Sepsis course – IV: Organ support in sepsis Zsolt Molnár SZTE, AITI.
HOME AND AN/-V - UCLA Chicano Studies Research …Away...THE AITI VORLD The show's title borrows...
2
THE AITI VORLD The show's title borrows from'Just what is it that makes today's homes so different, so appealing?" (tg56),a collage by the English artist Richard Hamilton, deemed by some historians to be the first iconic instance ofPop art.The workpic- tures a bodybuilder wielding a giantToot- sie Pop in a living room packed with flashy consumer goods. It is sarcastic, in a 1vord, about postwar U.S. culture-unlike U.S. Pop art, which tilts toward the celebra- tory. The LACMA curators have picked up on Hamiltoris pique by startingwith a piece by the Colombian Miguel Angel Rojas which speltrs out Hamiltorls title on awallwith litde &sls punched out of coca leaves. This is pretty heavy-handed cocaine and its depredations being major U.S. imports from south of our borders, see. Beating up on "the American Dream," which is now ebbing everywhere, lacks the friqson that it once had. But the sally proves to be only one bass note in the show's concerto. Another artist, Miguel Angel Rios,who was born in Argentina, attains a pitch even more dire, but less aloo{, in his video "The Ghost of Mo- dernity (Lixiviados)" (zorz). Shacls made of wood and rusty corrugated metal fall from the sky,banging down onto barren landfill soil.Vultures flap loudly overhead. A large, pristine plexiglass cube appears to drift, a few feet offthe ground, among the shacks: the titular ghost, plainly,which haunts the worldt innumerable shanty- towns with utopian longings but can do nothing to relieve their squalor.The vid- eo's elegance graces without softening its adamant despair. HOME AND AN/-V Latin-American artists ex?lore themes of belongihg and displacement. BY PETER SCHJELDAHL Even uPbeat works in the show maY ((f__fome-So Different, So Appeal- putting multifarious works-paintings, scald a bit. "Polyptych of Buenos Aires" Eing"is a big, keen show, at the Los scdptL., photographs, videoi, irrrtalla - (zot4/t6), by a pair of artists (Juliana Angeles County Museurn of Art, of tions-in orbit arotmd a primordial idea: Laffitte and Miguel Mendanha) who go woiks made since t957 by forty-two home, where you hang your hat, if you by the name Mondongo, re-creates at firll mostly topnotch Latino and Latin- have one, and where the heart is or, for size the stupendous "Ghent Altarpiece" A-erica, artists, spanning styles from some grirn reason, fails to be.The theme (r+:z) of Hubert and Jan van Eyck but Pop to Conceptual. It tells"rnany stories befits ilrpressions ofplace-h alf a doz*n substitutes viqorgusly painted scenes of und ir u story in itself The Getty Foun- Latin-American countries and, in the an impoverished neighborhood in the dation condibuted funds for it, as part United States,various sites of diaspora, Argentine capital for the sacred figures of a push, called "Pacific StandardTime: chiefly from, Mexico, Puerto Rico, and _ofthe Northern Renaissance touchstone. l,A,/[,A,"to higtrlight Latino and I.atin- Cuba-and facts of displacement: the You are invited to walk or an outdoor American art in and for Southern Cal- immigrant kind, so ffou6lous today, and piece, set in a lawn, by the Cu,ban-Amer- ifornia. The worthiness of the aim- the oplional kirid that we term "cosmo- ican Maria ElenaGo.rlzilez_,"Yrg.-C".- politic, if not political-is one thing, politan."Willfirl modernity has always pet/Home" (zo-c811il_.ablach undulat- todi.rg-or"rectitudethanrapture.But amounted to finding, or inventing, a ingrubbersurfacethatresemblesasphalt anothir is the tour de force that the home in npmadic rootlessness. Museums and has the floor plan of a public-hous- showls curators have brought off by symbolize that vaporous destination. i.g apartment painted on it. The super- r imposition bf,those cramped quarters on "Maria Waitingfor Her Check" (zotS), by Raruiro Gornez,: a structure that's fun, amid a setting of 72 THE NEV YORKER, JUNE 26,2OI7 o U = I (-) U F E l o O N U o (, o v :
-
Upload
nguyenthien -
Category
Documents
-
view
216 -
download
3
Transcript of HOME AND AN/-V - UCLA Chicano Studies Research …Away...THE AITI VORLD The show's title borrows...
