen.com

t a b l e & f l o o r

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1. AJ 50 Wall. Design: Arne Jacobsen. Material: Structured, fl ow-formed alu-minium in the colours: grey, white and black. Built-in LED light source.Dimensions: L: 349mm, W: 161mm, W: 248mm.

2. AJ Wall. Design: Arne Jacobsen. Material: steel in the colours: black, white, graphite grey, 1805 (petroleum), 1806 (red), 1808 (sand), 1809 (yellow/green) or 1810 (blue/green). Dimension: Depth 335mm, height 180mm.

3. OJ Wall. Design: Ole Jensen. Material: Shade: White steel; Arm and wall fi t-ting: white, cast aluminium. Dimension: Diameter: 139mm, height 178mm.

4. PH 3/2 Wall. Design: Poul Henningsen. Material: Shades of mouth-blown, white opal glass with wall fi tting and arm in high-lustre chrome-plated brass. Dimension: Diameter 290mm, height 235mm, depth 367mm.

5. AJ Discus Ø 220 and Ø 350. Design: Arne Jacobsen. Material: Mouth-blown, white opal glass with wall fi tting in white aluminium. Dimension: Ø 220: Diameter 220mm, depth 105mm. Ø 350: Diameter 350mm, depth 100mm.

6. PH 2/1 Wall. Design: Poul Henningsen. Material: Shades of mouth-blown white opal glass with lampholder unit and arm in high-lustre chrome-plated aluminium and brass. Dimension: Diameter 200mm, height 165mm, depth 296mm.

7. PH Hat. Design: Poul Henningsen. Material: White steel. Dimension: Dia-meter 225mm, depth 145mm.

8. Toldbod 155 Wall. Design: Louis Poulsen. Material: Aluminium-coloured or black with structured aluminium surface. Dimension: Diameter 155mm, depth 267mm, height 158mm.

9. PH 3-2½ Bollard. Design: Poul Henningsen. Material: Shades of black steel. Dimension: Diameter 283mm, height 909mm.

10. PH 3-2½ Wall. Design: Poul Henningsen. Material: Shades of black steel. Dimension: Diameter 283mm, depth 336mm, height 239mm.

11. Toldbod 155 Bollard. Design: Louis Poulsen. Material: Aluminium-coloured or black with structured aluminium surface. Dimension: Diameter 155mm, depth 267mm, height 900mm.

For information about light sources, wattages and light-source size, see our continuously updated overview of light sources at: stayplugged.louispoulsen.com

w a l l & o u t d o o r f i x t u r e s

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91. Ole Jensen (1958). Potter from Kolding School of Design, studied at the Royal Danish Academy of Art from 1985-1989. Clay is his material of choice, and the proc-ess lends a special edge to his design. It grows and develops from something simple and natural. His objects therefore merge humour, functionality and joy of life. He has received myriad international design awards, e.g. the Thorvald Bindes-bøll medal (2004) and the IF Design Award and exhibits at several renowned mu-seums throughout Europe.

2. Christian Flindt (1972). Architect from Aarhus School of Architecture. Has run his own design business since 2003. Spreads over many design genres. Has received the 2005 Danish Design Award and the 2006 Danish Bo Bedre Danish Designer of the Year Award.

3. Verner Panton (1926-1998). Architect from the Royal Danish Academy of Art. Had his own drawing offi ce from 1955. Known for his organic, colourful designs in e.g. his favourite material, plastic. Won numerous prizes and design awards. Remains highly popular and is still widely exhibited.

4. Anu Moser (1945). Swedish potter and specialist in restoring ceramics. Moser is the fi rst fi xture from the hand of Anu Moser. Anu Moser has exhibited throughout the world, including several times in Japan.

5. Ross Lovegrove. Welsh. World-known industrial designer. Founder of Studio X in Notting Hill, London, which focuses on exploiting the potentials of digital technolo-gies. His skills as an interpreter of organic design has brought him in contact with some of the world’s strongest brands, and his works have been exhibited at e.g. MoMa in New York, Centre Pompidou in Paris and, naturally, the London Design Museum.

6. Vilhelm Wohlert (1920-2007). Architect. 1968-86 Professor at the Royal Danish Academy of Art, honorary member since 2001. Designed Louisiana Museum of Modern Art in Humlebæk and the Danish Music Museum in Copenhagen. Received many awards and exhibited throughout the world. Designed the lighting for many churches in cooperation with Louis Poulsen.

7. Shoichi Uchiyama (1947). Trained at the YMCY, Institute of Design in Tokyo. Own-er of the Shoichi Uchiyama Design Offi ce (1997) specialising in lighting design. Shoichi Uchiyama has won several awards, the German iF Design Award and the Japanese Good Design Award among them.

8. Poul Henningsen, PH, (1894-1967). Louis Poulsen’s most prominent lighting designer and co-initiator of the company’s lighting philosophy. A cultural celeb-rity who also engaged in revue, satire and social criticism. Cooperation with Louis Poulsen started in 1925 and continued until his death.

9. Arne Jacobsen, AJ, (1902-1971). Graduated as architect from the Royal Danish Academy of Art in 1927. Established his own drawing offi ce shortly after. World-known for his functional and modernistic design, which has mainly left its mark on architecture and furniture design. Worked closely with Louis Poulsen in the 50s-60s, during which period he created most of his fi xtures.

10. Louise Campbell (1970). Industrial designer from the Danish Design School (1995). Ranks among the top Danish designers today. International exhibitions in Japan, Italy and England. Has received numerous awards, e.g. Finn Juhl Architec-ture Prize, the Danish State Art Foundation's three-year work grant and fi nally the prestigious German IF Design Award Gold for the Campbell fi xture.

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AntiqueModern

c a m p b e l l 2 1 0d e s i g n : l o u i s e c a m p b e l l

Mixture of new and old. Interest in and fascina-

tion for individual objects, coalescing in an or-

ganised, yet contrasting chaos. Lighting creates

serenity and harmony, underpinning the overall

impression.

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p h 2 / 1 p e n d a n td e s i g n : p o u l h e n n i n g s e n

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f l i n d t 2 2 0 p e n d a n td e s i g n : c h r i s t i a n f l i n d t

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History repeats itself, constantly adding a new twist. Small additions

impact hugely on mixtures of new and old. Design classics become

ultra modern in new, daring designs.

present

a j w a l ld e s i g n : a r n e j a c o b s e n

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p h 4 / 3 p e n d a n td e s i g n : p o u l h e n n i n g s e n

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a j f l o o rd e s i g n : a r n e j a c o b s e n

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