BROADCAST CATALOGUE

BROADCAST CATALOGUE

2021

INDEX

CALREC.........................................................................................................4 - 5

SHURE.......................................................................................................6 - 28

AVID...........................................................................................................29 - 36

TASCAM..............................................................................................37 - 47

JBL.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48-49

SOUNDCRAFT.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50-53

We are privileged to distribute a vast range of high quality Audio-related brands which specifically cater for the Broadcast market.

As a result, Wild & Marr is ideally positioned to provide the most innovative and complex technical solutions to our clients in this market space.

We pride ourselves on being able to integrate the skills and expertise acquired from our other market sectors, to complement the Broadcast industry, and in turn provide us with a key competitive edge.

https://www.facebook.com/WildandMarr/

https://twitter.com/WildandMarr

https://wildandmarr.co.za

https://www.instagram.com/wildandmarr/

https://www.linkedin.com/company/wild-and-marr/

5

TYPE RModular, Expandable, IP-based Radio System

Type R is a modular, expandable, IP-based radio system from Calrec Audio. It utilises standard networking hardware and soft panels which can be tailored to operator needs.

With a simple 2U core with integrated I/O resources, a single core can power up to three independent mixing environments. Whether used as independent studio consoles, microphone processors or utility mixing, the ability to use multiple mixing engines combined with the flexibility of the AES67 compatible network, provide all the power you will ever need.

The rise of streaming services and increased competition for the attention of listeners is forcing the radio market to look for innovative ways to engage with their audiences. Modern radio stations are finding that they need to operate in a multitude of ways to connect with different target audiences.

BRIOAudio mixing Console

Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for.

Brio36 is 892mm wide with a 36 dual-layer fader surface, while Brio12 is only 484mm with with standard trims, and just 430mm with Calrec’s slim trim option. Additional expansion I/O slots are fitted, while the Brio36 also has I/O built directly into the rear of the console.

With lots of delay resource, dynamics, integrated talkback, and multiple monitor outputs, Brio is broadcast-ready with no compromise or workarounds.

QUARRA PTP 10G10 Gbps Ethernet Switch

Artel’s Quarra range of IP PTP switches is designed for Carrier Class applications where accurate timing and control is required. These switches are aimed at the professional markets of Audio/Video Broadcast, Defense & Security, Finance, Utilities, Telecom, and Enterprise IT.

The Quarra switches are designed as either a standard 1RU rackmount unit with dual power supplies, or a half-width1RU unit with a single power supply, the switches are available in several configurations of 1 Gigabit and 10 Gigabit interfaces, supporting a best-in-class layer 2 IEEE 1588v2 algorithm. A 1pps external reference input from GPS is included as standard, and options include an internal layer 1 Synchronous Ethernet module.

The Quarra switches support SMPTE Standards-based Timing ST 2110-10 and ST 2059-2 and are RAVENNA AES67 approved. The Quarra switches also support IGMP v2/3, QoS, protection switching, VLAN, MEF service delivery and network OAM.

WIRELESS SYSTEMS

7

For professional productions that demand flawless execution, Axient Digital® offers unprecedented signal stability and audio clarity, plus flexible hardware options, advanced connectivity, and comprehensive control.

• Available Transmitter Form factors: Bodypack, Handheld• Operating range (up to): 100 m (Under typical conditions)• Up to 184 MHz tuning bandwidth across all receivers and transmitters

AXIENT DIGITALDigital Wireless Systems

AD4QFour-Channel Digital Wireless Receiver

• Works with Axient® Digital Wireless Systems• Features Quadversity™ mode for extended antenna

coverage, switchable XLR and AES3 outputs, and all capabilities of the AD4D Two-Channel Digital Receiver

• Available with or without accessories• Wide tuning range up to 184 MHz

AD4DTwo-Channel Digital Wireless Receiver

• Automatic Transmitter Setup instantly syncs the transmitter to the receiver frequency

• LED indicator for control lockout, IR RF sync, low battery indicator

• Powered by 2AA batteries • SM58 or VP68 microphone capsule options

AD1Body Transmitter

• Two transmission modes: Standard for optimal coverage and new High Density for maximum system channel count and robust coverage

• Encryption-enabled, secure transmission• Two connector options: TA4 and LEMO3• Detachable ¼-wave antenna

ADX1Body Transmitter

• Removable antenna and fully concealed buttons and switch

• Two connector options: TA4 and LEMO3• Advanced control menu with powerful features• Durable, moisture-resistant, lightweight metal case• Up to 10 hours of runtime with SB910 rechargeable

battery

8

ADX1MMicro Bodypack Transmitter

• Small and streamlined design for better concealment and wear (68mm × 60mm × 18mm)

• High-contrast OLED display• Diversity ShowLink enabled for remote transmitter

control and automatic interference avoidance• Patent-pending internal adaptive antenna for optimised

signal when ADX1M is worn against the body

AD2/KSM8Handheld Wireless Microphone Transmitter

• Works with Axient® Digital Wireless Systems• Offers more than 11 hours of continuous battery life

with Shure lithium-ion rechargeable batteries or 8 hours with AA batteries at 10 mW

• Two transmission modes: Standard for optimal coverage and new High Density for maximum system channel count and robust coverage

• Also availible with KSM, BETA, SM and VP68 capsules

• Ability to transmit RF signal on two discrete carriers• Optional 50mW High Power mode for driving increased

power on a single frequency• Durable, moisture-resistant, lightweight metal case

in black or nickel finish• Also availible with KSM, BETA and SM capsules

ADX2/K8Handheld Wireless Microphone Transmitter

• Durable, moisture-resistant, lightweight metal case in black or nickel finish

• Up to 9 hours of runtime with SB920 rechargeable battery

• External contacts for docked charging with optional fully covered radome

• Also availible with KSM, BETA and SM capsules

Large conference and convention installations come with unique wireless challenges. A campus-wide solution, ULX-D® Digital Wireless is secure, scalable, and durable. From managing diverse sound sources to protecting RF from smartphones and other stray signals, the intelligent system solves wireless problems of all sizes.

From lecture halls to houses of worship to performance venues, SLX-D delivers transparent, 24-bit digital audio and rock solid RF performance with easy setup and rechargeability options in a suite of versatile wireless system configurations. Featuring single half-rack and dual full-rack receiver options, handheld and bodypack transmitters and a wide selection of vocal, lavalier, headset and instrument microphone system configurations.

