Hollywood Vagabond 1927 (16)
-
Upload
saint-guinefort -
Category
Documents
-
view
217 -
download
0
Transcript of Hollywood Vagabond 1927 (16)
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 1/8
The
^T TT H O L L Y W O O D
VagabondQuality Filmpaper $
Edited by FRED W. FOXPublished by BILLYJOY
olume I, Number 16 Thursday, May 26th, 1927Copyright. 1927, byVagabond Pub. Oo.
hiatusA COMPENDIUMOF CLIPPINGS
JNOTES ON ACTING
Thespic might as dis-
in First National
bulletin:"Announcement will soon be
made of new starring vehicles for
Milton Sills, Bill ie Dove and Ken
Maynard . . . stories that are ex-
actly suited to their personalities
nd great acting ability. .."
REALISM IN FILMS
Note on how to attain
ealism inthe
production
of silent drama, as dis-
closed in copy of enter-
prising young Hollywood
press agent:After several unsuccessful at-
tempts were made to film this
cene, Director Weight secured the
realism by offering $100 to
firemen if they were success-
MR. LASKY SPEAKS
Exultant diapason from
publicity of the Para-
mount studio, Hollywood"The studios are stretching out
arms and crying constantly
new faces, new ideas and new
methods . . ."—Jesse L. Lasky.
FERTILE BRAINS
Voluptuous praise for
George Fitzmaurice, di-
rector, as expounded by
First National press
agent:On the First National list of spe-
cials will be several from the fer-
tile directorial brain of George Fitz-
maurice, etc., etc.
Rumor Changes Near
atFirstNat'I Studios
mm
JAMES CRUZEHe is "Hermes with a Megaphone" of Fred Fox's
sketch. See page Five.
Claim Shifts Near
As McCormick Quits
That a far-reaching
shake-up is imminent at
the Burbank studios of
First National was the gist
of reports flying up anddown Hollywood Boule-
vard last night as news ofthe resignation of John
McCormick, production
manager, spread.
According to these rumors,
many who are now in powerat the studio and werebrought in at the beginning
of the McCormick regime
are due to step out soon.
While no definite an-
nouncement has as yet been
made by Richard Rowland,First National chief, as to
McCormick's successor at the
studio, it is generally be-lieved that Al Rockett, nowassociate producer, will take
over the job, assisted by his
brother, Ray Rockett. Theyfirst came into prominence
with their production of
"Abraham Lincoln," and, un-
til recently, were managing
the New York studios of First
National, now closed.
In the meantime manyerstwhile smug jobholders
at Burbank are wondering
what is going to happen.
u
The Mo vies and politicsy >
—TURN TO PAGE FOUR
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 2/8
Two Hollywood Vagabond May 26, 1927
to be Host at Gala Night
WestBanquet at
Cafe LafayetteSennett Cashes
on Harry Langdon
Hairy Langdon got his
rt in the movies under
Sennett, so one can-
begrudge the poobahpulchritude the oppor-
to cash in on his
protege.
Yet the masterful ma-
justexecuted bywith "His First
cannot pass with-
at least this brief com-
angdon made two-
for Sennett until
day came when bigger
better opportunities
a comedy star in feature
opuses beckoned to
whimsical Harry. As a
gesture, perhaps,
the Glendale Boulevard
chieftain, Lang-
made a six-reel pic-
"His First Flame," a
iy of fiery hearts and
engines.
hen Langdon bid
to his Sennettic
and hied himself
the studios of First Na-
He made "Tramp,
Tramp," then
Strong Man," and,
recently, "LongAll this time Mack
carefully nurturing
can of film that held
First Flame."
ow, with Langdonthe zenith of his pop-
the astute Sennett
released his Langdon-
production and is, con-
speaking, mop-up.
From all of which weit's an ill wind
blows no one good.
alcolm MacGregor has
signed by Universal to
the leading male role
Lya De Putti in
Privates."
Next Wednesday night, June 1st, will be the
greatest night of the year!
HOLLYWOOD VAGABOND will make its
social debut at a brilliant dinner dance, the first of
many Vagabond functions, as host to Ray West and
His Orchestra upon their return to Los Angeles after
a triumphant tour of the Orpheum circuit and uponthe inauguration of their engagement at Harry Miller's
beautiful Cafe Lafayette, opposite Westlake Park.
