IAIN FORSYTH & JANE POLLARD Manager/Agent: Josh Varney at 42 | joshvarney@42mp.com First floor, 8 Flitcroft Street, London WC2H 8DL | +44 (0) 207 292 0554

US Agent: David Flynn at UTA | flynn_d@unitedtalent.com 9336 Civic Center Drive, Beverly Hills, CA 90210 | 310.228.3863

Gallery: Kate MacGarry | mail@katemacgarry.com 27 Old Nichol St, London E2 7HR | +44 (0) 20 7613 0515

__________________________________________________________________________________________________________

Biography

Iain Forsyth & Jane Pollard (born Manchester, 1973 and Newcastle, 1972) are London-based artists and filmmakers. They met and began working collaboratively as students at Goldsmiths in the mid-nineties. Their first feature film,

20,000 Days on Earth, premiered at Sundance in January 2014, winning directing and editing awards. The film, featuring

Nick Cave, was also nominated for a BAFTA, an Independent Spirit Award and for three British Independent Film Awards, winning the Douglas Hickox Award for Best Debut Director.

Their work as artists is collected by museums worldwide, including the Tate Gallery and has been commissioned by institutions

including the British Film Institute, BBC, Institute of Contemporary Arts and the City of Toronto.

For more information, images and videos, please visit: www.iainandjane.com

__________________________________________________________________________________________________________

Features

2015 Who is Gil Scott-Heron? Feature commissioned by XL Recordings in memory of Gil Scott-Heron

2014 20,000 Days on Earth Director and co-writers. Pulse Films, JW Films, Film4, BFI, Corniche Pictures

Television

2017 The Dali & The Cooper — Director. Me + You Productions for Sky Arts. Written by Roger Drew & Ed Dyson

2016 Neil Gaiman’s Likely Stories Director and co-writer. Sid Gentle Films for Sky Arts. Written by Kevin Lehane

Murder: The Big Bang Director. Touchpaper TV for BBC2. Produced by Kath Mattock, written by Robert Jones

2015 Paradise Lost? Three part re-telling of Milton’s Paradise Lost for Channel 4’s Random Acts

__________________________________________________________________________________________________________

Selected Solo Exhibitions

2016 Requiem for 114 Radios. Colston Hall, Bristol

2014 20,000 Days on Earth (feature film with Nick Cave). World premiere at Sundance Film Festival

European premiere at Berlinale, Berlin Film Festival and UK premiere at Somerset House Summer Screen

2013 Bish Bosch: Ambisymphonic (with Scott Walker). Sydney Opera House

Jumpers (What must I do to be saved). Live at LICA, Lancaster

2011 Iain Forsyth & Jane Pollard. Kate MacGarry, London

Romeo Echo Delta. FACT, Liverpool and BBC Radio Merseyside

Soon. Nuit Blanche, Toronto PUBLICSFEAR. South London Gallery, London

2010 Silent Sound. AV Festival, Middlesbrough Town Hall

2009 Do you love me like I love you. NFT1, BFI Southbank, London. Premiere and Q&A with Nick Cave

Radio Mania: An Abandoned Work. BFI Gallery, London

Iain Forsyth & Jane Pollard. Void Gallery, Derry Performer. Audience. Fuck Off. Site Gallery, Sheffield

2008 Iain Forsyth & Jane Pollard. Kate MacGarry, London

Run For Me. ArtProjx at Prince Charles Cinema, London. Introduced by Andrew Graham-Dixon Run For Me. Baltic, Gateshead

Iain Forsyth & Jane Pollard. Lawrence Eng, Vancouver

Re-Performance Piece. Musée d’art moderne Grand-Duc Jean, Luxemborug

2007 Silent Sound. Art Positions, Art Basel Miami Beach

The 24 seven. Milton Keynes Gallery, Milton Keynes Precious Little. MIC Toi Rerehiko, Auckland touring to Physics Room, Christchurch

