LEGEND OF THE ANCIENT HERO58 58 58 59 With increasing intensity With increasing intensity accel....
Transcript of LEGEND OF THE ANCIENT HERO58 58 58 59 With increasing intensity With increasing intensity accel....
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Maestoso! ( q = 64 )
Maestoso! ( q = 64 )
Conductor ScoreLEGEND OF THE ANCIENT HERO
Fantasy for Band
Dedicated to the St. Andrew’s Village Bands, Mr. David Glosz, Band Director
Benjamin Yeo012-3697-00
© 2008 Birch Island Music Press (ASCAP), P.O. Box 680, Oskaloosa, IA 52577, USAInternational Copyright Secured. All Rights reserved. Printed in U.S.A.
WARNING! This composition is protected by copyright law. To copy or reproduce it by any means is an infringement of the copyright law.
1 2 3 4 5 6 7
Piccolo
Flute
Oboe
1st B b Clarinet
2nd & 3rd B b Clarinet
B b Bass Clarinet
Bassoon
1st E b Alto Saxophone
2nd E b Alto Saxophone/Alto Clarinet
B b Tenor Saxophone
E b Baritone Saxophone
1st B b Trumpet
2nd & 3rd B b Trumpet
1st & 2nd F Horn
1st Trombone
2nd & 3rd (Bass)Trombone
Euphonium(Baritone)
Tuba
String Bass
Timpani
Mallet PercussionChimes, Xylophone,Glockenspiel, Vibraphone
Percussion 1Snare Drum, Bass Drum,Whip, Finger Cymbals
Percussion 2Crash Cymbals, Susp. CymbalsTemple Blocks, Tam-tam
Percussion 3Hi-Hat, Wind Chimes,Triangle, Tom-toms
f
f
f
f
a2
f
div.
a2
div.
mf
f
f
f
f
mf
f
f
a2
div.
a2
div.
mf
div.
mf
mf
div.
f
mf
mf
mf
Tune (low-high): C, F
Chimes
ff
B.D.
mf
Sus. Cym.
Cr. Cym. p
mf
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8
8
“Journey to the Battlefield”
“Journey to the Battlefield”
Allegro ( q = 142 )
Allegro ( q = 142 )
8 9 10 11
12
12
12 13 14
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
Heroically!
f
Heroically!
f
a2
Heroically!
f
a2
mf
mf
mf
mf
mf
f
f
S.D.
f
mp
f
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15 16 17 18 19
20
20
20 21
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
f
f
a2
mf
mf
a2
div.
mf
Xylophone w/ plastic mallet
mf
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22 23 24 25 26 27
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
div.
div.
mf
mp
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28
28
28 29 30 31 32 33 34
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mp
mp
mp
mp
One player only (Quasi Horse-call)
f
mp
mp
mp
mp
mp
Whip
sffz
sffz
sffz
mf
Temple BlocksQuasi horse gallop
mf
Hi-Hat
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35
36
36
36 37 38 39 40
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f
f
f
mf
mf
div.
mf
mf
f
f
mf
mf
tutti
f
f
a2
f
a2
mf
mf
mf
mf
mf
mf
Glock.
f
sffz
mf
Sus. Cym
mfCr. Cym
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41 42 43
44
44
44 45 46 47
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
a2
div.
div.
One player
sfp
div.
choke
To Trg.
Trg.
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Meno mosso( q = 60 )
Meno mosso( q = 60 )
“Battlefield”
“Battlefield”
A tempo
A tempo
Misterioso
Misterioso
rit.
rit.
48
49
49
49 50 51 52 53
54
54
54 55 56 57
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f
Oboe solo cue.
f
solo
Blow air into instrument (random pressing of valves)
1. Solo
f
con sord. (st. mute)
mp
div.
2.
con sord. (st. mute)
p
Blow air into instrument (random pressing of valves)
a2
Blow air into instrument (random pressing of valves)
tutti
1. Solo
ff
(Bells Up) à la War Bugle
fading into the distance
mf 2. Solo
(Bells Up) à la War Bugle
fading into the distance
Blow air into instrument
Blow air into instrument
a2
Blow air into instrument (random pressing of valves)
Blow air into instrument (random pressing of valves)
Place large susp. cymb. (dome down) on largest timpani-headRoll on cymb., gliss from lowest possible to highest possible note
f
pp
fff
sfffp
pp
scrape w/coin
Tam-tam
random cymbal-scrape w/coin
pp
Wind Chimes
pp
Use 2 lowest-pitchedtom-toms
fff
Tom-toms
sfffp
pp
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58
58
58 59
With increasing intensity
With increasing intensity
accel.
accel.