THE AITI VORLDThe show's title borrows from'Just
what is it that makes today's homes so
different, so appealing?" (tg56),a collage
by the English artist Richard Hamilton,deemed by some historians to be the firsticonic instance ofPop art.The workpic-tures a bodybuilder wielding a giantToot-sie Pop in a living room packed with flashy
consumer goods. It is sarcastic, in a 1vord,about postwar U.S. culture-unlike U.S.
Pop art, which tilts toward the celebra-
tory. The LACMA curators have pickedup on Hamiltoris pique by startingwitha piece by the Colombian Miguel AngelRojas which speltrs out Hamiltorls titleon awallwith litde &sls punched out ofcoca leaves. This is pretty heavy-handed
cocaine and its depredations being majorU.S. imports from south of our borders,
see. Beating up on "the American Dream,"
which is now ebbing everywhere, lacks
the friqson that it once had. But the sally
proves to be only one bass note in theshow's concerto. Another artist, MiguelAngel Rios,who was born in Argentina,attains a pitch even more dire, but less
aloo{, in his video "The Ghost of Mo-dernity (Lixiviados)" (zorz). Shacls made
of wood and rusty corrugated metal fallfrom the sky,banging down onto barren
landfill soil.Vultures flap loudly overhead.
A large, pristine plexiglass cube appears
to drift, a few feet offthe ground, among
the shacks: the titular ghost, plainly,whichhaunts the worldt innumerable shanty-
towns with utopian longings but can do
nothing to relieve their squalor.The vid-eo's elegance graces without softening its
adamant despair.
HOME AND AN/-VLatin-American artists ex?lore themes of belongihg and displacement.
BY PETER SCHJELDAHL
Even uPbeat works in the show maY((f__fome-So Different, So Appeal- putting multifarious works-paintings, scald a bit. "Polyptych of Buenos Aires"
Eing"is a big, keen show, at the Los scdptL., photographs, videoi, irrrtalla - (zot4/t6), by a pair of artists (Juliana
Angeles County Museurn of Art, of tions-in orbit arotmd a primordial idea: Laffitte and Miguel Mendanha) who go
woiks made since t957 by forty-two home, where you hang your hat, if you by the name Mondongo, re-creates at firllmostly topnotch Latino and Latin- have one, and where the heart is or, for size the stupendous "Ghent Altarpiece"
A-erica, artists, spanning styles from some grirn reason, fails to be.The theme (r+:z) of Hubert and Jan van Eyck but
Pop to Conceptual. It tells"rnany stories befits ilrpressions ofplace-h alf a doz*n substitutes viqorgusly painted scenes ofund ir u story in itself The Getty Foun- Latin-American countries and, in the an impoverished neighborhood in the
dation condibuted funds for it, as part United States,various sites of diaspora, Argentine capital for the sacred figures
of a push, called "Pacific StandardTime: chiefly from, Mexico, Puerto Rico, and _ofthe Northern Renaissance touchstone.
