Kara Schippers Portfolio

Transcript of Kara Schippers Portfolio

KS MAY 2013 GRAD

UATE

KAR

A SCHIPPERS

SELECTED WORKS KARA SCHIPPERS
MEETKARASCHIPPERS DESIGNDRAW/PAINTWORK

TRAVEL

CAPTURE

BUILD

[email protected]

1008 Alabama Apt. 1Lawrence, KS 66044

I am a fth year M. Arch student at the University of Kansas seeking to bring some moxie and design enthusiasm to a full-time employment opportunity.

With just the right mix of design instincts and business savvy, I look forward to joining an of ce who is searching for a team member who can bring an eclectic mix of skills and dexterity to multiple projects at various stages of completion.

After seven months of working in a fast-paced, highly competitive, architectural of ce environment, I understand the importance of working quickly and ef ciently to visually and verbally communicate the core ideas without sacri cing quality or a creative edge. The ongoing development of these skills in my nal semester of school makes me a prepared and intentional candidate ready to jump into any role.

Please contact me if you are interested in adding a exible, con dent, fresh, young designer to your of ce!

1 http://issuu.com/karaschippers

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ONLINE PORTFOLIO:

CONTENTS:
MEETKARASCHIPPERS DESIGNDRAW/PAINTWORK

TRAVEL

CAPTURE

BUILD

[email protected]

1008 Alabama Apt. 1Lawrence, KS 66044

I am a fth year M. Arch student at the University of Kansas seeking to bring some moxie and design enthusiasm to a full-time employment opportunity.

With just the right mix of design instincts and business savvy, I look forward to joining an of ce who is searching for a team member who can bring an eclectic mix of skills and dexterity to multiple projects at various stages of completion.

After seven months of working in a fast-paced, highly competitive, architectural of ce environment, I understand the importance of working quickly and ef ciently to visually and verbally communicate the core ideas without sacri cing quality or a creative edge. The ongoing development of these skills in my nal semester of school makes me a prepared and intentional candidate ready to jump into any role.

Please contact me if you are interested in adding a exible, con dent, fresh, young designer to your of ce!

1 http://issuu.com/karaschippers

3

2343

4953

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ONLINE PORTFOLIO:

CONTENTS:
DESIGN

+ =+

collection

distribution

retention

ltration

power generation

transmission

Farmingcommunity

health

environment

SunROCK ISLAND CORRIDOR:PHASE

DESIGNDESIGN

The Kansas City Rock Island Corridor is a 30 mile stretch of abandoned rail between Kansas City, MO and Pleasant Hill, MO. Plans for a mass rapid transit line along the corridor challenge designers to revitalize adjacent communities while incorporating sustainable strategies. I explored the advantages of employing a network of interrelated systems that would work symbiotically to create an ef cient, biomimetic, industrial organism. Versatility and modular construction allow the structure to be deployed in diverse environments and conditions. Situating in existing industrial sites facilitates an educational contrast between new and old, providing the framework for an updated, responsible way to generate electricity, grow food locally, and properly retain and repurpose storm water.

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DESIGN

+ =+

collection

distribution

retention

ltration

power generation

transmission

Farmingcommunity

health

environment

SunROCK ISLAND CORRIDOR:PHASE

DESIGNDESIGN

The Kansas City Rock Island Corridor is a 30 mile stretch of abandoned rail between Kansas City, MO and Pleasant Hill, MO. Plans for a mass rapid transit line along the corridor challenge designers to revitalize adjacent communities while incorporating sustainable strategies. I explored the advantages of employing a network of interrelated systems that would work symbiotically to create an ef cient, biomimetic, industrial organism. Versatility and modular construction allow the structure to be deployed in diverse environments and conditions. Situating in existing industrial sites facilitates an educational contrast between new and old, providing the framework for an updated, responsible way to generate electricity, grow food locally, and properly retain and repurpose storm water.