Lew Cody, greatest of 'em all, will act as master
of ceremonies. If all who have evinced a desire to be
present that night live up to their threats it is assured
that Harry Miller will have to add another floor or put
new hinges on the doors the next day.
Ray West first came into prominence with his
syncopators, favorites of the Hollywood film colony,
when he was engaged at the Hotel Alexandria and,
later, went out on the air over station K.FI, Los An-
geles. His popularity and that of his boys was aug-
mented when he made a brilliant debut at the Cocoa-
nut Grove of the Ambassador Hotel later.
Featured with Ray West and His Orchestra at
the Wednesday night gala festival will be beautiful
Manilla Le Mori, the "Jada Girl" who took New York
by storm when she introduced the song of that name.Miss Le Mori will add to the night's festivities with a
number of her snappy songs.
Harry Miller, in bringing Ray West to the Cafe
Lafayette, has once again demonstrated his ability to
satisfy the discriminating popular demand for the
highest type of entertainment and the traditional ex-
cellent cuisine of the Cafe Lafayette should insure a
banquet that, together with the other superlative fea-
tures of this greatest of nights, will put Wednesday,
June 1st, down as one of the red letter night of Holly-
wood social annals, to be remembered for many years
to come.
Reservations forthis
gala night of feast and songshould be made to Harry Miller, Cafe Lafayette, op-
posite Westlake Park, telephone DRexel 4763, or to
Mr. Joy, HOLLYWOOD VAGABOND, 605-606 Taft
Building, Hollywood, telephone GRanite 4690 or
GRanite 5902. The charge will be $3.50 per person,
including couvert.
Don't forget . . . next Wednesday night . . .
all Hollywood will be there! Make your seservations
early!
Wm + Powell in
'Beau Sabreur/ Too
Perrin to Make
*W Two-Reelers
William Powell, who was
seen in "Beau Geste," will
also be in the film sequel
"Beau Sabreur," according
to a Lasky announcement.
Jack Perrin will appear in
thirteen two-reel westerns for
Universal. Bruce Mitchell
directs the first, "Blind
Men's Bluff."
8 Famed Scribes
To Aid Paramount
Eight noted authors and
playwrights have beensigned by Paramount to
come to Hollywood and
write screen stories.
Ernest Pascal, author of
"The Dark Angel" and "TheMarriage Bed," will prepare
a story for Florence Vidor.Wilson Meizner, co-author
of "The Deep Purple," will
write an original story of
back-stage life in New York.
Jack Larrie, author of
"The Easy Mark," will write
an original for ThomasMeighan.
Oliver H. P. Garrett, star
reporter of the New YorkWorld, will write an original
crime melodrama.
Kenyon Nicholson, author
of "The Barker," co-author
of "Love is Like That," will
write an original story, "TheTent Show Girl," for a star
to be named later.
John Thomas, author of
"Dry Martini," will write an
original for Adolphe Menjou.
John Kirknatrick, author
of "The Book of Charm,"will write a story of adoles-
cent love, and Nunally John-
son, author of "Rough HouseRosie," will write an original
for Clara Bow.
Tom Reed, former pub-
licity chief at Universal Stu-
dio, has been signed to a
long-term contract as a scen-
arist at that studio.
HERMANSIMS
INCOMEPROPERTY
605-606 Taft Building
GR. 4690 GR. 5902
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 3/8
May 26, 1927 Hollywood Vagabond Page Three
The RETURN
Mof the
anassas
^/[aulerIn the midst of the Pick-
fords, Fairbankses, De-
Millies, Griffiths, Joe
Schencks and the thou-
sand and one other color-
ful and internationally
famous celebrities that
have brought it fame, Hol-
1 y w o o d points with a
gesture of pride and con-
fidence to one who is as
truly one of ours as the
most beautiful actress, the
most finished actor, the
most brilliant director or
the most sagacious pro-ducer.
Where Hollywood is
not prone to regard its
myriad famous children
with more than a casual
interest born of close cine-
matic perspective, this one
figure commands its ex-
cited attention at all times.
