Composition and Shooting Tips09.pdf · lights shot at daybreak Sometimes less IS more I moved...
Transcript of Composition and Shooting Tips09.pdf · lights shot at daybreak Sometimes less IS more I moved...
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Composition and Shooting TipsComposition and Shooting Tips
Chris EdwardsChris EdwardsJanuary 12, 2009January 12, 2009
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Why Composition MattersWhy Composition Matters
Adds interest for the viewer, thus Adds interest for the viewer, thus reinforcing the message of your reinforcing the message of your photophoto
Captures the beauty of our world in Captures the beauty of our world in a creative waya creative way
Adds your unique viewpoint or Adds your unique viewpoint or ““signaturesignature”” to your workto your work
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What is Composition?What is Composition? The ability to see beyond the objects to the The ability to see beyond the objects to the
greater artistic and pleasing whole; the greater artistic and pleasing whole; the ““organization of spaceorganization of space”” (Michael Minner) (Michael Minner)
Emphasis on the subject within the frameEmphasis on the subject within the frame
Arrangement of a subject within (and without) Arrangement of a subject within (and without) the framethe frame
Good composition excites the viewer’s eye
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““The only real voyage of discovery consists The only real voyage of discovery consists not in seeking new landscapes but in not in seeking new landscapes but in having new eyes.having new eyes.””
----Marcel ProustMarcel Proust
The Power of ObservationThe Power of Observation
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Increase Your Artistic SensibilityIncrease Your Artistic Sensibility Practice Practice seeing seeing
Study othersStudy others’’ work on Flickr, adswork on Flickr, adsin magazines, pictures in newspapersin magazines, pictures in newspapers
Make a conscious effort to compose Make a conscious effort to compose creativelycreatively
Check the background for distractionsCheck the background for distractions
Experiment with everyday objectsExperiment with everyday objects
Determine in advance what the Determine in advance what the photograph will be about and look likephotograph will be about and look like
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Initial shot in series
Keep on shooting when you find something interesting—this became the best of about 2 dozen shots
The Potential for Great Shots is LimitlessThe Potential for Great Shots is Limitless
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Be Alert toBe Alert to
Reflections on water, polished surfaces, glassReflections on water, polished surfaces, glass Striking or monochromatic colors Striking or monochromatic colors Rule of Thirds for positioning subjectsRule of Thirds for positioning subjects Diagonals Diagonals Foreground or middle ground interest with vistasForeground or middle ground interest with vistas Silhouettes and simplicitySilhouettes and simplicity One feature to highlightOne feature to highlight Massed subjects (flowers, birds, jelly beans, Massed subjects (flowers, birds, jelly beans,
shop displays)shop displays) Mood/atmospherics (lighting/mist/fog/clouds)Mood/atmospherics (lighting/mist/fog/clouds)
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ReflectionsReflectionsUse fast shutter to freeze moving water
Washington Monument in Packard hubcapRockland, Maine harbor
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ReflectionsReflections
Arezzo, Italy town square in an antique store’s mirror
This shot combines the sightseeing action with the object itself--the Florence, Italy Duomo
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ReflectionsReflectionsChoose the orientation that best showcases the reflection: portrait or landscape
Law office window by the State House Butchart Gardens, Canada globe
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Striking or Monochromatic ColorsStriking or Monochromatic Colors
Sunrises may be even more interesting with foreground or middleground objects
With reflections, move around until you find the best colors surrounding the object and the best framing
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Striking or Monochromatic ColorsStriking or Monochromatic Colors
Holiday display at Homestead Gardens
Egg and shadow on red poster board
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Striking or Monochromatic ColorsStriking or Monochromatic Colors
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Rule of ThirdsRule of Thirds
Place objects of interest where the lines intersect
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Rule of ThirdsRule of ThirdsLizard at National Zoo
Crabbers on the Severn
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Rule of ThirdsRule of Thirds
This “rule” isn’t hard and fast, but often it works
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Rule of ThirdsRule of Thirds
Goat at USNA entrance
Sailboat in Saltworks Creek
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Subjects Often Best OffSubjects Often Best Off--CenterCenter
Subject generally should face or be moving toward the center
Antique doll lit by flashlight
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Subjects Often Best OffSubjects Often Best Off--CenterCenter
Pro shooter Scott Kelby suggests zooming in so that either the top of the head or the ears extend outside the frame
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DiagonalsDiagonals
You can increase/create the diagonal through post-processing cropping, depending on the space surrounding your subject
Great blue heron feather in water on a cloudy day in Saltworks Creek
Green herons will let you get closer than most other birds will
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DiagonalsDiagonals
These pictures would not have the same impact if they were shot straight on
Commedia dell’arte masks in Arezzo, Italy school
Arezzo windows
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DiagonalsDiagonals
Route 50 bridge shot from a kayak in early morning last summer
Pure luck that the baby created a diagonal on her own!