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rming poolsronoi Te

canopyDelauney Tr

sROCK ISLAND CORRIDOR:PHASETWO rivers

walking paths

faVo

seed point

SEED POINTS

DELAUNAY

VORONOI

STREAM

WALKING PATH

LAYERING

DESIGNDESIGN

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rming poolsronoi Te

canopyDelauney Tr

sROCK ISLAND CORRIDOR:PHASETWO rivers

walking paths

faVo

seed point

SEED POINTS

DELAUNAY

VORONOI

STREAM

WALKING PATH

LAYERING

DESIGNDESIGN

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DESIGN

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The second phase combined our individual components from phase one into a holistic, group proposal for the development of the corridor. We took the essence from each of our three projects (infrastructure as public architecture, a canopy with adaptable components, and patterning as a means for layered systems integration) and merged them into an infrastructural prototype composed of a solar and water collecting canopy, farming and water retention plots, an electric car charging parking lot, and a small station for the light rail stop. In uenced by the inherent synergy present in the combinant systems, we applied the voronoi tesselation as a generator of the geometry of both the plots and the canopy and a tensegrity structural system - further emphasizing that each constituent part is essential to the success of the whole.
DESIGN

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The second phase combined our individual components from phase one into a holistic, group proposal for the development of the corridor. We took the essence from each of our three projects (infrastructure as public architecture, a canopy with adaptable components, and patterning as a means for layered systems integration) and merged them into an infrastructural prototype composed of a solar and water collecting canopy, farming and water retention plots, an electric car charging parking lot, and a small station for the light rail stop. In uenced by the inherent synergy present in the combinant systems, we applied the voronoi tesselation as a generator of the geometry of both the plots and the canopy and a tensegrity structural system - further emphasizing that each constituent part is essential to the success of the whole.
DESIGN

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DESIGN

9
DESIGN

LAWRENCE ARTSCENTERADDITION

DESIGN

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DESIGN

LAWRENCE ARTSCENTERADDITION

DESIGN

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DESIGN

13
DESIGN

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1. Black Box Theater 2. Theater Storage3. Dressing Rooms4. Set Shop5. Storage6. Gallery Prep Space7. Mechanical Room8. Existing Black Box 9. Art Classroom10. Writing Classroom11. Printmaking Classroom12. Photography Classroom13. Dark Room14. Existing Dressing Rooms15. Sculpture Gallery16. Ticket Office17. Reception Bar18. Storage19. Ceramics Classroom20. Preschool Classroom21. Preschool Administration Office22. Preschool Art Display23. Cafe24. Kitchen25. Gift Shop26. Gift Shop Storage27. Existing Gallery28. Reception Desk29. Administration Offices30. Rentable Studio31. Movie Projection Seating32. Preschool Playground33. Sculpture Garden34. Gallery35. Outdoor Dance Floor36. Large Dance Studio37. Dance Dressing Rooms38. Small Dance Studio39. Storage40. Reception Desk41. Administration Office42. Conference Room43. Break Room44. Custodial Closet45. Reading Room46. Meeting Room47. Sculpture Exhibit Space48. Ceramics Studio49. Ceramics Terrace50. Drawing Studio51. Studio52. Storage53. Jewelry Studio54. Digital Lab55. Community Room56. Dressing Rooms

Total: 57,500 ft2

0 2 8 16 32

0

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2

19,250 ft2

19,250 ft2

19,000 ft2

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15 16

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20

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2425

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30

33

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32

DN

DN

DN

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50

+ 0-

+ 2

+ 2

+ 4

+ 4

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+ 8

+ 6

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+ 4

B

B

A

A

DESIGN

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This 57,500 sq. ft. extension to the existing Lawrence Arts Center takes full advantage of passive strategies while providing users with a unique, yet intuitive, experience. The extrusion and pushing back of the existing circulation corridor allowed for the shift of programmatic spaces to be displayed at the front of the new addition rather than tucked behind the circulation as in the original LAC. The orientations and heights of each wing of the building were carefully considered to let in ample natural light while the long, narrow room shapes and operable glazing systems facilitate cross ventilation and views to outdoor sculpture courts and playground spaces. The addition contains both small, intimate gallery spaces as well as large, open galleries in addition to much-needed preschool classrooms, dance studios, and a black box theater.
1. Black Box Theater 2. Theater Storage3. Dressing Rooms4. Set Shop5. Storage6. Gallery Prep Space7. Mechanical Room8. Existing Black Box 9. Art Classroom10. Writing Classroom11. Printmaking Classroom12. Photography Classroom13. Dark Room14. Existing Dressing Rooms15. Sculpture Gallery16. Ticket Office17. Reception Bar18. Storage19. Ceramics Classroom20. Preschool Classroom21. Preschool Administration Office22. Preschool Art Display23. Cafe24. Kitchen25. Gift Shop26. Gift Shop Storage27. Existing Gallery28. Reception Desk29. Administration Offices30. Rentable Studio31. Movie Projection Seating32. Preschool Playground33. Sculpture Garden34. Gallery35. Outdoor Dance Floor36. Large Dance Studio37. Dance Dressing Rooms38. Small Dance Studio39. Storage40. Reception Desk41. Administration Office42. Conference Room43. Break Room44. Custodial Closet45. Reading Room46. Meeting Room47. Sculpture Exhibit Space48. Ceramics Studio49. Ceramics Terrace50. Drawing Studio51. Studio52. Storage53. Jewelry Studio54. Digital Lab55. Community Room56. Dressing Rooms

