Chosen photographer
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Transcript of Chosen photographer
Chosen photographer
My chosen photographer is, Imogen Cunningham for my case study. Imogen is an American born photographer, who got really interested in photography when at the University of Washington. She was a photographer that took pictures of many subjects, one of these were botany based. When taking photos of plants, she tries to capture the unique features of the plant, with natural light bringing out the tones of the plant. Biography Imogen Cunningham grew up in Seattle, Washington and attended the University of Washington in Seattle, majoring in chemistry after she was advised by her professor that she should have a scientific background if she wanted to be a photographer. To pay her expenses she worked as a secretary to her chemistry professor and made slides for the botanists. Imogen Cunningham's thesis when she graduated from the University of Washington with a major in chemistry was titled “Modern Processes of Photography.” In 1914, her first one-‐person exhibition was held at the Brooklyn Institute of Arts and Sciences. Imogen Cunningham accepted her first commercial assignment after the birth of the twins to photograph the Adolph Bohm Ballet Intime. She also began to make her first sharp focus plant photographs. Imogen Cunningham was included in the Pictorial Photographic Society Exhibition at the California Palace of the Legion of Honor in San Francisco. Imogen made her first double-‐exposure photograph, a photograph of her hard-‐working mother with a crown of silver spoons. Ten of her photographs were exhibited in the prestigious Film and Foto ExhibItion in Stuttgart, Germany. Imogen Cunningham also had a local exhibition at the Berkeley Art Museum. Imogen Cunningham had an exhibition at the M.H. de Young Memorial Museum in San Francisco. Imogen met and photographed the dancer, Martha Graham. After the Graham photographs were published in the December issue of Vanity Fair the editors asked her to take assignments photographing Hollywood personalities. As an original member of Group f.64 she participated in the exhibition at the M.H. de Young Memorial Museum in San Francisco and had a one-‐person exhibition at the Los Angeles County Museum. During the war years she sold her house in Oakland and used a friend's studio and darkroom in San Francisco, preparing for a permanent studio in San Francisco. Imogen established a studio in her home on Green Street in San Francisco. During the next thirteen years her work was exhibited across the country and she continued her street photography work when she was not making portraits. Imogen taught intermittently at the California School of Fine Arts in San Francisco. The International Museum of Photography, at George Eastman House in Rochester, New York, purchased a major retrospective collection of her work. Imogen used the money to travel and photograph in both Western and Eastern Europe. Imogen experimented with Polaroid film. The Library of Congress purchased a collection of her work and the photographic publisher, Aperture, published a monograph of her work.
Image analysis
This photo was in the exhibition. Great women in the history of photography. The subject is shot straight on, with the middle part of the flower in the centre in the photo, the petals are in the rule of thirds, to show that it is a blossomed version of the magnolia bud image. It shows great detail in the flower, the lighting makes the petals of the image stands out more, she probably takes time in taking the photo, to get the right lighting and the right angle to take the picture.