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ARTIST’ SELECTION SIMON PROCTER

CYRIL LE VAN

PATRICIA ERBELDING OLGA KISSELEVA

PROPOS D’ARTISTES MIRCO MIGLIOCCAArtistic Production Agency contemporary art division BRUNO FARAT14, rue Charles V 75004 Paris FANNY MAUGEY

MANAGER/OWNER : JÉRÉMIE LENOIR Christophe Ménager AVELINA FUENTESTél : 06.22.33.66.25Mail : contact@proposdartistes.com

PRESS CONTACT :

Jonathan Vocella

Tél : 06.21.68.82.31Mail : jonathan@proposdartistes.com

www.proposdartistes.com

Légende : « Rendez-vous », Internationale Exhibition of contemporary art Domaine de Saint-Hilaire, Val de Loire In June 30 the on September 3 rd 2011 Propos d’artistes

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CONTENTS

ARTISTIC PRODUCTION AGENCY P3

SIMON PROCTER P3

CYRIL LE VAN P3

PATRICIA ERBELDING P3

OLGA KISSELEVA P3

MIRCO MIGLIOCCA P3

BRUNO FARAT P3

FANNY MAUGEY P3

JÉRÉMIE LENOIR P3

AVELINA FUENTES P3

PARTNERS P3

CONTACTS P3

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ARTISTIC PRODUCTION AGENCY

« Propos d’Artistes » is a high-end artistic production agency specialized in the organisation of cultural and musical events. Our clients range from private individuals, to companies and institutions. private events, prestigious, performances, art, show…we work in collaboration with chosen artists, galleries and with professionals of contemporary art scene. « Propos d’Artistes » is an as well providing communication agency in France and abroad, focusing its activity around two principle centers : the musical division and the contemporary art division.

CONTEMPORARY ART DIVISION

The objective of the contemporary art division is to offer services focused on the creations of contemporary artists (confirmed or emerging artists) working in various fields and mediums (painting, sculpture, video, photography and performance) to institutions, companies and private individuals.

Supporting and promoting contemporary art in France and on the International scene, are the main issues of « Propos d’Artistes », we aim to help in the development of young experienced artists as well as providing a public plateform for their works.

Via the alliance of its art market knowledge combined with its communication competencies, « Propos d’Artistes » will Council you on your projects and you will have at your disposal a range of services.

OUR OBJECTIVESSupport and promotion of contemporary creativity. Introducing and creating public of contemporary art in close collaboration with artists. Development of diversified cultural activities, adapted to fit each type of public group. Creating a flexible and interactive link between music and visual arts. To enrich and make compatible our two divisions, allowing for an infinité number of possibilities.

PROPOSAL SELECTION OF ARTISTSWe offer a selection of artists emerging and established, whose work the different actors of the contemporary art scène in France and abroad constantly support.

The agency is constant contact with a large numbers of French and International artists who put their trust in him and in relation with galleries an institutions to respond to any request for your customers and to imagine any collaboration on artistics projecs.

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SIMON PROCTER

PHOTOGRAPHYPAINTING BORN IN ENGLANDLIVES IN FRANCE SELECTION OF WORKS

2012 « Simon Procter » Rausenbaum Art Gallery, Miami Beach, USA2011 « Rendez-vous », International exhibitions of contemporary art, Domaine Saint Hilaire, France 2010 « Exhibitions RecordArt Paris », International Contemporary Art Fair, Grand Palais, Paris, France2009 « DIOR60 , 60 years of photography, », group show, Museum of Modern Art, Moscow, Russia2008 « The house of Christian Dior Flew », Simon Procter and Nan Golding, group show, Moscow, Russia2008 « In Fashion Show » , group show, Art Basel Miami Beach, Miami Beach, USA2005 « 10 pages special New-York », solo show, Chez Colette, Paris, France (sponsored by Giorgio Armani and Prada)

BIBLIOGRAPHY2011, « Simon Procter », Dedicate Magazine, (FR)2009, « Is it art ? », The independent on Sunday (UK)2008, « No bed no glory », Identity Matters, 2007, « Greater New World », Korean Vogue,

PUBLICATIONSNew York Times, T Magazine, V Magazine, V Man, Harper’s Bazaar USA, Harper’s Bazaar RUSSIA, Telegraph Magazine (UK), Vogue Nippon, Vogue (USA), Vogue Korea, Sunday Time, British GQ, Big Magazine, Flair, German GQ STYLE, Quarters Magazine, Vs. Magazine.