60
61
61
“The War”
“The War”
Presto con fuoco ( q = 168 )
Presto con fuoco ( q = 168 )
61 62 63
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f
f
f
3 5
div.
3
3
5
5
f
f
fading into the distance
(no breath)tutti
f
Tune: F, B b, C to B b, high F
Glock. (bronze mallet)
f
mf
mf
mf
Tom-toms
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64 65 66 67 68
69
69
69
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
ff
mf
ff
mf
ff
mf
ff
mf
a2
div.
ff
ff
senza sord.
ff
div.
ff
ff
ff
div.
ff
ff
(hard mallets)
ff
ff
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70 71 72 73 74 75
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
ff
ff
ff
ff
ff
a2
div.
ff
ff
ff
a2
div.
ff
a2
div.
ff
a2
div.
ff
a2
div.
ff
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76
77
77
77 78 79 80 81 82
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
ff
mf
ff
mf
ff
a2
ff
ff
mf
ff
mf
ff
f
f
f
f
a2
tutti
ff
div.
f
f
a2
f
f
ff
ff
f
ff
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83 84
85
85
85 86 87 88
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
div.
div.
div.
div.
div.
div.
sfz
sfz
sfz
sfz
sfz
sfz
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89 90 91 92
93
93
(2+2+3)
(2+2+3)
93 94 95
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
sfp
sfp
(–A. Cl.)
sfp
sfp
sfp
div.
sfp
a2
div.a2
Start tuning: F, B b, D b to C, high F to E b
sfz
sfz
sfz
sfz
sfz
sfz
sfz
Tam-tam
f
f
choke
choke
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(3+3)
(3+3)
96
(2+2+3)
(2+2+3)
97 98
(3+2+2)
(3+2+2)
99
(2+2+3)
(2+2+3)
100
101
101
Più mosso, feroce!
Più mosso, feroce!
101 102
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
a2
f
SOAR!
(+ A. Cl.)
f
SOAR!
f
SOAR!
div.
a2
f
SOAR!
div.
div.
a2
div.
choke
choke
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103
(3+3)
(3+3)
(2+2+3)
(2+2+3)
104
105 106
107
107
107 108
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
SOAR!
SOAR!
SOAR!
SOAR!
SOAR!
SOAR!
a2 SOAR!
div.
a2 SOAR!
div.
choke
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109 110 111 112
rit.
rit.
113 114
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f p sub. gradual cresc.
f p sub. gradual cresc.
div.
f p sub. gradual cresc.
div.
f p sub.
div.
gradual cresc.
mp gradual cresc.
div.
mp gradual cresc.
div.
sfz sfz
div.
gradual cresc.
sfz
gradual cresc.
sfz
sfz
div.
gradual cresc.
sfz
a2
sfz
div.
gradual cresc.
Bell Tone
ff
sfz
sfz
sfz
sfz
simile
gradual cresc.
3
3
Tune: F, B b to A b, C, E b to D b
f p sub.
No resonance! (Press on metal slab to sound very metallic.)
gradual cresc.
rim shot
f p sub. gradual cresc.
mp
gradual cresc.
3
mp
gradual cresc.
3
3
3
3
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115
molto rit.
molto rit.
116
Lunga(allow resonancetill niente)
Lunga(allow resonancetill niente)
117
118
118
“Aftermath”
“Aftermath”
Adagio con espressione ( q = 56 ) (Tempo rubato)
Adagio con espressione ( q = 56 ) (Tempo rubato)
rit.
rit.
118
A tempo
A tempo
119 120 121 122
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
solo
f
espress.
mf
solo
mp
tutti
mp
3
mp
3
mp
3
3
solocon sord. (str. mute)
mp
fading into the distance
(Remove mute)
sfz
sfz
sfz
sfz
ff
3
p
mp
ff
3
3
p
mp
ff
3
3
p
mp
ff
3
p
mp
mp
(Solo, quasi Str. Bs. Pizz.)
ff
3
pizz.
mp
ff
3
sfz
Tune: F, A b to G, C, D b to E b
Vibraphone (motor on, med. slow)
mf
mp
+ Glock. (hard rubber mallets, blend with vib.)
simile
3
3
sfz
mf
Finger Cym.
sfz
l.v.