Total: 57,500 ft2

0 2 8 16 32

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2

19,250 ft2

19,250 ft2

19,000 ft2

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2

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2425

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33

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DN

DN

DN

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51

52

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47

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47

47

47

53

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56

50

+ 0-

+ 2

+ 2

+ 4

+ 4

+ 6

+ 8

+ 6

+ 8

+ 8

+ 4

B

B

A

A

DESIGN

15

This 57,500 sq. ft. extension to the existing Lawrence Arts Center takes full advantage of passive strategies while providing users with a unique, yet intuitive, experience. The extrusion and pushing back of the existing circulation corridor allowed for the shift of programmatic spaces to be displayed at the front of the new addition rather than tucked behind the circulation as in the original LAC. The orientations and heights of each wing of the building were carefully considered to let in ample natural light while the long, narrow room shapes and operable glazing systems facilitate cross ventilation and views to outdoor sculpture courts and playground spaces. The addition contains both small, intimate gallery spaces as well as large, open galleries in addition to much-needed preschool classrooms, dance studios, and a black box theater.
POTTERS FIELD, LONDON:CULTURALCENTER

DESIGN

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POTTERS FIELD, LONDON:CULTURALCENTER

DESIGN

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DESIGN

A c B b C a D

GALLERY LOUNGE CAFE THEATER19

The primary goal with this project was to create a dynamic,

spatial experience while respecting surrounding historic landmarks. This was

achieved through the addition of a series of circulation ramps beneath the raised, arti cial berm.

The glass ramps serve as prisms of light to illuminate the underside of the superstructure and the market below.

An exercise in uninhibited creativity, this project brought about a better understanding of the balance between subtle and dramatic

moves that work together to enhance the sequence of spatial progression.

MARKET
DESIGN

A c B b C a D

GALLERY LOUNGE CAFE THEATER19

The primary goal with this project was to create a dynamic,

spatial experience while respecting surrounding historic landmarks. This was

achieved through the addition of a series of circulation ramps beneath the raised, arti cial berm.

The glass ramps serve as prisms of light to illuminate the underside of the superstructure and the market below.

An exercise in uninhibited creativity, this project brought about a better understanding of the balance between subtle and dramatic

moves that work together to enhance the sequence of spatial progression.

MARKET
DESIGN

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DESIGN

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ELEVATE: THEBOILERROOM

WORK

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HDR participated in the ElevATE food festival hosted by Omahas Emerging Terrain. The invited exhibition partnered the design team at HDR with local chef Paul Kulik of the Boiler Room to construct a temporary pavilion in which to cook and serve small plates from a special menu. In keeping with Chef Kuliks culinary expertise, the parametrically designed pop-up tent was complete with a central re pit and chimney - evoking prehistoric themes of mans primal relationship to food.
ELEVATE: THEBOILERROOM

WORK

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HDR participated in the ElevATE food festival hosted by Omahas Emerging Terrain. The invited exhibition partnered the design team at HDR with local chef Paul Kulik of the Boiler Room to construct a temporary pavilion in which to cook and serve small plates from a special menu. In keeping with Chef Kuliks culinary expertise, the parametrically designed pop-up tent was complete with a central re pit and chimney - evoking prehistoric themes of mans primal relationship to food.
WORK

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WORK

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RESPONSIVESKINS:FACADESTUDY

WORK The world is shrinking. The identity of every city, the world over, has begun to converge. An increased demand for consumer products has spawned a surfeit of buildings that look exactly the same whether they are in Boise or Bangladesh; we are awash in the glowing arches of McDonalds and many others like it. And this is no surprise -- for a brand to be recognizable, its image must be consistent. It goes without saying that consistency lends itself to consumer recognition, as well as to cost effectiveness and ease of repetition. But this does not preclude variation.In reaction against the tendency to see buildings as objects and brands as logos, we have set out to create a system that will transcend these constraints, so that its identity may be known by its intangibles rather than by its form alone.Our approach was to establish a framework which would allow us to create endless variation, but one that was rigid enough to maintain a high level of speci city and cohesion between every iteration.