CLIENTS AND COLLECTORSThe Boston Museum of Fine Art, Adidas, Nike, L’Oréal, Galleries Lafayette, Reebok, Marriott Hotels, Montblanc, Banque National de Paris, private collectors.

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BIOGRAPHY

Simon Procter is part of the new wave of contemporary artists that straddle both the worlds of High art and High Fashion. His time is divided between New York and Paris and is regularly featured in important cultural/style magazines such as V Magazine, Vogue, Harpers Bazaar and The New York Times. He is renowned for his work with photographing Hollywood film stars and international supermodels and his work draws upon this lifestyle, containing a unique synthesis of classical painting and fashion.

His pieces are often highly complex constructions blurring the line between photography and painting. Simon Procter was raised in a small mining village in the industrial North of England, studied Fine Art for many years before he moved to Paris in the late 90s, where he developed a photographic technique for documenting fashion shows and their architectural spaces. The famous COLETTE, immediately exhibited the series (sponsored by both Armani and Prada).

His work captured the attention of Haute Couture designers both Karl Lagerfeld and John Galliano with whom he continues to work closely with to this day. His first major international exhibition Art Basel 2008 was a major success, his piece "Galliano Royal" was the most successful artwork in the history of the gallery. He has since gone on to exhibit with a large number of respected Galleries and museums and his work is included in several prestigious collections.

Clients include The Boston Museum of Fine Art, Nokia, Marriot Hotels, Adidas Y-3, L'Oréal Paris and Nike, Galleries Lafayette, Reebok, Montblanc, Banque National de Paris, private collectors...

For further informations, thank you for consulting www.simonprocter.blogspot.fr or www.proposdartistes.com/blog/simon-procter/

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SELECTION OF WORK

Daystar, the Fall, Dior Fire AngelSimon ProcterMixed technique120*120 cm each 2010

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Daystar, the Fall, Dior Fire AngelSimon ProcterMixed technique120*120 cm each 2010

Daystar, the Fall, Dior Fire AngelSimon ProcterMixed technique120*120 cm each 2010

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CYRIL LE VAN INSTALLATIONS

BORN IN FRANCE LIVES IN FRANCE

SELECTION OF WORKS

2013 Gallery municipally Robespierre (artist residency), Grande Synthe, France2012 « Textile Art Triennial », Porto, Portugal2012 « Art Nocturne Knocke », Van Campen & Rochtus Gallery, Anvers, Belgium2012 Judy Straten Gallery, Hort, Holland2012 « Art & Antique, Art Fair Hertogenbosch », Van Campen & Rotchus Gallery, Anvers, Belgium2012 Higher Institute of the Fine Arts, Besançon, France2012  « Raw Art Fair », Judy Straten Gallery, Hort, Holland2011 Arcuterie Galley, Poitiers, France2011 Flux Laboratory, Carouge, Swiss2011 « Synthetic Landscape », Saint Raymond Museum, Toulouse, France2011 « Armorican Contemporary Biennal event of Art », Saint Brieuc Museum, France2011 « SUPERNOVA Festival », Montpellier, France 2011 « Art Fair Madrid Foto », Ego Gallery, Spain 2011 « The night of moment », Marseille, France2011 « CONTRAST Show », Roubaix, France2011 « PLAYTIME Show », New-York, USA2011 « Adidas Original’s and the Beaubourg Citadium », Paris, France 2011 « PLAYTIME SHOW », Tokyo, Japan2011 Leslie’s Art Gallery, Bridel, Luxembourg

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BIOGRAPHY

« THE MEN ARE BORN FREE AND EQUAL AND IT IS THE LAST TIME WHEN THEY ARE HIM »

Drawing its themes in poverty, exclusion and social inequalities in occidental society, the artist reproduced exactly, using the technique of printing on canvas, objects and fragments of the urban environment, onplates of foam in the reconditioning of kinds of "objects-fronts" or "objects mattress". Not without mentioning some of the work of American artist Gordon Matta-Clark, his works call for two readings.