ADX2FD/KHandheld Wireless Microphone Transmitter

ULX-DWireless Systems

SLX-DDigital Wireless System

LAVALIER & HEADWORN MICROPHONES

WL93Miniature Lavalier Microphone

• Subminiature lavalier design; ideal size for theater, television broadcasting, video, film, and sound reinforcement

• Small, inconspicuous mounting hardware• Full, clear sound comparable to larger microphones• Controlled low-frequency rolloff reduces low-frequency

clothing and room noise

10

WCE6Earset Microphone

• Smallest, lightest, most comfortable microphone of its kind

• User-friendly for new and experienced users alike• Excellent for singing and spoken word applications• Extremely popular in houses of worship, theater and

broadcast settings

MX153Earset Headworn Microphone

• Subminiature, omnidirectional cartridge offers superior speech clarity and enhanced plosive protection with no proximity effect

• Terminated with TQG/TA4F connector for direct connectivity to Shure wireless bodypack transmitters

• Ultra-lightweight, comfortable, flexible design is stable and easy to place over either ear

WL183Omnidirectional Tqg Lavalier Microphone

• Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum

• Interchangeable cartridges that provide an optimal choice for each application

• Rotatable tie-clip that pivots in 90 degree increments for placement flexibility

MX150Subminiature Lavalier Microphone

• CommShield® Technology guards against interference from cellular RF devices and digital bodypack transmitters

• Matte Black, sleek, low-profile design for inconspicuous placement

• Multi-position tie clip allows for a variety of placement options and features an integrated cable management system for convenient cable dress with minimized handling noise

SM35Performance headset condenser microphone

• Wireframe headset fits securely and comfortably for active performers and multi-instrumentalists

• Tight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors

• Flexible gooseneck design allows for optimized placement that further improves source isolation

11

TL45Twinplex Subminiature Lavalier Microphone

• The TL45 is ideal for use in theater settings• Twice the surface area of other subminiature microphones

for pristine, natural response and robust low-frequency response due to the patent pending dual-diaphragm design

• Improved off-axis consistency yields accurate reproduction regardless of vocal source position or movement


• The TL46 is ideal for a variety of theater, film, broadcast, and live TV applications when additional output (8-10dB) is required

• Twice the surface area of other subminiature microphones for pristine, natural response and robust low-frequency response due to the patent pending dual-diaphragm design



• With a variety of colors and connectors, the TL47 is ideal for nearly any application




• With a paintable, fixed frequency cap and mid-band boost that accentuates dialogue, the TL48 is ideal for film and TV applications

• Improved off-axis consistency, due to the patent pending dual-diaphragm design, yields accurate reproduction regardless of vocal source position or movement

TH53Twinplex Subminiature Headset Microphone

• Comfortable, lightweight, and fully adjustable headset for use in theater, broadcast, and speech applications

• Innovative clutch system allows for fast boom arm length and pitch adjustment


DL4DuraPlex Omnidirectional Waterproof Subminiature Microphone

• 5 mm omnidirectional subminiature design for discrete placement and improved gain-before-feedback

• IP57 dust-resistant, waterproof rated • Neutral, full sound quality for film, broadcast, speech,

theater, and performance applications

BROADCAST MICROPHONES

13

VP88Stereo Microphone

• Frequency Range: 40 Hz to 20 kHz• Time-coherent, Mid-Side (M-S) design for optimal

stereo imaging• Built-in stereo matrix for direct control of the stereo

spread; direct M-S outputs available• Mono compatibility ideal for broadcast applications

SM63Dynamic Microphone

• High output, low impedance• 80 to 20,000 Hz frequency response tailored for optimum

speech intelligibility• Low-frequency roll off and built-in shock mount for

reduced pickup of handling noise and stand vibration• Humbucking coil for virtual immunity to strong electromagnetic hum fields

VP64Four-Channel Digital Wireless Receiver

• Frequency Range: 50 Hz to 12 kHz• Neodymium magnet for increased output and maximized

signal-to-noise ratio• Tailored frequency response with mid-range presence

rise for optimum speech clarity• Omnidirectional polar pattern eliminates need for

critical microphone positioning

FP33Stereo ENG Mixer

• Exceptionally quiet design, suitable for use with DAT and other digital formats

• Transformer balanced inputs and outputs for superior rejection of RFI and electromagnetic hum

• Three selectable mic/line inputs• Two selectable mic/line outputs

SHOTGUN MICROPHONES & ACCESSORIES

A89SW-SFTSoftie Windshield

Developed by Shure with Rycote, the A89SW-SFT Softie Windshield is a slip-on open-cell foam windshield with integral fur cover designed especially for the VP89S and VP82 End-Address Shotgun Condenser Microphones.

A89SWRycote Replacement Foam Windscreen

Foam windscreen replaces a VP89S or VP82 Microphone windscreen.

15

A89SW-KIT Windshield Kit

Developed by Shure with Rycote, the A89SW-KIT Windshield Kit is the broadcast and media production professionals’ choice when maximum isolation from wind and handling noise is required. Works with VP89S and VP82 End-Address Shotgun Condenser Microphones. Kit includes suspension, windshield, and windjammer.

A89LM-BADouble Lyre Boom Mount Adapter

Boom mount adapter secures a VP89L End-Address Shotgun Condenser Microphone to a boom pole. Features include Lyre technology for excellent isolation against handling noise and a soft-feel grip to prevent the microphone from twisting or slipping.

VP89S/M/LPremium Modular Shotgun Microphone

• Modular design with reduced visual appearance and easy handling (camera- or boom-mounted)

• Premium preamplifier design with RF immunity• Internal low-frequency roll-off• Recessed low-cut filter switch for additional control

Superior Shure design and rugged, roadworthy construction

• Also availible: VP89M, VP89L Shotgun Mics

VP82Short Shotgun Microphone For Semi-Professional Applications

• Shure-quality sound• Fixed tube with reduced visual appearance and easy

handling (camera- or boom-mounted)• For near-field sound sources• Natural off-axis rejection• Economical choice with small footprint – compact

and light-weight

16

A89M-CCLyre Mount With Cca

Lyre mount fits into a standard camera clamp and works with VP89S and VP89M Microphones.

