Slide 1

AWAL ABAD KE-201900 1910 1920 1930 1940 1950FAUVISM 1905-1907DADA1915-c1922EARLY BRITISH MODERNISM c1900-c1915SURREALISM 1920-LATE1960SVOTICISM1914-1915GERMAN EXPRESSIONISM c1900-1930sBAUHAUS 1919-1933CUBISM 1907-1920sFUTURISM1909-c1916NEUE SACHLICHKEIT 1923-EARLY1930sORPHISM 1911-c1914RAYONISM 1912-c1914CONSTRUCTIVISM 1915-MID1920sSUPREMATISM 1915-1920Seni berubah secara menyeluruh pada abad ke-20. dengan lahirnya Modernisme, sebuah kesuksesan cepat dari ism mengikuti, gerakan dimana seniman menolak naturalisme-melukiskan dunia fisik secra realistis-dan akademi seni yang ditekankan pada tradisi klasik. Malah, mereka bereksperimen dengan teknik dan bentuk, mempertanyakan natur dari seni dan kemanusiaan.LUKISAN

Umberto BoccioniStates of Mind I: The Farewells1911Milan, ItalyOil on Canvas70.5 x 96.2 cmMuseum of Modern Art, New York, USA

SUBJEK & SETTING

States of MindThe Farewells-Those Who Stay-Those Who Go

JuxtapositionGeometric shapesCLOSERlook

EXPRESSIVE FORMSLINES OF FORCECHRONOPHOTOGRAPHY

REJUVENATION

PERANG DUNIA I

MODERN LIFES TRANSITORY NATURE & WAY OF TRAVEL

Reality is not to be found in the object, but in the transfiguration of the object as it becomes identified with the subject. Boccioni, Pittura Scultura Futuriste, 1913

A time will come when the picture will no longer be enough. Its immobility will become an archaism with the vertiginous movement of human life. The eye of man will perceive colours as feelings within itself. Multiplied colours will not need form to be understood and paintings will be swirling musical compositions of great coloured gases, which, on the scene of a free horizon, will move and electrify the complex soul of a crowd that we cannot yet conceive of. -Umberto Boccioni, La Pittura Futurista

To paint a human figure you must not paint it; you must render the whole of its surrounding atmosphere. - Manifesto of Futurist Painters, Boccioni, Carra, Russolo, 1912

The gesture which we would reproduce on canvas shall no longer be a fixedmomentin universal dynamism. It shall simply be thedynamic sensationitself.Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular Technical Manifesto of Futurist Painters by Umberto Boccioni, Carlo Carra, Luigi Russolo, Giacomo Balla and Gino Severini

Le Mano del ViolinistaThe Hand of The Violinist/ Rhythm of The Violinist Giacomo Balla1912, oil on canvas, 78.3 x 56 cm, Estorick Collections, London, UK

the necessary starting point for the discovery of the lines of abstract speed. - Balla

Scientific & Mathematical study on motion

movement in both its physical reality and optical appearance. - Balla