The first lies in the fields of aesthetics and fun: the artist unveils the plastic qualities of these elements of reality highlighting the beauty and poetry that can emanate. The second is more in the order of observation and testimony of social and political.

Strolling through the series of suburban houses, the laundry, vending, mattresses and wall squats, the viewer is immersed in the universe and he life of a segment of the population on the sidelines, away from what is our occidental comfort and private rights which underpin our society. He is requested to take the time to pause to observe these elements, we do not collect or older, and rediscover the wonder of nature and meaning. One way for the artist to put some things flat?

For further information, thank you for consulting :www.proposdartistes.com/blog/focus-cyril-le-van-france

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GALLERY 9

Renault 12Échelle 1 2009

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PATRICIA ERBELDING PHOTOGRAPHYPAINTING BORN IN FRANCELIVES IN FRANCE

SELECTION OF WORKS

2011 « Art Protects », Yvon Lambert Gallery, Paris, France2011 International show of the print, Grand Palais, Paris, France2011 « The Sketchbook project », Brooklyn Art Library, New-York, USA2010 « Lost Paradise », Jacques Levy Gallery, Paris, France2010 « Artists book and Works on paper », Virgile Gallery, Paris, France2010 « Pirates », with Tony Souillé, Le Cabinet d’amateur Gallery, Paris, France2009 Space Saint Louis Art Center, in collaboration with the Barrois Museum, France2009 « The painting to opened book », Médiatheque and theatre, Bar le Duc, France2009 «  Side Street », The 6, Mandel and Nathalie Béreau Gallery, Paris, France2008 Art Forum Gallery, Paris, France, Antwerpen, Belgium2008 At night of photography, Paris, France

PUBLICATIONS2011 « The states of metamorphoses », Monograph, with Tita Reut, Art In Progress Editions

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BIOGRAPHY

Patricia Erbelding lives and works in Paris, France. Her first solo exhibition was at the Haut-Pavé Gallery in Paris in 1993 and she has participated in hundreds of exhibitions in Europe, Japan, New Zealand, Mexico and United States since 1991. She engages in regular collaborations with writers and poets for artist's book creation.

Her artistic expression, around a core of abstract painting, also extends into other media and creative areas like photography and sculpture. It’s a work in mutation; materializing a research that, while never revealing the secrets, imposes the development of an intimate language orchestrated with paradox and antithesis.

Extract of interview of Tita Reut (author of poesy and contemporary literature, France) and within the Framework « The state of metamorphoses », Monograph, Art In Progress Editions.

TR – « Cette question n’est-elle pas conjuguée avec l’intervention d’une procédure nouvelle dans ta pratique qu’est la photographie, elle-même en prise avec l’approche du livre d’artiste ? »

 PE – « La photographie apparaît dans mon travail dès 1995 lorsque je suis invitée en résidence d’artiste en Belgique, je m’intéresse alors aux paysages industriels en friche, les architectures se décomposent par le biais d’un traitement de l’image par ordinateur. Mais elle va surtout s’imposer à partir de 1999 avec les livres d’artiste : la possibilité d’imprimer, de cadrer, de virer images et couleurs, de retravailler un espace, la page devenant une correspondance du tableau. »

For Further information, thank you for consulting www.erbelding.blogspot.fr

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GALLERY

« Oxide"Patricia Elberding Oil, acrylic, paper and rust on canvas130X260 cm

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« Oxide"Patricia Elberding Oil, acrylic, paper and rust on canvas200X200 cm