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RESPONSIVESKINS:FACADESTUDY

WORK The world is shrinking. The identity of every city, the world over, has begun to converge. An increased demand for consumer products has spawned a surfeit of buildings that look exactly the same whether they are in Boise or Bangladesh; we are awash in the glowing arches of McDonalds and many others like it. And this is no surprise -- for a brand to be recognizable, its image must be consistent. It goes without saying that consistency lends itself to consumer recognition, as well as to cost effectiveness and ease of repetition. But this does not preclude variation.In reaction against the tendency to see buildings as objects and brands as logos, we have set out to create a system that will transcend these constraints, so that its identity may be known by its intangibles rather than by its form alone.Our approach was to establish a framework which would allow us to create endless variation, but one that was rigid enough to maintain a high level of speci city and cohesion between every iteration.

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WORK

The facade is constructed with an elegant system of two interwoven planes of cables. Think of it as an elaborate game of connect the dots -- a single steel cable is woven from point 1, to point 2, to point 3, and so on.

Taking on the traditional box form (ef cient in both cost and utility) and wrapping it in a prefabricated system of off-the-shelf parts establishes a fresh take on building identity. A varied prototype, each building interjects itself into the broader context of the city by deviating from the standard brand applications of traditional, commercial architecture.Each iteration is a constituent part of the reformed system of commercial architecture - all unique, yet of the same DNA. As a result, the collective group is instantly recognizable as one brand. This cohesiveness coupled with the advent of new construction applications for typical mullion outriggers and steel Inox cables (most often seen in parking garage crash rails) work to rede ne the notion of a chain of stores or businesses.

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WORK

The facade is constructed with an elegant system of two interwoven planes of cables. Think of it as an elaborate game of connect the dots -- a single steel cable is woven from point 1, to point 2, to point 3, and so on.

Taking on the traditional box form (ef cient in both cost and utility) and wrapping it in a prefabricated system of off-the-shelf parts establishes a fresh take on building identity. A varied prototype, each building interjects itself into the broader context of the city by deviating from the standard brand applications of traditional, commercial architecture.Each iteration is a constituent part of the reformed system of commercial architecture - all unique, yet of the same DNA. As a result, the collective group is instantly recognizable as one brand. This cohesiveness coupled with the advent of new construction applications for typical mullion outriggers and steel Inox cables (most often seen in parking garage crash rails) work to rede ne the notion of a chain of stores or businesses.

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FOCALPOINT:ST. ANTHONYHOSPITAL

WORK

The site for the new Focal Point campus and St. Anthony Hospital affords a supreme opportunity for change. Located in Southwest Chicago, it is one of the most vibrant, yet blighted, neighborhoods in the city. Acting as both an anchor and an agent for change, the hospital is envisioned as an urban campus that fosters a relationship between the hospital and its community.Hospital and community are intrinsically linked by a circulatory system a band of food and retail markets, tness centers, etc. that runs along the third oor of the building. This system serves as the interface between the world of healthcare and the world beyond, and it literally brings the two together a new paradigm in the industry.

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FOCALPOINT:ST. ANTHONYHOSPITAL

WORK

The site for the new Focal Point campus and St. Anthony Hospital affords a supreme opportunity for change. Located in Southwest Chicago, it is one of the most vibrant, yet blighted, neighborhoods in the city. Acting as both an anchor and an agent for change, the hospital is envisioned as an urban campus that fosters a relationship between the hospital and its community.Hospital and community are intrinsically linked by a circulatory system a band of food and retail markets, tness centers, etc. that runs along the third oor of the building. This system serves as the interface between the world of healthcare and the world beyond, and it literally brings the two together a new paradigm in the industry.

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WORK

The high school regulation soccer eld and surrounding public green add to the extensive Chicago parks system and continue St. Anthonys tradition of adjacency to

green space - the original having been located across from Douglas Park.

