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    Gabriel's Second LessonAuthor(s): JAMES MERRILLSource: The American Poetry Review , Vol. 8, No. 5 (SEPTEMBER/OCTOBER 1979), pp. 6-8Published by: American Poetry ReviewStable URL: http://www.jstor.org/stable/27776262Accessed: 25-04-2016 17:26 UTC

     

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     Haw as the furrow wavered. The beasts walked with their heads low, the

    worn patches on their pelts gleaming. In the deep trough of the furrow,

     the plow blade in the earth, they appeared to be straining to pull j

     Lorenzo. Until he arrived, looping the reins about one handle, she might

     be filled with pleasurable anticipation.

     Lorenzo's great deliberation, his concern for the flynets, his shuffling

     about to pull up grass for the team, held Cora's attention as if she were

     spellbound but at a remove from what she was seeing. His muttered

     remarks were for the horses, the slap and stroke of his hand caresses.

     From the pail she had brought him he would take the buttermilk and

     drink it half down, then give a rumbling belch. Silently he would eat

     while she stood watching. The dark furrows he had just plowed seemed

     to please both him and the birds. Orion might encourage Cora to stand

     close for a moment, and talk, while he showed her something turned up

     by the plow, but neither arrowheads or bones held interest for Lorenzo.

     His pleasure was to cup a handful of the moist loam, letting it sift be

     tween his fingers, or smooth it out on his rough palm as if looking for

     something. It did not please him that Cora took the time to carry food to

     Orion, on his own section. In reference to Orion he first called to her at

     tention that a woman in her condition shouldn't overture herself. His

     manner was that it was something she might have overlooked, if he

     hadn't brought it up.

     Had Cora ever doubted that the nightmare she had survived would

     result in a child ? The logic of it was clear and not to be questioned. The

     gift of life was holy, and one paid for it dearly. The drama of creation, as

     she now understood it, a coming together of unearthly forces, was not

      unlike the brute and blind disorder of her unthinkable experience. So it

     j was meant to be, and so she had found it. Toward Lorenzo she felt no per

     sonal anger, admitting to the necessity of an accomplice. Only in this

     wise could the mortal body bring forth new life.

     The pastor in Battle Creek, learning of her condition, referred to her

     discomfort as wages. She pondered this, but did not fully understand it.

     ; Stretched on her back she watched the mound of her body swell to con

     j ceal the iron frame at the foot of the bed. In the hollow at her side

     j Lorenzo slept soundly and she was grateful for his indifference. Orion

     was always up before her to fetch the basket of cobs, build a fire, and fill

     j the air w ith the astringent smell of coal oil. The whoosh and crackle of

     the flames, the sound of water dipped from the pail to splash in the wash

     j pan began a day that Lorenzo would end by winding the alarm clock on

     the range hood, the alarm set for 5. That it seldom rang did not arouse his

     comment. It was part of the clock, and required winding, to insure that

     the sun would rise in the morning. The first cackling of her pullets, before

     the first light of dawn, always found Cora awake.

     It seemed ordained to her, rather than by chance, as did the sensible

     progress of the seasons, that as she grew larger and slower, so did the

     days grow shorter and the work lessen, accomodating itself to her situa

     tion. At prescribed periods, on the doctor's recommendation, she got off

     her feet. Her long tapering hands, one with the blue-scarred knuckle,

     rested on her swollen body as if to calm it, or respond to an expected

     signal. Appraising her wide hips the doctor assured her that childbirth

     would give her little trouble. How could he have known that she found

     that prediction disappointing ? Had she endured so much for a birth of

     little moment ? From day to day, however, being with child gave her the

     satisfaction of work soon to be completed, a harvest to which she could

     look forward. One day differed so little from another only Sundays held

     her attention. She liked the prayer and the worship less than she did the

     singing of the hymns. Although Lorenzo had observed the Baptist sab

     bath in Ohio, he had been reared as Methodist, in Zanesville, but no

     church of that denomination was nearer than Nehigh, an hour's ride in

     the buggy. Cora had been raised a Unitarian but she was not a stickler

     for denominations. She would go to the service closest by, if hymns were

     sung. She was amazed and troubled to learn, however, that Catholics had

     established themselves in the county, although owing their allegiance

     neither to God nor country, but the Pope. She would have thought about

     it more if urgent matters had not been on her mind.

     Just before Christmas, during their first intense cold spell, Cora suf

     fered from deep drowsiness, with bad headaches which she assumed to

     be part of her wages, but Dr. Geltmayer threw open the kitchen door to

     flood the house with icy blasts of air. If she was ill, he said, it was because

     she lacked air to breathe. The house with its closed windows, its burning

     range, lacked oxygen. To explain Dr. Geltmayer lit a stub of candle and

     covered it with one of Cora's jelly glasses. They were silent as they

     watched the flame shrink, then sputter out. Lorenzo's astonishment was

     boundless. To believe it he had to see it done over, examining the glass

     and lighting the candle with his own match. After that occasion he would

     say to Cora, * 'The air cold enough for you to breathe it ? " Nothing else he

     had heard, read or seen brought him so close to a smile.