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« Oxide"Patricia Elberding Oil, acrylic, paper and rust on canvas120X120 cm

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OLGA KISSELEVA INSTALLATIONS

PHOTOGRAPHY BORN IN RUSSIALIVES IN FRANCE

SELECTION OF WORKS2012 « Power Struggle », Museum of modern and contemporary art, Strasbourg, France2012 « Crossing Flow », Château des Adhémar, Centre d'art contemporain, Montélimar, France2012 « Power Struggle », Kunsthalle, Mulhouse, France2012 « Double Life », Video formes, Clermont-Ferrand, France2011 « Power Struggle », La Casa Ensendida, Madrid, Spain2011 « Double Life », Le Consortium, Dijon, France2011« Mapping the Arctic », public art project, Murmansk, Russia2011« LANDSTREAM », street hacking performance, Avenue Georges V, Paris, France2011« Double Life », Gabarron Contemporary Art Museum, Valladolid, Spain2011« Brave New World », in the frame of Focus Russia, ARCO, Madrid, Spain, ARKA gallery (Russia)2010 « Brave New Nanoworld », National Centre for Contemporary Art, Poitiers, France2010 « Double Life », MNAC, Bucharest, Romania2010 « Divers Faits », Jozsa Gallery, Brussels, Belgium2010 « Conclusive Evidence», in the frame of the inaugural project of Centre Pompidou-Metz : IT MIGHT NEVER HAPPEN, Metz, France

SELECTION OF PUBLIC COLLECTION

CNEAI, Paris, FranceCommunauté urbaine de Brest, Brest, FranceFine Art Foundation, New York, NY, USAFonds Municipal d'Art Contemporain de la Ville de Paris, FranceFRAC Aquitaine, Bordeaux, FranceLVMH, Paris, FranceMachida Graphic Museum, Tokyo, JapanMMOMA, Moscow, RussiaMOMA New York, NY, USAMoscow Museum of Contemporary Art, Moscow, RussiaNCCA, Moscow, RussiaNingxia Contemporary Art Museum, Yinchuan, ChinaPecci Museum of contemporary art, Prato, Italy

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BIOGRAPHY

Exploring equations on a grand scale

The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in question, and wherever possible, to propose a solution to the problem.

She then determines the skills necessary to pursue the relative study, and commissions the research. The artist calls upon exact sciences, on genetic biology, geophysics, and also on political and social sciences. She proceeds with her experiments, calculations and analyses, while strictly respecting the methods of the scientific domain in question. Her artistic hypothesis is thus verified and approved by a strictly scientific method.

In each of Olga Kisseleva's projects, at each stage of its development, from the initial draft (when the context is taken into consideration), until the moment when the indications allowing the esthetic propositions to come to light are gathered together, a line is traced upon which the different elements convened are inscribed. This way of addressing places and people allows the artist to take on an unusual position, a kind of involvement consisting of questioning, affronting or testing the elements constituting the reality of a situation in which she can borrow from numerous mediations, supports and modes of representation as diverse as the situations themselves.

Yet it still implies, for the viewer as well as the artist, a certain faithfulness to a watchword - vigilance - returning to a principle of responsibility, and implying the establishment of open relationships between the different elements brought into play by esthetic propositions.

For further information, thank you for consulting www.kisseleva.org

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GALLERY

Divers Faits

AVENTURESSeries of 50 digital photographs on Diasec60 x 80 cmEdition of 32010

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Perfect Future2010Pièce uniquePanel photovoltaïque, aluminium, dibond, leds, plexiglas diffusant170,6 x 137,2 x 24 cm (the box without the structure)

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CrossWorldsLa série photographique : 50 images et 50 textes, écrits sur les emballages alimentaires

accordPhoto TAGs,Lambda drawdown, Diasec, Plexiglass, Electronic tacs, decoding program60 x 60 cm2007

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It’s timeUsine URALMASH (Ural Heavy Machinery Plant), YekaterinburgInteractive installation240 x 50cm x 2 and 15 x 35 x 20cmEdition of 4Collaboration scientifique : Sylvain Reynal

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MIRCO MAGLIOCCA PHOTOGRAPHY

BORN IN ITALYLIVES IN FRANCE

BIOGRAPHY

Theatre and photography : two demanding arts where the fleeting moment plays the leading role, where the beauty of a gesture can never be repeated.