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WORK

The high school regulation soccer eld and surrounding public green add to the extensive Chicago parks system and continue St. Anthonys tradition of adjacency to

green space - the original having been located across from Douglas Park.

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+ +=

WORK

An inverted version of Florences Ponte Vecchio, retailers inhabit the pedestrian walkway connecting the parking garage to the hospital towers, giving dual purpose to the conventional sky bridge. The complex vertical layering of program is a direct response to a constricted site and Chicago precedents like Lower Wacker Drive.

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+ +=

WORK

An inverted version of Florences Ponte Vecchio, retailers inhabit the pedestrian walkway connecting the parking garage to the hospital towers, giving dual purpose to the conventional sky bridge. The complex vertical layering of program is a direct response to a constricted site and Chicago precedents like Lower Wacker Drive.

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REHABILITATIONINSTITUTEOFCHICAGO

WORK

A bold partnership between two architecture elites, HDR, Inc. and Gensler, resulted in a dynamic collaborative effort to raise the bar in rehabilitation care. Each of ce brought varied expertise to the table and combined to form a savvy design team with diverse skill sets and an eye for innovation.Designers, engineers, and planners from both parties worked together in a Gensler conference room deemed the blue space to ensure optimal ef ciency, a cooperative working dynamic, and a cohesive design aesthetic.

37
REHABILITATIONINSTITUTEOFCHICAGO

WORK

A bold partnership between two architecture elites, HDR, Inc. and Gensler, resulted in a dynamic collaborative effort to raise the bar in rehabilitation care. Each of ce brought varied expertise to the table and combined to form a savvy design team with diverse skill sets and an eye for innovation.Designers, engineers, and planners from both parties worked together in a Gensler conference room deemed the blue space to ensure optimal ef ciency, a cooperative working dynamic, and a cohesive design aesthetic.

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WORK

Option three of our patient room iterations centered around the customization of a sculpted headwall system. In keeping with the themes of movement and momentum associated with the rehabilitation process, the paneled headwall is carved away with lines that suggest uid motion to reveal nooks for necessary programmatic functions such as the caregivers station, sink, and patient bedside table.

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WORK

Option three of our patient room iterations centered around the customization of a sculpted headwall system. In keeping with the themes of movement and momentum associated with the rehabilitation process, the paneled headwall is carved away with lines that suggest uid motion to reveal nooks for necessary programmatic functions such as the caregivers station, sink, and patient bedside table.

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PATIENT

STAFF STAFF

PATIENT

FAMILY FAMILY

PATIENT PATIENT

a. b. c.a. oor layoutb. zonesc. accessibility design modi cations

WORK

41
PATIENT

STAFF STAFF

PATIENT

FAMILY FAMILY

PATIENT PATIENT

a. b. c.a. oor layoutb. zonesc. accessibility design modi cations

WORK

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BUILD

The following are selected samples of study models from various studio projects along with a third-year design build project

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1 2 3 4 5 6STEELSTEEL

STEEL

WOOD

WOOD

COMPOSITEFabrication Timeline

3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2

3/4 Richlite Cavity Box

3 Socket Cap Screw, counter- sunk

1 1/4 x 1 1/4 11 ga. Tube Steel Rib

5/8 Hex Nut

1 Richlite Tabletop

3 x 1/8 Flat Steel Runner

3 x 5 11 ga. Tube Steel Stapple Leg

3/4 Baltic Plywood or Richlite Cavity Box

1 Round Shank Screw (Baltic Plywood) or 3/4 Round Shank Screw (Richlite)1 1/4 Baltic Plywood or 1 Richlite Table Top

1 1/2 x 3 x 1/8 Flat Steel Mounting Tab1 1/4 x 1 1/4 11 ga. Tube Steel Rib



Steel

Baltic Plywood

Richlite

5/8 Countersunk Hole

1 x 3 Tube Steel Spine is welded to the 5 x 3 Staple Leg

1/8 Flat Steel Runner is welded to the underside of the 1 1/4 x 1 1/4 Rib

1 1/4 x 1 1/4 Rib is welded to the 1 x 3 Spine

Grind inside and outside edges in preparation to receive weld.

Weld inside and outside joints.

Leave outside corner edge exposed.

Fill with epoxy or hit lightly with grinding wheel.

