Continuity Editing Tell a story (Everything must be used to tell a story) To construct and preserve...

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Continuity Editing • Tell a story (Everything must be used to tell a story) • To construct and preserve coherence of space • To maintain continuity of time • To create and sustain graphic and rhythmic relations • To hide the means of construction to the viewer

Transcript of Continuity Editing Tell a story (Everything must be used to tell a story) To construct and preserve...

Page 1: Continuity Editing Tell a story (Everything must be used to tell a story) To construct and preserve coherence of space To maintain continuity of time To.

Continuity Editing

• Tell a story (Everything must be used to tell a story)

• To construct and preserve coherence of space• To maintain continuity of time• To create and sustain graphic and rhythmic

relations• To hide the means of construction to the

viewer

Page 2: Continuity Editing Tell a story (Everything must be used to tell a story) To construct and preserve coherence of space To maintain continuity of time To.

Rules that need to be observed

• The 180 degree rule• Match on action • The 30 degree rule• Shot reverse shot

editing

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Producer

• producers plan and coordinate various aspects of film production, such as selecting scripts, coordinating writing, directing and editing, and arranging financing.

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Line Producer

• is a type of film producer that functions as the key manager during the daily operations of a feature film, television film or the episode of a TV program. A line producer works on one film at a time.

• Ted Hope was the line producer for Trust

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Expansion of Producers’ roles

• Sourcing material• Talent• Money• Find distribution partners• Arrange financial structures• Initiate financial modeling and marketing

plans and to execute these with as little deviation from the original idea as possible

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Independent Producer

• Ambition to take culture further• Tell different stories • Love and respect for what is being created• Understand how media is changing• The audience are now the curators,

programmers—how can this passion adapt to new situations?

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Open Film Communication—The Audience has a say in:

• Which stories are told• How they are told• To whom and where they are delivered

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Ted Hope

• Was interested in politics• Decided he could do more with film• Went to NYU film school• At the time he was inspired by Spike Lee and

Jim Jarmusch • Wanted to combine European filmmaking

sensibility with a punk DIY aesthetic

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The Unbelievable Truth, Hal Hartley

• 40,000 to make • The single continuous take • 1989 Toronto International Film Festival • Picked up for distribution by Miramax

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After that success

• He and partner James Schamus formed Good Machine Production Company in 1991• Radical films?• They wanted to reach more people

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Ang Lee The Wedding Banquet 1993

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Finances

• 750,000• 4 Million in Taiwan

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Ang Lee

• The Wedding Banquet 1993• Sense and Sensibility 1995• The Ice Storm 1997• Crouching Tiger, Hidden Dragon 2000• Hulk 2003• Brokeback Mountain 2005• Life of Pie 2012

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Ang Lee

• Taiwanese born, American film director • Early films explored the relationships and

conflicts between tradition and modernity, Eastern and Western.

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Education

• National Taiwan University of the Arts• University of Illinois (Theater-1980)• MFA at NYU, Worked on Spike Lee’s thesis film

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Wedding Banquet

• Golden Bear 43rd Berlin International Film Festival, Golden Globe and Academy Awards nods as well

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• “let me take a minute to think about it”• As a producer Ted Hope learned to give Ang

Lee the time to think about things

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• Not all filmmakers do things in a standard and specific way

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• “I’m Ang Lee. And if I don’t make a film soon, I’m going to die.”

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• Ang Lee responded to an authoritative assistant director (Pushing Hands)

• Ang helped Ted Hope learn the power of patience

• Good Machine’s commitment to Ang Lee, and their commitment to understanding his way of working, started Ang’s career and also built their production company.