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Add Foreground InterestAdd Foreground Interest
Contributes to the depth and interest of the shot
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Add Foreground InterestAdd Foreground Interest
Take out the objects in the foreground/middlegroundand the shots become much more mundane
Arezzo, Italy vineyard and church
Rule of Thirds also at play in this shot
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Silhouettes and SimplicitySilhouettes and Simplicity
Shoot into the sun and boost contrast afterwards, if necessary
Great blue herons at sunset
Dogwood blossoms
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Silhouettes and SimplicitySilhouettes and Simplicity
City Dock lantern and lights shot at daybreak
Sometimes less IS more
I moved around to create the diagonal gap between the planks
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Silhouettes and SimplicitySilhouettes and Simplicity
Silhouettes often convert well into black and white
Florence, Italy street in late afternoonMistletoe on old door in Italy
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Highlight a FeatureHighlight a Feature
Helps the viewer see familiar objects in a new way
Flamingo feet at the National Zoo with boosted contrast
Crab trap
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Highlight a FeatureHighlight a Feature
“Stealth shot” of an old man on a train in Italy
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Highlight a FeatureHighlight a Feature
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Massed SubjectsMassed Subjects
Move in close enough to lose the background/setting
White roses at the Philadelphia Flower Show
Florence stationery shop window
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Massed SubjectsMassed Subjects
Watch for intriguing textures, colors, or graphic shapes
Archways near Ponte Vecchio, Florence
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Massed SubjectsMassed Subjects
Fancy store windows offer great potential
Arezzo, Italy lanterns
Florence jewelry shop
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AtmosphericsAtmosphericsMist, fog, shadows, sun shafts add an “otherworldly” feel
Note position of water line—it’s not centered
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AtmosphericsAtmospherics
Boy in mist at National Zoo
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Shooting TipsShooting Tips
Shoot at animalShoot at animal’’s or childrens or children’’s eye s eye levellevel
Catch subject doing something Catch subject doing something interesting (know your subjectinteresting (know your subject’’s s behavior patterns)behavior patterns)
Move in closeMove in close Use simple backgroundsUse simple backgrounds Experiment with ordinary objects Experiment with ordinary objects ––
take plenty of shots and change take plenty of shots and change your camera settingsyour camera settings
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Get at Eye Level for AnimalsGet at Eye Level for Animals
Macro setting plus a cooperative dragonfly
Green heron
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Catch the Animal in ActionCatch the Animal in Action
Sometimes serendipity is part of the equation!
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Catch the Person in ActionCatch the Person in Action
Flash used to freeze the jumper in mid-air
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Move in CloseMove in Close
The traditional tourist shot emphasizes the site over the people…fine if you were the architect!
Close-ups create a better record of “being there”
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Use Simple BackgroundsUse Simple Backgrounds
Use fill-in flash with bright backgrounds. Many cameras will let you adjust the flash intensity.
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Darken Distracting BackgroundsDarken Distracting Backgrounds
Clone stamp used in post-processing to make the background more consistent
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Take Plenty of ShotsTake Plenty of Shots
Peacock feathers shot with various white balance settings
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Enhance Through PostEnhance Through Post--ProcessingProcessing
StraightenStraighten Crop to showcase your subject Crop to showcase your subject Use levels to brighten/darkenUse levels to brighten/darken Boost contrast, if necessaryBoost contrast, if necessary Sharpen/blur as neededSharpen/blur as needed Convert to black and white (can Convert to black and white (can
sometimes save a boring shot)sometimes save a boring shot)
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PostPost--Processing MagicProcessing Magic
As shot from a kayak
After straightening, lightening, and cropping
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Experiment Experiment
Results of playing around with a fiber optic lamp
(no flash)
Experimental shots of a fiber-optic lamp (no
flash)
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Experiment Experiment
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Some ResourcesSome Resources
Podcasts at 7 Photography QuestionsPodcasts at 7 Photography Questions
““Learning to See CreativelyLearning to See Creatively”” interviews with Bryan Petersoninterviews with Bryan PetersonPart 1: Part 1: http://www.7photographyquestions.com/2008/10/podcasthttp://www.7photographyquestions.com/2008/10/podcast--2020--learninglearning--toto--seesee--creativelycreatively--anan--interviewinterview--withwith--brya.html#morebrya.html#morePart 2: Part 2: http://www.7photographyquestions.com/2008/10/podcasthttp://www.7photographyquestions.com/2008/10/podcast--2121--learninglearning--toto--seesee--creativelycreatively--anan--interviewinterview--withwith--brya.htmlbrya.html
Articles about composition and graphic design at Articles about composition and graphic design at BetterPhoto.comBetterPhoto.comhttp://www.betterphoto.com/photographyhttp://www.betterphoto.com/photography--articles/Photographicarticles/Photographic--Composition/Composition/
Articles about composition at Photoinf.comArticles about composition at Photoinf.com
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Have Fun!Have Fun!