Mirco Magliocca succeeds in seizing what is imperceptible and in a few years his work has won over the most prestigious French theatres, becoming the official photographer for both “La Comédie-Française” and the “Opera de Paris”.

His personal style is evident in each photo: a subtle blend of classicism and modernity. The classicism of an Italian painter who masters the art of chiaroscuro and has an inborn sense of perspective and composition.

The modernity of a man of his time who focuses on the graphical lines or on the sensuality of the bodies. A photographer devoted to the performing arts. Just watch Mirco Magliocca work: he is at ease with anyone, from the technicians to the performers, shows respect for everyone, and knows the price of the effort and how to become invisible so that the artists may give themselves completely over to his camera. Birds of a feather flock together!

Mirco Magliocca is always on the lookout for brand new forms of photographic expression, which have been put on display in several exhibitions in France and abroad.

Isabelle StibbeJournaliste, rédactrice en chef de Quadriges, la lettre d’information du Grand Palais, critique musicale pour Anaclase.

For further information, thank you for consulting www.proposdartistes.com/blog/focus-bruno-farat-photographie

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GALLERY

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BRUNO FARAT PHOTOGRAPHY BORN IN FRANCELIVES IN FRANCE

BIOGRAPHY

Initiated into photography since high school, he is entrusted a photographer position in 1979 when called by the country to serve in the 50st Transport Regiment in Vienne. In 1979, he attended the Beaux-Arts, a Fine Arts school in Marseilles/Luminy, for two years.

During this period, he develops and improves his artistic sense, his powers of observation, and he is introduced to geometry, drawing and the rules of pictorial composition. He then entered a photography school, the ETPA in Toulouse, where he studied the shootings & laboratory technics from 1982 to 1984. Bruno Farat settles in Paris and becomes a black & white printer for the photography office of the « Réunion des Musées Nationaux » (National Museums Firm) and then for the French Press Agency (AFP). He creates his own shooting studio for advertising and industrial purposes.

With his associate, he realises a slideshow for the CNES (the French Space Agency), publishescatalogs and illustrates computer magazines' covers as well as many companies' internal newspapers in different fields (industry, bank, insurances, institutions...). Still fuelling his passion for black & white without a break, he cultivates the art of look exploring throughout the years the richness of this artistic and poetic expression mode. An exhibition in Sicily (more exactly in Palazzolo) and another in Bievres during the European Photography Fair illustrate this period.

Bruno Farat is a perfectionist Leicaist photographer, always in search of poetry and esthetism. He shares with pleasure his passion for silver photography and more specifically for black and white, with his students and interns, transmitting his know-how and both the shooting and laboratory technics.

For further information, thank you for consulting

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www.proposdartistes.com/blog/focus-bruno-farat-photographie

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GALLERY

Tirage noir et blanc sur papier argentique barytéSans titre100x150 cmEncadrement bois sombre avec marie-louise et vitreEdition limitée 5 ex

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Tirage noir et blanc sur papier argentique barytéSans titre120x180 cmEncadrement bois sombre avec marie-louise et vitreEdition limitée 5 ex