l,A,/[,A,"to higtrlight Latino and I.atin- Cuba-and facts of displacement: the You are invited to walk or an outdoor
American art in and for Southern Cal- immigrant kind, so ffou6lous today, and piece, set in a lawn, by the Cu,ban-Amer-
ifornia. The worthiness of the aim- the oplional kirid that we term "cosmo- ican Maria ElenaGo.rlzilez_,"Yrg.-C".-politic, if not political-is one thing, politan."Willfirl modernity has always pet/Home" (zo-c811il_.ablach undulat-
todi.rg-or"rectitudethanrapture.But amounted to finding, or inventing, a ingrubbersurfacethatresemblesasphalt
anothir is the tour de force that the home in npmadic rootlessness. Museums and has the floor plan of a public-hous-
showls curators have brought off by symbolize that vaporous destination. i.g apartment painted on it. The super-
r imposition bf,those cramped quarters on"Maria Waitingfor Her Check" (zotS), by Raruiro Gornez,: a structure that's fun, amid a setting of
72 THE NEV YORKER, JUNE 26,2OI7
oU
=I(-)
UFEloONU
o(,ov:
tirli'purJou urees ol ur8eg'stuszgc
Surruoceq 'ssz1c go seJnssU r{Jrr{,l\ urJePJo Prf,os B rpyttlueuuSrru olul(euroHDs8ur-lg e11'sseurrzurpro pe.rnSgsuerl goBJnE qlmrg-p1eq'enbse-raauue1 ? sprr?ul
-uror zauoC'qlpe-{rJo Brqtunued eg} urrogrl ogarr luru os fg-l1eg lou llgrunu'sduq;ad'ro-4eJ put po ll sr tr s? oJrtJo
sqtru] selereua8 rczg r1rr.,n papuelg uoqllC'seurzz8rru relleqs epcsdn urog ue>lel
sa8ed uo s8urlured cr1,{-rcr elrcqsp dlergczare legt 1nq'sqdzrSoloqd re88ns sryo-n
egl'ecuz18 ]sry ]V'seuoq risod ur slue,r
-Jas f,rlsourop ouil?TJo se8eurr oJnwaJ
grrVr 'ftoz ruor; 1e'sarnlcrd lluurs ua olo
srqJo sseuelrsuns.rad eq] os]E lng re]]Eru
refqns arlr r(1uo 1ou urcldxe r(ztu acua
-uadxe ag1 'poo.tr,{11oH }seAA ur luuruuI-e^ll ? s? etull ? roJ Pe>lJora zeIJJo)
'suezrlrc'S'n eruoleg etrurs el?rl oql\slue,rzd 1uu-iSrtuurr-peJueumlopun u?lr-xetr,1l ot'g16tur ?ruroJrpC ur u.rog'8ur-]log? lsoru erp Suourz oslz sr'zeurogoJrurEH ']sr].re ]se8unof s,ltoqs aqa
'roog aql uo dn gcunqpur 8ui1ac eqt tuorJ 3uzt1 tztll sproce^laal Suop ,no13 sqlng Jo sperpunq
'vr{cvr ry 'tg8re-,firrgt;o e8z egt lz'966r u 'aJII .l { >loo} qln{ \-lrureprdesarv orpJo srurtf,r^ equo sedog ua.t puzseluJ peururp arp qllvruorlercossr luenb-e+ rreqt 11e41 s1 ll 'lrnzaq rreqt tuo5uzdy isele lur o1 sreel Suuq ]ng IIE ueuo$flo,&\ esorp op lq16'sertauru eq] ur op?ru
'sqpq rq8rl D?^\-ueeUU q]r' \ peppnlsspros I?lrDlele Jo suoD?ll?lsur qserrol-zevzuo) xrlec uBruour\yr-uBqnJ elpJoeuo sr Sur,totu llzuoDdacxa lnq ldr ssal
lgucrrurueql'errolrp pup ]uetuuopu?geepnlJur lBrl] sJels?slP rrlseuoP qll&\ ]uBu-oso.r'ear8ap prnsqB lsourp u? o] rlrrrdlpcr.roqdrlaur sr 1f,8 eq1 desre{.,ne51
ur asnog,{-ro}s-o,&\l ]Eu?q ?go 'uroDoq o1
dor urog';1tg ur Sura,rzs paluerumop eq]
' (t /6t),,Bumld g,, :ruztr41 otreqog relurz dueelrr{J er{}Jo uos r'ryq3-tnu141 uop
-roC re>lro ,r\eg erel eqt fgryor\ snour
