Death of a Naturalist

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Death of a Naturalist Critical essay revision

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Death of a Naturalist. Critical essay revision. Task. Choose a poem which portrays the natural world in a threatening or unpleasant way. Highlight the techniques used by the poet to create this portrayal. What is the theme explored by the poet through this portrayal? - PowerPoint PPT Presentation

Transcript of Death of a Naturalist

Page 1: Death of a Naturalist

Death of a Naturalist

Critical essay revision

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Task• Choose a poem which portrays the natural world

in a threatening or unpleasant way. Highlight the techniques used by the poet to create this portrayal. What is the theme explored by the poet through this portrayal?

• Answers to questions on poetry should address relevantly the central concern(s)/theme(s) of the text(s) and be supported by reference to appropriate poetic techniques such as: imagery, verse form, structure, mood, tone, sound, rhythm, rhyme, characterisation, contrast, setting, symbolism, word choice . . .

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Writing an effective introduction

• Text and poet/playwright/author correctly introduced

• Task- use the words of the question• Theme-specify the main concern of the

text (usually asked for in the task).• Technique- say that you will be looking at

how the theme is conveyed-you can specify some of the techniques you will look at.

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For example

‘Death of a Naturalist by Seamus Heaney describes a childhood experience involving the threatening side of nature. Heaney uses a variety of poetic techniques, such as word choice, imagery and sound effects to explore his theme: the loss of innocence illustrated by a young boy’s encounter with the intimidating sight and sound of massed bullfrogs during the mating season.

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Conclusion

• Be brief. Again return to the task. In this case you were asked how effectively the poet explained his main ideas. Do not introduce any new points. Include some personal response/evaluation relevant to the task

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For example

Thus, the poet has made use of a number of poetic techniques to communicate his main ideas- both the threat of the natural world and the transition from childhood to adulthood through a loss of innocence and naivety. I found this a highly effective and memorable poem.

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Useful phrases for commenting on poetic technique

• Heaney’s choice of the word ____ is effective because

• The metaphor____helps convey• This example of onomatopoeia suggests----• This image helps imagine-----• We are given the sense of-----• This word has connotations of------• This appeals to ou r sense of smell because------• This communicates the idea of• This is effective/memorable because------

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Useful words for personal response and evaluation

• Thought provoking• Helped me gain insight into…• Increased by understanding of…• Effective• Memorable• Moving• Engaging• Made me think in a new way• Challenged me to consider afresh the idea….

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Be specific in your analysis

An effective use of a simile is ‘their loose necks pulsed like sails’. This emphasises the way in which the frogs move and provides a good image of what they looked like.

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BetterHeaney makes use of language and imagery

connected with warfare to underline the sense of threat . The simile ‘like mud grenades’ used to describe the frogs has connotations of danger as well as being suggestive of dirt and filth. The poet suggests the frogs resemble a military invasion as the boy ‘ducks through hedges’ to hide from the enemy. The word choice of ‘cocked’ usually applied to a gun conveys the idea the frogs are ready to attack. These ideas relating to battle are very effective in reflecting how the natural world can seem threatening.

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• All year the flax-dam festered in the heart

Of the townland; green and heavy headed

Flax had rotted there, weighted down by huge sods.

Daily it sweltered in the punishing sun.

Bubbles gargled delicately, bluebottles

Wove a strong gauze of sound around the smell.

There were dragon-flies, spotted butterflies,

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•But best of all was the warm thick slobber

Of frogspawn that grew like clotted water

In the shade of the banks. Here, every spring

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I would fill jampotfuls of the jellied

Specks to range on window-sills at home,

On shelves at school, and wait and watch until

The fattening dots burst into nimble-

Swimming tadpoles.

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•Miss Walls would tell us how

The daddy frog was called a bullfrog

And how he croaked and how the mammy frog

Laid hundreds of little eggs and this was

Frogspawn. You could tell the weather by frogs too

For they were yellow in the sun and brown

In rain.

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Then one hot day when fields were rank

With cowdung in the grass the angry frogs

Invaded the flax-dam; I ducked through hedges

To a coarse croaking that I had not heard

Before. The air was thick with a bass chorus.

Right down the dam gross-bellied frogs were cocked

On sods; their loose necks pulsed like sails. Some hopped:

The slap and plop were obscene threats.

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Some sat

Poised like mud grenades, their blunt heads farting.

I sickened, turned, and ran. The great slime kings

Were gathered there for vengeance and I knew

That if I dipped my hand the spawn would clutch it.

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Possible structure

1.Introduction2.Initial description of the flax dam – some

beauty but hints of death/decay/threatFestered/rotted/sweltering/punishing/gauze

of sound/bubbles gargled delicately/spotted butterflies/dragonflies

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• The word choice ‘festered’ creates an unpleasant sense of the stench at the flax dam crated by the rotting plant matter. Although the onomatopoeia of ‘bubble’ and ‘gargle’ created a gentle soothing sound of water, threat is created by the description of the sun as ‘punishing’. The heat is unpleasant and uncomfortable with the word choice ’sweltering’ adding to this impression….

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3.Childhood innocence and enthusiasm‘but best of all…’‘warm, thick slobber…Childlike vocabulary and sentence structure

mammy frog/daddy frog/ length of sentence/repeated ‘and’

4. Disgusting imagery and smell of the frogs

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• 5.Use of sound techniques

• 6.Military imagery and language

• 7. Personification/ child’s sense of threat interpretation of the frogs’ behaviour as punishment/ vengeance

• 8. Conclusion

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