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FANNY MAUGEY INSTALLATIONS

BORN IN FRANCE LIVES IN FRANCE

SELECTION OF WORKS

2011 « Food Design », conference, group show, design place, Paris, France2011 « All that you always wanted to know about the white », week end Télérama, FRAC Aquitaine, Bordeaux, France2010 « The bottom of Thickness », collage, old museum of painting, Grenoble, France2010 «  Hors Piste », paper fresco and vidéo, Centre G. Pompidou, Paris, France 2010 « Twenty years old », solo show, Info’Rom, video and diapo, Chalon sur Saône, France2009 « Icy Works », Joyce Gallery, Palais Royal, Paris, France2009  « Through the looking glass », Parquet en chocolat, Hôtel Meurice, Paris, France 2009 «  ... That it was bewildered when it had its bath not to melt » , solo show, 4x2 events, installation en glace royale et gaufrages, Anima(l) Gallery, lieu ( ?)2009 « Résonances », Biennale d’Art Contemporain, Lyon, France2009« Drape », 50kg of chocolate, Museum of the moldings, opening, Lyon, France2008 «  Deprived garden- public garden », installation millefeuille, particular garden, Castries, France2008 « Food design », Sheen chocolate, Design Center, Marseille, France 2007 « Fabulous! », Sheen chocolate, Zoo Gallery, Nantes, France 2007 « Happy good », vidéo clip, film projection, cinema du MAC/VAL,Vitry-sur-Seine, France

AWARDS

2011 Chambray-Lès-Tours, Residence, Agricultural High School, France 2010 Support to creation of the Regional Cultural Affairs Directorate of Bourgogne, France 2009 « Hélène Linossier », School of Fine Art, Lyon, France

PUBLICATIONS

2010 « Food Design » , Book of Stéphane Bureau and Cécile Cau, Eyrolles éditions, France2010 « To look and to eat » , Liberation by Marie Lechner, France 2009 « Creative Food » by Guillaume Delattre, France 2009 « Looking at Food » , interview by Ana Finel Honigman, Berlin, Germany2009 « Eat, think in Paris », New York Times, by Ana Finel Honigman, Berlin Germany 2009 «  The Deathblow » by Guillaume Tanhia

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BIOGRAPHY

Le futur, est le temps que "j'offre" à mon travail pour qu'il évolue sans moi. Parlant de matériaux fragiles, je veux ramener en eux notre condition mortelle et travailler à la foi avec leurs fragilités, leurs failles, leurs limites mais également leurs qualités. De la même manière que je ne peux pas saisir l'instant où la matière mue, je ne peux travailler qu'avec son résultat, son aboutissement, c'est là que je peux parler de futur.

J'aime l'idée de mettre la matière en transe, c'est-à-dire littéralement, la mettre hors d'elle. Je travaille mes ingrédients dans une dimension de l'ordre du sensible et du visible de la même manière que ce que nous sommes susceptible de vivre ou de voir: le chaud, les couleurs, le gras, la lumière, la transparence...

L'appellation "ingrédient" renvoie à un contexte domestique et/ ou de l'ordre de la cuisine, où ce qui l'accompagne est la mesure (masse, volume, superficie). Le rapport espace-temps les associe. La dimension domestique renvoie à une échelle humaine, simple. Je ne veux pas me placer en scientifique, mais plutôt agir comme eux, en prenant des codes précis, mais sans finalité absolue. Mesurer la taille d'un espace à partir d'une masse de chocolat constitue pour moi l'occasion d'une résultante, d'un constat, mais la superficie qu'elle recouvre n'est pas une fin en soi.

La manière dont je procède n'est pas une affirmation régit par l'équation: but-résultat. Mais plutôt comme si je traçais une délimitation, et en définissais les contours, mon travail n'est pas à l'intérieur de cette marque mais à sa périphérie. La prise de risque et l'inconnu de ce qui va être en jeu, la notions d'accident sont essentielles et forment des outils de découvertes. Les formes créées sont de tendance abstraite mais, participent à la Nature, au paysage.

