AUBURNSYMPHONY

ORCHESTRAfeaturing DANIEL CORR,

GUITAR SOLOIST

plusr-

THEFEDERAL

WAY

CHORALE

Stewart Kershaw, ConductorAuburn Performing Arts Center

700 EMai n Street

www.auburnsymphony.org(253) 939-8509

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Auburn Symphony Orchestra

eefe6rationJ'STEWART KERSHAW, CONDUCTOR

DANIEL CORR, GUITAR SOLOISTplus ~

THE FEDERAL WAY CHORALE

RossiniDeliusRodrigo

The Silken Ladder OvertureOn Hearing the First Cuckoo in SpringConcierto de Aranjuez

Allegro con spiritoAdagioAllegro gentile

INTERMISSION

Handel Water MusicAllegroAirBourreeHornpipeAllegro

Coronation Anthem: "Zadok the Priest"The Arrival of the Queen of ShebaCoronation Anthem: "The King shall rejoice"

Exceeding glad shall he beGlory and great worshipAlleluja

j Please disconnect all signa/watches and pagers. The use of cameras~ and recording equipment is 1101 permitted ill the concert hall. Thank you.

1

STEWART KERSHAW, Music Director & Conductor

Stewart Kershaw, conductor of the Auburn Symphony

Orchestra for seven seasons, was born in England. After,

studies at London's Royal Academy of Music and the

Conservatoire Nationale in Paris, he was engaged by the

Royal Ballet. In subsequent years he held permanent

posts at the Paris and Lyon Opera Houses in France and

the Munich and Stuttgart Opera Houses in Germany.

In Japan he led the Japan Philharmonic in a series of

concerts and was appointed Principal Conductor ofthe

Kyoto Symphony.

Mr. Kershaw has lived in the United States since

1980. He was music director for the Evansville

Philharmonic for nine seasons and has conducted

the Pacific Northwest Ballet Orchestra for the

past 20 seasons. Most recently, he has conducted

at the Stuttgart and Copenhagen Opera Houses,

New York's Lincoln Center Festival of the Arts,

the Edinburgh Festival, and with the Royal

Philharmonic Orchestra in London.

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Daniel's work in music is aimed in part at thefurther incorporation and understanding ofthe guitar's enormous potential as a "concertinstrument" for the 21st century. He has a broadrepertoire based on famous standards, neglectedmasterpieces ofthe past and present, and controversial transcriptions of music originally forother instruments. Also a passionate performer of compelling (and sometimes confusing!) newmusic, he has collaborated with composers Roberto Sierra, Evan Ziporyn (Bang on a Can) andSergio Assad on his performances and recordings oftheir music.

DANIEL CORR is active as a performingartist and teacher on both coasts. He has beena featured performer in many recitals andchamber music concerts for guitar societies,festivals, and universities. Recent highlightsinclude a performance ofthe Villa-Lobosconcerto at Benaroya Recital Hall with theSeattle Creative Orchestra, and at the WaltonCentenary Conference in a concert shared withthe Portland (Maine) String Quartet. Danielwas the subject of an article in the HartfordCourant, which endorsed his series of "libraryconcerts" this season in New England.

Daniel is the winner ofthe 2002 Northwest Guitar Competition, a prizewinner in the 1999Crane ew Music Solo Performer Competition adjudicated by George Crumb, and a recipientof Yale's Eliot Fisk Prize as the "outstanding graduate in guitar" in 2001. He is a graduateof Com ish College and the Yale School of Music where his principal teachers were StevenNovacek and Benjamin Verdery. He has also studied with Sharon Isbin at the Aspen MusicSchool, and Fabio Zanon at Domain Forget.

www.danielcorr.com

3

THE FEDERAL WAYCHORALE is a community choir, attracting talented area vocalists interestedin learning and performing choral literature from all ages and styles. Founded in the summer of1993, a group of local musicians approached Don Barrows to be the chorale's conductor and artisticdirector. Barrows, a graduate of Gonzaga University with a masters from Eastern WashingtonUniversity, has participated in workshops with Norman Luboff, Roger Wagner, Robert Shaw and•John Rutter. A retired highschool teacher whose choirswere chosen to perform at bothstate and Northwest musicconferences, Barrows has alsobeen choirmaster at St. Vincentde Paul Catholic Church inFederal Way.