Kiss My Nauman. Jarvis Cocker’s Meltdown Festival, Royal Festival Hall, London

2006 Silent Sound (installation). A Foundation at Greenland Street, Liverpool Silent Sound (live performance). St. George’s Hall, Liverpool

Iain Forsyth & Jane Pollard. Jerwood Space, London

2005 Anyone else isn’t you. Kent Institute of Art and Design, Maidstone

Iain Forsyth & Jane Pollard. Kate MacGarry, London

Anyone else isn’t you. The Hospital, London

2004 Everybody else is wrong. Pavilion, Montreal

2003 File under Sacred Music. Institute of Contemporary Arts, London

1998 A Rock ‘N’ Roll Suicide. Institute of Contemporary Arts, London The kids are alright. Institute of Contemporary Arts, London

1997 The Smiths is dead. Institute of Contemporary Arts, London Doing it for the Kids. Bluecoat Arts Centre, Liverpool

1996 The World Won’t Listen. Underwood Street Gallery, London __________________________________________________________________________________________________________

Selected Group Exhibitions

2017 Fifteen. Kate MacGarry, London

2017 Different Trains 1947. Barbican, London

2016 Daydreaming with Stanley Kubrick. Somerset House, London 2015 Station to Station: A 30 Day Happening by Doug Aitken. Barbican Art Gallery, London

2013 Terrible Two. Villa du Park, Annemasse Take Two. FMAC – Fonds d’art contemporain, Geneva Fans Attitudes – Images de L’Adoration. 106, Rouen 2012 Red, White and Blue. Chelsea Space, London Mass Production. Video Art Lounge for the East End Film Festival (Curated by Iain Forsyth & Jane Pollard) Hot Trigger. Newbridge Space, Newcastle Hear it! Stedelijk Museum, Amsterdam

Thank You For The Music. Museum of Contemporary Art Kiasma, Finland

Samsung Art+ Prize. British Film Institute, London 2011 To pay respect to the generosity of the three-minute punk-rock song. Crate Space, Margate

Double Democracy. Art:Gwangju, Korea Live! Centro per l’arte contemporanea, Prato

Replay. Musée d’Art Moderne Grand-Duc Jean, Luxembourg Multiple Takes. 68m2 Art Space, Copenhagen

Tender Is The Night. City Gallery, Wellington

2010 Now Showing II. Arts Council Collection recent acquisitions touring to Derby, Wakefield, Durham, Lochmaddy, Oxford, Runcorn, Newport, Woking, Lincoln and Rhyl

In The Long Run. Great North Museum: Hancock, Newcastle upon Tyne

Black Mirror. Arsenic Centre d’art scénique contemporain, Lausanne Talking Heads. Irish Museum of Contemporary Art, Dublin

2009 Recent Acquisitions. De Hallen Haarlem, Netherlands

Pete and Repeat. 176, London MarzLive. Marz Galeria, Lisbon

Desiring Necessities. John Hansard Gallery, Southampton

The Communism of Forms. The Art Gallery of York University, Toronto Meeting Point. Doris McCarthy Gallery,

Toronto Structures. Club Transmediale Festival for Adventurous Music and Related Visual Arts, Berlin

2008 This Is The Gallery And The Gallery Is Many Things. Eastside Projects, Birmingham In the space of elsewhere. Stanley Picker Gallery, Kingston upon Thames

Art & Music in Popular Cuture. Museum of Modern Art, New York

Affectionate Homages and Hostile Takeovers. The Power Plant, Toronto Into The Music. Kunstraum Muenchen, Munich

Sonic Youth. Green on Red, Dublin

The Perception of Ideas Leads to New Ideas. Kunstverein für die Rheinland und Westfalen, Düsseldorf Popshop. MU, Eindhoven

I desired what you were... I need what you are. Maze, Turin

Past Forward. Works from the Zabludowicz Collection. 176, London

History Will Repeat Itself. HMKV, Dortmund touring to Kunst-Werke, Berlin and CCA, Warsaw Just Play. Edith Russ Site for Media Art, Oldenburg