For further information, thank you to contact

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GALLERY

Pacific Spark, 2011Sapin, miel, couverture de survie, dimensions variables

Galerie des Glaces, 2007Matrice en plâtreFIAC 2007, cour Carré du Louvre, Paris

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Quand l’été viendra 2011Sel, dimensions variables

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JÉRÉMIE LENOIR

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PHOTOGRAPHY BORN IN FRANCE LIVES IN FRANCE

SELECTION OF WORKS

2012 « fiie », Hotel Pullman Montparnasse, Paris, France2012 « Festival Nature Chapter », Le Blanc, France2012 « ChipChop », Alexandre Cadain space, Paris, France 2012 « Night Canadian », Projective City Gallery, Paris, France2011 « Between Loire and Ocean », Le Quai, Angers, France2011 «  Peripherals Revisions », Projective City Gallery, Paris, France2011 « Of the landscape in the territory », conference, Café Forum du Quai, Angers, France2011 « VAE », Montrouge Show, La Fabrique, Montrouge, France2011 « Between Loire and Ocean », Happening, Pont de Pruniers, Bouchemaine2011 « Rendez-vous », Contemporary Art Show, Roiffé, France

AWARDS2012 – Selection Chapter Nature Show 2012 – Top 5 Emergent Artist Award Dubaï2010 – Bourse Mécène et Loire2010 – Draft of a dream embellishes with images SCAM 2010 – DRAC Center for artistic résidence at Kuala Lumpur2010 – Région Center for artistic résidence at Kuala Lumpur 2010 – Committed work in the Sony World Photography Awards2010 – Selection Nikon France

PUBLICATIONS2011 “Transfigurations” from the Entre Loire et Océane project. essai by Damien Sausset. It's Filigranes publication2011 4 pages books extract from the 56ème Art fair of Montrouge catalogue. Thank to Emmanuelle Bernheim for her text2009 « "Territoires Occupés : une autre vision de la France" , Monograph, LME publication with a foreword by Gilles A. Tiberghien2010 Exhibition catalogue "Land" for the Noorderlicht Festival in Leeuwarden, showing the vision of about thirty photographers on the contemporary landscapes2010 Portfolio published in Le Monde HS "Où va la France ?". Three photographs are together with a text by Pascal Dibie entitled "La France, une localité dans un monde rétréci2010 Nikon selection « nouveaux regards » in Images Magazine together with an interview with Sophie Bernard, editor in chief

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BIOGRAPHY

Born in 1983, Jérémie Lenoir is graduated of the Polytechnique School of the University of Tours and of the Superior Art and Design School of Orléans. Without proper subject, without attempt an objective reproduction of a "true" landscape, Jérémie Lenoir's photographs offer a sensitive travel through what Marc Augé called "non places". Deeply inspired by Dusseldorf Kunstakademie artists, Jurgen Nefzger or Raymond Depardon thematics, his work tries both a representation of reality and its transfiguration.

Exhibitions, “Between Loire and Ocean” In November 4th in 18 decembre 2011

Note of the artist

Au carrefour du Centre, de la région parisienne et de la côte Atlantique, l’Anjou occupe une position stratégique favorisant son développement. Son activité économique diversifiée et dynamique transforme son paysage et induit une mutation constante de ses territoires. Agriculture, industries et commerces se modernisent ; villes, espaces de loisirs et voies de communications se renouvellent ;

« Entre Loire et Océane » propose de suivre cet entre-deux temporel au travers d’un entre-deux géographique : le projet se déroule le long de l’axe de circulation « historique », la Loire, et sa parallèle « contemporaine », l’autoroute A85/Océane. L’Anjou est alors découpé d’est en ouest sur une bande d’environ 100 km de long et 20 km de large associant les deux voies de communication et de développement du département. Le paysage est un work in progress, un espace de tensions que l’homme tente constamment de se réapproprier ; bien plus qu’un constat, mon travail questionne les territoires en devenir, et à travers eux, notre société en évolution.

