FROM 2 JULY 2014 A HISTORY - Centre Pompidou€¦ · Presented in future rotations : Davide Balula,...

A HISTORY

COMMUNICATIONS

AND PARTNERSHIPS DEPARTMENT

PRESS PACK

A HISTORY. ART, ARCHITECTURE, DESIGN

FROM THE 1980S UNTIL TODAYFROM 2 JULY 2014

A HISTOIRY.

ART, ARCHITECTURE, DESIGN


TABLE OF CONTENTS

1. PRESS RELEASE PAGE 3

2. EXHIBITION CIRCUIT AND LIST OF ARTISTS PAGE 5

3. PUBLICATION PAGE 8

4. AROUND THE EXHIBITION PAGE 9

5. VISUALS FOR THE PRESS PAGE 11

6. PRACTICAL INFORMATION PAGE 20

commnunications and

partnerships department

75191 Paris cedex 04

director

Benoît Parayre

telephone

00 33 (0)1 44 78 12 87

e-mail

[email protected]

press officer

Dorothée Mireux

telephone

00 33 (0)1 44 78 46 60

e-mail

[email protected]

assisted by

Stella Wauthier

telephone

00 33 (0)1 47 48 12 49

e-mail

[email protected]

www.centrepompidou.fr

25 june 2014

Communications and

Partnerships Department


director

Benoît Parayre

telephone

00 33 (0)1 44 78 12 87

e-mail

[email protected]

press officer

Dorothée Mireux

telephone

00 33 (0)1 44 78 46 60

e-mail

[email protected]

assisted by

Stella Wauthier

telephone

00 33 (0)1 44 78 12 49

e-mail

[email protected]


PRESS RELEASE

A HISTORY.

ART, ARCHITECTURE, DESIGN


MUSÉE, LEVEL 4

A History. Art, architecture, design from the 1980s until today, a new presentation of the contemporary

collections of the Centre Pompidou, provides an overview of contemporary art since the Eighties

through a circuit of almost 400 works and objects by nearly 200 artists, architects and designers.

With paintings, sculptures, installations, videos, films, drawings, photographs, architecture

and design, this new presentation offers a new approach to the art of the last thirty years.

1989 marked a break with the past and the start of a new era. The fall of the Berlin Wall toppled

divisions in the world of European art, while the events of Tiananmen Square focused attention

on a new China. In the eyes of West, new artistic territories emerged, while artists burst upon

the international scene and contemporary art biennials sprang up all over the world.

The new presentation of the Centre Pompidou contemporary collections focuses particularly

on this altered geography, notably the former Eastern Europe, China, Lebanon and various Middle

Eastern countries, India, Africa and Latin America.

At the same time the number of artists, galleries and exhibition curators rose considerably, while

art became the focus of a new cultural «consumerism». The curator replaced the art critic.

The contemporary art market rocketed, and media coverage furthered the democratisation

of contemporary art. From an artistic point of view, the arrival of virtual realities, the Internet and

the digital represents another turning point, making the definition of a «light-revealed» photograph

or the autonomy of certain media like film or video almost obsolete. Sound has become an intergrate

part of installations. The practice of performance is attracting fresh interest, with a movement

towards dance, theatre and the spoken text. Meanwhile, history of art is also the subject of numerous

interpretations, some foretelling the end of history or the move into a post-historic era. New approaches

propose a non-linear history, horizontal rather than vertical, which embrace local micro-histories

and open up a considerable field for research while questions of identity also provide key material

for debate.

In this worldwide environment of seething excitement, artists react to the phenomenon of

globalisation and these new realities with an often critical eye, reinventing their practices in

line with the upheavals of a constantly changing world where numerous political and social

questions have emerged.

25 june 2014

4

Many of them have also reinvented their practices with a new approach to their very «forms of life» and

their position as artists, exploring human and natural sciences as well as literature.