Volume(s). Casino Luxembourg, Luxembourg

Medium Cool. Art in General, New York 2007 Amass. Boots Contemporary Art Space, Missouri

Grain. Isle of Grain, Kent

A Second Life. Stadtgalerie, Bern The Communism of Forms. Vermelho Gallery, Brazil

The Weasel. South London Gallery, London

Overtake: The Reinterpretation of Modern Art. Lewis Glucksman Gallery, Cork Harry Smith Anthology Remixed. alt.vinyl Gallery, Newcastle touring to Centre for Contemporary Arts, Glasgow

Navigations: per Forma. Temple Bar Gallery, Dublin

2006 Street: Behind The Cliché. Witte de With, Rotterdam Neo-Con: Contemporary Returns to Conceptual Art. Apex Art, New York touring to the British School at Rome

Switch on the Power! Noise and Policies on Music. Museum of Contemporary Art, Vigo touring to Centro

Atlántico de Arte Moderno, Spain and Centro Cultural Montehermoso, Spain Metropolis Rise: New Art from London. CQL Design Center, Shanghai touring to Dashanzi, Beijing

Music for People. Dundee Contemporary Arts, Dundee

Surfing the Surface. Galleria Paolo Bonzano, Rome 2005 Video London. Espai Ubú, Barcelona

Rhythm-A-Ning. Walton’s New School, Dublin touring to Context Gallery, Derry

Biennale! Temporarycontemporary, London touring to Beijing, Shanghai, Kunming & Canton 2004 Yugoslav Biennial. Vrsac, Serbia & Montenegro

Faraway So Close. Bard Center for Curatorial Studies, New York

This Much Is Certain. Royal College of Art, London

Artists Films About Music Culture. National Film Theatre, London 2003 File under Sacred Music. Schaufenster, Oslo

Shooting Live Artists. Site Gallery, Sheffield

2001 Modern Love. hobbypopMUSEUM, Düsseldorf touring to VTO Gallery, London Century City. Tate Modern, London

1999 Kill Yr Idols. Laure Genillard Gallery, London

1997 Victoria. Laurent Delaye, London Beck’s New Contemporaries ‘97. Cornerhouse, Manchester touring to Camden Arts Centre, London and Centre

for Contemporary Arts, Glasgow (selected by Sarat Maharaj, Hans Ulrich Obrist and Gillian Wearing)

1996 Yerself is Steam. 85 Charlotte Street, London (curated by Iain Forsyth & Jane Pollard) 1995 The Hanging Picnic. Factual Nonsense. Hoxton Square, London

__________________________________________________________________________________________________________

Awards

2015 Grierson British Documentary Awards Best Arts Documentary Winner

Grierson British Documentary Awards Best Newcomer Nominated 2014 BAFTA - British Academy Film Awards Best Documentary Nominated

British Independent Film Awards Douglas Hickox Award for Best Debut Director Winner

British Independent Film Awards Best Documentary Nominated British Independent Film Awards Best Achievement in Production Nominated

Independent Spirit Awards Best Documentary Nominated

Film London Jarman Award Shortlisted Sydney Film Prize Best Film Finalist

Athens International Film Festival Golden Athena Winner

International Istanbul Film Festival FIPRESCI Prize Winner Festival de Cinéma de la ville de Québec Grand Prix Official Feature Winner

Sundance Film Festival Best Director, world documentary Winner

Sundance Film Festival Best Editing, world documentary Winner Sundance Film Festival Grand Jury Prize Nominated

2012 Samsung Art+ Prize Nominated

2008 Great North Run Moving Image Commission Winner __________________________________________________________________________________________________________

Selected Art Collections

Artists Pension Trust London / Arts Council Collection London / Government Art Collection UK / Musée d’art moderne Grand-

Duc Jean Luxembourg / Museum De Hallen Haarlem Netherlands / South London Gallery Collection London / Tate Gallery

London / Zabludowicz Collection London __________________________________________________________________________________________________________

