Final Yearbook Example
Transcript of Final Yearbook Example
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I N F I N I T Y
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I N F I N I T Y
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BA (Hons) Photography 2012
Leeds College of Art
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Foreword
Adrian Davies
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Contents∞
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∞ George Beck
Youth Club
georgebeckphoto.co.uk
+44 () 7572 617 556
The Youth Club project focuses on the users of
youth support services who, in the transitory
stage between childhood and adulthood, are
in a period in their life where they are often
overlooked or demonised by wider society.
Here by association, Beck also brings to light
the importance of these services (although set
up by local authorities, largely run by charities)
within our communities; the fact that their work
largely goes unnoticed does no justice to their
importance in guiding young people towards a
successful start in adult life.
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George Beck
Youth Club
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Project 01482 takes its name from the area
dialling code for the city of Hull, a city for
which the telephone became not just a tool of
communication but a symbol of independence.
Depicting the steady decline of the public
telephone kiosk and presenting it as an echo
of a death of a wider cultural heritage. Sawdon
acknowledges the technical developments
of the 21st Century but through exploring
the remaining kiosks, recalls childhood
memories of a time before mobile phones,
emphasising the role of the past on shaping all
of us and, the importance of one town’s history
of independence.
Claire Sawdon
Project 01482
clairesawdon.com
+44 () 7821 213 981
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∞ Claire Sawdon
Project 01482
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Embarking upon long-term projects, Hannah
Reynolds’ practice centres on documenting facets
of society and their inherent issues. In her latest
body of work, Reynolds investigates the small
East Anglian town of Newmarket, internationally
renowned as the epicentre of Horse Racing.
With one in every three of the fteen thousand
residents employed on some level of the industry,
from stable owners and skilled professionals
to semi-itinerant farm hands, Horse Racing is
intertwined with every single element of the
community. The series seeks to explore the nature
and ramications of this relationship and how it
has shaped Newmarket; past, present and future.
hannahreynoldsphotography.co.uk
+44 () 7846 231 587
Hannah Reynolds
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∞ Hannah Reynolds
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Specialising in underwater fashion photography,
Catherine Laura’s series showcases her often-
whimsical style, as well as her ability to create
themes and narratives. These threads which run
through each of her ‘fashion stories’, allow her to
anchor each set with a cohesive visual approach,
while at the same time, from shoot to shoot,
endless scope to produce diverse and creative
images. Her rm understanding of working
underwater has allowed Laura to push her
creative boundaries, undeterred by challenging
environments and has led to her coordination of
her own team, from creative and stylists to safety-
divers, thus facilitating this collection.
catherinelaura.com
+44 () 7716 544 5
Catherine Laura
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∞ Catherine Laura
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James Hawley’s stripped back approach to
fashion photography is designed to allow
the model’s personality to become a part of
the image. Deemed as of equal importance
to the clothes and the photographer,
Hawley spends much of his time searching
for models with whom he can collaboratively
produce fashion editorials. Naturalistic
and minimal in terms of post-production
and articial lighting, this collection
of images comes loaded with a subtle
yet pervasive sense of beauty; formed
from the triptych of clothing, location
and model-photographer relationship.
jameshawley.co.uk
+44 () 7962 157 212
James Hawley
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∞ James Hawley
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Emily Bailey
embphotography.co.uk
+44 () 7738 37 813
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Emily Nicolle Bailey is a fashion and beauty
photographer whose inspiration often stems
from the themes of self-expression and
individuality, Bailey has spent the best part of
a year undertaking collaborative projects with
various makeup artists and models. Exploring
how self-decoration, specically in the form
of make-up artistry and fashion choices, aid
in the construction of an individual’s persona,
in that they allow the individual to appear
to the world in the way that they choose;
the images included here are representative
of the photographer’s wider practice, both
thematically and visually.
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Emily Bailey∞
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Alice Hall’s work takes its form and inspiration
from the beauty and fragility of owers, her
subtle and often abstract, images focus on
the simplicity and delicacy of the shapes and
colours of the petals. Photographing primarily
on analogue formats, Hall’s experimentation
with a range of methods for image making
and printing, seeks to craft a technique that
accentuates both her subject and the imagined
tangibility of the medium. Her organic and
alluring photographs resonate with a strong
emotional involvement and attempt to depict
the true and unique beauty of natural forms,
while inspiring her own wonder in the viewer.