The Nineties also saw the emergence of the artist as producer, historian, archivist or documentarist,

in a reaction to contemporary socio-political upheavals. The relationship with the body has also led

to numerous visual inventions, while many artists see themselves as narrators or autobiographers,

creating fictions based on their private lives. Reality itself and everyday objects inspire numerous

sculptures and installations, instilling a new poetry into the ordinary, and creating new links between

the public and private spheres, themselves subjected to profound sociological upheavals.

A History, a new presentation of the Centre Pompidou contemporary collections, proposes an interpretation

of art inspired by the very way in which artists have positioned themselves in relation to these profound

changes.

5

2. EXHIBITION CIRCUIT AND LIST OF ARTISTS

6

THE EXHIBITION CIRCUIT

Entrance

Pascale Marthine Tayou, Chen Zhen, Philippe Parreno, Maurizio Cattelan

Screening room (changing program)

William Kentridge, Isaac Julien, Jalal Toufic, Harun Farocki et Andrei Ujica, Johan Grimonprez,

Renée Green, Coco Fusco, Chris Marker, Akram Zaatari, etc.

The artist as historian

Cristina Lucas, Fang Lijun, Thomas Hirschhorn, Jean-Luc Vilmouth, Hans Haacke, Jean-Michel

Basquiat, Isaac Julien, Samuel Fosso, Marlene Dumas, Gonçalo Mabunda, Alighiero Boetti, Ayse Erkmen,

Sara Rahbar, Sophie Ristelhueber, Ziad Antar, Luc Delahaye, Walid Raad, Marwan Rechmaoui, Danh Vo,

Jun Nguyen-Hatsushiba, Erik Boulatov, Maja Bajevic%, Mladen Stilinovic%, David Maljkovic%, Chris Marker,

Mona Vatamanu et Florin Tudor, Roman Ondak, Mircea Cantor, Paweł Althamer

Artists whose works will be shown in this section during future rotations (January or july 2015) :

Martin Parr, Boris Mikhailov, Mishka Henner, Allora & Calzadilla, Sebastian Diaz-Morales, Lorna Simpson

The artist as archivist

Christian Boltanski, Etienne Chambaud, Frédéric Bruly Bouabré, Akram Zaatari, Walid Raad, Khalil Joreige

et Joanna Hadjithomas, Hassan Darsi, Lamia Joreige, Taysir Batniji, Liu Wei

Presented in future rotations :

Alexandra Leykauf, Rabih Mroué, Kader Attia, Taryn Simon, Rosangela Renno, Clare Strand,

Elisabetta Benassi, Wang Jian Wei

« Sonic Boom »

Saâdane Afif, Robert Longo, Raymond Pettibon, Mark Leckey, Relph & Payne, Gregor Hildebrandt,

Andreas Gursky

Presented in future rotations :

Rainier Lericolais, Christian Marclay, Rolf Julius, Jim Hodges, John Cage, Ceal Floyer, Destroy All

Monsters, Arnaud Maguet

The artist as producer: the « Traffic » generation

« Traffic » was a major exhibition, held at the Bordeaux CAPC in 1996, where curator Nicolas Bourriaud

developed the idea of relational aesthetics.

Tobias Rehberger, Felix Gonzalez-Torres, Rirkrit Tiravanija, Liam Gillick, Philippe Parreno,

Dominique Gonzalez-Foerster, Pierre Huyghe, Wolfgang Tillmans, Pipilotti Rist, Carsten Höller,

Pierre Joseph, Shimabuku, Olafur Eliasson

Presented in future rotations : Xavier Veilhan, Fabrice Hyber, Pierre Joseph

The artist as documentarian: art closely reflecting reality

Jean-Marc Bustamante, Tony Oursler, Allan Sekula, Yto Barrada, Malachi Farrell, Amar Kanwar,

Subodh Gupta, Atul Dodiya, Erik van Lieshout, Nira Pereg, Kendell Geers, Ahmed Mater

Presented in future rotations : Jean-Luc Moulène, Ferhat Özgür, Marie Voignier, Mohammed Bourouissa,

Bruno Serralongue, Valérie Jouve, Guy Tillim, Yvan Salomone, Adrián Villar-Rojas, Zanele Muholi, Shadi