A89M-SHShoe Mount

Shoe mount provides isolation against handling noise for VP89S and VP89M End-Address Shotgun Condenser Microphones. The mount features a soft-feel grip in the clip to prevent the microphone from twisting or slipping.

A89M-PGPistol Grip Mount

Pistol grip mount provides isolation against handling noise for VP89S and VP89M End-Address Shotgun Condenser Microphones. The mount features a soft-feel grip in the clip to prevent the microphone from twisting or slipping.

STUDIO VOICEOVER MICROPHONES

18

SM7BStudio Microphone

• Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech

• Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting

• Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors

KSM44ALarge Diaphragm Multi-Pattern Condenser Microphone

• Dual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar® diaphragms provide superior transient response

• Multiple polar patterns: cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of applications

KSM42Large Dual-Diaphragm Microphone

• Highly consistent cardioid polar pattern creates a broad “sweet spot” and natural off-axis response

• Prethos™Advanced Preamplifier Technology exhibits extremely low self-noise with superior dynamic range, transient response and ultra-low distortion for transparent recording

• Dual-diaphragm design with an active front, ultra thin (2.5 micron) 24-karat gold, low mass, 1-inch Mylar® diaphragm

MV7Podcast Microphone

Inspired by the legendary SM7B. For professional recording and streaming at home or in the studio with both USB and XLR outputs.

SM57 WITH A2WSDynamic Instrument Microphone with Locking Microphone Windscreen

For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house and with the A2WS unwanted breath and wind noise are reduced.

MV88+ VIDEO KITMV88+ Video Kit

Digital Stereo condenser microphone replaces field recorders with the ability to record audio on the go onto an iOS device. Features include 5 preloaded DSP settings, Lightning Connector compatibility, and iOS ShurePlus MOTIV app editing.

KSM MICROPHONES

KSM9Condenser Vocal Microphone

• Dual gold layered, low-mass Mylar® diaphragm design• Switchable polar patterns (supercardioid and cardioid)• Advanced suspension shock mount• Premium electronic components including Class A

transformerless preamplifier circuitry

20

KSM313Dual-Voice Ribbon Microphone

• Bi-directional polar pattern delivers premier audio with superior off-axis rejection

• True Dual-Voice tuned specifically for user’s for choice of response - warm and full for amplifiers, or swivel for bright and flattering vocals

KSM32Cardioid Condenser Microphone (Charcoal Or Champagne)

• Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.

• Embossed, high-compliance diaphragm provides extended low-frequency response. Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response

KSM353Ribbon Microphone

• Bi-directional polar pattern delivers premier, completely symmetrical audio with superior off-axis rejection

• Revolutionary Roswellite™ proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness and shape memory that provides superior resilience at extreme SPLs

KSM141Dual Pattern Instrument Microphone

• A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording

applications• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass

Mylar® diaphragm for superior transient responsen

KSM137Cardioid Instrument Microphone

• A highly consistent cardioid polar pattern• Ultra-thin, 2.5 micron, 24 karat gold-layered, low

mass Mylar® diaphragm for superior transient response• Class A, discrete, transformerless preamplifier for

transparency, extremely fast transient response, no crossover distortion, and minimal harmonic distortion

PERSONAL MONITOR SYTEMS

22

PSM 1000In-Ear Personal Monitoring System

• Twin-antenna diversity bodypack receivers with advanced digital signal processing technology dramatically improve signal reception and increase range

• Full-rack, dual-channel wireless transmitter in an all-metal chassis provides touring-grade performance

• Networked control via Ethernet connection vastly simplifies setup for high channel counts and enables remote control via Wireless Workbench software

• Internal power supply with IEC in/out ports enables easy power chaining in the rack

PSM 300Stereo Personal Monitor System

• Send two channels of audio wirelessly to performers onstage

• 24-bit digital audio processing provides clear, detailed sound

• Patented Audio Reference Companding sounds more like wired

• Up to 90 dB signal-to-noise ratio • Exceptionally wide stereo separation• Solid analogue RF connection over a 90 meter range

PSM 900In-Ear Personal Monitoring System

• Bodypack receivers with advanced digital signal processing technology deliver more headroom, improved stereo separation, and higher audio fidelity

• Patented Audio Reference Companding offers natural and transparent sound

• Available with Shure SE425 Sound Isolating™ earphones featuring dual high-definition MicroDrivers for accurate and balanced audio response

• P9RA+ bodypack receivers offer enhanced signal reception and range

BROADCAST HEADSETS

24

BRH441MSingle-Sided Intercom Headset

• Single-side circumaural ear cup provides superior isolation from background noise, leaving one ear open to the surrounding environment

• Dynamic microphone delivers natural, highly intelligible vocal reproduction with cardioid polar pattern and frequency response optimized for communication in loud environments

• Ergonomic, adjustable headband with premium padding and optimal coupling force for long wearing comfort

BRH31MSingle-Sided Broadcast Headset

• Closed-back, supra-aural design in an ultra-lightweight construction


• Adjustable headband with cushioned temple pad for comfortable, ergonomic fit

BRH440MDual-Sided Intercom Headset

• Closed-back, circumaural design provides superior isolation from background noise


• Ergonomic, adjustable headband with premium padding and optimal coupling force for long wearing comfort

BRH50MDual-Sided Broadcast Headset

• Closed-back, supra-aural earcups with low-profile, on-camera design

• High performance dynamic microphone with cardioid polar pattern and frequency response delivers natural, intelligible voice reproduction optimized for on-air broadcast

• Fully adjustable headband

EARPHONES & HEADPHONES

SRH840Professional Monitoring Headphones

• Precisely tailored frequency response delivers rich bass, clear mid-range and extended highs

• Adjustable padded headband and ear cups for a comfortable listening experience

• Closed-back, circumaural design to help block out ambient noise

SRH1440Professional Open Back Headphones

• Open back circumaural design promotes natural audio response

• Impedance optimised for connectivity to most portable audio devices

• Oxygen free copper cable (OFC) with reinforced jacket for performance and durability

26

SRH940Professional Reference Headphones

• Accurate frequency response delivers smooth high-end extension with tight bass, and superior transient response for minimal distortion

• Detachable coiled and straight cables• Lightweight design and velour ear pads for hours of

unimpeded listening• Closed-back, collapsible, circumaural design

SRH1840Professional Open Back Headphones

• High audio quality from individually matched drivers• Open-back circumaural design• Dual-exit MMCX detachable straight cable• Includes threaded 3.5 mm gold-plated adapter, replacement velour ear pads, 2 cables, hard zippered case

SRH440Professional Studio Headphone

• Enhanced frequency response delivers accurate audio across an extended range

• Collapsible design for convenience• Impedance, power handling and sensitivity optimised

for professional and personal audio devices• Cable secured to ear cup by bayonet clip for a reliable

connection

SRH240AProfessional Quality Headphones

• Wide frequency range that delivers full bass, clear mids and highs

• Suitable for use with almost all professional and personal audio equipment

• Closed-back design to minimise sound leakage and ensure sound isolation

27

SE425Sound Isolating™ Earphones

• Dual high-definition drivers (dedicated tweeter and woofer) deliver accurate and natural sound in a convenient and portable package.

