Chapter 13 Lecture Two of Two The Quest for Eternal Life ©2012 Pearson Education Inc.
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Transcript of Chapter 13 Lecture Two of Two The Quest for Eternal Life ©2012 Pearson Education Inc.
Chapter 13Lecture Two of Two
The Quest for Eternal Life
©2012 Pearson Education Inc.
The Quest for Eternal Life
• Gilgamesh’s quest• Utnapishtim
– = Ziusudra, Atrahasis, Noah
• Lions• Mashu• Scorpion Men• Siduri
– Your quest is hopeless
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The Quest for Eternal Life
• Utnapishtim granted immortality– The story of the flood– Enlil interceded for him because of his service
during the flood
• The test of sleep• The herb• Went back to Uruk and engraved his tale on a
stone
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THE HERO CAUGHT BETWEEN NATURE AND CULTURE
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Between Nature and Culture
• The quest for knowledge about death could not be Egyptian– They knew the answers and didn’t fear death
• Natural versus culture– Understandable dichotomy in a culture where
“civilization” began– Enkidu, the natural man who falls because of a
sexual “sin” and becomes “wise”– Cf. Adam and Eve
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Between Nature and Culture
• After his own quest, Gilgamesh dons once again the accoutrements of a civilized man
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FOLKTALE MOTIFS AND HEROIC MYTHS
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Folktale Motifs and Heroic Myths
• Factual (legendary) basis– There was a king of Uruk named Gilgamesh– His story over time acquires stock elements of
folktale and heroic myth– It sets a pattern for typical heroic myth
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Folktale Motifs and Heroic Myths
Partly divine birth
Miraculous birth and childhood
Great strength is a benefit and menace
A friend
Falls under enemy’s power of spell
Breaks a taboo
Is tempted
Responsible for friend’s death
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Folktale Motifs and Heroic Myths
The quest
Help from gods
Return home and is domesticated
Rewarded for his efforts
Great funeral
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PERSPECTIVE 13Tolkien's Modern Hero in The Lord of the Rings
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Lord of the Rings
• The central figure, Frodo, is a reluctant hero, but share many characteristics with classical heroes.
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OBSERVATIONS: HEROIC NUDITY
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Heroic Nudity
• The tradition of nudity starts after the Bronze Age– Homer’s heroes are not referred to nude, except
Odysseus, who’s ashamed• Perhaps associated with Greek athletics,
which was in the nude• Greek koroi were nude, unlike Egyptian
statues, which the Greek resemble in many ways
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Heroic Nudity
• Female nudes are late – the Late Classical Period (400 BC – )
• Becomes Heroic Nudity and imitated even by Roman artists to show their patron’s “connection” the Greek heroic past.
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Heroic Nudity
Fig 13.3 Fig. 13.4
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National Archaeological Museum, Athens; Scala/Art Resource, New York
The Art Archive / Museo Nazionale Palazzo Altemps. Rome; Gianni Dagli Orti
End
©2012 Pearson Education Inc.