Tam-tam
p
mp
f
3
3 ff
3
sfz
Wind Chimes
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123 124 125 126 127 128
129
129
“Tribute to the Hero”
“Tribute to the Hero”
Più mosso ( q = 62 )
Più mosso ( q = 62 )
129
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mp leggiero
tutti
mp leggiero
mp leggiero
mp
a2
mp
div.
mp
p3
mp
p3
mp
p
mp
(senza sord.)
solo
f
espress.
mp sostenuto
mp
a2
div.
sostenuto
3
mp
sostenuto
mp
tutti
mp
arco
mp
– Vibraphone, Glock. only
leggiero
p
mf
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130 131 132 133 134
poco rit.
poco rit.
135
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
To Vib.
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136
137
137
Appassionato e sostenuto ( q = 58 )
Appassionato e sostenuto ( q = 58 )
137 138 139 140 141 142
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f
f
f
f
a2
f
f
f
f
f
ff
3
3
f
f
f
a2
f
div.
p
ff
a2
3
3
f
f
f
f
f
f
3 3
3 3
p
f
simile
pp
l.v.
p
p
Tam-tam
f
f
pp
l.v.
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143 144
145
145
“Glimpse of Hope”
“Glimpse of Hope”
Più mosso ( q = 62 )
Più mosso ( q = 62 )
145 146 147
poco rit.
poco rit.
148
149
149
A tempo
A tempo
149 150 151 152
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
solo
f
Picc. solocue (8ve)
f
mf
mf
mf
div.
a2
mf
mf
mp
mf
mp
solo
f espress.
mp
mp
mf
mp
mf
mp
mf
One player on top
mp
mp
Bsn. cue
mf
mp
play
mf
One only
all
mp
Tune: F, G to C, C to F, E b to high G
p
mf
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153
rit.
rit.
154
155
155
“Unperished Spirit”
“Unperished Spirit”
Allegro ( q = 142 )
Allegro ( q = 142 )
155 156 157 158 159 160 161
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
Bsn. cue
mf
p mf
p
mf
mf
Vibraphone only (motor on, medium slow)
To Xylo.
pp
poco a poco cresc.
mf
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162
163
163
163 164 165 166 167 168
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
a2
p
mf
mp
p
mf
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169 170
171
171
171 172 173 174 175
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
fp
mf
fp
mf
fp
mf
p
mf
mf
mf
a2
fp
mf
p
mf
p
mf
p
mf
p
mf
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176 177 178
179
179
179 180 181
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
mf
p
mf
p
mf
mf
fp
mf
fp
mf
div.
a2
p
mf
p
a2
mf
div.
mf
mf
mf
fp
mf
Xylo.
mf
mf
p
mf
mf
Hi-hat
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182 183 184 185 186
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
ff
ff
ff
ff
fp
p
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187
187
187 188 189 190 191
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
f
f
f
f
f
f
f
f
f
f
f
f
a2
f
f
f
f
Tune: high G to E b
f
mf
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192 193 194
195
195
195 196 197
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
mf
mf
mf
mf
mf
mf
mf
p
subito
poco a poco cresc.
p
subito
poco a poco cresc.
mf
mf
div.
mf
a2
div.
a2
p
subito
poco a poco cresc.
div.
mf
mf
Tune: E b to high G
mf
mf
p subito
poco a poco cresc.
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198 199 200 201 202
Picc.
Fl.
Ob.
1st Cl.
2nd &3rd Cl.
Bs. Cl.
Bsn.
1st A. Sx.
2nd A. Sx./A. Cl.
T. Sx.
B. Sx.
1st Tpt.
2nd &3rd Tpt.
1st &2nd Hn.
1st Trb.
2nd &3rd Trb.
Bar.
Tuba
Str. Bs.
Timp.
Mlts.
Perc. 1
Perc. 2
Perc. 3
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
ff
ff
f poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
div.
a2
ff
div.
a2
f poco a poco cresc.
ff
f
a2
poco a poco cresc.
ff
div.
f poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
poco a poco cresc.
ff
ff
ff
choke
mf poco a poco cresc.
ff
- 32 -