Christina Lulich Portfolio

17
CHRISTINA ROSE LULICH PORTFOLIO 20 14

Transcript of Christina Lulich Portfolio

Page 1: Christina Lulich Portfolio

CHRISTINA ROSE LULICHP O R T F O L I O 2 01 4

Page 2: Christina Lulich Portfolio

0 0

DESIGN PROJECTS

campground boardwalk4-H Campers’ Cabins at Lone Oaks Farm

0 2

0 5 - 0 6

resumeSpring 2014

0 3 - 0 4

a tear, a fractureArlington National Cemetery Reception

OTHER WORKSfreehand drawingSketches and drawings local and abroad

1 3 - 1 41 5

1 1 - 1 2graphicsPhotography and logo design

furniture designExperiments in furniture production

0 7 - 0 8arlington gatewayArlington National Cemetery Visitors’ Center 0 9 - 1 0

g.o. houseRedBird Mission Affordable Housing

D I R E C T O R Yarchitectural philosophy and personal statement 0 1

Page 3: Christina Lulich Portfolio

0 1

Great architecture is a lasting m e m o r y , a spark of in-spiration, a curiosity. It is a mood, a dream, or a f e e l i n g that stretches beyond its physical form. Architecture always begins as f i c t i o n ; thus, no boundaries should hinder an architect’s imagination. If the design process began with practi-cality, we’d be engineers.

Page 4: Christina Lulich Portfolio

0 2

University of Tennessee - Knoxville | May 2016Bachelor of Architecture | Business Administration Minor | Chancellor’s Honors ProgramDesign GPA 3.87 | Overall GPA 3.87

Leadership and OrganizationOral and Written CommunicationDesign and Document LayoutComputer Proficiency: Proficient in AutoCAD, Photoshop, InDesign, Illustrator, Sketchup, Microsoft Office; limited proficiency in Revit, Rhino

Chancellor’s Honors Program Research GrantSumma Cum Laude | Fall 2012, Spring 2012, Spring 2013Hubert Bebb Scholarship by Red Chair Architects Elks National Foundation MVS Scholarship recipi-ent (one of two in the nation)

Hobby Lobby | Knoxville, TNCashier | May - Sept., Dec. 2013Contact: Pam Maner, Store Manager (865) 938-5521Knox Heritage Salvage Room | Knoxville, TNSalvage Intern | Feb - July 2013Assisted with pick-ups | clean and organize inven-tory | paperwork and promotion designContact: Beth Meadows, Salvage Coordinater (865) 556-5860Heavenly Homes, LLC | Sevierville, TNIntern | 2009-2012Performed construction related tasks including painting, placing ceiling tile, loading wood, making deliveries, and laying concreteContact: John Lulich, Company Owner (865) 654-2127

American Institute of Architecture Students | 2011-presentElectronic Secretary | responsible for emails and social media updatesNashville Forum 2014 | plan Forum events as a member of the Programming CommitteeAttended National Forum conferences | Phoenix, Savannah, ChicagoAttended Regional South Quad conferences | San Antonio, CharlotteDean’s Student Advisory Council (DSAC) | 2013-2014Represent 3rd-year architecture students by bringing issues to the dean in bi-monthly meet-ings | work on resolving issues within the college | participate in new faculty selectionCalvary Baptist Church | 2011-presentHaiti mission trip | construction team | painted walls, railing, and cabinetsNYC mission trip | construction team | removed damaged interior walls and replaced drywall Tech Team leader | responsible for assigning vol-unteers, preparing sound and video, and operat-ing the programs required

E D U C AT I O N I N V O LV E M E N T

S K I L L S

H O N O R S

E X P E R I E N C E

R E S U M E

Page 5: Christina Lulich Portfolio

0 3

T H E G . O . H O U S E R e d B i r d M i s s i o n A f f o r d a b l e H o u s i n g

O B J E C T I V E : to design housing units which encourage community in-teraction, are economically efficient, and use the “Green Oak” centers of white oak trees as the primary struc-tural material.

D E S I G N P R O J E C T S

note: the design of this project was done collaboratively, but the drawings are personal works.

Page 6: Christina Lulich Portfolio

0 4

Green Oak (G.O.) Research | Students and faculty at UT are work-ing toward developing contemporary construction techniques us-ing un-dried green oak members. Currently, 4x6 centers of white oak logs have low-value uses including railroad ties and palettes because the drying expense for these members is too high to en-able their widespread use structurally.

Microunit Concept | The units are small but functional for a single person or couple. The floorplan shown is of four units which have private porches but share key elements such as walkways and yards. The goal was to foster community but to use as little re-sources as possible. One unit is larger and is handicap accessible.

D E S I G N P R O J E C T S

T H E G . O . H O U S E R e d B i r d M i s s i o n A f f o r d a b l e H o u s i n g

2

1

Green Oak Bent System | The single bent design and configura-tions below are the start of a construction method students are developing. Using this system, my partner and I worked within the bounds of an 8’ structural grid.

