lascaux

42
• lascaux ating movement has always been an important component of visual art

description

Illustrating movement has always been an important component of visual art. lascaux. Sassetta meeting of St anthony and St paul. Repeating figures : Having the same figure more than once in a composition creates the illusion of movement, and also a suggestion of time lapse, as well. - PowerPoint PPT Presentation

Transcript of lascaux

Page 1: lascaux

• lascaux

Illustrating movement has always been an important component of visual art

Page 2: lascaux

• Sassetta meeting of St anthony and St paul

Repeating figures: Having the same figure more than once in a composition creates the illusion of movement, and also a suggestion of time lapse, as well.

Page 3: lascaux

Alex Katz

Repeating an element (like costume or specific color) will make it clear to the viewer that we are looking at one individual repeated.

Page 4: lascaux

Thomas Eakins, Boys Swimming

Page 5: lascaux

Thomas Eakins, Photograph

Page 6: lascaux

Memory images: our knowledge of how the world works allows us to ‘see’ movement as it happens.

Bayeux Tapestry excerpt

Page 7: lascaux

Exaggerated poses help contribute to the effectiveness of memory images

Picasso, Guernica

Page 8: lascaux

Robert Longo, From Men in Cities

Exaggerated gestures allow the viewer to ‘feel’ the movement as well as see it

Page 9: lascaux

Discus Thrower, MyronChris Van Allsburg

Timing: at what point will you depict a specific movement?

Right BEFORE or AFTER an event occurs can often be more powerful than depicting the event AS it occurs

Page 10: lascaux

Giacomo Balla, Dog on Leash

Visual Fragmentation: one object or person broken into several moving parts.

Page 11: lascaux

FUturisn Futurism: a 20th c Italian movement celebrating ideas associated w/ the future: speed, industry, youth, etc. What suggests this sculpture is moving?

Boccioni, Unique Forms of Continuity in Space

Page 12: lascaux

Peter Paul Reubens

Optical Movement: The movement of our eyes through a piece.

Page 13: lascaux

Jackson Pollock, Autumn Rhythm

Page 14: lascaux

• Reubens prometheus

• Raphael Madonna

Raphael, Madonna and Child vs. Rubens, Prometheus

How might composition be utilized to suggest movement? How does an illusion of movement vs/ a suggestion of stabilty change the ‘read’ of an image?

Page 15: lascaux

Duccio, Jesus opens the Eyes of a Man born Blind 1311

Overlapping and Vertical Placement

Limbourg Brothers, Les Tres Riche Heures (June), 1413-1416, Illuminated Manuscript

Page 16: lascaux

Assyrian archers pursuing enemies

from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud)ca. 875-860 B.C.E.gypsum2 ft. 10 3/8 in. high

This Near Eastern Assyrian relief carving uses overlapping and vertical placement as well.

Page 17: lascaux

Objects of the same size get smaller as they recede into the distance

Page 18: lascaux

The Chinese were one of the first civilizations to use Atmospheric (Aerial) Perspective.

Summer Mountains, Northern Song dynasty (960–1127)11th century, Attributed to Qu Ding (Chinese, active ca. 1023–ca. 1056)Handscroll; ink and pale color on silk17 7/8 x 45 3/8 in.

Page 19: lascaux

The principles of Aerial Perspective-

Objects in the foreground are:

1)More detailed2)Larger3)Darker or more intense in color

Page 20: lascaux

Linear Perspective – in the early 15th century Renaissance artist Filippo Brunelleschi developed this scientific method of creating perspective based on math and geometry.

The Last Supper by Leonardo Da Vinci illustrates One Point Linear Perspective.

Page 21: lascaux

Linear Perspective happens automatically when you take a photograph.

As in Aerial perspective, objects seem to get smaller as they move back in space.

Page 22: lascaux

One Point Linear Perspective

Page 23: lascaux

There are 3 types of linear perspective:

1)One-Point perspective2)Two-point perspective3)Three-point perspective 2-point perspective

1-point perspective

Page 24: lascaux

Examples of one point perspective in Stanley Kubrick films

http://vimeo.com/48425421

Page 25: lascaux

Foreshortening: shortening the lines of an object to create depth.

Andrea MantegnaThe Lamentation over the Dead Christc. 1490,Tempera on canvas, 68 x 81 cm

Page 26: lascaux

Right:Leonardo da VinciVirgin of the Rocks1495-1508Oil on panel, 189.5 x 120 cmNational Gallery, London

How is depth conveyed in each of these?

Left:Masaccio, Holy Trinity1428, Fresco, Santa Maria Novella, Florence

Page 27: lascaux

KARA WALKER

Page 28: lascaux

Silhouette Portraiture , not by Kara Walker

Page 29: lascaux
Page 30: lascaux
Page 31: lascaux
Page 32: lascaux
Page 33: lascaux
Page 34: lascaux

http://video.pbs.org/video/1237715781

Page 35: lascaux
Page 36: lascaux
Page 37: lascaux
Page 38: lascaux
Page 39: lascaux

• http://www.youtube.com/watch?v=KxkIGXVwZTM

Page 40: lascaux
Page 41: lascaux

Addition of color

Molly Bang

Page 42: lascaux