Alice Hall
alicehall.eu
+44 () 792 11 441
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∞ Alice Hall
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∞ James Lester
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Aisha Greenidge-Noorgat’s Playhouse acts
as a photographic exploration of a space in
which she experienced trauma as a child. The
family sitting room becomes a place shrouded
in darkness, the images’ aesthetic reects this
turmoil and with their soft focus, references the
process of memory. The fabric of the space has
become forever intertwined with a painful past;
though, this cathartic work, sets the door ajar,
airing the room, absorbing a part of Greenidge-
Noorgat’s anguish. Also included are images
from the Meat & Flowers series, an attempt to
capture the essence of what appears repulsive
and beautiful, in immediate juxtaposition.
aishagreenidegenoorgat.co.uk
+44 () 7572 617 556
Aisha Greenidge-Noorgat
Playhouse
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∞ Aisha Greenidge-Noorgat
Meat & Flowers
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www.stuartleckenbyphotography.co.uk
+44 () 7576 218 26
Stuart Leckenby
e Invisible Age
Typically socially undervalued, politically
underrepresented and largely ignored by
the opposite sex, The Invisible Age seeks to
highlight and question the societal place of
women in their sixth decade. Stuart Leckenby’s
portrait series focuses on these older women,
presenting them in stark relief, hair un-styled,
and faces un-made; without the plethora of
products thrust on them by social pressure
and advertising. The stillness and passivity
of the photographs act as a testament to
preconceived ideas, although silent witnesses,
these portraits seem to shout what this invisible
demographic wants to say: “We exist!”.
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∞ Stuart Leckenby
e Invisible Age
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charysellmer.carbonmade.com
+44 () 785 692 959
Charys Elmer
Charys Ellmer has taken a set of Thematic
Apperception Test cards as the starting point
for her series of narrative photography. TAT
cards are designed for use in psychological
examinations, depicting various provocative yet
ambiguous images, which the subject is asked to
interpret, allowing the attendant psychologist a
window into their patient’s personal history and
attitudes. Narrative photography runs corollary
to this process, asking viewers to consider and
‘read’ a scene as a story. No interpretation is
wrong, merely a version of the truth presented
through a medium that can be said to blend
veracity and illusion in equal measure.
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∞ Charys Elmer
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mindygoose.co.uk
+44 () 7969 647 27
Mindy Goose
Well-Being
Mindy Goose is a photographer as well as a
community workshop leader, whose use of
photography extends to self-discovery, social
inclusion and education. The Well-being
project examines her daily life, capturing the
seemingly mundane objects, landscapes,
journeys and routines in a manner that seeks
to present them as beautiful, unusual and
unique. Her intent here, is to let her images
act as a lens through which the viewer has the
opportunity to see the everyday world in a
more enriching way and in so doing, to inspire
her audience to take notice of the beauty in the
familiar themselves.
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The Behind The Spectacle series seeks to
explore the people and personalities behind
performers and the act of performance.
Famed for the ‘Big Top’, sideshows,
menageries of animals and death-defying
feats of athleticism, the circus has always
been one of the ultimate spectacles. In this
on-going, long-term project, Salt takes in
not only the more familiar extroversion of
the ‘show’ but peers behind the curtain,
documenting the off stage individuals and
their relationships in both transient and
domestic environments.
scottmsaltphotography.com
+44 () 7864 391 8
Scott Salt
Behind The Spectacle
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∞ Scott Salt
Behind The Spectacle
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soacoombs.co.uk
+44 () 7864 66 441
Sofa Coombs
Living with Kerstin
Coombs uses image making to gain a greater
understanding of the unfamiliar and the
observed behaviour of others; in this series, she
documents her intimate yet strained relationship
to her mother, with whom she is naturally
close, despite past issues causing an extended
estrangement. The project is an observation of
her mother’s life in an attempt to comprehend
why she is the way she is. A serious and complex
subject, approached with an innate sensitivity
and the well considered, thoughtfulness of a
person studying a loved one.
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∞ Sofa Coombs
Living with Kerstin
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rawreylostinthought.tumblr.com
+44 () 7889 465 947
Rory Doyle
The focus of Rory Doyle's body of work lies
in gender, specically in the examining and
understanding of gender’s boundaries. In order
to do this, Doyle'sphotographs those who take
gender related concepts to what are socially
considered to be more extreme conclusions,
capturing images of Transvestism in drag acts
and cross dressers. The images, which often
take their aesthetic from traditional fashion
and beauty photography, seek to question
how notions of femininity and masculinity are
visually dened within our society.
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∞ Rory Doyle
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+44 ()7921 463 968
Jack Turner
A year after Jack Turner was born his
Grandfather moved from his home in London
to Northern Scotland, therein causing an
estrangement that has lasted all of his
conscious life. As an adult, Turner set out to
meet and get to know this man, a close family
member with whom he had previously almost
no relationship. This series documents his
visits to Scotland, from their very rst meeting
and examines with an acute sensitivity, the
unusual dynamic of this new relationship; at
once a close familial bond but with a distance,
induced by a long absence.