Page 7: Christina Lulich Portfolio

0 5

C A M P G R O U N D B O A R D W A L K4 - H C a m p e r s ’ C a b i n s a t L o n e O a k s F a r m

O B J E C T I V E : to create a living en-vironment in which campers are im-mersed in nature, experiencing Lone Oaks Farm firsthand through sounds, smells, and sights.

D E S I G N P R O J E C T S

Page 8: Christina Lulich Portfolio

0 6

Exposure | The cabins line a shallow hill facing South onto Water-fall Pond. The outer layer of fenestration consists of operable win-dows which would remain open during the summer months. Tall screens on the inner walls and clerestory windows on the north walls create airflow and passive cooling.

Each cabin can be completely enclosed and heated during the winter months. Cisterns collect rainwater for use in the bathroom sinks.

C A M P G R O U N D B O A R D W A L K4 - H C a m p e r s ’ C a b i n s a t L o n e O a k s F a r m

D E S I G N P R O J E C T S

Page 9: Christina Lulich Portfolio

0 7

A T E A R , A F R A C T U R EA r l i n g t o n N a t i o n a l C e m e t e r y R e c e p t i o n

O B J E C T I V E : to create a sacred space within the Cemetery where mourning families awaiting a funeral procession can find peace and com-fort. The space is sacred by nature, but the design and materiality of the struc-ture will determine the experience.

D E S I G N P R O J E C T S

Page 10: Christina Lulich Portfolio

0 8

A T E A R , A F R A C T U R EA r l i n g t o n N a t i o n a l C e m e t e r y R e c e p t i o n

D E S I G N P R O J E C T S

Purity of FormBeginning from a pure cube, the experience is a tear, a frac-ture in the heart of a mourning mother or son.

ThresholdThe torn cube formed a thresh-old for the funeral procession, dividing the sacred and the pro-fane spaces.

DescentAn art gallery became a long ramp descending toward the procession path a story below.

Environmental ResponseThe building’s form is like a rock split apart in an earthquake. Indirect sunlight illuminates the paintings.

StitchingAn underground level was added to house the reflection rooms and stitch the buildings together, representing healing.

EAST-WEST SECTIONThe western side of the building is entirely Hall of Honor and procession, and the eastern side is all ad-ministrative space. Between them lies the only piece which geometrically could never have existed before the building was “torn.” The Reflection Cells serve as the stiching between the pieces, evidence that mend-ing is underway.

The two pieces are like shards of rock which were once whole but have broken with time and weather.

Page 11: Christina Lulich Portfolio

0 9

A R L I N G T O N G AT E W AYA r l i n g t o n N a t i o n a l C e m e t e r y V i s i t o r s ’ C e n t e r

D E S I G N P R O J E C T S

O B J E C T I V E : following the explo-ration of sacred space design in the previous project, we were instructed to design a profane counterpart for the cemetery: a visitors’ center.

The challenge was to give profane pro-gram elements sacred value without becoming the cemetery’s focal point.

Page 12: Christina Lulich Portfolio

1 0

A R L I N G T O N G AT E W AYA r l i n g t o n N a t i o n a l C e m e t e r y V i s i t o r s ’ C e n t e r

view of flower garden framed by the walls of the long hallway

Threshold | The site of the previ-ous project is shaded in South of the Visitors’ Center. The two reference each other with similar themes, regarding threshold with monumental importance.

view of roof garden and Arlington observatory

D E S I G N P R O J E C T S

Page 13: Christina Lulich Portfolio

1 1

Apogaia | Spring 2011 | 24x36 graphite

F R E E H A N D D R A W I N GS k e t c h e s a n d d r a w i n g s l o c a l a n d a b r o a d

O T H E R W O R K S

Page 14: Christina Lulich Portfolio

1 2

F R E E H A N D D R A W I N GS k e t c h e s a n d d r a w i n g s l o c a l a n d a b r o a d

O T H E R W O R K S

Rome, Florence, Siena travel sketches | Spring 2012 | felt-tipped pen

Page 15: Christina Lulich Portfolio

1 3

G R A P H I C SP h o t o g r a p h y a n d l o g o d e s i g n

O T H E R W O R K S

Venice, Rome, Florence | Spring 2012

Page 16: Christina Lulich Portfolio

1 4

logo proposal for Heavenly Homes, a construction business in the mountains of east Tennessee

G R A P H I C SP h o t o g r a p h y a n d l o g o d e s i g n

logo proposals for Burn Circle, a rock band in Memphis

O T H E R W O R K S

Page 17: Christina Lulich Portfolio

1 5

F U R N I T U R E D E S I G NE x p e r i m e n t s i n f u r n i t u r e p r o d u c t i o n

O T H E R W O R K S

Re-purpose | Summer 2013 | When I interned at the Knox Heritage Salvage Room I was inspired by the beauty of old wood marked with scratches, chips, and faded paint. I needed assis-tance with the actual assembly, but I developed the design.