     The fact was, however, that Cora felt so much better she knew she had

     been short of air for sometime. Too much of it, perhaps, hastened to

     bring on her labor pains. Orion walked the horse and buggy three miles

     to Otto Kahler, whose wife was a midwife, and by the time they had re

     turned Cora was stretched on the rack, as if meant to be broken.

     Although urged to cry out by Mrs. Kahler, Cora made no sound. Unable

     to bear the silence Orion left the house and found Lorenzo in the storm

     cave, sorting the sprouting potatoes. The air in the cave was moist and

     almost warm, fragrant with the smell of the lantern. When he returned to

     the house the child was howling, but the woman on the bed appeared to

     be dead. It clarified Orion's first impressions that she was a woman of

     remarkable appearance. She was not dead, but in a place so like it no one

     but herself might have drawn the distinction. She had lost so much blood

     that Mrs. Kahler marvelled how a body so thin had managed to contain

     it. From where had it all come ? How could it be replaced ? Just a few

     days before Orion had remarked the fever-like pricks of color in her

     English complexion, but now her face in the lamplight was like wet

     plaster. He wondered if any person should come back from where she had

     been. He was sent out to fetch Lorenzo, so that the father might see the

     mother and child together, both of them alive. Shown the wrinkled, howl

     ing infant he commented that she squawked pretty good for a girl. H

     i i

      . i

     i }

     i \

     JAMES MERRILL:

     Gabriel s second Lesson

     James Merrill received the National Book Award twice (1967 and 1978) and was

     awarded the Bollingen Prize in 1973.

     [From Scripts for the Pageant, the sequel to Mirabell. This seance takes

     place in August 1977, in Athens: DJ and JM at the Ouija Board.

     Speakers: the archangel Gabriel; Siddartha, the Buddha; Jesus Christ;

     Robert Morse (a late friend now studying music in Heaven); Richard

     Wagner; and the god Mercury. Also present are Gabriel's brother

     angels, and "our poet"?the late W. H. Auden.]

     PAGE 6

     THE AMERICAN POETRY REVIEW

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     Lights in the schoolroom. A confusing blaze:

     Torches, votive candles, level rays

     Of dawn or dusk, spokes winnowing the air

     ?In vain. Today the Great Twins are elsewhere.

     Gabr. HAIL, PRINCE

    Siddartha?saffron robes and sandalled feet,

     Palms together, plump as a nut-meat

     Goldenly fitted to its cosmic shell?

     Advances at the sound of a prayer bell.

     Sidd. HAIL, BROTHER DEATH.

     Gabr. PRINCE, OUR POET SAYS MAN SET IDEA TO INNOCENCE TO ALLAY HIS FEARS & SAVE

     HIS FEEBLE FAITH.

     TWO HERE BEING MORTAL-FORGIVE THEIR SCANT ATTIRE, IT IS WARM IN YOUR TEMPLE

     (Church We'd forgotten?horrors and have sat

     Down in shorts and tank-tops. Well, that's that.)

     CANNOT SEE YOUR OWN SPLENDOR RIVALLING EVEN MY DEAR WIN'S SUN.

     YET ENOUGH. WE MEET IN THE VAST, FAST-ABANDONED COMPLEX OF RELIGION.

     HAS ANY HUMAN ENERGY PRODUCED SUCH A MULTITUDE OF ARCHITECTURES?

     PRINCE, AS OUR COMPANY STROLLS THROUGH THIS SUNSET-LIT COMPOUND,

     Gothic spires, pagodas, minarets,

     Greek columns blazing from each picture-glass?

     But it's all tinted like an oleograph

     And somehow radiates irreverence.

     SPEAK TO US.

     Sidd BROTHER LORDS, I WAS GIVEN BY GOD'S MESSENGER

     MUCH THE SAME ORDER AS MY BROTHER JESU: TELL

     MAN HOW IN HIS LIFE HE MAY ASCEND THE MOUNTAIN

     OF EXPERIENCE BY CASTING EVER UPWARD

     HIS MENTAL ROPES UNTIL SERENELY STANDING ON

     PEAKS HIMALAYAN. I WENT DOWN, MY LORDS, AND SPOKE,

     BETRAYING NEVER TO THE MULTITUDES THOSE TRUTHS

     OF THE REPEATING SOUL. MY WRETCHED WHORE SHIVA

     STOLE THESE FROM ME IN MY SLEEP AND BREATHED THEM EVEN

     INTO THE EAR OF THE BRAHMIN COW. IT WAS OUT:

     INSTEAD OF A GREAT EARTHBOUND CEREBRALITY

     THEY SET GOING A PINWHEEL OF SPUTTERING LIVES

     EACH MORE USELESS THAN THE LAST. I TRIED, LORD BROTHERS

    I BEG YOU SPEAK TO OUR FATHER ON MY BEHALF.

     Gabr. PRINCE, IT IS SPENT, GOD'S POWER IN SUCH MATTERS.

     YET HE & WE LOOK KINDLY ON YOU. GO IN PEACE, & BECKON IN THE JEW.

     A lean, rabbinical young man in white

     Bent under an imaginary weight

     Stumbles forward, taking Michaers light

     For God's at first; recovering, stands straight.