This is Jack Dempsey,
the most popular fighter
that has ever stepped into
the squared ring.Jack, whose hail-fellow-
well-met carefree camarad-
erie is known the length and
breadth of movieland, is to-
day the center of more popu-
lar interest than any ten
leading motion picture fig-
ures. The MannassasMauler, who hammered and
smashed his way from ob-
scurity and poverty to inter-
national fame and fortune, is
on the verge of the most
spectacular chapter of his
spectacular career.
For Dempsey is about to
return. —o
There are things that Hol-
lywood senses with a pro-
phetic instinct. The fate of a
certain player on the first
night . . . Hollywood can
prophesy far ahead of the
world, sometimes ahead of
the player himself. An in-
stinct, an intuition, call it
what you will, but Holly-
wood rarely goes wrong in
its predictions.
Hollywood is today sens-
ing the triumphant return of
Dempsey.
— —It was a warm day, with
the sun beating down on
the hillsides at Matilija
Springs. Towering reaches
of mountains soaring overthe deep canyon where the
bubbling waters of the
creek eddied and mur-
mured. The verdure of
early summer fringing the
banks and sweeping over
smooth stone.
—o
He was out there pum-
meling a negro sparring
partner with those ter-
rific, swift sallies. The
rushing, savage Dempsey
whom the world had
thought was gone. This
was the slugger of Toledo,
the battering ram that had
smashed the mighty Firpo
. . . bronzed, lean-sinew-
ed, clear-eyed.
The Dempsey of Phila-
delphia and Tunney was
merely some gaunt ghost
from a forgotten past.
The Mannassas Mauler
was returning.
—o
We heard a flat-visaged
sparring partner somewhere
near us . . . "there's no man
on earth, I don't care who he
is, who can stand up against
that baby today. Dempseyis sure comin' back" ... he
was a young giant with a bat-
tered nose and a cut.eye. Hehad come out of that samering a few moments before.
The kaleidoscope swept
on. Others who climbedin that ring, fresh and con-
fident, to be shuttled and
crushed by Jack the Giant-
Killer.
A half-hour later, Demp-sey climbed out of the ropes,
perspiring freely but still
fresh. The human battering
ram paused before us with a
friendly hail. We talked.
About Hollywood. The Vag-abond. Actors. Everything
but fights.
The world will talk about
that when Dempsey returns.
It will be something to talk
about for years.
— —Dempsey, personifica-
tion of brute strength, is
a strange medley of hu-
man emotions.
In the ring, with the
heat of battle at its height,
he is a ferocious, tiger-
like savage.
In the hush of a summertwilight such as this,
seated on the doorstep,
eyes intent on distant hills
... a grown-up boy,
rather shy and plaintive.
One is forever conscious of
a deep-seated desire in Jack
Dempsey to make friends.
The return of Dempseywill be a psfihologiial
surety as well as a pugilistic
triumph. The world has al-
ways liked Jack, But since
the day he lost his crown,
three fans have stood whereone stood before.
Dempsey has been cre-
ated as somewhat of a
martyr by the public. Pop-
ular sentiment is for him.
It is an urge of which he
is conscious and withwhich he will keep faith.
Dempsey is comingback.
A scant few months
from now the world will
heraldthe return of the
Manassas Mauler.
Jack Dempsey ... of
Hollywood.
Not So BadBy BURL TUTTLE
What Hollywood needs to-
day is a little auto-suggestion
of the right sort, a little
Coueism applied to its eco-
nomic comeback. Every day
Hollywood and its leading in-
dustry, motion pictures, is
getting better and better.
There is today only onereal obstacle to complete res-
toration of business and in-
dustry, and that is a purelymental inhibition—the pres-
ent psychological trendtoward pessimism. We lis-
ten to the agitators who line
Hollywood boulevard andthrive on unrest and make aliving by preaching it.
But let it be noted that this
gentry agree only on one
thing—that everything is all
wrong and must be changed,or the motion picture indus-
try will plunge into disaster.
Each has his own nostrum,his own scheme of reformwhich offers the one andonly way out. There is sel-
dom any unity of opinion onthe extreme left, and just
now there is less than ever.