• Detachable cable system enables multiple connectivity options for long-term device compatibility, upgrades, and ease of maintenance.


• Four high-definition drivers for extended high-end clarity and a groundbreaking low-pass filter for true subwoofer performance in a convenient and portable package.

• Groundbreaking low-pass filter provides the previously unattainable deep low-end performance of a true subwoofer—without sacrificing clarity or detail


• Triple high-definition drivers deliver spacious sound and rich bass for cinematic audio in a convenient and portable package.

• Detachable cable system enables multiple connectivity options for long-term device compatibility,

upgrades, and ease of maintenance.• Sound Isolating design blocks up to 37 dB of outside

noise for immersive listening no matter where you are.


• Professional model comes in clear with a standard 3.5 mm cable.

• Single Dynamic Driver produces great sound in a convenient and portable package.

• Sound Isolating design blocks up to 37 dB of outside noise for immersive listening no matter where you are.

WIRELESS WORKBENCH® 6

Wireless Workbench offers total control of networked Shure Systems to provide an interface to manage every facet of a performance. Includes savable parameters, Shure scanning hardware, detailed visibility of spectrum, and Coordination Workspace.

• Automatic discovery of networked Shure devices• Profiles for select third-party wireless devices included• Label, organize, and configure device parameters• Configure multiple wireless devices at once with batch edits

28

SHUREPLUS™ PLAYMobile Listening App

The ShurePlus™ PLAY app allows you to customize your noise cancellation and Environment Mode levels. Free to download for iOS and Android.

SHUREPLUS MOTIV™MOTIV™ Mobile Recording App

ShurePlus MOTIV mobile recording app offers recording, monitoring, and control with all Shure MOTIV Digital Microphones and recording solutions. Include metering, equalization, and compression, wind noise reduction, improved UI, and a new editor.

PRO MIXING

29

PRO TOOLS | CONTROL

Work With Your Favorite SoftwareSpeed up audio mixing tasks, whether you make music, edit video, or create sound for picture. Pro Tools | Control lets you wirelessly control a variety of audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and more. You can even use it to extend your workflow across other Avid control surfaces. All you need is Wi-Fi.

Take Full Touch ControlSimply download the app on your iPad Air or iPad mini, install EuControl software on your computer, and launch your audio or video software. Then tap, swipe, slide, and drag your way through a variety of application functions and parameters—from adjusting levels, pan, and mute settings, to controlling monitoring and triggering transport controls and automation modes

Get A Birds-Eye View Of Your ProjectIn Tracks view, you can quickly see an overview of your entire mix, 40 tracks at a time. Not only does Pro Tools | Control display the track’s name and number, but also its active metering, current input monitor, record, mute, and solo status. Plus, each track provides a level meter too.

PRO TOOLS | DOCK

Mix With Speed And PrecisionMixing can be tedious with a keyboard and mouse alone. Or lacking in tactile feedback with just a touchscreen. With the combination of touchscreen, fader, knob, and switch control, you gain incomparable navigation speed and tactile precision to create better sounding mixes faster. Jump to any track or section with a touch. Create custom macros to perform complex tasks instantly. And mix with your ears—not your eyes—with ergonomic controls you can feel at your fingers.

Expand Your VersatilityForget limiting yourself to a single application, workflow, or industry. With the Pro Tools | Dock and your iPad, you can boost your creative opportunities. Work with multiple software tools in parallel instead of porting projects. Get extensive audio, video, and monitoring software integration and control from the surface. Take control of DAWs and video editing applications to mix music or audio post projects. And powerfully extend the capabilities of Pro Tools | S3. All from a single integrated control surface.

Work With Your Favorite Creative ToolsExperience the deepest level of integration and control with Pro Tools and Pro Tools | Ultimate. Plus, get exceptional control of Logic Pro X, Cubase, and other EUCON-enabled DAWs. Because the Dock is EUCON-aware, it automatically switches its controls to the application in focus on your computer. Or you can lock down parts of the surface to specific software for multi-application control.

AVID S1

Massive mixing power for small spacesGet the unparalleled speed, rich visual feedback, and software integration of Avid’s high-end consoles in a slimline surface that’s an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software and, together with the free Pro Tools | Control app for iPad, provides great ergonomic efficiency, easy touch workflows, and S6-style metering and processing views, so you can navigate large sessions quickly, mix more intuitively, and turn around better sounding mixes fast.

Mix big on a smaller scaleWhile Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.

Get unmatched software integrationS1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.

PRO TOOLS | S3

Get Full Hands On ControlGain better control over your mix whether you’re making music or sweetening soundtracks. Interact with 16 touch-sensitive, motorized faders to bring more life to your mix. Record-enable tracks right from the surface. Solo, select, and mute channels. Change automation modes. Navigate projects using the touch strip transport controls. And keep an eye on your levels with the built-in meters.

Access Every Aspect Of Your MixView, access, and adjust multiple facets of your music or soundtrack project quickly using the 32 touch-sensitive, push-button style rotary encoders. Use the top-row channel control encoders to make changes to inputs, inserts, sends, groups, and more. Use the second row of assignable channel encoders separately to control plugins, pan, EQ, compressor, and other parameters. And view names, settings, status, channel metering, and more through the 32 OLED displays.

Plug In And RecordNo need to use a separate audio interface to record and monitor sessions. Pro Tools | S3 features a built-in 4-input, 6-output AVB Core Audio interface to connect your studio (Mac only). Record vocals and instrument performances through two high-quality XLR mic/line inputs and two TRS line inputs. And connect studio speakers, headphones, and other gear to four line outputs and one stereo headphone output.

