BUDDHIST MONASTRATIES.ppt
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Transcript of BUDDHIST MONASTRATIES.ppt
7/21/2019 BUDDHIST MONASTRATIES.ppt
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RELIGIOUS BUDDHISTARCHITECTURE.
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RELIGIOUS BUDDHISTARCHITECTURE.
BUDDHIST ARCHITECTURE The major features of this style are Stupas,
Stambas, Chaitayas, Viharas or Monastries.
The primitie Buddhism reje!te" a#y form of ima$e%orship&'ut represe#te" Bu""ha 'y mea#s ofsym'ols li(e Stupa , Bhodhi tree indicatingenlightment, hee! o" #a$ as first sermon as wellas corporeal vehicle of Buddha and his %ootprints.
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BUDDHIST STU)AS
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S&MB'#ISM A(D STRUCTURA# %U(CTI'(. Stupas are the !ir!ular tumuli 'uilt of earth.
)la#&eleatio# a#" se!tio# a#" total form "erie" from!ir!le* the most po%erful ar!hite!tural form ofBu""hism.
The te!to#i! !ompositio# !omprisi#$ The Dome of thestupa (or the anda ) The S)uare Rai!in* at the
!ro%# ( or the Harmaika )a#" The Three TierUmbre!!a +or chhatra )hae i# !ourse of time 'ee#i#este" %ith arious ela'orate $eoma#ti!& theolo$i!ala#" philosophi!al mea#i#$s.
BUDDHIST STU)AS
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The stupa,surrounded by Vedica withatewa s four cardinal oints
Staggered gateway
to Pradikshna Path
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The plan of pradikshna pathatthe $rou#" leel is rea"to 'e a swastik a#" pre$#a#t %ith the symbolism ofancient social cults.
The Harmi+a And Chhatra are a styli,e" visualdepictions of the famous Bhodhi tree surrou#"e" 'y thes!are" Vedi+a 'r Rai!in*.
The Torana& ere!te" after the raili#$ %as !omplete"some feet a%ay from raili#$.
The lo!atio# of its entran+e %as straggered from theope#i#$ i# the raili#$s to e#sure pria!y for the pil$rimpra"(ishi#apath.
BUDDHIST STU)AS
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Northern Gateway,Great Stupa Sopana(Stairs), Great
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Vedica.
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BUDDHIST )AGODAS
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BUDDHIST )AGODAS
A a*oda is the $e#eral term i# the E#$lish la#$ua$e fora tiered tower %ith multiple eaes !ommo# i# Chi#a&-apa#& orea& /epal a#" other parts of Asia.
Bu""hist )a$o"as %ere ofte# located in or near temples.
The mo"er# pa$o"a is a# eolutio# !omprisi#$ of a tom'*li(e stru!ture %here sa!re" reli!s !oul" 'e (ept safe a#"e#erate".
The ar!hite!tural stru!ture of the stupa has sprea" a!rossAsia& ta(i#$ o# ma#y "ierse forms as "etails spe!ifi! to"iffere#t re$io#s are i#!orporate" i#to the oerall "esi$#.
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a*odas attra!t li$ht#i#$ stri(es 'e!ause of theirheight . This te#"e#!y may hae playe" a role i# theirper!eptio# as spiritually !har$e" pla!es.
0a#y pa$o"as hae a "e!orate" %inia! at the top of thestru!ture. The fi#ial is "esi$#e" i# su!h a %ay as to haesym'oli! mea#i#$ %ithi# Bu""hism1 for e2ample& it mayi#!lu"e "esi$#s represe#ti#$ a lotus.
The %inia! also fu#!tio#s as a lightning rod & a#" thushelps to 'oth attra!t li$ht#i#$ a#" prote!t the pa$o"afrom li$ht#i#$ "ama$e.
BUDDHIST )AGODAS
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n !uangPagoda
The "apanese PagodaNepalese Pagoda
pagoda at Sibu,
Sarawak, #alaysia
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BUDDHIST 0O/ASTRATIES
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BUDDHIST 0O/ASTRATIES
The other ar!hite!tural formatio# i# ro!( !ut ar!hite!ture%as the mo#astery proper& %hi!h is a# arrangement ofapartment for the accommodation of the mo#(s& (#o%#as a Vihara( Monastraties ).
Vihara* A typi!al 3ihara !o#siste" of a square central hall
e#tere" 'y a door way & i# fro#t of %hi!h %as avestibule, veranda, or portico.
Out of the !e#tral hall "oor %ays ope# i#to square cells !arrie" still further i#to the ro!(& ea!h of %hi!h %as thea'o"e of o#e of the 'rotherhoo".
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The hemispherical Stupa %as a $eometri!al!rystalli,atio# of the ru"ime#tary mou#" of earthemi#e#tly suita'le for the ritual of e#"less!ir!umam'ulatio#.
The style of ar!hite!ture employe" i# the ro!( !utmo#asteries %as of a ery significant and evocativecharacter.
It too( the form of repro"u!tio#s& as far as the u#usual!o#"itio#s a"mitte"& of e2isti#$ stru!tural ori$i#als& the$e#eral shape of su!h %oo"e# 'uil"i#$s as %ell as eery"etail& ee# to the joi#ts a#" faste#i#$s of the !arpe#try!o#stru!tio#s& 'ei#$ e2a!tly imitated in the naturalrock.
BUDDHIST 0O/ASTRATIES