Ghadirian, Cao Fei

The artist and the objet: the reinvention of the everyday

Andreas Gursky, Hassan Sharif, Wilfredo Prieto, Damián Ortega, Abraham Cruzvillegas, Gabriel Kuri,

Rachel Harrison, Tobias Putrih, Gabriel Orozco, Michel François

Presented in future rotations : Peter Fischli et David Weiss, Jean-Louis Garnell

7

Post minimal sculptures

Teresa Gomes, Armando Andrade Tudela, Guillaume Leblon, Gyan Panchal

Presented in future rotations : Ian Kiaer

Radical Painting(s)

General Idea, Daniel Buren, Steven Parrino, Olivier Mosset, Amy Granat, Joseph Marioni,

Cheyney Thompson

Presented in future rotations : Davide Balula, R. H. Quaytman, Wade Guyton

The artist as author of fiction (in complete rotation with the previous part, starting in July 2015):

Thomas Demand, Ryuta Ame, Robin Collyer

Body art: the body performed

Georges Tony Stoll, Dan Perjovschi, Oleg Kulik, Sophie Ristelhueber, Santiago Sierra, Zhang Huan,

Anne-Marie Schneider, Regina Jose Galindo, Anri Sala, Sarah Lucas, Nicolas Hlobo, Absalon,

Marie-Ange Guilleminot

Presented in future rotations : Mike Kelley, Paul McCarthy

The artist as narrator: fiction based on private life (in complete rotation with the previous part, starting

in January 2015)

Joël Bartoloméo, Sophie Calle, Mohamed Camara, Ghazel, Zineb Sedira, Dayanita Singh

Architecture and Design: New trends in the Eighties and Nineties

William Alsop, Andrea Branzi, Yves Brunier, Berger & Berger, Georges Fessy, Norman Forster,

Massimiliano Fuksas, Agustin Hernandez, Jacques Hondelatte, Toyo Ito, Jan Kaplicky, Rem Koolhaas,

Jean Nouvel, Dominique Perrault, Richard Rogers, Kengo Kuma, Otto von Spreckelsen (avec Paul Andreu

et al.), Bernard Tschumi, Ron Arad, Centro Progetti Tecno, Michele de Lucchi, Marie-Christine Dorner,

Sylvain Dubuisson, France Telecom, Garouste & Bonetti, Itsuko Hasegawa, King Kong, Shiro Kuramata,

Alessandro Mendini, Pascal Mourgue, Nestor Perkal, Gaetano Pesce, Ettore Sottsass,

Ronald-Ceci Sportes, Philippe Starck, Studio Naço, Swatch, Martin Szekely, Oscar Tusquets, Roland Ullmann,

Jean-Michel Wilmotte

As an echo to this section, works by Kolkoz, Sarah Morris, Alain Bublex, Thomas Scheibitz

Room dedicated to the architect Kengo Kuma

Design: Environment, Research and experimentation in the 1990s and 2000s

Ross Lovegrove, Matthias Bengtsson, Neri Oxman, Label Eric Dalbin, David Trubridge, Andrew Kudless,

Adrien Rovero, Saleem Bhatri, Thomas Heatherwick, Jasper Morrison et Naoto Fukasawa

Performances

Two performances will be reactivated during the opening of the exhibition : Crowd by Roman Ondák and

Avalancha by Wilfredo Prieto.

Concerts by Rainier Lericolais and Mount Moon / Wesley Bryon will be activating Saâdane Afif’s work.

8

3. PUBLICATION

Une Histoire.

Art, architecture, design des années 1980 à nos jours

Directed by Christine Macel

Co-éditions Centre Pompidou, Flammarion

39.90 euros

288 pages

210 x 280 mm

Here Christine Macel begins a history of art that is yet to be written, in contrast with an encyclopaedic

approach. In her introductory essay, she provides a historiographical and analytical interpretation of

art worlds since the fall of the Berlin wall in 1989. Three international critics make further contributions.

