Growth of Royal Power Forms to Reflect the Substance.
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Transcript of Growth of Royal Power Forms to Reflect the Substance.
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Growth of Royal Power
Forms to Reflect the Substance
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Escorial and Versailles
Comparison of Style
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The Old Chateau
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The Hall of Mirrors, 1685
Produced by the Faubourg Saint-Antoine Glass Manufactory (later moved to Saint-Gobain)
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Levee
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The Queen’s Bed Chamber
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The Grand and Lesser Stables
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The Power of Portraits
• Anthony van Dyck (1599-1641)
• Diego Velazquez (1599-1660)
• Peter Paul Rubens (1577-1640)
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Charles I by van Dyck
• Van Dyck’s portrait on horseback
• Patron of art and artists• Rubens and van Dyck
invited to court• Invests in Titians and
Raphaels• Connoisseur of Baroque
style
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Count Olivares and Philip IV Velasquez
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Marie de Medici by Rubens
• Wife of Henry IV• Mother of Louis XIII• Considered a “handsome,
heartless, vulgar woman”• Marriage short and
unhappy (follows Henry’s divorce from Marguerite of Valois)
• Dauphin 9 at the time of Henry’s assassination
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What you do when the facts are too hot to handleMythologize!
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Inigo Jones’s Banqueting Hall
• Built for James I• Replaced previous one
that had burned• Palladian style• Incorporates motifs
from Greece and Rome (columns, pilasters, pediments