31

PRO TOOLS | S6

Customize Your SurfaceDesign the perfect mixing surface for your workflow. Choose a preconfigured system or build your own with an accompaniment of Fader, Knob, Process, and Display Modules. Add optional modules for surround and post mixing. Personalize it further with a variety of accessories, from keyboard and script trays to speaker mounts. And because it can be scaled horizontally and vertically, you can configure S6 with the modules you need now to fit your budget, with room to expand in the future as your needs grow. Working in a smaller room? Check out Avid S4, which provides all the

Get Intelligent Touch ControlThe Master Touch Module serves as the engine of your entire surface and central hub of operation. With its 12.1-inch tilting multipoint touchscreen, knobs, and other controls, you can quickly access and control different aspects of your mix and system. Navigate and edit tracks and pl-ugins fast. Select, mute, solo, and record-enable channels. View metering and parameter statuses. Get extensive monitoring and routing control to handle the biggest, most complex mixes, including Dolby Atmos. Perform multistep tasks instantly with customizable soft keys. And much more.

See Your Mix In Whole New Waystay on top of your mix with one or more Display Modules, which provide extensive and unique visual feedback. Not only can you view multiple channel meters, track names, routing, groups, and other information, but also insightful data that will elevate your mixing experience.

AVID S4

Get the power of S6 in a smaller surface From its deep DAW control and fully integrated Dolby Atmos workflows, to superior ergonomics and operational ease, Avid S4 gives you the same massive power, monitoring capabilities, and workflows of Pro Tools | S6 in a more compact control surface designed for smaller spaces and budgets.

Take command of multiple DAWsLike S6, S4 is built with EUCON technology, giving you deep, unmatched DAW integration to access and control Pro Tools, Nuendo, Logic Pro, and other audio and video software right from its touchscreen and surface—even two different applications simultaneously. From editing plugins and writing automation, to performing complex tasks with a single key press, it accelerates your efficiency like only an Avid control surface can.

Expand your mixing versatilityStereo. Surround. Immersive audio. For music, audio post, and media education. No matter the format, DAW, or workflow, S4 makes it easy to expand your creative capabilities, providing additional module options—including joysticks, PEC/Direct paddles, and attention knobs—to support a variety of mixing workflows and opportunities. Win the work you want with a versatile control surface that powers your potential while keeping your budget in check.

32

BUILD YOUR OWN

S6 is designed to be customized to your unique workflows and needs. Choose one of the pre-configured systems or build your own—speak with our experts to determine the best fit for your workflow and business.

Here’s a look at the various modules and the options you can choose:

Master Touch Module—The Control Surface Engine:• S6 M40• S6 M10

Master Modules—Command Central:• S6 Automation Module• S6 Joystick Module• S6 Post Module

Channel Modules—The Controls You Need:• S6 Fader Module• S6 Knob Module• S6 Process Module• S6 Display Module

Frame Components—For Desk Or Freestanding Mixing

Surface Options—Ergonomic Extras To Personalize Your Desk:

34

PRO TOOLS | ULTIMATEThe Ultimate Toolset for Any Music or Post Production

PRO TOOLS | FIRSTA Streamlined Toolset to Get You Started

PRO TOOLSThe Essentials for Native Music and Post Production

Make Music With Pro Tools | First

Start with the software that can take your music the furthest. Pro Tools | First is simple enough for beginners, yet sophisticated for experienced musicians. Now you can create, collaborate, and be heard with the industry-standard audio workstation. Faster and easier than ever.

Create. Collaborate. Be Heard with Pro Tools

Pro Tools redefined the music, film, and TV industry, providing everything you need to compose, record, edit, and mix audio—in the studio or in the cloud, from anywhere.

Work Smarter and Faster With Pro Tools | Ultimate

When deadlines are looming, Pro Tools offers timesaving tools to streamline your creative workflow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximizes your efficiency, so you can stay inspired and focused to deliver your best work possible.

35

PRO TOOLS | CARBON

A New Breed Of Audio Interface For Music ProductionFor artists, bands, and producers, Pro Tools | Carbon is a new breed of audio interface—built to capture brilliance. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools.

Watch Your LevelsPro Tools Integration. Hardware and software. Made for each other.With intelligent Pro Tools integration, you’ll work smoothly all in one creative environment. The Hybrid Engine lets you offload real-time AAX DSP plugin processing to Carbon at will. This means you can record with a polished sound that brings out the best in your performance. No more third-party apps to slow you down. Just focus on the music you’re making—not what you’re making it with.

HDX DSP Acceleration. Epic PerformanceWith HDX DSP acceleration under the hood, Carbon is a powerhouse built on our industry-leading technologies. It’s finely tuned to process audio at blazing speed, so you can record with rock-solid sub-1 ms latency monitoring. Which means you’ll always hear yourself in perfect sync with the music as if you were playing live.

PRO TOOLS | HDX

Get Power 0n DemandNeed to record a 100-piece orchestra or mix a soundtrack with thousands of clips. Pro Tools | HDX delivers the dedicated DSP and Pro Tools | Ultimate software essential for handling such demanding sessions. Work with up to 256 audio tracks with a single card system or up to 768 audio tracks with three cards. Mix up to 192 ins and outs. Get the power to run volumes more plugins. And take on projects of any size and scope with complete confidence.

Sound IncredibleCapture and play back performances in the absolute highest audio fidelity, with complete sound transparency. Simply add your choice of one or more premium Pro Tools | HD series audio interfaces to your core system. Record analog and digital sources in pristine sound clarity with the fully customizable HD I/O. Track, mix, and monitor up to 7.1 surround with the all-in-one HD OMNI. And capture great-sounding vocal and instrument performances through Pro Tools | PRE.

Integrate AnywhereWhether you’re looking to upgrade your entire studio or replace an existing audio workstation, Pro Tools | HDX is an easy fit. Connect the system into any MADI-enabled broadcast, post-production, or live sound environment through HD MADI. Control multiple Pro Tools | HD systems from a single transport with the included Satellite Link. And keep Pro Tools | HDX and all other digital devices connected to it in perfect sync with SYNC HD.