Dieter Roelstæte focuses on the question of art after history and the very idea of creation in contemporary

times. Okwui Enwezor looks at the idea of the nomadic artist and the impact of globalisation on creation.

Claire Bishop puts the accent more precisely on the practices of artists in this period, based on the ideas

of citation and reformatting.

The works presented are based on three major themes - art, architecture and design - and intermediary

themes based on artistic practices. Each one is introduced by a short essay, and 120-odd notices shed

light on the most iconic works.

Une Histoire... is a reference book, which beyond the new display of the Centre Pompidou collection,

is designed as a tool for understanding the art of today.

CONTENTS

Avant-propos, Alain Seban

Préface, Bernard Blistène

Une histoire, Christine Macel

L’art après l’histoire, Dieter Roelstræte

Migrants, nomages, pélerins : la globalisation de l’art contemporain, Okwui Enwezor

Déjà-vu : la citation et le reformatage dans l’art contemporain, Claire Bishop

Sous la direction de Christine Macel

Une histoire

art architecture

designdes années 1980 à nos jours

9

4. AROUND THE EXHIBITION

New seating for the museum created by JAKOB+MacFARLANE

Since it opened in 1977, seating at the Centre Pompidou has had a varied history, from the success

of Michel Cadestin’s metal and leather chairs furnishing the BPI to Maarten van Severen’s chairs, found

in rooms and offices alike. The variety of its design collections bears particular witness to the importance

of seating at the Museum. After discussions with designers and producers, Alain Seban, the President

of the Centre Pompidou, entrusted the task of designing a completely new type of seating for the rooms

in the Musée National d’Art Moderne to the Jakob + MacFarlane agency.

In response to this commission, Dominique Jakob and Brendan MacFarlane examined the fundamentals

of the Centre Pompidou in depth to create a new kind of seating for the museum rooms, echoing

the geometrical matrix of the building defined by Renzo Piano and Richard Rogers – a grid of 80 x 80 cm.

This grid was then extrapolated into a series of furniture components with different lengths and widths.

The seats, both comfortable and adaptable, provide areas of relaxation for one or several visitors and

are placed in strategic spots throughout the Museum. Later designs will integrate technology, sound and

video.

The furniture is made by the Belgian company Quinze + Milan; the materials used are waterjet-cut

microporous foam blocks covered with highly resistant surfaces in different colours. The furniture

is 100% recyclable. Co-produced by the Centre Pompidou, these new seats will shortly be marketed

in stores under the Centre Pompidou brand.

Dominique Jakob (b. 1966) and Brendan MacFarlane (b. 1961) created their agency in Paris in 1994.

Their main achievements include the Restaurant Georges on the sixth floor of the Centre Pompidou

(Paris, 1998-2000), the restructuring of the Théâtre Maxime Gorki (Petit-Quevilly, 1998-2004),

the Librairie Florence Loewy (Paris, 2001), the restructuring of the Renault Communication Centre

(Boulogne-Billancourt, 2001-2004), the 100 Hérold apartments (Paris, 2003-08), the Docks en Seine

(Paris, 2007-08) and the Cube Orange (Lyon, 2005-2010).

10

On the occasion of the new presentation of its contemporary collections entitled A History,

the Centre Pompidou invites two personalities from the world of art to give special lectures, on invitation

by Jean-Pierre Criqui, head of the service de la parole:

CLAIRE BISHOP: LES SPECTRES DE LA MODERNITÉ

WEDNESDAY 15 OCTOBER, 7PM, PETITE SALLE

Déjà vu: Contemporary Art and the Ghosts of Modernity

One of the most persistent themes in contemporary art since 1989 has been the proliferation of work that

addresses ‘Modernist utopias’: art that takes twentieth-century architecture and design as a starting point

for contemporary sculpture, installation, photography, video and research. It seems ironic that

Modernism, the most futurist of movements, is now the subject matter of retrospective artistic practices.