Weld inside and outside corners, leaving the corner edges untouched.

Grind smooth the outside welds on the two outer ribs where it will sit flush with the staple legs.

x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)

3 x 5 11ga. Tube Steel

1 1/4 x 1 1/4 11ga. Tube Steel


1/8 x 3 Flat Steel

STUDYMODELS &DESIGNBUILD
BUILD

The following are selected samples of study models from various studio projects along with a third-year design build project

43


STEEL

WOOD

WOOD


3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2




5/8 Hex Nut

1 Richlite Tabletop








Steel

Baltic Plywood

Richlite











x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)




1/8 x 3 Flat Steel

STUDYMODELS &DESIGNBUILD
BUILD

This group project centered around creating a master plan of the new classroom for the Studio 409 and 804 classes. Our class developed the oor plan for the space, designed a desk scheme, and built 60 workspaces. Several material options were explored (see the glass and steel version to the right) but the nal construction was of tube steel and Baltic Birch plywood. I worked primarily on the design of the desks structure and on the steel fabrication and welding.

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STEEL

WOOD

WOOD


3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2




5/8 Hex Nut

1 Richlite Tabletop








Steel

Baltic Plywood

Richlite











x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)




1/8 x 3 Flat Steel


STEEL

WOOD

WOOD


3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2




5/8 Hex Nut

1 Richlite Tabletop








Steel

Baltic Plywood

Richlite











x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)




1/8 x 3 Flat Steel
BUILD

This group project centered around creating a master plan of the new classroom for the Studio 409 and 804 classes. Our class developed the oor plan for the space, designed a desk scheme, and built 60 workspaces. Several material options were explored (see the glass and steel version to the right) but the nal construction was of tube steel and Baltic Birch plywood. I worked primarily on the design of the desks structure and on the steel fabrication and welding.

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STEEL

WOOD

WOOD


3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2




5/8 Hex Nut

1 Richlite Tabletop








Steel

Baltic Plywood

Richlite











x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)




1/8 x 3 Flat Steel


STEEL

WOOD

WOOD


3 - 0

5- 4

9- 6

3- 6 1/8

3- 6 1/8

2- 0 3/4

4- 4

0- 5 1/2

1- 11 5/8

1- 11 5/8

BOTTOM

AA

A

B

A

B

C

C

2- 2 1/4

0- 3 1/2

C

3- 5 1/2

2- 3

A

3- 5 1/2

0- 3 1/2

B

1 - 10 3/4 2 - 3

1- 4 1/41 - 7

2 - 10

2 - 9 1/4

0- 3/8

1- 1/2

1- 1/2

0- 1

0- 1

0- 3/8

1- 1/20- 1 0- 1

1- 1/2 1- 1/2

0- 3/8

2- 3

1- 10 3/4

11- 1 1/21- 1 1/2

1

0- 11 3/8

0 - 1 0 - 1

2 - 10

2- 3

1 - 1/2 1 - 1/2




5/8 Hex Nut

1 Richlite Tabletop








Steel

Baltic Plywood

Richlite











x5x7x1

x13

A

B B

Staple Leg

x30A(30)B(60)

x10

x18x1x1

x1x5

CE

D

Ribx60

C(120)D(60)E(120)

SpineF

G

x15

x15

Runner

x15x15

x30F(30)

x60G(60)




1/8 x 3 Flat Steel
BUILD

Abstraction of the spine.

47

Study and nal model for pavilions along the Bexil Sea coast.
BUILD

Abstraction of the spine.

47

Study and nal model for pavilions along the Bexil Sea coast.
DRAW/PAINT

DRAWING& PAINTING

49
DRAW/PAINT

DRAWING& PAINTING

49
DRAW/PAINT

51
DRAW/PAINT

51
CAPTURE

BLACK& WHITE FILM PHOTOGRAPHY

53
CAPTURE

BLACK& WHITE FILM PHOTOGRAPHY

53
CAPTURE

55
CAPTURE

55
CAPTURE

57
CAPTURE

57
STUDYABROAD:FRANCE

TRAVEL

59
STUDYABROAD:FRANCE

TRAVEL

59
TRAVEL

61
TRAVEL

61
63

TRAVEL
63

TRAVEL

Kara Schippers Portfolio

Documents

Transcript of Kara Schippers Portfolio