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∞ Jack Turner
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timmellin.com
+44 () 7738 954 62
Tim Mellin
Tim Mellin has created a body of work
designed to appeal to both the creative
and commercially minded. Working hand-
in-hand with clients on live briefs in order
to develop this series of images that not
only meet standard industry requirements
but have challenged both his technical and
creative abilities; honing his own distinctive
style. Innovation is a highly valued aspect
of Mellin’s photographic practice as; each
undertaking has its own unique parameters
and therefore, demands a unique approach.
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∞ Tim Mellin
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∞ Daniele Fitzgerald
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In this series of still life images, Chris Jackson
explores the genre of creative product
photography. The theme of motion runs
throughout this set, in which the photographer
reveals one of the medium’s most formidable
abilities; to capture that which the human eye
could never see. While technically polished,
clean and crisp, commercially minded
photographs, Jackson looks beyond mere
depiction and nds a visual language that
gives a life to his subjects, while at the same
time reinforcing the power of photography.
chrisjacksonphoto.co.uk
+44 () 7766 612 342
Chris Jackson
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∞ Chris Jackson
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essnewton.com
+44 ()7946 852 21
Ess Newton
Covering lifestyle, fashion and product
photography practices, Ess Newton is
primarily a commercial photographer. The
photographs featured here are a selection
from an on going series focusing on men’s
fashion and lifestyle editorials, employing her
own personal aesthetic approach, Newton
sets out to capture current and commercially
viable images of masculine identity, crucially
from a female perspective.
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∞ Ess Newton
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∞ Katherine Gregory
Northern Soul
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This series unveils a side to the Catholic Church
that often goes unnoticed and is unmentioned
in popular discourse; the positive communities
that can be created when the Church opens itself
to less dogmatic doctrine. When Hargreaves’
sexuality came into conict with his family’s
preconceived ideas of faith, a schism was created,
ultimately causing him, as it does for many others,
to reject his religion altogether. Last year he
attended Mass at All Hallows Church in Leeds, an
openly inclusive Church that celebrates diversity.
The subsequent photographs document and
explore his reunion with faith, and the accepting
community that facilitated it.
aaronhargreaves.com
+44 () 759 93 788
Aaron Hargreaves Meet Me In The Middle
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∞ Aaron Hargreaves
Meet Me In The Middle
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∞ Kyla LynskeyTwenty-Two Years
www.kylalynskeyphotography.co.uk
+44 () 7825 913 576
Straddling the genres of ne art and
documentary practice, Kyla Lynskey focuses
on interior and domestic spaces. In her
latest body of work she has spent six months
photographing her and her father’s home,
a house to be sold after twenty-two years.
Like any childhood or family home, the
building itself transcends a mere structure;
it comes replete with, in this case, a lifetime
of memories. The images produced, likewise
transcend mere documentation but come
with a clearly tangible, emotional content, a
catharsis for Lynskey herself, concluding the
process of moving on.
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∞ Kyla Lynskey
Twenty-Two Years
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Benjamin P. Smith is a photographer whose focus
lies in documenting movements and groups
that overtly or implicitly question socio-political
paradigms. Presented here are excerpts from
two bodies of work, Signed: The Occupiers and
The Camel And The Scorpion. The former, an
advocacy based series, deals with communities
of squatters in the UK as the government moves
to criminalise trespass; an action that will erode
avenues of accommodation for the poorest,
protest and culture. The latter takes its title from a
Middle Eastern joke and attempts to investigate
the situation in Palestine’s West Bank, beyond the
standard, politically convenient interpretations.
Benjamin P. SmithSigned: The Occupiers
benjaminpsmithphotography.com
+44 () 7728 874 753
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∞ Benjamin P. Smith
The Camel & The Scorpion
Acknowledgements∞
Editorial Team:
Benjamin P. Smith
Scott M. Salt
Hannah Reynolds
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Publication Design:
Paweł Adamek
www.paweladamek.co.uk
Jonathan Finch www.jonathan-nch.co.uk
Sean Perkins
Chris Starkie
www.chrisstarkie.co.uk
Rosalind Stoughton
www.rosalind-stoughton.com
Course Contact Ino
Adrian Davies, Programme Leader
BA (Hons) Photography
Leeds College of Art
Blenheim Walk
Leeds
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West Yorkshire
LS 9AQ
+44 () 113 22 8
www.leeds-art.ac.uk
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