Over the past ten years much ofthe Chorale's music has been acappella, a repertory that focuseson the music of the masters.They have also ventured into more popular choral selections at their spring pops programs includingfolk songs, spirituals, and medleys from musicals including Les Miserables, Phantom of the Opera,West Side Story, and Oklahoma.

SOPRANOS: Pauline Anderson, Ruthanne Baxter, Kathy Epperson, Lisa Epperson, KarenFlandreau, Tamara Fix, Kate Gould, Helena Hanna, Roberta Macdonald, Nancy Mills,Carolyn Perrone, Sheilagh Romero, Lila Scholl, Kirsten VanderHoeven, Diane Wimer

ALTOS: JoAnn Brosa, Carole Brown, Karen Burd, Christina Burnaby, Ruth Clausen, JeanDody, Teak Hoover, Wendy Lane, Barbara Lunde, Julia Miller, Suzann Miller, Jean MossMiller, Cindy Piennett, Pat Poyneer, Betsy Roberson, Sharon Stenersen, Marjorie Tarr,Carol Walker, MarIys Ward, Dot Weissman, Jan Wieder

TENORS: Don Barrows, Maurice Baxter, Mark Bonnema, Jim Burbidge, John Emlen,Greg Epperson, Andrew Miller, Jack Nelson, Freeman Seebo, Myron Swanson

BASSES: Fred Hanna, Dan Hoogen, Bob Lee, Allen Johnson, Joe Martinez, Al McEachern,Mike McKeller, Bill Mills, Ed Poyneer, Alex Ringstad, Emanuel Setiawan, Bruce Soileau,Bud Stensrud, Tom Vander Ark, Dale Villines, Phil Wamba, Phil Wenski, Bernie Wittgens

4

VIOLIN]Lynn Bartlett-Johnson

ConcertmasterYuriy Mikhlin

Stephen DanielsRebecca Lowe

Ken WrightChristine Olason

John KimRandie Sidlinger

VIOLIN IIIngrid Fredrickson

PrincipalIrwin Eisenberg

Anne CadyMartha Garrett

Kay HollingsworthPhilip NationLibby PooleJanai Fuller

VIOLAJoyce Ramee

PrincipalScott Ligocki

Andrea SchulerRuth Sereque

Eileen SwansonMichael Watson

CELJ-.,OBrian Wharton

PrincipalDave Beck

Amy WindusJackie RobbinsOlga RuvinovLeslie Marckx

BASSBen MusaPrincipal

Patrick MarckxKim Tinuviel

FLUTEAlicia Suarez

PrincipalRae Terpenning

OBOEOve Hanson

PrincipalTad Margelli

CLARINETFlorie Rothenberg

PrincipalMichael Edwards

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Maggie DugganTRUMPET

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CLARINETJacob ScherrTYMPANI

Phillip Hanson

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6

Gioachino Rossini Italian Composer 1792-1868

Rossini's output included a mind-boggling total of some thirty-nine operas of which The SilkenLadder, composed in 1812, showed his predilection for writing light-hearted works of a farcicalnature, the ever-popular Barber of Seville being a prime example of this genre. This overture startsin brisk fashion with a burst of energy from descending strings; a plaintive oboe solo follows, then afaster-paced allegro in typical Rossinian style brings this delightful piece to a happy close.