This lecture raises questions about a contemporary art of quotation, its relationship to temporality, and its

tendency to bury contemporary concerns behind a fascination with canonical figures of the past. As such it

invites us to ask other questions: What are the institutional reasons for this growth in contemporary

historicism? What new cultures are being avoided in the fetish for Modernist abstraction? How might we

imagine more politicized modes of engagement with history?

Claire Bishop is an art historian and critic based in the PhD Program in Art History at CUNY Graduate

Center, New York. Her books include Installation Art: A Critical History (2005) and Artificial Hells:

Participatory Art and the Politics of Spectatorship (2012), for which she won the 2013 Frank Jewett Mather

award for art criticism. She is a regular contributor to Artforum, and her latest book, Radical Museology,

or, What’s Contemporary in Museums of Contemporary Art?, was published in 2013 by Koenig Books.

OKWUI ENWEZOR

THURSDAY 4 DECEMBER, 7PM, GRANDE SALLE

Okwui Enwezor, born in 1963 in Calabar, Nigeria, is an art historian, curator, art critic, writer, poet and

teacher. He lives and works in New York and Munich, where he is the director of the Haus der Kunst since

2011. Acclaimed internationally for his writings and exhibitions often involving political issues and

questioning the artistic challenges of globalization, he is also a specialist of contemporary African art,

publishing the book Contemporary African art since 1980 in 2009.

He served as artistic director of the 1992 Documenta XI in Kassel and became known in France as one of

the three curators of the first Triennale de Paris to be held at the Palais de Tokyo in 2012. He is also the

artistic director of the 56th Venice Biennale for the arts, which will take place in the summer of 2015.

11

5. VISUALS FOR THE PRESS

All or some of the works featured in this press release are protected by copyright.

The works of ADAGP (www.adagp.fr) may be published subject to the following conditions:

FOR PRESS PUBLICATIONS HAVING ENTERED INTO AN AGREEMENT WITH ADAGP:

please refer to the terms of this agreement.

FOR OTHER PRESS PUBLICATIONS

• Exemption for the first two works illustrating an article dedicated to a topical event, and a maximum

format of 1/4 page;

• Over and above this number or format, reproductions will be subject to copyright / representation rights;

• Authorisation for any reproduction on the cover or the first page must be requested in writing from

the ADAGP press department;

• The copyright to be indicated in any reproduction is as follows: the name of the author, title and date

of the work followed by

© ADAGP, Paris 2014, regardless of the provenance of the image or the conservation site of the work;

• These conditions also apply to online websites with press status, the definition of files is limited to

400 x 400 pixels and resolution must not exceed 72 dpi.

FOR TELEVISION COVERAGE:

• For TV channels in possession of a general contract with the ADAGP: the use of images is free

on condition of the inclusion or superimposition of the required copyright notices in the credits:

name of author, title, date of the work followed by

© ADAGP, Paris 2014 and this regardless of the source of the image or the conservation site for the work,

except for special copyrights listed below. The date of broadcast must be indicated to the ADAGP

by email: [email protected]

• For TV channels not in possession of a general agreement with the ADAGP:

Exemption of the first two works illustrating a report dedicated to a topical event. Over and above

this number, the uses will be subject to the right of reproduction / representation: a request for prior

authorisation must be sent to the ADAGP:

[email protected].

01. Jean-Michel Basquiat, Slave Auction,

1982

Collage of crumpled paper, oil pastel and

Acrylic paint on canvas, 183 x 305,5cm

Donation of the Société des amis du

musée national d’art moderne in 1993

musée national d’art moderne,

Centre Pompidou, Paris

© Centre Pompidou, mnam/cci,

Dist. RMN-Grand Palais / Philippe Migeat

© The estate of Jean-Michel Basquiat /

Adagp, Paris

12

03. Ayşe Erkmen, Netz, 2006

Clothing labels in cotton, nails, 220 x 60 x 20 cm

musée national d’art moderne, Centre Pompidou, Paris


Dist. RMN-Grand Palais

© Ayşe Erkmen, Courtesy Galerie Barbara Weiss, Berlin,

Photo : Jens Ziehe ([email protected])

