British Cinema 2

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    Selling the Brits

    How are images of Britain used to marketfilms?

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    Island People (1940)

    What image of Britainis being shown here?

    http://www.youtube.com/watch?v=rOva5I4e1GUhttp://www.youtube.com/watch?v=rOva5I4e1GUhttp://www.youtube.com/watch?v=rOva5I4e1GUhttp://www.youtube.com/watch?v=rOva5I4e1GU
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    'A Green and Pleasant land' idealised visions of Britain

    'Heritage' cinema

    Literary adaptations

    'Urban fairytale'

    UK film used to reinforce patriotism (for

    domestic audience)

    UK film used as a tourist marketingstrategy

    http://www.youtube.com/watch?v=9JMuyzm3JRUhttp://www.youtube.com/watch?v=9JMuyzm3JRU
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    Heritage cinema Term used to present a particular style of

    costume drama Presents the past as spectacle museum

    aesthetic where the past is displayed for

    visual pleasure The past and our relationship with it is not

    questioned or criticised

    The Mise en scene is more significant thanthe narrative or plot.

    Patriotic vision of Britain

    Popular when British national identity isquestioned. WWII and 1980s

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    Why do you think these idealised images aresuccessful?

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    Idealised images of Britain

    Conforms to US market's stereotype of theBritish 'Anglophilia'.

    Reinforces nostalgic vision of Britain and

    British values to domestic audience

    'Escapist'/positive representation of modernBritain

    'Literary' status treated as 'prestige' filmsof an 'intelligent' audience.

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    Conventions to spot:

    Polite, reserved, aristocratic, cockney,honourable

    Upper middles class lifestyles

    Romantic vision of the past Literary associations

    Sumptuous costume

    Sanitised view of Britain.

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    'Gritty Realism'

    Opposite of Heritage cinema critical ofBritish life, not reinforcing patriotic values(Trainspotting 'It's shite being Scottish')

    Challenging to audience's comfort zones:Unflinching portrait of the harsh reality ofmodern Britain

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    Gritty Realism

    Often shockingexamination of thedark side of human

    behaviour Deals with social

    problems and oftenfocuses on working

    or 'underclass'characters

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    Bullet Boy

    Watch the clip - what elements mark this aslow budget social realism?

    How would this appeal to a UK audience

    rather than a US audience?

    http://www.youtube.com/watch?v=2MislEHQhtkhttp://www.youtube.com/watch?v=2MislEHQhtk
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    Bullet boy

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    'Post-Heritage' cinema

    Claire Monk's phrase for historical dramasthat don't just 'display' the past, but'interrogates' the past and our relationship

    to it. Questions how the past is represented.

    Explores contemporary themes in historicalsetting e.g. Wind That Shakes The Barley set in early 20th century Ireland, but thebrutality of the English soldiers to Irishcivilians is used an analogy to British troops

    today.

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    This is England

    Meadows wants to portray the Britain neverseen in costume dramas and 'urbanfairytales'.

    Mostly shoots in Nottingham and theMidlands.

    Most characters are losers, low lives,criminals and juvenile delinquents butmany are sympathetic.

    This is England directly addresses Britishnational identity through its examination of

    racist skinhead culture of the 80s.

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    Note what defines this film as Social Realism.

    Why might this not be successful in the USA?

    Does this matter?

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    Class work:

    Should there be a 'quota' system to ensureBritish films are not drowned out by big-budget Hollywood movies?

    Do British films today reflect an accurate oridealised vision of society?

    Is British cinema in crisis?

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    Task: Categories of Film funding

    Go on the BFI website.

    How many types of funding are there?

    What are the categories?