Frederick Delius English Composer 1862-1934

Delius, a relatively unknown composer outside of the British Isles, was born in England of animmigrant German family. After traveling widely, including a two-year sojourn in Florida, he finallysettled in France after studies in Leipzig. But his heart remained in England and his tone poemsdescribing the countryside in particular are indelible portraits of rural life. The cuckoo is a strangebird that winters iri North Africa before migrating to Northern Europe in the spring - also, like theAmerican cow-bird, it has the rather unfortunate habit of laying a single egg in another bird's nestwhich, when hatched, ejects the host-family's other chicks. But despite this, the cuckoo is held instrong affection because its call in the woods in spring becomes the harbinger in people's minds of thearrival of summer. This work, written in 1912, is dreamily evocative of a quiet woodland where thecuckoo's call is recreated in musical terms by the clarinet while the strings provide an atmosphere ofutmost peace and tranquillity. In later years, as blindness set in, Delius was forced to dictate the musicin his mind, note by note, to an amanuensis.

Joaquin Rodrigo Spanish Composer 1901-1999

Rodrigo also suffered from blindness although his affliction was from birth. Just as Delius' musicis quintessentially English so is Rodrigo's the heart and soul of Spain. No wonder then that heshould have written so abundantly for the guitar, this Concierto de Aranjuez being the most popularand beloved around the world. The concerto is in three movements, the first beginning with a solostrumming effect that introduces the principal theme and taken over later by the orchestra (theensemble is relatively small, befitting the need for not overwhelming the relatively small sound ofthe solo instrument). There follows a series of musical conversations as the guitar weaves its way inand around the wind instruments while the strings often provide the folk-like rhythms of Valencia, thecomposer's birthplace. A gentle strumming figure also introduces the second movement but this is justan accompaniment to a beautiful melody played by the English Horn (which in fact is an alto oboe!).The guitar then restates this theme while embellishing many single notes with a faster pattern sotypical of the instrument. A cadenza leads to a passage reminiscent of flamenco and its sustained clapsand finger-snapping, but calm returns at the end to close this extraordinary portrait of Spanish art andmusic. The third movement is once again started by the guitarist but soon the orchestra joins in thisfestive dance of sometimes quirky rhythms. This remarkable concerto ends just as quietly as it began.

George Frederic Handel German Composer 1685-1759

Handel, although German by birth, virtually adopted the British because of their love for his music,oming the nation's pre-eminent composer. Many of his operas and oratorios were written in

English and even his most famous work, The Messiah, was first performed in Dublin. He was afavorite of King George I and was commissioned by a courtier to write music for a royal party,

eluding the musicians, that would sail on barges down the Thames, hence the title "Water Music".andel's music was such an instant success that it had to be played three times - of interest is not thesual ensemble of strings, oboes, trumpets and drums, but the prominence of French Horns whichad just been introduced from Europe and were new to the large audience which accompanied the

King on a flotilla of other boats.

The Coronation of George II took place in Westminster Abbey in 1727, the music being entrustedo Handel who, happily and appropriately, had just become an English citizen. The two anthems to

performed today show how easily Handel was able to write in his newly-adopted tongue - thefluidity ofthe musical lines as also a sense of occasion have resulted in these pieces being so highly

rized by choirs and praised by musicologists as masterpieces of their time. "Zadok the Priest" is therst to be heard and relates the story from the Bible of Solomon's annointment as King.

The Arrival of the Queen of Sheba is a wonderful vignette extracted from the opera Solomon andincludes oboes as well as the usual strings -one wonders if this famous Queen was indeed present atolomon's annointment - if so, a happy coincidence that joins these two works together on the same

"The King shall rejoice" is the most substantial of these Coronation Anthems and comes in fourrts, the opening song being followed by "Exceedingly glad shall he be", "Glory and worship has

- ou laid" and finally "Alleluja". Handel certainly loved his allelujasl

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7

AUBURN SYMPHONY CD's

Great memories! Great gifts!

Four Auburn Symphony CD's - $10 each

AUBURN SYMPHONYORCHESTRA

STEWARTKERsHAW

TlW:EV CONWAYFEoUAL WAY (){ORALE

Classically YoursOur latest disk from last season with Peter and the Wolf, plusFinlandia and Ave Verum Corpus with the Federal Way Chorale.