PRO TOOLS | MTRX STUDIO

Get premium sound, built in partnership with DADWith Digital Audio Denmark’s precision audio converters and mic preamps, you can capture and hear every vocal, instrument, and sound performance in great detail. Plus, get ultra-low latency when tracking with Pro Tools | HDX or HD Native, enabling artists to perform at their best.

Take full monitor controlNo need for a separate monitor controller. MTRX Studio covers this and your signal routing needs. Create monitor profiles and fold-downs to speed up your workflow. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface.

Optimize your monitoring environmentWith speaker calibration built directly into the interface—the same SPQ speaker processing technology available as an option for Pro Tools | MTRX—you can tune your room for any session format. Easily transition between music and audio post production—from mono to immersive audio.

36

PRO TOOLS | MTRX BUILD YOUR OWN

The Highest Standard In Premium Studio-Quality Sound

Upgrade the quality of your music and audio post production with a versatile interface that delivers the most pristine sound possible. Designed for Pro Tools | HDX, HD Native, and other pro audio systems, Pro Tools | MTRX offers the superior sonic quality of DAD’s legendary AD/DA converters, plus extensive, flexible routing and monitor control when used standalone or with Avid Pro Mixing surfaces. And because the interface can be customized with the analog and digital I/O you need, you can connect your entire studio together to take on the largest, most demanding music and post productions with ease.

Pro Tools | MTRX features eight pairs of AES/EBU I/O, 64 channels of DigiLink I/O, and 64 channels of MADI I/O in the base unit to get you started, but otherwise comes “empty.” This enables you to completely customize the audio interface with up to eight option cards for your unique music and/or audio post workflow needs.

You can mix and match up to six analog I/O cards to support up to 48 analog channels per MTRX interface, design an all-digital box with up to eight digital I/O cards (supporting up to 1,088 Dante channels or 1,216 MADI channels when maxed out with all available cards and modules), or configure it with any combination of analog and digital I/O. And if you’re mixing Dolby Atmos or other immersive audio format, the SPQ Speaker Processing Card will optimize your monitoring experience.

Here’s a look at all of the Pro Tools | MTRX option cards available for you to choose and use.:

Analog I/O Cards:• 8 Line Pristine AD Card (input)• 2 Mic/Line Pristine AD Card (input)• 8 Mic/Line Pristine AD Card (input)• 8 Pristine DA Card (output)

Digital I/O Cards:• DigiLink I/O Card• 128-Channel IP Audio Dante Card• 64-Channel IP Audio Dante Module• Dual MADI I/O Card• MADI Module for Base Unit

Digital Processing Cards:• SPQ Speaker Processing CardAdd 128 EQ channels and up to 1,024 filters per SPQ card for comprehensive equalization and bass management to tune your room’s speaker system—ideal for monitoring immersive audio.

MOBILE RECORDERS

DR-10C Recorders for lavalier microphones

The DR-10C-series recorders connect to your lavalier microphone to create a compact recording system that fits on a belt pack. The DR-10CS is designed for use with Sennheiser microphones. An option kit is available for Sony/Ramsa (AK-DR10CR). The DR-10C recorders have both inputs and outputs, so they can either be used standalone or with a wireless transmitter.

38

DR-07XProfessional Handheld Recorder

The DR-100MKIII is Tascam’s top-of-the-line portable, delivering the best audio performance in the history of Tascam stereo handheld recorders. Designed to meet the needs of the most demanding audio designers and engineers, this third generation of the DR-100 combines robust reliability, an easy-to-use interface and stu-dio-quality sonic performance.

DR-05XStereo Handheld Audio Recorder and USB Audio Interface

The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-res-olution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it.

DR-07XStereo Handheld Audio Recorder and USB Audio Interface

The Tascam DR-07X is a handheld digital recorder and USB audio interface building on the popular, powerful Tascam DR-07. Ideal for music recording, sound design and more, the DR-07X offers immense power and performance in a compact package. A pair of cardioid condenser microphones handles high sound pressure levels and can be set up in AB or XY orientation for a wide stereo field or extra-clear reproduction with reduced phase displacement between both channels.

DR-10X Mic-attachable audio recorder

The compact DR-10X audio recorder attaches to a handheld microphone for the ultimate compact news gathering recording system. A captive XLR connector attaches firmly to any dynamic microphone for capturing interviews in Broadcast WAV format at sampling rates of 44.1/48 kHz and 16/24-bit resolution or in MP3 format. Recordings can be offloaded through a USB connection or by loading the microSD card into a computer.bv

DR-10L Digital Audio Recorder With Lavalier Microphone

The DR-10L is an ultra-compact digital recorder / lavalier microphone combination. Designed for both the creative filmmaker and the busy videographer, it is a powerful problem solver providing professional sonics and high convenience. For location recording, a DR-10L can be mounted to each on-camera actor, making booms, wires or expensive (and unpredictable) wireless systems unnecessary.

39

DR-44WL 4-track handheld recorder with Wi-Fi functionality

The DR-44WL revolutionises handheld recorders with its new Wi-Fi feature. A free app for iOS or Android devices provides control, file transfer, and audio streaming to your smartphone or tablet computer. Start recording while on stage or from anywhere in the room. Set trim levels, check meters and control the transport. At the end of a performance, transfer recordings to your smartphone and instantly upload them to SoundCloud or Facebook, or even e-mail directly to fans.

DR-680MKII 8-Track Field Recorder

The DR-680MKII brings multi-track portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96 kHz / 24-bit Broadcast WAV quality. Six mic inputs provide 60 dB of gain and phantom power for clear recordings with condenser microphones.

DR-40X Portable Four-Track Digital Audio Recorder and USB Audio Interface

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehenvvbcsive feature set.

DR-22WL Handheld Recorder with Wi-Fi functionality

The DR-22WL is a streamlined model that has been designed to provide an easy-to-use interface so that anyone will be able to enjoy high-quality linear PCM recording without difficulty. For recording music played primarily on acoustic instruments, including acoustic guitars and wind and string instruments, this model is ideal.

RECORDING/PLAYBACK

40

CD-RW901MKII Professional Audio CD Recorder

The CD-RW901MKII is a professional CD recorder for more demanding installations. A new TEAC tray-loading transport ensures years of reliable operation. The new transport also allows gapless recording when setting track marks, something not possible using off-the-shelf PC optical drives.