Selected Books, Catalogues and Publications

2018 Jeffries, Stuart. ‘The Dali & The Cooper’. The Guardian. 2 May

Feay, Suzi. ‘The Dali & The Cooper – bonkers and brilliant’. Financial Times. 27 April Dessau, Bruce. ‘Review: The Dali & The Cooper’. Beyond The Joke. 23 April

2017 Ravens, Chal. ‘Different Trains 1947′. The Guardian. 20 September

Beggs, Scott. ‘Likely Stories: Lush Campfire Tales’. Nerdist. 3 September

2016 O’Donovan, Gerard. ‘Likely Stories review’. The Telegraph. 26 May Whiteley, Aliya. ‘Likely Stories: Strange, Wonderful, Unmissable TV’. Den of Geek. 26 May

Jeffery, Morgan. ‘Likely Stories preview’. Digital Spy. 25 May

‘Pick of the Day: Likely Stories’. The Sunday Times. 22 May

‘Critics’ Choice: Likely Stories’. The Guardian. 21 May Cooper, Elinor. ‘Requiem for 114 Radios’. BBC Music Magazine. 13 May

Groves, Nancy. ‘Tune in, freak out…’. The Guardian. 11 May

Keaveny, Shaun. ‘Requiem for 114 Radios’. BBC6 Music. 5 May

2014 Calhoun, David. ‘20,000 Days on Earth‘. Time Out. 13 February

Roddick, Nick. ‘2o,000 Days on Earth Berlin Review‘. Evening Standard. 13 February ‘20.000 Days On Earth – mit neuem Film auf der Berlinale‘. Suddeutsche Zeitung (video). 13 February

Moor, Max. ‘Highlights of the Berlin Film Festival‘. TTT Extra (German TV). 12 February

D’Arcy, David. ‘20,000 Days on Earth, Berlin Review‘. Screen Daily. 11 February Leber, Sebastian. ‘Filmkritik 20,000 Days on Earth‘. Der Tagesspiegel (German). 10 February

Hasty, Katie. ‘Interview with Nick Cave, Iain Forsyth & Jane Pollard‘. HitFix. 30 January

Pakinkis, Tom. ‘Nick Cave film wins two gongs at Sundance‘. Music Week. 29 January Abrams, Simon. ‘20,000 Days on Earth, interview with Nick Cave‘. Esquire. 28 January

Nelson, Rob. ‘Sundance Film Review: 20,000 Days on Earth‘. Variety. 27 January

Rooney, David. ‘20,000 Days on Earth: Sundance Review‘. Hollywood Reporter. 26 January Hernandez, Eugene. ‘Interview with Iain Forsyth & Jane Pollard‘. Film Society Lincoln Center. 25 January

Olsen, Mark. ‘20,000 Days on Earth for Nick Cave as Man & Myth‘. LA Times. 24 January

Ryzik, Melena. ‘Nick Cave at Sundance‘. New York Times. 23 January Everett, Cory. ‘Sundance Review: 20,000 Days on Earth‘. IndieWire. 23 January

Gallo, Phil. ‘Q&A with directors Iain Forsyth & Jane Pollard‘. Billboard. 22 January

Breznican, Anthony. ‘20,000 Days on Earth at Sundance‘. Entertainment Weekly. 22 January Abrams, Simon. ‘Sundance Report: 20,000 Days on Earth‘. rogerrebert.com. 22 January

DeFore, John. ‘Nick Cave performs at 20,000 Days on Earth Premiere‘. Hollywood Reporter. 21 January

Dieringer, Jon. ‘20,000 Days on Earth “Documentary” at Sundance‘. Time Magazine. 16 January

Hill, Logan. ‘20,000 Days on Earth – Nick Cave interview‘. Rolling Stone. 16 January Bramley, Ellie. ‘Sundance Film Festival 2014: The Key Movies‘. The Guardian. 16 January