04. Mircea Cantor, Tasca che punge, 2007

Armani trousers, nettles, soil, rope, wooden cloth pegs

Donation of the Société des Amis du musée national d’art

moderne, PAC 2009




© Mircea Cantor

02. Thomas Hirschhorn, Outgrowth, 2005

Wall installation: 131 globes placed on

7 shelves fixed on the wall with clipping,




Dist. RMN-Grand Palais /

Georges Meguerditchian

© Adagp, Paris

13

05. Paweł Althamer, Tecza (Rainbow), 2004

Metal, cotton, felt, rubber, cork, plastic,

120 x 185 x 57 cm





© DR

06. Samuel Fosso, La femme américaine

libérée des années 70, 1997

From the series Tati

Print, 101 x 101 cm





© Fosso Samuel, courtesy JM Patras/Paris

14

07. Etienne Chambaud, Les coloristes

coloriés I, 2009

Screen print and acrylic on canvas,

110 x 150 x 2 cm






© Etienne Chambaud

08. Felix Gonzalez-Torres, Untitled (Last

light), 1993

Light bulbs, plastic light sockets, extension

cord and dimmer switch

Overall dimensions vary with installation

Edition of 24, 6 APs

Published by A.R.T. Press, Los Angeles and

Andrea Rosen Gallery, New York

Collection musée national d’art moderne,


© The Felix Gonzalez-Torres Foundation

Courtesy of Andrea Rosen Gallery, New York

Photo

© Centre Pompidou, mnam-CCI,

Dist. RMN-Grand Palais / Georges

Meguerditchian

09. Wolfgang Tillmans, Suzanne & Lutz,

white dress, army skirt, 1993

Colour photograph, 99 x 66 x 2 cm





© Wolfgang Tillmans

15

10. Steven Parrino, Cosa, 1990

Inventory : FNAC 01-009

Acrylic on canvas, 183 x 183 x 8 cm

© Centre national des arts plastiques

© D.R. / CNAP /photo : Galerie Evelyne Canus

11. Zhang Huan, Family Tree, 2000

Polyptych, 9 colorformer prints,

396 x 318 cm, each item : 132 x 106cm




Dist. RMN-Grand Palais / Georges Meguerditchian

© Zhang Huan

16

12. Tony Oursler, 9/11, 2001

Digital betacam, PAL, colour, sound,

duration 57’51’’





13. Ahmed Mater, Northern Gate

(from the serie Desert of Pharan), 2012

Digital print

245 x 326,5 cm






© droits réservés

17

14. Gabriel Orozco, Eaten Hose

(Manguera Mordida), 1990

Cibachrome print, 31,5 x 47 cm

Deposit of the Centre Pompidou

Foundation, 2013





Philippe Migeat

© Gabriel Orozco

15. Michel François, Affiche S. aux boules, 1999

Print on paper, , 180 x 120 cm





© Adagp, Paris

18

16. Andrew Kudless, Chrysalys III, 2012

Paper of wooden veneer (cherrytree and poplar),

190 x 90 x 90 cm

Software used : Grasshopper, Kangaroo, Python,

Lunchbox, Rhinoscript

Collection Prospective industrielle,




© Andrew Kudless

17. David Trubridge, Lampes Sola and Icarus

Wing lamp

Sola : Prototype, diameter: 130 cm

Icarus Wing : Hand-polished polycarbonate,

aluminium rivets and LED ribbons,

60 x 280 x 80 cm



View from the Lamp Prototype Sola and the

two Lamp Prototypes Icarus Wings.