Auburn Symphony in Concert 2002Selections from our February and April, 2002 concerts-Dvorak'sCarnival Overture, Stravinsky's Petrouchka, Bizet's Gypsy Dancefrom "Carmen", 'and Respighi's Pines of Rome.

The Majesty of Great MusicConcert recordings from 1999 and 2000 featuring music fromWest Side Story, the Overture to The Barber of Seville, DeFalla'sDances from "The Three-Cornered Hat", and music of Wagnerand Bizet.

L'Amoreux de I'OrgueA 1996 recording of organ music with organ soloist,David Di Fiore-the music of Poulenc, Franck, Vierne, Gounod,and Guilmant.

8

Music Director & ConductorStewart Kershaw

Board of DirectorsDr. Barbara Gehrett, PresidentTina Robinson, Treasurer

Rev. Bill AndrewsLeila BoothMichael HartPeggy HimesJoyce PelozaLouise TorgersonRuth Van Amburg

Advisors

Stacey BuffoCathi ChampionKarla FlygareStewart KershawLynn NormanKate SmithGail Spurrell

Nancy Colson, Vice PresidentCindy Garneau, Secretary

Jim BlanchardLinda ElliottAndy HeckrothDolores KyleTanya RottleRalph Vacca

Guild

Ginny AndrewsJo DrollingerKaren HassenHelen NormanMoile SteigerEffie Weeks

Markey BoeckelDr. Mark FlaneryHoward HimesBecky MillerGertrude SprengerLee Valenta

Sharon CochranAnn EastmanAngie NonnanLee ParksAshley ThordarsonDiane Whipple

Thank you so much to all the symphony volunteers

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Thank you to all of our friends who have contributed to theAuburn Symphony since January 1, 2003.

Dan & Emily KozieBill & Dolores KyleSheryl LambertonSue LantzBan & Gail La RoccaCarol LindenmeyerWarren LucasMaestro MotorsTad MargelliVicki McMullinJan McgrawGary & Becky MillerBonnie & Dennis MontgomeryPaul & Laura MuellerJennifer NelsonRob & Marlene O'KellLester & Peggy OlsonGeorge OramDiane ParkerLori & Geoff PatrickBill & Joyce PelozaSusan ProfitPam SalsmanSouth Sound InsuranceGail & Bob SpurrellJim & Dorothy StowJohn & Barbara SutherlandCharles & Rae TerpenningGordon & Dana TurcottBetty VaughanRoger & June WhitsonRay & Frances Wilkinson

Conductor'S Circle (S5,OOO+)The Boeing Company

[uckleshoot Indian Tribe_ luhiCare Health System

Orchestra Circle ($2,500 - $4,999)AnonymousAuburn A rts CommissionCitigroup FoundationCultural Development AuthoritylKing County

tewart KershawPuget Sound EnergyJim & Tanya Rottle

oroptimists International/Auburn ChapterGenie SprengerFrank & Beverly WarnkeWashington State Arts Commission

Patrons (SI,OOO - $2,499)· nsFundBreastlUltrasound Diagnostic Center

Dr. Irwin Schiller_.ancy ColsonDr Brian & Joyce CrainHoward & Peggy Himes:' obe FoundationFrank & Jeanne Rasmussen

otary Club of AuburnDr Arthur and Louise Torgerson

Benefactors ($500 - S999)AnonymousBIll & Ginny AndrewsDr Herman & Yoka Ansingh_.ancy Chapman· nn Eastman

- 111 memory of Margaret SchraderLeonard & Linda Ell iottDr and Mrs. Mark FlaneryDr & Mrs. Gordon GreenmanEarl & Bonnie HagenKathrine HansenAllan & Karlene Hill• 'EADr Ted & Peggy LeonardDan & Lynn NormanL~nne Palmer- in honor of Rae Terpenni ng

Gary & Sue Reesegale Business Park

ohn & Kate Smithames & Linda Sprenger

TImberland Bank

Contributors ($250 - $499)_arricia Ames

on & Margaret Douglasshard & Cindy Garneau

- therine Gribbleargaret Hansen

Hefley & James Leigh" I. hael & Alice Horilan Keimig

Lunde

Dr. Bruce & Julie MolenFred & Rita PoeJB. & Diane RupertFrank & Geri ShaughnessyValley RadiologistsDr. Bruce & Donna Wandler