For further information, thank you for consulting www.jeremielenoir.com

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GALLERY

ENTRE LOIRE ET OCEANE2011Tirage en impression directe sur DibondParking120x120 cm4/5

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ENTRE LOIRE ET OCEANE2011Tirage en impression directe sur Dibond

ChantierBeaucouzé120x120cm4/5

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AVELINA FUENTES INSTALLATIONS BORN IN MEXICO LIVES IN FRANCE

SELECTION OF WORKS

2012 « Light and Shadow » , group show, Université Paris Nord 13, Campus Villetaneuse, Paris, France.2012 « Commissariat pour un arbre #1 », a proposal by Mathieu Mercier, Le Village Royal,Paris, France.2012  « Rencontre d'artistes plasticiens mexicains résidant en France » , Instituto Cultural deMéxico, Paris, France.2011 « Help, hope, health » , H3 Concept Gallery, Paris, France. 2011 « Rétrospective des expositions 2010 – 2011 », Crous Gallery, Paris, France2011 « Juste Avant 2 » Galerie Michel Journiac, Université Paris 1 Panthéon-Sorbonne, Paris,France.2011 « Une proposition » kanal20-atelier, Brussels, Belgium.2010 « Modules » , group show, Crous Gallery , Festival Ici & Demain, Paris, France.2009 « Arte 40 » , Biblioteca Nacional José Vasconcelos, Mexico City.2009 « Plastik Joven » , Instituto Coahuilense de Cultura, Saltillo, Mexico.2007 « Entre Figuras » , Museo Rubén Herrera, Saltillo, Mexico.2006 « Noreste, corredor de Artes Visuales » , Fondo Regional para la Cultura y las Artes delNoreste, itinerant exhibition throughout the Mexican states of Coahuila, Chihuahua,Durango, Nuevo León and Tamaulipas.2004 « Portfolio » , group show, Instituto Coahuilense de la Juventud, Saltillo, Mexico.

AWARDS2010 « Virlogeux Merit Award in Arts and Humanities » , Chancellery of Paris Universities.2006 « Passeport pour la France, Alliances Françaises », Federation and Editorial houses Didier and Hachette Award, Mexico City.2003 « State Youth Award in Fine Arts », Saltillo, Mexico

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BIOGRAPHYMODULES, MODELS & UTOPIES

The artistic reflection I’ve been working on is about the processes of genesis and morphogenesis, the birth of life and forms. My work is therefore a reflection on life, which is kind of a constant work in progress, on which we inspire. I’m particularly interested in the relationship between the microcosm and the macrocosm and the rôle of the human being in this relationship.

Another constant in my work is the notion of module, present in the repetitive structures. The word module comes from the Greek word for tone, and the Latin modulus, modus, that stands for cadence or measure. So the module is originally a conventional unit of measure to address the different proportions of a whole and to prevent any change or variation, the module is actually a standard model. Today the concept of module simply defines an element, a constituent unit of a set. Although it is difficult to know precisely the origin of this concept, which is not easy to conceive, its existence and permanence through the centuries in various forms, and especially its continued use that has been made of this concept, invite us to further study it thoroughly. I consider that we are talking about modules, when we speak of a parasite, a human being, a wall, a bubble, an egg, a brick or a word, which may constitute larger entities, as shown by Powers of Ten, a documentary film produced by the designers couple Charles and Ray Eames in 1977, offering a journey between the infinitely large and infinitely small. In this documentary it is put into perspective the concept of size in the universe, and to measure the place of man in the universe. Today, thanks to tools like Google Earth we have access to a view of the Earth's surface, moving away or approaching it, which has changed our perception and conception of ourselves. I share the ambition of many artists to constantly address the question of utopia in art, a notion that is one of the major creative forces of all time.

For further information, thank you to consulting http://avelinafuentes.carbonmade.com/

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GALLERY

Avelina FuentesCheerios, 2009Cereal, hot glueVariable dimensionsAbout 70 x 90 x 80 cm

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Avelina FuentesRhizome, 2011Hexagonal mirrors, projectorVariable dimensionsAbout 600 x 200 cmExhibition view "Juste Avant 2", Galerie Michel Journiac, Paris.

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Avelina FuentesCellule, 2007Styrofoam cups, hot glue80 x 80 x 70 cm

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