© Centre Pompidou, mnam/cci, Dist. RMN-

Grand Palais / Georges Meguerditchian

© David Trubridge

18. Kengo Kuma, Model for the CG Prostho

Museum Research Center, Kasugaishi, Japan,

2008-2010

Acrylic, 27.5 x 59.4 x 42 cm,

scale 1/50, weight 5 kg






© Keng Kuma & Associates

19

19. Georges Fessy, Chantier du nuage de la Défense,

(Otto Van Spreckelsen, Paul Andreu, François Deslaugiers

et Peter Rice, architectes du projet)

Colour photographic print on aluminium,

80 x 80 cm




© DR

20. Jean Nouvel, Institut du Monde Arabe,

Prototype d’élément d’architecture,

1981-1987

Front diaphragm panel (with electric stand)

Metal and plexiglas prototype, 209 x 209 x 90 cm

Triangle support :118x90x10cm

Panel 198 x 198 x 14 cm

Private collection, Deposit at the musée national d’art

moderne / centre de création industrielle en 1992



© Jean Nouvel, Gilbert Lézènes, Pierre Soria,

Architecture Studio / Adagp, Paris

20

6. PRATICAL INFORMATION

Centre Pompidou


telephone

00 33 (0)1 44 78 12 33

metro

Hôtel de Ville, Rambuteau

Opening hours

Exhibition open every day

from 11 am to 9 pm except Thuesdays

Tarif

11 to 13 €, depending on the period

concessions : 9 to 10 €

Valid on day of issue for the musée

national d’art moderne and all

exhibitions

Free admissions for Centre Pompidou

members (annual pass holders)

Print your own ticket at home


MODERNITÉS PLURIELLES

1905 - 1970

UNTIL 26 JANUARY 2015

press officer

Céline Janvier

00 33 (0)1 44 78 49 87

[email protected]

BERNARD TSCHUMI

UNTIL 28 JULY 2014

press officer

Dorothée Mireux

00 33 (0)1 44 78 46 60

[email protected]

MARTIAL RAYSSE

RÉTROSPECTIVE 1960-2014

14 MAY – 22 SEPTEMBER 2014

press officer

Anne-Marie Pereira

00 33 (0)1 44 78 40 69

[email protected]

MAN RAY, PICABIA ET LA REVUE

« LITTÉRATURE »(1922-1924)

2 JULY – 8 SEPTEMBER 2014

press officer

Céline Janvier

00 33 (0)1 44 78 49 87

[email protected]

« MAGICIENS DE LA TERRE »

RETOUR SUR UNE EXPOSITION

LÉGENDAIRE

2 JULY – 8 SEPTEMBER 2014

press officer

Anne-Marie Pereira

00 33 (0)1 44 78 40 69

[email protected]

MARCEL DUCHAMP

LA PEINTURE, MÊME.

24 SEPTEMBER 2014 - 5 JANUARY 2015

press officer

Dorothée Mireux

00 33 (0)1 44 78 46 60

[email protected]

FRANK GEHRY

8 OCTOBER 2014 - 26 JANUARY 2015

press officer

Anne-Marie Pereira

PRIX MARCEL DUCHAMP 2013

LATIFA ECHAKHCH

8 OCTOBER 2014 - 26 JANUARY 2015

press officer

Dorothée Mireux

Christine Macel

Curator in chief at musée national

d’art moderne, head of the service

création contemporaine et prospective

assisted by

Micha Schischke,

curatorial assistant at musée national

d’art moderne, service création

contemporaine et prospective

Keith Cheng and Mathieu Vahanian,

collections managers at musée

national d’art moderne

In collaboration with

Clément Chéroux,

curator and head of cabinet

photographique du musée national

d’art moderne

Michel Gauthier,

curator at musée national

d’art moderne, service des collections

contemporaines

Emma Lavigne,


d’art moderne, service création

contemporaine et prospective

Philippe-Alain Michaud,

curator and head of the service

de cinéma expérimental du musée

national d’art moderne

and le Service Nouveaux Médias

Curators of the architecture and

design sections

Frédéric Migayrou,

deputy director at musée national d’art

moderne, curator at service des

collections architecture et design

Aurélien Lemonier,


d’art moderne, service architecture

Cloé Pitiot,


d’art moderne, service design

PRACTICAL INFORMATION AT THE SAME TIME AT THE CENTRE CURATOR

FROM 2 JULY 2014 A HISTORY - Centre Pompidou€¦ · Presented in future rotations : Davide Balula,...

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