     Jesus. FATHER GOD YAHWEH? AH LORDS, MY BROTHERS, SHALOM

    His voice is hollow. Like the Buddha, he

     Acts out his own exhausted energy.

     WHAT A DEAD SOUND, MY NAME, IN HALF THE WORLD'S PULPITS.

     WE, AS MY PRINCELY BROTHER SAYS, SPIN DOWN, OUR WORDS

     LIKE GOD'S OWN PLANETS IN ONE LAST NOVA BURST AND

     GRAVITY STILLS & OUR POWER LOSES ITS PULL.

     HE & I CAME TO DELIVER LAWS, MINE FOR MAN

     TO SHAPE HIMSELF IN GOD S IMAGE, BUDDHA'S FOR MAN

     TO BECOME GOD. WORDS, WORDS. BUT OUR MESSAGE, BROTHERS

    I BEG OF YOU, INTERCEDE. BEFORE THE WINE RETURNS

     WHOLLY TO WATER LET OUR FATHER MAKE ME FLESH

     THAT I MAY A SECOND TIME WALK EARTH AND IMPLORE

     WRETCHED MAN TO MEN, REPAIR WHILE HE CAN. AMEN.

     SEPTEMBER/OCTOBER 1879

     PAGE 7

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     Gabr. DEAR SIMPLE PRIEST, STAY WITH US HERE IN HEAVEN, GREET YOUR FAITHFUL,

     GIVING THEM BY YOUR SWEET WAYS COURAGE TO RETURN IN YOUR STEAD.

     Shouldering his burden, Christ withdraws.

     NOW MUSICIAN, STEP FORTH

    From temple to "temple of music" is but one

     Half-tone. Components of an Odeon:

     Golds, whites, red plush, kid gloves, unheard applause.

     Robert, lyre in hand, shyly ascends

     The podium.

     RM. LORDS, DEAR ONES, OUR POET LENDS

     ME WORDS TO WELCOME THIS MOST HONORED GUEST.

     Music. He wasn't joking?an offstage choir

     Sustains his first original melody:

     MASTER, THE CHARMED CIRCLE LISTENING

     ABOUT YOU HERE IS YOUR NEW RING

     ?Plainsong phrase repeated a third higher

     Before its resolution into three

     Chords from the Overture to Parsifal

     Not lost on Wagner who, in flowing tie

     And velvets, stands before the company.

     RW. LORDS OF LIFE AND YOU, ENVIABLE

     ABOUT-TO-BE COMPOSER. I MAKE BOLD

     TO SAY THAT MUSICS RIVER GOLD STILL VEINS

     A PEDESTAL THE GOD HAS TOPPLED FROM.

     NONE NOW BUT THOR, MY LONE PERCUSSIONIST, REMAINS

     TO BEAT UPON EMMANUEL'S DRUM

     A FAINT DIRGE FOR THAT FURRED & SAVAGE PANTHEON.

     LORDS, MORTALS, COME SALUTE AT SET OF SUN

     GREAT WOTAN, AS THE ICECAPS MELT

    Gabr. COME SPRITE, QUICKSILVER MESSENGER,

     TUBE HELD IN EARTH'S DRY MOUTH, COME MERCURY MY OWN

    WHAT, ALONE? YOUR SNOW HEIGHT

     DOWNTRODDEN BY THE PICNICKER?

     QUICK TELL US, YOU WHOSE FACE

     GLEAMS WITH THE MAGIC STILL, OF THAT OLYMPIAN RACE

    Steps down

     To strains of his own death march. Wastes of white

     Are scored too briefly by a raven's flight.

     Out from the mirror (Robert blinks astonished)

     Slips a figure only slightly tarnished?

     Wings quivering on silver helmet, wings

     At silver heel?and silver-throated sings:

     AH LORD GABRIEL

     THOUGH MAN WAS ABLE

     TO CONJURE US

     FROM HIS LOOKING GLASS

     OUR SHINING FIELD:

     TIME RAN THAT RACE,

     THE HORROR WELLD

     UP & ACROSS

     DO WE OUTGAZE

     FOR A BRIEF SPELL EYES

     BLIND TO THE PILFER

     OF OUR FLAT SILVER

     DEEPSEATED DAMAGE,

     A BLACKLY TICKING

     OVERTAKING

     OF EYE & IMAGE

     DJ.

     JM .

     Gabr.

     Flown. Silence. Then a grave, deliberate

     Glissando of the cup to rainbow's end:

     ABCDEFGHIJKLMNOPQRSTUVWXYZ

     What's all this?

     WHENCE WE ARE NOWHERE

     LIKED OR DISLIKED,

     ONLY SHOULD FAIR

     OR STRONG REFLECT

     Looks like the alphabet.

     THE NEW MATERIALS, YOUNG POET, FOR A NEW FAITH:

     ITS ARCHITECTURE, THE FLAT WHITE PRINTED PAGE

     TO WHICH WILL COME WISER WORSHIPPERS IN T I M E

     Exeunt.

     PAGE 8

     THE AMERICAN POETRY REVIEW

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