Gallo, Phil. ‘10 Must-See Music-Related Movies.’ Billboard. 16 January

Stevens, Jenny. ‘Nick Cave movie opens at Sundance’. New Musical Express. 15 January Chai, Barbara. ‘Six Sundance Films Attracting Early Buzz‘. Wall Street Journal. 9 January

2013 Petridis, Alexis. ‘A day in the life of Nick Cave’. The Guardian. 27 June Malfettes Stephane. ‘Derriere la Vitre (Behind the Glass)’. Volume! May (in French)

Forrest, Nicholas. ‘How Iain & Jane turned Scott Walker’s Bish Bosch into a sonic artwork‘. ArtInfo. May

2012 Renton, Andrew. ‘Interview with Iain Forsyth & Jane Pollard’ In: Perform, Repeat, Record, A Critical Anthology

of Live Art in History, ed. Adrian Heathfield and Amelia Jones. Bristol: Intellect Books Ward, Ossian. ‘Interview with Iain Forsyth & Jane Pollard‘. Time Out. 12 January

2011 Prince, Mark. ‘Romeo Echo Delta’. Art Monthly. December/January Charlesworth, JJ. ‘Hidden Intentions: When Art Meets Reality‘. Art Review. December

Austen, Kat. ‘Martians are coming, I heard it on the radio‘. New Scientist. 10 November

Sherwin, Skye. ‘Romeo Echo Delta‘. Guardian Guide. 5 November Coslett, Paul. ‘Artists use local radio and Twitter in Halloween hoax‘. BBC News. 1 November

Reynolds, Simon. ‘Pop Will Repeat Itself’ In: Retromania, Simon Reynolds. London: Faber and Faber

Heighton, Luke. ‘PUBLICSFEAR at South London Gallery‘. Art Review. May

Herbert, Martin. ‘Iain Forsyth & Jane Pollard: Publicsfear‘. Art Monthly. March Hardman, Paul. ‘Publicsfear at South London Gallery‘. Aesthetica. 24 February

Coomer, Martin. ‘Publicsfear‘. Time Out. 10 February

Sherwin, Skye. ‘Publicsfear‘. Guardian Guide. 5 February Fisher, Mark. ‘Radio Mania’ In: The BFI Gallery Book, ed. Elisabetta Fabrizi. London: the BFI

2010 Turner, Luke. ‘Iain & Jane And Jason Pierce Warp Minds In Middlesbrough’. The Quietus. 5 March Metzger, Richard. ‘Silent Sound’. Dangerous Minds. 3 March

Forsyth, Iain and Jane Pollard. ‘Inner Sleeve: Kings of The Wild Frontier’. The Wire, March

Constantini, Marco. ‘Black Mirror’. [Catalogue] Lausanne: Les Abris, Espace d’Art Contemporain (in French)

2009 Cocker, Jarvis. ‘Kiss My Nauman’. In: Pete and Repeat, ed. Ellen Mara De Wachter and Elizabeth Neilson.

[Catalogue] London: 176/Zabludowicz Collection Miller, Earl. ‘Meeting Point’. [Catalogue] Toronto: Doris McCarthy Gallery

Sélavy, Virginie. ‘Short Cuts: Iain Forsyth & Jane Pollard’s films for Nick Cave’. Electric Sheep. 9 July

Fisher, Mark. ‘Encounter in the third dimension’. Sight & Sound. June O’Reilly, Sally. ‘Desiring Necessities’. Art Monthly. June

Lack, Jessica. ‘Desiring Necessities’. The Guardian. 30 May

Bracewell, Michael. ‘Some Notes for Desiring Necessities’. In Desiring Necessities, ed. Ilaria Gianni. [Catalogue] Southampton: John Hansard Gallery

Sumpter, Helen. ‘Recommended: Radio Mania’. Time Out. 20 May

Jackson, Tina. ‘Radio Mania: An Abandoned Work’. Metro. 14 May McLean-Ferris, Laura. ‘Exhibitionist: The Best Art Shows To See This Week’. The Guardian. 20 March