CD-500B Ultra-compact Professional CD Player

The CD-500B is an extremely compact CD player available as a professional version. The slimline housing comprises a slot-loading drive with reliable brushless motor as well as a full set of functions ideal for small broadcast or recording studios, theatres, touring sound companies, fitness studios or any permanent installation.

HS-20 Professional Stereo Audio Recorder

The HS-20 is based on Tascam’s robust range of broadcast recorders, but built for the needs of contractors. The stereo recorder captures audio to SD or CompactFlash media and makes recordings available on a network for instant remote access. The unit’s network functionality is designed for automated recording and delivery without supervision.

CD-400UMedia Player with Tuner and Bluetooth Receiver

The CD-400UDAB is a compact-sized, rack-mountable and remote-controllable media player that can play tracks from CDs, USB memory devices, SD cards and Bluetooth devices. It also includes an FM/DAB+ tuner with 20 presets to play music from radio stations and a front-panel mini-jack input to connect devices such as portable music players.

SS-CDR250N Networkable Solid-State/CD Audio Recorder

The SS-CDR250N is a networkable solid-state/CD recorder/player with a variety of remote control options for professional applications like in broadcast studios or fixed installations. It records in WAV and MP3 format to SD/SDHC/SDXC and USB flash memory or in MP3 and audio CD formats to CD via a slot-loading drive.

SS-R100 Solid State Audio Recorder

The SS-R100 is a single-rackspace solid state recorder designed for applications that currently use a cassette, CD or MiniDisc recorder. The SS-R100 records to SD, CF or USB memory in WAV format – or in MP3 format to achieve extended recording times.

DA-6400 64-track Audio Recorder

The DA-6400 is a universal recording system for up to 64 audio tracks received from a Digital Audio Worksta-tion or live mixing console. The recorder can be used with a variety of interface boards like MADI, Dante, DigiLink, AVB or AES/EBU to integrate flawlessly into virtually any environment. v

42

CONNECTION/CONVERSION

LA-80MKII/LA-81MKII Line converters (unbalanced/balanced)

LA-80 MKII and LA-81 MKII are 8-channel line level converters built for studio quality conversion between balanced (+4 dBu/–20 dBu) and unbalanced (–10 dB) line levels, offering the best integration of all types of equipment. LA-80 MKII offers eight unbalanced RCA inputs and eight balanced XLR outputs. LA-81 MKII has eight balanced XLR inputs and eight unbalanced RCA outputs.

44

LA-40MKIII Line converter (balanced/unbalanced, bi-directional)

The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching.

BO-16DX/IN Breakout Box For 16 Balanced Audio Inputs

BO-32DE, BO-16DX/IN and BO-16DX/OUT are versatile breakout boxes that provide up to 32 balanced analogue audio inputs/outputs for audio devices equipped with D-sub audio inputs/outputs like the Tascam ML-16D/ML-32D or older mult i - track recorders l ike the Tascam DA-98HR or DA-78HR, for example. They can also be used with any other product fitted with D-sub connectors compatible with standard Tascam pin assignment according to AES59-2012.

CG-1000/CG-1800/CG-2000 Master Clock Generators

The CG Series master clock generators are based on a high-precision crystal oscillator with jitter management and glitch-free relocking for ultra-high clock precision. The CG-2000 is designed for the needs of broadcasting and post production, the CG-1800 for small to large-scale video/audio synchronization systems, and the CG-1000 for recording studios, live sound applications and professional musicians.

AE-4DTFour-Channel AES/EBU-Dante Converter

The AE-4D is an exquisite AES/EBU input/output unit that converts up to four AES/EBU signals into four Dante audio channels and vice-versa. It has an input sample rate converter, supports audio resolutions up to 96 kHz / 24 bit and uses balanced XLR connectors for AES/EBU input and output. DSP functions in this model are limited to input and output faders and mute.

ML-16D/ML-32D 16/32-Channel Analogue-Dante-Analogue Converter

ML-16D and ML-32D are compact , h igh-qual ity analogue-Dante-analogue converters designed to transfer 16 or 32 analogue audio channels over a Dante network in both directions. Space-saving 25-pin D-sub connectors are provided for use with optional breakout boxes to input and output balanced, line-level analogue audio signals.

45

MM-2D Two-Channel Analogue-Dante-Analogue Converter With DSP Mixer

The MM-2D is an exquisite analogue input/output unit that can either convert two mic/line input signals into two Dante output signals, or two Dante input signals into two line output signals. In addition, it also supports four-channel Dante input/output as well, making it possible to use virtually any audio sources within an established Dante network. Available with Euroblock (MM-2D-E) or XLR (MM-2D-X) connectors for analogue inputs and outputs, this model can be used for a wide range of applications.

ML-4D/OUT Four-Channel Dante-Analogue Converter With DSP Mixer

The ML-4D/OUT is an exquisite analogue output unit that converts four Dante input signals into four line out-put signals. In addition, it also supports four-channel Dante output as well, making it possible to use virtually any audio sources within an established Dante network. Available with Euroblock (ML-4D/OUT-E) or XLR (ML-4D/OUT-X) connectors for analogue outputs, this model can be used for a wide range of applications.

MONITORING

47

LM-8ST Eight-Channel Stereo Line Mixer

The LM-8ST is a compact line mixer for installation, studio submixing, keyboardists or anyone who needs a mix of line signal sources. Eight stereo input sources like CD/MP3 players, tuners, instruments etc. can be routed independently to a pair of stereo outputs. For the second output the user can choose between pre and post-fader routing. Input and output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Master bus inputs and outputs are available for cascading multiple units.

The LM-8ST is housed in a rugged rack-mountable chassis and has a built-in power supply (no AC adapter) for many years of safe and reliable operation.

MH-8 Eightfold Headphones Amplifier

The MH-8 is the ideal headphones amplifier for studio, stage and installation. Each of the eight stereo outputs delivers 250 mW per side with three switchable sources available. Two stereo inputs can be shared to any of the outputs, and individual stereo direct inputs are available for each of the eight channels. A headphones channel can use any one of these inputs, or mix several together. And a set of foldback outputs allows the user to chain other MH-8s into a system.The MH-8 is housed in a rugged, rack-mountable metal chassis with built-in power supply (no AC adapter), ground terminal and ground-lift switch for many years of safe and reliable operation.

