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Final Dress to Opening NightWainstein, Chapter 21

+Opening night or first preview?

It will vary from venue to venue…but, following dress rehearsals, the doors are open and audiences are invited in

+Final Dress

• The last run of the show before it is viewed by an audience

• All technical and design elements are in place• Remind actors before final dress that there will be no

stops• Then, once the rehearsal begins, do not stop for any

reason, unless there is a human life at stake• Your role as the director is to relax, breathe and take

final notes• Final notes should be brief, but, they can be very

impactful

+Preparing Actors for the audience Inexperienced actors can be thrown by an audience

response. Remind your company that performance in an interaction between performer and actor

+Hold for laughter and applause

+Invite a small audience

+Final dress is a working rehearsal Last chance for cast, crew and designers Final production meetings are held afterward, usually in

the auditorium or backstage The director needs to focus on what she can fix and

accept what she cannot Trust your collaborators to take care of their

responsibilities

+Setting the show

After the final dress rehearsal, the show is “set” Nothing can change without both the permission of the

director and a rehearsal with the stage manager and actors involved

The production stage manager takes over the responsibilities of the show, ensuring the director’s staging and vision

In some educational venues, the director may continue to “tweak” the performance throughout the run, but the actors should not

Staging doesn’t change, but moments can be intensified

+Previews

Regular part of process for Broadway and regional professional theatres

Tickets are sold, but the show is still evolving Changes are rehearsed during the day and inserted

into performances when ready…this requires the company to remember old and new staging

Rehearsals continue throughout the day GOAL, as always, is to create the best show possible

+Opening Night

+Before the show

A final meeting with the company is always helpful (sometimes this is the final speech after the final dress)

Share, reinforce any important notes Your main goal is to instill confidence and express

appreciation for hard work Check in with designers, stage managers, crews as

possible

+Susan Stroman says thanks

+During the show Watch the show Try to enjoy it Take notes if you want Observe the audience and gauge their reactions If you discover something useful, share

+After the show

Some directors give notes

+Trust your instincts

If you provide feedback, keep it brief, easy and supportive

After opening night, there is a “high” backstage, try not to squelch the celebratory nature of the moment

+THE REVIEWS

+How to deal with reviews

If you read reviews, read them all, there is much to be learned from a bad review

If you don’t agree, don’t be too quick to dismiss Criticism can be useful if you know how to use it

+How to deal with a bad review with the actors Speak to them Address their conerns Reassure them Don’t let the review affect their work Seek out both those with positive and negative notices If reviews affect the production, address these

“changes” quickly…maintain the show you directed

+After Opening Night

Document the production

Production photos

Programs, posters, etc.

If licensing permits, you might videotape

Save reviews

+FINAL THOUGHTS

To learn how to direct, you need to direct Don’t reject opportunities, work in all venues Seek out opportunities Don’t limit yourself, if you cannot find an opportunity,

make one for yourself Build your portfolio, one show at a time Have a great career