Brave New World (Digital).pdf
140
rave New World rave New World 02 – The Wicker Man 15 – Ghost Of The Navigator 27 – Brave New World 0 – Blood Brothers 55 – The Mercenar! "7 – #rea$ Of Mirrors % – The &allen 'ngel (5 – The No$ad 110 – O)t Of The *ilent +lanet 121 – The Thin ,ine Between ,ove - .ate Digital Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any claim to its accuracy or value as a learning aid. Sorgdal
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rave New Worldrave New World
02 – The Wicker Man
15 – Ghost Of The Navigator
27 – Brave New World
0 – Blood Brothers
55 – The Mercenar!
"7 – #rea$ Of Mirrors
% – The &allen 'ngel
(5 – The No$ad
110 – O)t Of The *ilent +lanet121 – The Thin ,ine Between ,ove - .ate
al Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I
to its accuracy or value as a learning aid.
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q = 200
Words & Music by Adrian Smith, Steve Harris & Bruce Dickinson
© Copyright 2000 Iron Maiden Holdings Limited/Duellist Enterprises Limited/Sanctuary Music Productions Limited.
Zomba Music Publishers Limited (50%)/Warner/Chappell Music Limited (50%).
The Wicker Man
Gtrs. 2+3 (elec.)
Intro
7fr
E5
E5
8fr
C510fr
G55fr
D53fr
C5*9fr
F#53fr
G5*5fr
A57fr
B5
Gtr. 1 (elec.)
P.M. P.M.
Gtrs. 1+2 w/distortion1º Gtr. 2 tacet
C51. 2. 3.
G5 E5
4.
G5 E5
sim.
P.M.
fer
Verse
(2.)
E5
_ of
ry-
fate
man-
is
wants
mov
his mo
ing
ney
-
-
and
you
the
ain’t
fing
gon
-
-
P.M. P.M.
XXX
0799
0799
0 0 0 0 0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 81010
81010
X101212
101212
X0799
81010
X101212
101212
X0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 0799
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er
na
-
-
points
give
to
it
you,
back,
C5 G5
he
he
E5
knocks
can
you
push
to
his
your
own
feet
boat
P.M. P.M.
and
as
so
you
what
set
are
off
you
up
gon
the
na
track.
- do.
C5
G5 E5
P.M. P.M.
No
Your
thing- you
tongue
can
has
con
fro
tem
zen
-
-
plate
now
- will
you’ve
ev
got
er
some
- be
thing-
the
to
same,
say,
C5
P.M. P.M. P.M.
0799
0 0 0 0 0 81010
81010
X101212
101212
X0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 81010
81010
X101212
101212
X0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 81010
2
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G5
ev - ’ry
the
E5
se
pi
cond
per
-
-
is
at
a
the
new
gates
spark,
of
sets
dawn
the
is
un
call
-
P.M. P.M.
i
ing
-
-
verse
you
- a
his
flame.
way.
C5
-
G5 D5
P.M.
Gtrs. 1+3
Pre-Chorus
You watch the world ex plo-
E5
ding- ev
C5*
-
81010
X101212
101212
X0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 0799
0799
0 0 0 0 0 81010
81010
X101212
101212
X 577
577
799
355
3
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’ry- sin gle- night,
G5 F#5 E5 D5
danc ing-
in the sun
E5
a new
C5*
born in the light.
G5* C5*
Say
Bro
D5
-
good
thers-
bye
and
- to
their
grav
fa
i
thers
-
-
ty
join
-
E5
and
ing-
say
hands
C5*
good
and
bye
make
- to
a
death,
chain,
101212
101212
91111
799
577
577
799
355
355
355
355
355
577
799
799
355
4
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G5 F#5 E5
hel
the
D5
lo
sha
- to
dow-
e
of
tern
the
-
wick
i
er
-
-
ty
man
-
E5
and
is
C5*
live
ris
for
ing-
ev
up
’ry
a
- breath.
gain.-
G5*
D5
Gtrs. 2+3 cont. in slashes
Gtrs. 2+3
E5 C5* G5* A5
sim.
Your time will come,
Gtr. 1
101212
101212
91111
799
577
577
799
355
3
55
5
77
5
77
X
X
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
5
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E5 G5* C5* G5* A5
your time will come.
E5
sim.
C5* G5*
Your time will come,
A5
E5
your time
G5*
will
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
6
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1.
2.
C5* G5* A5 E5
G5 A5 E5
come. 2. The
_
Gtr. 3
Guitar Solo C5* G5*
P.M.
D5 E5 C5*
12 10 12 10 1212
12 10 12 10 1212
12 10 12 13 1212
X 7
9 10 77
9 107
9 107 9
107 9 10 9 7
10 7 9 10 7
0 0
7
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1.
2.G5* D5 E5
D5
*
* Composite part
B5
sim.
A5 G5*
3
full 1/2 full
A5
B5 A5
full full
12 10 0 0 14 12 0 0 0 14 15 17 15 1417
7
0 14 15 17 15 1417
10
7 8 7 10 710 12 8 12 10 12 8 10
10 09 8
10
77
9
10 710 9 7
99 7
9 10
8
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G5* C5*
B5
3 3 3 3
A5
3 3 3
G5*
3 3 +
A5
+ + +
T T T T
B5
3 3 3 3
A5
3 3 3
3
710 9 7 6 7
710 9 7 6
7 10 79 7
117 9
79 7
117 9
78
10 7 108
78
10 7 10 79
119
7 1012 0 4 12 0 4 12 0 4 12 0 4 12
17 1916 17 19 20 19 17
2019
20 19 17 19 2017
20 19 17 20 19 1720
0
9
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G5*
3 3 3 3
C5*
Gtrs. 1+2
E5 C5 G5*
Gtr. 3
D5 E5 C5
17 19 20
17 19 20 19 17
20
17
20 17 17 1517 16 16
7 9 10 77
9 107
9 107 9
107 9 10 9 7
10 7 9 10 7
0
10
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1.