SUB 1818-inch High-Output Studio Subwoofer

JBL introduces its most powerful studio subwoofer for applications in which very high continuous output and extreme low frequency response is required. With in-room response below 18Hz and 137 dB peak output, the SUB18 delivers unprecedented performance for demanding dance music production, while providing exceptional accuracy required in cinema post production applications.

49

M2Master Reference Monitor

• The Ultimate High Frequency Driver for Critical Reference Monitoring Extended HF Reproduction Smooth Response High Power Handling Measurably Lower Distortion Reduced Power Compression Increased

• Dynamic Headroom• Exceptional Low Frequency Extension, High Output,

Very Low Power Compression, Very Low Distortion

3 SERIES MkIIPowered Reference Monitors Offer Unparalleled Sound, Versatility and Affordability

Get legendary JBL performance in your studio with the next-generation JBL 3 Series, compact powered studio monitors. Integrating the revolutionary JBL Image Control Waveguide, 3 Series MkII monitors offer stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that’s unheard of in their class. With JBL’s patented Slip Stream™ Port and 200w of power, the LSR310S subwoofer adds deep, accurate bass to your monitoring system.

LSR 7 SERIESNext-Generation Reference Monitors Offer Unparalleled Sound and Versatility

The JBL 7 Series provides a powerful and flexible monitoring solution for music, post and broadcast production. Now available in four models—the install 705i and 708i. these monitors deliver exceptional output, stunning detail, an expansive soundstage and impressive accuracy. 7 Series speakers achieve this outstanding performance by leveraging patent-pending driver technologies and the renowned JBL Image Control Waveguide.

1 SERIES 104 Compact Powered Desktop Monitors

With the JBL One Series 104 reference monitors, we started with the mission to give content creators the ability to hear all the details for better results while mixing and editing. Drawing on seven decades of JBL Professional engineering, the 104 represents an innovative new set of speakers, designed from the ground up to provide the most accurate sonic presentation of any monitors in their class.

CONTROL 2PCompact Powered Reference Monitor System

The Control 2P Compact Powered Reference Monitor System combines JBL’s legendary loudspeaker design with powerful amplification to deliver rich, accurate performance for the most demanding audio applications. The compact design, rugged enclosure, and professional feature-set make the Control 2P Compact Powered Reference Monitor ideal for desk-top recording and video production.

Vi SERIES

Vi5000Digital Live Sound Console

• The latest Vistonics™ & FaderGlow™ interface• Up to 128 inputs and 32 mono/stereo busses• Enhanced audio processing with 96kHz sample rate

option• Powerful new features including BSS DPR901ii™

Dynamic EQ


• The latest Vistonics™ & FaderGlow™ interface• Up to 128 inputs and 32 mono/stereo busses• Enhanced audio processing with 96kHz sample rate

option• Powerful new features including BSS DPR901ii™

Dynamic EQ• STUDER vMIX automatic microphone mixing built-in51


• Tactile control surface with 36 faders and 4 touchscreens• 96 input channels with 24 mono/stereo mix buses

and LRC master buses• SpiderCore integrated DSP engine sounds amazing• Streamlined Vistonics II knobs-on-glass interface is

a breeze to navigate

Vi100096-channel Compact Digital Mixing Console

• 96 input channels with 24 mono/stereo mix busses, plus LRC master busses

• Vistonics II proprietary ‘knobs-on-glass’ functionality; key to the console’s streamlined, intuitiveoperational interface and widely praised as the easiest-to-use digital console on the market

• SpiderCore™ integrated DSP engine ensures superior audio performance

Vi200096-channel Compact Digital Mixing Console

• Tactile control surface with 28 faders• 96 input channels with 24 mono/stereo mix buses

and LRC master buses• SpiderCore integrated DSP engine sounds amazing• Streamlined Vistonics II knobs-on-glass interface is

a breeze to navigate

STAGE BOXES

53

MINI STAGEBOX 32i/16iCompact Digital Stageboxes with Remote Controlled I/O

• Legendary Studer-designed preamps for professional performance

• Dedicated remote controlled XLR mic inputs• 32i features 32 mic preamps, 12 analog outs and

dual MADI connections• 16i features 16 mic preamps, 8 analog outs and a single

MADI connection

COMPACT STAGEBOXLow-Cost Expansion For All Soundcraft Digital Consoles

The Soundcraft Compact Stagebox offers a high density of I/O connections in only 4U of rack space. The modular unit is fully configurable but is offered with a standard configuration of 32 mic/line inputs, 8 line outputs, 8 channels of AES/EBU outputs and 2 expansion slots for standard Studer D21m I/O cards.

MINI STAGEBOX 32R/16RLow-Cost Option For Stage Connectivity

The Mini Stagebox 32R (3U) provides 32 analogue inputs and 8 analogue line outputs, with 4 pairs of AES outputs, providing a total I/O capacity of 32 inputs and 16 outputs, with the Mini Stagebox 16R (2U) model providing 16 analogue inputs and 8 line outputs making a 16 x 8 matrix. They connect to any of the Soundcraft Si Expression, Si Compact, Si Performer, Si Series and Vi Series consoles via a MADI card fitted to the option card slot.

ViSi REMOTERemote Control Your Mixing Console

The Soundcraft ViSi Remote is an iPad app which provides wireless control of Soundcraft Si Expression, Si Compact, Si Performer and Vi Series consoles. ViSi Remote allows you to mix and contour your sound from anywhere in a venue without being constrained by cables.

Vi STAGEBOX64 mic/line inputs and 32 analogue line outputs

The 9U Vi Stagebox houses 64 mic/line inputs and 32 analogue line outputs. Mic/line amp gain, 48 V phantom power and 100 Hz lo-cut filter before the A-D converters can all be controlled remotely from the desk.

Johannesburg - Head Office

+27 11 974 [email protected] Alec Rd (Cnr Pyramid & Alec), Isandovale, Edenvale, 1609

Durban

+27 11 974 [email protected], Park Boulevard Centre, 11 Brown Drift Rd, Umgeni Park, Durban, 4051

Cape Town

+27 21 787 [email protected] Boulevard Way, Capricorn Business Park, Muizenberg, 7945

Contact us

https://www.facebook.com/WildandMarr/

https://twitter.com/WildandMarr

https://wildandmarr.co.za

https://www.instagram.com/wildandmarr/

https://www.linkedin.com/company/wild-and-marr/

BROADCAST CATALOGUE

Documents

Transcript of BROADCAST CATALOGUE