Course Introduction: 1930s America & Hollywood

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HST 3011 41 Topics in Art as History: The Long 1930s Course Introduction Kara Heitz Spring 2018

Transcript of Course Introduction: 1930s America & Hollywood

Page 1: Course Introduction: 1930s America & Hollywood

HST 3011 41Topics in Art as

History: The Long 1930s

Course Introduction

Kara Heitz

Spring 2018

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Tops Grossing Films (in the US) of 2017

Rank Title Distributor Domestic gross1. Star Wars: The Last Jedi Disney $595,556,5842. Beauty and the Beast Disney $504,014,1653. Wonder Woman Warner Bros. $412,563,4084. Guardians of the Galaxy Vol. 2 Disney $389,813,1015. Spider-Man: Homecoming Sony $334,201,1406. It Warner Bros. $327,382,1627. Thor: Ragnarok Disney $313,101,3208. Jumanji: Welcome to the Jungle Sony $291,560,9099. Despicable Me 3 Universal $264,624,30010. Justice League Warner Bros. $227,205,943

What does this list say about contemporary American culture? How would historians of the future interpret this list?

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The 1920s in America

Prosperity, new consumer goods,

loosening of social and sexual mores, flappers,

Jazz age, culture of exuberance

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1930s in America:The Great Depression

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1930s Mass Culture

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Mass Culture in the 1930s: Radio

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Mass Culture in the 1930s: The Movie Going Experience

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Mass Culture in the 1930s: The Movie Going Experience

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“The mood of the Depression was defined not only by hard times and a coming world crisis but by many extraordinary attempts to cheer people up – or else to sober them up into facing what was happening. Though poor economically, the decade created a vibrant culture rich in the production of popular fantasy and trenchant social criticism. This is the split personality of Depression culture: on the one hand an effort to grapple with unprecedented economic disaster, to explain and interpret it; on the other hand, the need to get away, to create art and entertainment to distract people from their trouble, which was in the end another way of coming to terms with it. Looking at both sides of this cultural divide, we can see how closely they are linked.”

- Morris Dickstein, Dancing in the Dark: A Cultural History of the Great Depression (pg. 4)

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The Hollywood Studio System