Long after the gale hasdied down, after the light-
ning has ceased, and after
the furious storm god has de-
parted, the sea is restless andtroubled, as if in memory of
what has been. So it is nowwith public opinion. It is tur-
bulent, but with the turbu-
lence of the after-the-storm.
If we can cultivate a
calmer, more confident spirit,
we shall find the processes of
social and economic recup-
eration will be greatly for-
warded. The film industry
is going on steadily, but it
may be helped by a saner
and more wholesome mental
attitude.
Wages are higher than for
many a decade. There is a
job for everybody that is
willing to work. The Ameri-
can dollar is the best coin
made in the world. We have
more actually and more per
capita than ever before in
our history. There is more
production scheduled and
actually under way than a
year ago.
Under the guidance of
Joseph M. Schenck and other
acknowledged leaders, the
industry is moving along to
greater things. The building
of new studios, the remodel-
ing of old ones and the re-
organization of producing
companies is in full swing.
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 4/8
Four Hollywood Vagabond May 26, 1927
«fc>
^C Th ollywoodVagabondThe QUALITY Filmpaper
^9
Published by BILLY JOY Edited by FRED W. FOXBURL TUTTLE, Contributing Editor A. J.
GASCHEN, Comptroller
Published every Thursday by the VAGABOND PUBLISHINGCOMPANY, Suite 606 Taft Building, Hollywood, California-
Telephones GRanlte 4690 and GRanite 5902. 20c per copy; by
subscription $10.00 per year.
Movies and PoliticsIf it is true that the press wields a potent influ-
on the political destinies of the nation and the
it is certain that the motion picture exerts a
equally powerful.
Yet the fourth industry has not demonstrated,
legislative channels, any tendency to share in
official adjudication of its manifold problems as
the fourth estate.
Censorship governs the contents of newspapers
magazines, but it is a moot question as to whether
not there is more latitude in the official limitations
upon journalistic enterprise than in the regulations
motion pictures.
The recent federal monopoly quiz into the affairs
the Zukor organization was certainly dissimilar
anything of the nature that might have involvedhain of newspapers. It is rumored that the impend-
merger of certain theater chains is being held in
until the anti-trust aspects of the proposition
been fully determined. The last decade of
of the cinema has not found any notable
for the cause of Hollywood in either the
or national congresses. In the city of Los An-
whose eminence may be directly attributed to
presence of the film industry, it appears that the
is regulated, insofar as civic rights are con-
by a group of legislators totally unaffiliated
the silent drama and with no particular concern
its destinies.
The only executive in the industry who has mani-
any apparent interest in the legislative rights
the industry is Joseph M. Schenck, who, since his
in California a few years ago, has attained a
position in the political circles of Los An-
and California. There are others who have
a casual and spontaneous curiosity in the po-
status of Hollywood at the various seats of gov-
With all of its rather apathetic and sometime
features, the newsreel has done much to
an international understanding for America,
as it has created a sympathetic regard in Ameri-
eyes for the peoples of alien lands. In this status
a semi-official plenipotentiary, the newsreel alone
have earned for the entire industry a more
legislative regard for the rights of the cinema
a whole. Yet a most stringent censorship prevails
and there is a rather dolorous contemplation of Holly-
wood at Los Angeles, Sacramento and Washington.
In England and Germany, nations intent upon
nuturing their film industries to compete with Ameri-
can output, the governments have developed an official
or semi-official subsidy to insure the greatest freedom
of movement upon the part of the cinema.Hollywood, in its various productions, has ex-
tolled the American, his government, the nation's
military and naval institutions, the natural resources
of the country, and divers other aspects that present
the American species as the ultimate work of God.
Yet the citizenry continues to gloat in Hollywood
two-gun exploits and the various legislatures take
keen relish in introducing laws and by-laws intended
to pummel the silent drama into the ignominy of an
industrial serf. o
The only reason Hollywood has failed to realize
the full measure of its political rights is because it has
elected to entrust alien hands with the protection ofits inherent privileges.
As soon as Hollywood will take cognizance
of its vacant chairs at the different governmental
assemblages and extend its influence to place a repre-
sentative there, then only will it realize that the solu-
tion to many of its ills is through the channels of
legislature. o
Until that time the only protest that Hollywood
can make against unfair censorship or trodden rights
is through the organs of its critical spokesmen which,
after all, is somewhat ineffective in the rendezvous
of the political potboilers.
