Growth of Royal Power Forms to Reflect the Substance.

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Growth of Royal Power Forms to Reflect the Substance

Transcript of Growth of Royal Power Forms to Reflect the Substance.

Page 1: Growth of Royal Power Forms to Reflect the Substance.

Growth of Royal Power

Forms to Reflect the Substance

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Escorial and Versailles

Comparison of Style

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The Old Chateau

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The Hall of Mirrors, 1685

                                                                                                                           

Produced by the Faubourg Saint-Antoine Glass Manufactory (later moved to Saint-Gobain)

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Levee

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The Queen’s Bed Chamber

                                                                           

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The Grand and Lesser Stables

                                                                                                      

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The Power of Portraits

• Anthony van Dyck (1599-1641)

• Diego Velazquez (1599-1660)

• Peter Paul Rubens (1577-1640)

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Charles I by van Dyck

• Van Dyck’s portrait on horseback

• Patron of art and artists• Rubens and van Dyck

invited to court• Invests in Titians and

Raphaels• Connoisseur of Baroque

style

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Count Olivares and Philip IV Velasquez

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Marie de Medici by Rubens

• Wife of Henry IV• Mother of Louis XIII• Considered a “handsome,

heartless, vulgar woman”• Marriage short and

unhappy (follows Henry’s divorce from Marguerite of Valois)

• Dauphin 9 at the time of Henry’s assassination

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What you do when the facts are too hot to handleMythologize!

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Inigo Jones’s Banqueting Hall

• Built for James I• Replaced previous one

that had burned• Palladian style• Incorporates motifs

from Greece and Rome (columns, pilasters, pediments