Kagiyama, Hiroshi. ‘Iain Forsyth & Jane Pollard at Art Basel Miami Beach’. Huge. March (in Japanese)

2008 Sherwin, Skye. ‘Forsyth & Pollard at Kate MacGarry’. Art Review. December Carville, Conor. ‘Iain Forsyth & Jane Pollard’. Frieze. November

‘Iain Forsyth & Jane Pollard’. Canadian Art. November

Jones, Alice. ‘Golden Generation: The 20 Best Up-And-Coming Artists’. The Independent. 10 October Charlesworth, JJ. ‘Iain Forsyth & Jane Pollard’. Time Out. 2 October

Colsell, Ilsa. ‘In The Space of Elsewhere’. [Catalogue] Kingston: Stanley Picker Gallery

Sherwin, Skye. ‘Preview: Forsyth & Pollard at Kate MacGarry’. Art Review. September Gianni, Ilaria. ‘I desired what you were… I need what you are’. [Catalogue] Turin: Maze Gallery

Colsell, Ilsa and Ben Borthwick. ‘Past Forward’. [Catalogue] London: 176/Zabludowicz Collection

Miller, Earl. ‘To be immersed in the experience of now’. C Magazine. Spring Gray, Louise. ‘Cross Platform’. The Wire. January

2007 Rosenberg, Karen. ‘Art Fairs – Art Basel Miami Beach’. New York Times. 12 August Kollectiv, Pil & Galia. ‘Retro/Necro’. Art Papers. November (cover)

Miller, Earl. ‘Comunismo da Forma’. [Catalogue] Sao Paulo: Alameda Casa (in Portuguese)

Farinati, Lucia. ‘Iain Forsyth & Jane Pollard’. Audio Arts Volume 25 ‘Interview with Iain Forsyth & Jane Pollard’. Radio New Zealand (New Zealand radio). 28 June

Hoffmann, Anke. ‘History Will Repeat Itself’. [Catalogue] Dortmund: Hartware MedienKunstVerein

Sumpter, Helen. ‘Back To The Future’. Time Out. 14 March Ward, Ossian. ‘Iain Forsyth & Jane Pollard’. Monopol. January (in German)

2006 Forsyth, Iain and Jane Pollard. ‘Music: Best of 2006’. Artforum. December Griffin, Jonathan. ‘Silent Sound’. Frieze. November-December

Mugan, Chris. ‘The voice within’. The Independent. 13 October

Colsell, Ilsa. ‘At The Base of Living is Belief’ In: ‘Silent Sound’. [Catalogue] Liverpool: A Foundation

Wark, Kirsty. ‘Interview with Iain Forsyth & Jane Pollard’. Front Row on BBC Radio 4 (UK radio). 8 September Cocker, Jarvis. ‘The Art of Pop: Connections between art schools and pop’. BBC Radio 4 (UK radio). 8 August

Sumpter, Helen. ‘Private View’. Time Out. 31 May

Danby, Charles. ‘Forsyth and Pollard: Take Two’. i-D magazine. June-July

2005 Swain, Miria. ‘Iain Forsyth & Jane Pollard’. Untitled. Autumn

Sumpter, Helen. ‘Lover’s View’. The Big Issue. 17 October Lamacq, Steve. ‘My Fidelity’. The Guardian. 4 June

Momus, Steve Lamacq and JJ Charlesworth. ‘Anyone else isn’t you’. [Catalogue] London: The Hospital

2004 Edwards, Charlotte. ‘Cream of the Crop’. Independent on Sunday. 4 July

Edwards, Charlotte. ‘London’s top 25 new artists’. Art Review. July

Mitrovic, Sinisa. ‘Yugoslav Biennial’. [Catalogue] Vrsac, Serbia & Montenegro: Yugoslav Biennial

McCarthy, Tom. ‘Nests, Puke, Frames and Baby Faces‘ In: ‘This Much Is Certain’. [Catalogue] London: RCA