-zg e sr ldecuor s./,torls eq] o] ]EDuoC'rusundod sr lcue8rnsur prrlqodgo ur;og
]uelod ]soru eq]'eragzltesle pu? se]€lspalrun eql ur'uegrr,t lueruour ? w Surlour[uo,&\ stuees ]1lng'.&uelns qeuoluz uror;de,r.tr Surqlou se>l?] srrlJ'ern{rc IBuoI}-nlllsur elllg-]l &s-ur uorsnltrur rrerpdq peuorqsnc sr sserdxe slsrilE ar{} }ua}-uorsrp relewq \ :1m lsoltetTat lgzcrrl-od3o suorlzlueserd urnesntu ol Jlurep
-ua fuo.rr uz dn slurod lf,ojgo luep rqtu?eqa'urds f,rlu? uE ue o pu? enborzg t
uear8 sr sseussaladoq,,'(soptr,trxrl) lrrurop
-ohJJo ]sorlg eqJ,, s(soJg Ie8uy tlrr,tt sz
'urz8y (,,:ouoqgo a8peq,,e sB \sr?gpury-eq reqrzg e SurAEq uoq.{\ JoJ >lr?,{ eN uIsqtnol ]aur peq or.rosg) 'aurrrc pegrceds
-un u? rog paprl uooq seq oqa.t'-rerlteg
sH r{ll \ uoB?sJe^uol peuml}s B slJnP
-uol u?ur 8uno,( e-12,,n t ^,(q paltrzdes
-suorlcalord oepr,t Suroeg u1 '1ec uosr.rd
>lrBls E rllr.a/r uroorpaq s,loq e8s-ueel z
Jo Brs?]uBJ sno-roue18 egl s;rcd lrorn egl
'deep puv ti31q raeg a lerur lq epnr ]eoJ
tq8ra-A.rrq1 rarlree rze.,( u epztu uaeq rT
prq'pruuarg [66r aqt ut tnopue]s ? ueaq
e-ttg tq8nu'oliosg u9de4 ue1qd1epryq4urog-otrrU ouond etlr ,(q uortell?]surButlzzep e' (t 6 6:r) ((rouoH Jo e8pz g,,
'etrrospuerl a.r laql 'a1et ,{ue }V i}pqIlort ]l sr pue-s8urq] aseql qrltt 8ur
- les zeutlmtrqsr ltl{Ayeluroglp3'eup.-rI ur sesnoq roJ pue seuroq lueluel]]es>iueg ]se6 IIeErsI roJ suqdgo srnoluof,
]arJar cqsqd peurroJ-unnle,t ur'etue.rg
]Er{} s}eJEJ ue ele q}L!t qcua'sarnlcnrlsunururnlB pedeqs-1aet1,ra.'e8nq o,tal
:,,1 urt (P€eP ]ou ure r :Surssrur sI >lueg
lse.^a oq1,, pepB llppo eqr rlrrrn'paaloqun
'vwcvr lE >lJEq sr zeuru?tr{J ('stueur-eJrrur pcrrllod snornJlns Jo ar5ssorls,lupo] ul p11ru lpreg stuees edel eg+
'ueq] l*rpuacul),,'alrg,u eg o1 8ur1uea,t
re,re eur8eurl luec 1,, peer ]eq] ts.rolr
-sr^ o] ]no pepuEq e.re,l1,r gcrgrr.t'suollngSurcnpord'leruuerg eg] ur rnaluco,tord
Jerqr E sE^\ zauruutrAJ gdasof lerueq tsr
-r.re sele8uy soT erlJ'plro/\ ue sselded
uegl e pezr8.roue 1r lEIp pue'suosee.r prc-os lue8rn,rog'ueddeq o] pBr{ tr terp eas
I ^\oN'slDarpsee Surzrcrtrlod roJ luela
er1] palecerdap 1 (erup eri] ]V'srunlpeu:
Ieuorlrper uo lroqs pue alceneds puou-€[€]sur uo Suoi st,&t ]BI{l >ilo,t\ ur srrl-r1od lrrruepr put ursllurntlnrlllnru Jouorlerqelel a,trssarS8e uE qro ^taN
uI
'mef legr;o pruuerg leu1ry16 8u#ueqc-arue8 eq] put t66t ol selup teql
^\or{slrr.rodrueluor go ed,{r B sr ((euloH,,
'e]g?] ruoor
-Bururp u.trop-eprsdn u? sI U?r srH'tooz uI uorlrury rqt o] pua uE ]nd slsat
-o,rd plun ln N 'S'O eq] roJ e8ue: 3ur
-quoq? s? po res l{lnl \'senberlgo puqsreql punoJe Sursmrc uees sr u?ur z'(9ooz)
(porssnrsrg repufL,'oeptr.neq] q'?ilIp-EzyJ orure1mC put e.ro1ry re3ruuof3o
tu?el Pes?q-orru olrend eqr sr crlqndfipuz;8 aqr pur citsaruop.{lqurnq aqr 3q-teguol osry'3urp1asun.{1ucruotz1 s top-ue1ds prnrelqlre pu? ecuzimxrr1 fssz;8
