GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard...

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GRAFFITI LATINI POMPEII

Transcript of GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard...

Page 1: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

GRAFFITI LATINI

POMPEII

Page 2: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Why not study ancient graffiti in Rome?

Because it is a modern city…hard to date.

So we study remains of graffiti, now mostly gone, but previously preserved by the effects of the Vesuvius eruption.

What is graffiti?

My story… Now your turn…

Page 3: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Modern Graffiti

Page 4: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Varia• Strom Thurman sniffs drainpipes.• Batman loves Robin.• Zeus loves Ganymede.• Shakespeare eats Bacon.• The difference b/w a firm & a cactus plant is that

the plant has pricks on the outside.• Mene, mene, teckel, upsharin…• Reiche leute kussen sich

arme leute bepissen sich• For a good time call...

Page 5: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.
Page 6: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

graffiare = to scratch

Graffiti: inscriptions and figure drawings found on the walls of ancient sepulchers or ruins

Usage of the word has evolved to include any

decorations (inscribed on any surface) that one

can regard as vandalism; or to cover pictures or

writing placed on surfaces, usually external walls

and sidewalks, without the permission of an owner.

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Painted vs Scratched

dipinti V S graffitipainted scratchedplanned spontaneouslarge smallerconspicuous obscurepublic private

Page 8: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Quis scripsit?

• Mostly men

• All classes, but probably moreso low(er) classes

• Travelers

• Children

• Prostitutes and their lovers

Page 9: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Architectus

Page 10: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Types of Graffiti in Pompeii

• Electoral/On behalf of candidates• Advertisements (1/3)• Warnings/Curses• Notices/Local News/• Admirations/Boasts/Personals• Writing Practice • Pictoral• “hīc erat”

Page 11: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Pictoral graffiti:

A caricature of a man scratched into a wall.

Page 12: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

What does graffiti tell us?

• Literacy rate• Frequented roads• Social customs and activities• Pronunciation

• Origin of travelers• Gives us the individual tastes, passions,

and experiences of everyday people.

Page 13: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Literacy

There is evidence of Pompeians’ ability to read

and write among classes of people

e.g. the 83 graffiti found at CIL IV, 4706-85 (a peristyle which had been undergoing remodeling at the time of the eruption of Vesuvius) were executed not only by the architect Crescens, but also by most of the members of the work crew for whom he served as foreman.

Page 14: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Frequented Roads

• The number of messages written on walls has given scholars the indication that certain roads were traveled more than others.

• This could also be connected to the amount of wall space available for messages…as well as the availability of roads at certain times of the day.

Page 15: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Frequented Roads

Map of Pompeii

Occurrence of messages Occurrences every 0-4 meters

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Occurrences every 4-8 meters

Page 17: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Electoral Graffiti

• There are around 3000 electoral inscriptions in Pompeii and most of them can be dated to the city's final year of existence, given that it was customary to rub out the old inscriptions to make way for new ones.

Page 18: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Electoral GraffitiVia Consolare

A request to vote for two candidates for aedile, M. Cerrinius Vatia and A. Trebius Valente, who was elected in 71 A.D., again in 75 A.D. as candidate for the duumvirate. Other similar electoral messages with the same two candidates' names were found along Via del Foro.

Page 20: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Fragment of a Roman wall painting containing an electoral inscription from the officina of Verecundus. Depicts Mercury with caduceus and petasus emerging from a little Etruscan-Italic temple. He holds a purse of money in his right hand. One inscription: "Holconium Priscum / IIvir(um) I(ure) d(icundo) d(dignum) r(ei) p(ublicae) o(ro) v(os) f(aciatis)" or "I ask you to elect Holconius Priscus as duovir. He is worthy of holding office." H 214 cm, W 88 cm.

Page 21: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Advertisements

• Outside the city?

• Funerary markers, tombs?

Page 22: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Social Customs/Activities

• Declarations of Love, hate, et cetera

• Sociī

• Thievery

• Food and Drink

• Schooling

• Facta, factura

Page 23: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Activities

The brothel at CIL VII, 12, 18-20 contains

over 120 graffiti, the authors of which

included the prostitutes as well as their

clients.

Amantes ut apes vitam mellitam exigunt.Vellem

Pompeii wall of a house, Region ICIL

IV.8408

Page 24: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

???

Arma virvumque cano troianis primus ab oris

Page 25: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Quisquis amat. veniat. Veneri volo frangere costas

fustibus et lumbos debilitare deae.

Si potest illa mihi tenerum pertundere pectus

quit ego non possim caput illae frangere fuste? • -CIL IV, 1284.

Whoever loves, let him go. I want to break Venus's ribs

with a club and deform her hips.

If she can break my tender heart

why can't I hit her over the head with a club?

Love?

Page 26: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

“Vulgar” Latin

Amat qui scribet, pedicatur qui leget, qui opsultat prurit, paticus est qui praeterit. Ursi me comedant; et ego verpa qui lego

graffiti, exterior wall, Pompeii, circa 62-79 AD

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???

Page 28: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Entertainment

• The gladiatorial academy at CIL IV, 4397 contained graffiti left by the gladiator Celadus Crescens (Suspirium puellarum Celadus thraex: "Celadus the Thracier makes the girls sigh.")

Page 29: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

From the House of Obellius Firmus, Pompeii. Gladiator with shield and spear (photo and illustration).

Page 30: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Gladiatorial Graffiti

Page 31: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

From amphitheater

Pacatus hic cum suismansit Pompeis. Pompeii, Amphitheater portico

CIL IV.8660Anthiocushic mansit cum suaCithera. Pompeii, Amphitheater portico

CIL IV.8792

Nemo heic fuit

Page 32: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Errors in spelling and grammar in graffitiinform us of the degree of literacy of thegraffiti scrawlers and give clues as to thepronunciation of spoken Latin. • CIL IV, 7838: Vettium Firmum / aed[ilem] quactiliar[ii] [sic]

rog[ant]. • Here "qu" reflects the common

pronunciation of "co".

Pronunciation

Page 33: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

When we go…if we haven’t already

• Seek out graffiti that is now protected under plexi-glass covers

• Graffiti in the original sense of something “scratched” can be found in the most obscure places, but also out in the open

• Large or small, pictures or writing…

• Now some tests…

Page 34: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Plexi-glass

Page 35: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

???

Page 36: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

???

COMMUNEM NUMMUMCENSIO EST NAM NOSTER

MAGNAM HABET PECUNIAM

Page 37: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

???

Page 38: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

???

Nihil durare potest tempore perpetuoCum bene sol nituit, redditur oceanoDecrescit Phoebe, quae modo plena fuit,Ventorum feritas saepe fit aura levis.

CIL IV.9123

Page 39: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Other/Modern graffiti

• Bumper stickers

• T-shirts

• Buttons

• Hats

• “Designer” tags

• Billboards

• The “vent”

“Anonymous graffiti are generally written by repressed people, and their inscriptions are wish fulfillment and fantasy” Reisner

Page 40: GRAFFITI LATINI POMPEII. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly.

Our theme song for this “iter.”

Otiosis locus non est. Discede, Morator.

CIL IV.813