2003 Ratnam, Niru. ‘Would a band by any other name smell as sweet?’. i-D magazine. July

White, Iain. ‘Rewind and repeat to fade’. Art Review. June Williams, Michael. ‘Spastic Fantastic’. Sleazenation. May

Bracewell, Michael. ‘Kick The Kitsch’. The Independent on Sunday. 23 March

Aitch, Iain. ‘It Beats Bingo!’. The Guardian. 17 March

2002 ‘I’ve built my world around you’. Art Review. February

Williams, Gilda. ‘Modern Love’. Art Monthly. February

1999 Jones, Jonathan. ‘Kill Yr Idols’. The Guardian Guide. 15 July

Sumpter, Helen. ‘Kill Yr Idols’. Evening Standard. 2 July

1998 George, Boy. ‘Star in their eyes’. The Sunday Express. 12 July

Coleman, Nick. ‘Boy, could they play guitar’. The Independent. 10 July Lusher, Tim. ‘A Rock ‘N’ Roll Suicide’. The Evening Standard. 2 July

1997 Craddock, Sasha. ‘Beck’s New Contemporaries’. [Catalogue with audio CD] Manchester: Cornerhouse Lusher, Tim. ‘The Smiths is dead’. The Evening Standard. 1 August

Corrigan, Susan. ‘Pop Art’. i-D Magazine. August

‘Interview with Iain Forsyth & Jane Pollard – New Contemporaries’, BBC Newsnight (UK television). August Barrett, David. ‘Beck’s New Contemporaries ‘97’. Art Monthly. July-August

Barrett, David. ‘Reel Around The Fountain’. Frieze, March-April

1996 Bossé, Laurence and Hans-Ulrich Obrist. “Life/Live”. [Catalogue] Paris: Musée d’Art Moderne Wyman, Jessica. ‘Die Karrieren der Brit-Art-Acts und ihr Medium’. Springer. September (in German)

Reid, Vikki. ‘Yerself is Steam’. The Evening Standard. 30 July

Guha, Tania. ‘Yerself is Steam’. Time Out. 24-31 July Barrett, David. ‘Reel Around The Fountain‘. Frieze. March

1995 Lederman, Erika. ‘Multiplication’. Art Monthly. February Forsyth, Iain and Jane Pollard. ‘Fontaine’. In: Versus. January

1994 Pertusini, Angela. ‘Box Clever’. The Big Issue. November __________________________________________________________________________________________________________

Talks and Lectures

Iain Forsyth & Jane Pollard regularly present artist talks at galleries and museums, as well as lecturing at art schools and

universities worldwide. They have contributed to numerous public discussions alongside speakers including Kenneth Anger, Michael Bracewell, Nick Cave, Jarvis Cocker, Cosey Fanni Tutti, Robin Ince, Tom McCarthy and Simon Reynolds. Insitutions

where they have spoken include: London Film School, Institute of Contemporary Arts, Royal College of Art, Sotheby’s Institute

of Art, British Film Institute, Goldsmiths College, Central School of Speech and Drama, Sundance London, Slade School of Art, Camberwell Art College, Byam Shaw School of Art, Christie’s Education, the Roundhouse (all London), University of Technology

(Auckland), Centre of Contemporary Art (Glasgow), University of Kent (Canterbury), Concordia University (Montreal), Edinburgh

College of Art, Winchester School of Art, Sheffield Hallam University, Staffordshire University, Brighton Film Festival, University of Chester, MUDAM (Luxembourg), Latitude Festival (Southwold), True/False (Missouri), University College for the Creative Arts

(Maidstone), You Are In Control (Reykjavik), Tallinn Music Week (Estonia), In The City (Manchester), Tiff Bell Lightbox (Toronto),

You Are In Control (Reykjavik), National Film School of Denmark.

Professional Memberships: BAFTA, European Film Academy, Directors UK. Last updated: May 2018: The latest version of this document is always available from: www.iainandjane.com/cv/iainandjane_cv.pdf