Complete Line
• °f
Graduation and
Wedding Gifts
?
ff^illiam Stromberg
JEWELER •
1092 North Western Avenue
HOlly 4862
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 5/8
May 26, 1921 Hollywood Vagabond Page Five
£ HOLLYWOOD JOURNEYS WITH FRED FOX J ^t1 °'clock that after"
$ Maybe it was there that* Cruze was nurtured with the
4 idea of making 'em quick* and sure.agabondia
"JVe are the music-makers
And we are the dreamers ofdreams"
A. W. E. O'SHAUGHNESSY»»»*'M-M-Hermes with aMegaphone
Cinematic Votaryof
Speed
It was in the lobby of a
big hotel.
Two sleek -haired and
self-satisfied actors were
in the midst of a heated
conversation. Suddenlyone burst out with, "Say!
w h a d d y e think you're
gonna do; out-run Nurmi
or make a picture with
Cruze? You're too slow,
boy, too slow . .."
—o
James Cruze, without a
doubt, can make a good pic-
ture in a shorter period of
time than any other director
in the motion picture busi-
ness.
The traditional rapidity of
his filming cannot be attrib-
uted to carelessness; all of
his pictures bear the mark of
a sure hand and very often, a
stamp of lavishness.
Even with such giant
spectacles as "The Cover-
ed Wagon" and "Old Iron-
sides," Cruze takes less
time than any other direc-
tor delving into the realm
of super-spectacles.
Cruze knows what he
wants before he goes on the
set. Once he gets there
there is not one unnecessary
gesture or a lost moment.
He gets 'em in the can
quick. —o
"The Covered Wagon"
"Let Me Protect You"
Frank M. FlynnINSURANCE
ALL LINES
6372 Hollywood Blvd.GR-0469
made a popular sensation
of James Cruze.
We, however, discern
more of the man's real
touch in such productions
as "Beggar on Horse-
back," a whimsical mas-
terpiece, "Ruggles of Red
Gap" or "WelcomeHome," none of which
were adequately appreci-
ated by either the public
or the industryitself.
—o
When one visits Cruze in
his palatial home in Flint-
ridge, he can always be
found imersed in the cavern-
ous depths of a huge easy
chair, well nigh the size of
the covered wagon itself.
Cruze listens and watches.
He speaks rarely and whenhe does, he has something
vital to say.
One has the same feel-
ing when watching one of
his films, be it a "Covered
Wagon" or a "Beggar on
Horseback" . . . that
there is a tremendous re-
serve of thought and ex-
pression for each iota that
is evident.
—o
Cruze has the physique of
WRIGHT-OA Complete Stenographic
Department
We TypeScripts, Plays
and Parts
6282 Hollywood Blvd
HEmpstead 6812
Fred W. Fox
a giant. When he looks at
you, there is a sense of powerbehind the scrutinizing eyes.
Cruze's father, a pioneerof Utah, was seven feet tall
and weighed over three hun-dred pounds. They say that
he could lift a thousandpounds on his back.
It is from him, perhaps,that Cruze inherits the surety
of physical strength and men-tal
power.He may not have ever
shouldered a thousandpounds, but he has shoul-
dered the responsibilities of
many big film undertakingsand carried them with con-
fidence and ease.
— —Cruze became a motion
picture actor with "The Mil-
lion Dollar Mystery" in NewYork. Soon he had becomeone of the most popular lead-
ing men of the early films.
Once,when workingwith the Tannhouser com-
pany in Florida, Cruze
made seventeen pictures
in seven days. In fact,
they made one picture be-
Cruze has made manynoteworthy pictures as a di-
rector during the past nineyears. Among them, "Holly-wood," "Merton of theMovies," "The Fighting Cow-ard," "The City That NeverSleeps," "The Goose HangsHigh," "Marry Me" and"The Pony Express," in addi-tion to those already men-tioned and others.
He is now directing
Thomas Meighan in "We'reAll Gamblers."