Friends (to $249)Don & Sonna AlexanderBetty AlexanderClayton & Barbara AndersonHilda AndersonDon & Lucille BarrowsJanice Berk NelsonJoseph BielWalt & Judy BishopMarkey BoeckelTrish Borden & Lee ValentaStacey BuffoMary T & William G BushBetty CannonCarolyn Carlson & Ed DeePaul & Becky CaspersonSven & Jean CaspersonFrank & Denise CatalanoCharlie & Kathy ClarkeCommerce Bank of WashingtonLinda Cowan & Sterling KuhlmanTim & Ladrene CoyneJames & Marilyn CreightonMr. & Mrs. Downey Cunninghan Jr.Cam & Candy CutlerPaul DodsworthJo DrollingerJean EdbergLisa Elliott- in honor of Linda Elliott

David T English, M.D.Ken EricksonDick & Shirley FalkDr. William FallonDr. Paul and Lila FergRobert & Kay FilsonDorothy FinleyMitchel & Pat FritschleDorothy GibersonPaul & Donna GlasoeDr. Marc GrahamDr. Ralph & Lavonne GuentherDrs. Eugene & Rena HamburgerMike & Donna HamiltonHilda HammonHazel Hardiman & John GilbertHeidi HaysAndy & Terri HeckrothJohn & Joy HedalWayne HeissermanAlayne & Jack HudspethScott & Kim HytrekCandace JacobsenRichard & Virginia JohnsonElizabeth Koehne

13

The Auburn Symphony also offers special thanks10 everyone that generously conlributed 10 oursuccessful "From Bach 10 Broadway" gala:

Advocates, Inc.Bill & Ginny AndrewsAnn & Anne Flowers, Ltd.Auburn Anesthesia AssociatesThe Boeing CompanyClear Channel EntertinrnentCook's Gold CoffeeLen & Linda ElliottFederal Way ChoraleFlygare & AssociatesKarla FlygareStewan KershawAmy NikatainiOlympic Child Development CenterPacific Northwest BalletBill & Joyce PelozaFred & Rita PoePonti Seafood GrillJim & Tanya RottleSuperior InsuranceTwin Lakes Golf & Country ClubFrank & Bev Warnke

On a related note, congratulations toChariie & Katherine Clarke, winners offour ticket to Pacific Northwest Ballet's"A Midsummer Nights Dream" anddinner with the conductor!

Gertie SprengerJim & Linda SprengerDr. Arthur & Louise Torgerson

Frank & Bev WarnkeSally Wenzel

TI pharos ou see displayed in the lobby are a tribute to individuals and groups who have chosen to join ourInstrument Society. In an effort to forge a connection between our supporters and the product they support,the Instrument Society is a way to contribute to the Auburn Symphony and express appreciation for itsextraordinary music. Members commit to a one-year sponsorship of a musician or instrument at $1500 and mayrenew if they choose.

Some people are moved by a childhood memory of playing an instrument or the memory of a friend or familymember who played or appreciated a particular instrument. Others just like the sound of the instrument, and stillothers see this as a unique way to say thank you for having such great music so accessible to us.

We salute the current members of the Instrument Society whose generosity makes it a little easier for us tosupport this great orchestra.

Nancy ColsonDrs. Joseph & Barbara GehrettJim & Tanya RottleSoroptimists, Int' l./Auburn

Please consider this unique way of supporting the Auburn Symphony.

For more information call Tanya Rottle at 253.939.2429 or the Symphony office at 253.939.8509.

PAYMENTo I am paying S by check (enclosed) made

payable to the Auburn Symphony Orchestra.Name 0 Please charge S to my: _VISA

MASTERCARD

Yes! I want to support the future of the AuburnSymphony and great music in our community!

Address _

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o to $249 FriendConductor'S Circle

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14

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