Because of "The Cov-ered Wagon," the public
has come to regard JamesCruze as a moulder of
giant epics. The motionpicture industry, too, has
been prone to look uponhim as a director dealing
with huge screen subjects
and has overlooked the
subtle humor and the deft
whimsy of his other re-
markable photoplays.
If for nothing else,
Cruze's name will go
down in Hollywoodhistory as the man whodemonstrated that a direc-
tor who knows his busi-
ness can combine speed
with talent and precision
to produce consistently
fine silent drama.
The names of our Griffiths
and DeMilles are incompletewithout the name of JamesCruze.
— —He makes 'em quick
and sure.
12 3 5
MM-fiEfcB Vine St.
A GOOD PLACE TO EAT'
Phone HOlly 9423
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 6/8
Six Hollywood Vagabond May 26, 1927
Joseph
Schildkraut
Whose brilliant performance as Judas
in the "King of Kings" has won for
him new laurels.
Mr. Schildkraut' s ultra -smart apparel
has likewise brought forth favorable
comment.
He is a patron of
^-^ HOLLYWOOD^~^
6367 HOLLYWOOD BLVD.
Importer of Men''s Wear
AUBURN
The
AUBURNis the Fast Car
Troutt&Higgins
IHo
x c I u s i v e
ilywood Dealer]
6145 Hollywood Boulevard
GJLadstone 3613
PERSONALITY S«£,
'zlfw me So/ffaiwl ([/uc/wclaimb t/ie t_Alan
M.A.TRUMMERTailor - Designer
212 Professional Building
7046 Hollywood Boulevard
at Sycamore
HEmpstead 0607
EXQUISITEcw /-.-...'- ' '
CREATIONS %and
_ s
ORIGINAL
STYLES
DENOTINGthe
HIGHEST
CRAFTSMANSHIP
CONCEIVABLEy. *
?
9V: : ' J§8LJils5
Distinctive Furs for Those JVho Care
Remodeling and Storage
7038 Hollywood Boulevard HEmpstead 5906
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 7/8
May 26, 1927 Hollywood Vagabond Page Seven
Will Fitzmaurice
Top "Dark Angel?"
"The Dark Angel" wasone of the most impressive
pictures ever made and, ac-
cording to most critics, the
finest directorial work of
George Fitzmaurice.The recent announcement
by First National that Fitz-
would direct Colleen
Moore in the screen version
of "Lilac Time" has created
great interest in Hollywood.
Many sharpshooters declare
Fitzmaurice will top his
previous war film.
At the same time one won-ders whether the deft direc-
touches of this mega-wielder will be sub-
to the Moore personal-
But United Artists
Cashes In
n
versus
orma
niversal Changes
Title of New Film
According to the latest inside information Gloria
Swanson is the biggest money-maker among film stars
of the feminine gender, being very closely followed
by Norma Talmadge.
They say the returns on Gloria's pictures look
like the balance sheet of the U. S. Steel Corporation
and that the money drawn to box-offices by Normaruns a close second to the German indemnity.
While there may be much interest and excitement
among exhibitors and laymen over this close-run con-
test, there can only be wreaths of smiles on Joe
Schenck's face.
For after all, United Artists cashes in, with either
Gloria or Norma in the lead.
En -Tout
The World's
Finest
Te?inis Courts
s^A
"Grip of the Yukon" has
substituted for "Eternal
as the title of Ernst
current Universal
Fazenda, Cook To
Make Gob Picture
Gilbert Warrenton
Now With Universal
On finishing "Hook andF. Harmon Weight
go to Universal to direct.
"A Sailor's Sweetheart"
will be the title of the next
Louise Fazenda-Clyde Cook
film for Warner Bros.
Gilbert Warrenton will
have charge of the photogra-
phy on the Universal produc-
tion, "Viennese Lovers."
For further information phone
W. A. SLAYBACK
GRanite 4690 or GRanite 5902
'Would that the little flowers were born to live
Conscious of half the pleasure which they give."
—Wordsworth
*
Country Club Flower ShopFLOWERS FOR ALL OCCASIONS
Telephone GRanite 8366
BEVERLY and LARCHMONT LOS ANGELES
7/27/2019 Hollywood Vagabond 1927 (16)
http://slidepdf.com/reader/full/hollywood-vagabond-1927-16 8/8