2.
G5* D5 E5
D5
*
* Composite part
Gtrs. 2+3
Chorus
E5
sim.
C5* G5* A5
Your time will come,
Gtr. 1
E5 G5* C5 G5* A5
your time will come.
12 10 0 0 14 12 0 0 0 14 15 17 15 1417
7
0 14 15 17 15 14
12 10 12 10 12 12 12 10 12 10 12 12 12 10 12 10 12 12 12 10 12 10 12 12
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
11
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1.
2.
E5
sim.
C5 G5*
Your time will come,
A5
E5
your time
G5*
will
C5 G5* A5 E5
G5* A5
come.
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 13 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12 10 12 10 1212
12
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rall.
Outro
E5
sim.
C5*
Oh. Oh.
Gtr. 1
Gtr. 3
1º + 2º Gtr. 1+3 tacet
G5*
Oh.
1. 2. 3.
D5
4.
D5
Oh. Oh.
54
42
54 4 5
74
54
42
54
75
54
42
54
75
54
42
20
45
02
13
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Ghost Of The NavigatorWords & Music by Janick Gers, Bruce Dickinson & Steve Harris
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited (50%)/Sanctuary Music Productions/Duellist Enterprises Limited/Warner/Chappell Music Limited (50%).
q = 115
5fr
Dm
Intro Dm
3fr
Csus2 Bbsus2
2fr
B5
3fr
C5
7fr
E5
D5
Csus2
10fr
G5
Bb/D
5fr
A5
5fr
C/D
Dm
Bb5
7fr
G5/D
7fr
B5*
Asus2 C Bsus45fr
D5
Csus2
Gtr. 1 (elec.)
Gtr. 2 (elec.)
Gtr. 1 w/clean tone + chorus + delayGtr. 2 w/clean tone + chorus
Bbsus2
C5 Dm Csus2
Dm Bbsus2 Csus Dm
7
58 6 5 6
5 7
58 6 5 6 5
8
8 6 57 5
8
8 6 57 5 7
58 6 5 6
5
78 6 5
7 58
8 6 57 5
5
8 6 57 5 7
5 6 8 6 5
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D5 Bb/D C5/D G5/D D5 C/D
2º accel
Gtr. 2 w/distortion
Gtrs. 1+2
D5
P.M.
etc.
Bb/D
P.M.
C/D
P.M.
D5 C/D
Gtrs. 1+2 w/dist.Fig. 1... ...Fig. 1 ends
I
steer(2.)
1.
D5
have
be
sailed
tween-
to
the
ma
crash
ny
ing
Bb/D
-
-
lands,
rocks,
now I
the
make
si
C/D
my
rens-
fi
call
nal
my
- jour
name.
P.M. P.M. P.M.
023
033
055
078
766
988
023
0 0 0 0 0 0 0 0 0 0 0 0 033
0 0 0 0 0 0 0 0 0 0 0 0 055
0 0 0 0 0 0 0 0 0 0 0 0 055
023
055
023
0 0 0 0 0 0 0 0 0 0 0 0 033
0 0 0 0 0 0 0 0 0 0 0 0 055
0 0 0 0 0 0 0 0 0 0 0 0
2
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ney.-
D5 C/D
Lash
D5
my bands
On the
on
bow
to-
I
the
Bb/D
stand,
helm, blood
P.M. P.M.
west
surg
C/D
is
ing-
where
with
I
the
go.
strain.
D5 C/D D5
I
Through
will
the
not fail
night
P.M. P.M.
I
now,
Bb/D
plough,
as
still
sun
C/D
my
rise-
heart,
comes, the
cal
dark
cu
ness
-
-
late
left
D5
- and
be
C/D
pray.
hind.-
P.M. P.M.
055
023
055
023
0 0 0 0 0 0 0 0 0 0 0 0 033
0 0 0 0 0 0 0 0 0 0 0 0
055
0 0 0 0 0 0 0 0 0 0 0 0 055
023
055
023
0 0 0 0 0 0 0 0 0 0 0 0
033
0 0 0 0 0 0 0 0 0 0 0 0 055
0 0 0 0 0 0 0 0 0 0 0 0 055
023
055
3
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D5
As
For
the
e
com
tern-
pass
i
Bb/D
-
-
swings
ty,-
my
I
will
fol
C/D
is
low-
strong,
on,
I will
there
P.M. P.M. P.M.
D5 C/D
Gtr. 1
Asus2 C
not
is
be led
no
a
oth er-
stray.
way.
-
Gtr. 2
Gtr. 1 cont. in slashes Gtr. 1 w/clean tone
Bsus4 D5* C5 B5 Asus2
Mys te- ries- of time,
2º vox sim. ad lib.
023
0 0 0 0 0 0 0 0 0 0 0 0 033
0 0 0 0 0 0 0 0 0 0 0 0 055
0 0 0 0 0 0 0 0 0 0 0 0
055
023
055
577
577
577
577
577
577
577
577
355
355
355
355
355
355
355
355
244
244
244
244
244
244
244
244
577
577
577
355
355
355
244
244
577
577
577
577
577
577
577
577
4
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C Bsus4
clouds
D5*
that
C5
hide
B5
the
sun.
Asus2 C Bsus4
1º Gtr. 1 w/Fill 12º Gtr. 3 w/Fill 1 sim. ad lib.
Fill 1Gtr. 3
P.M.
Asus2 P.M.
C P.M.
Bsus4 P.M.
D5 C5 B5
w/heavy dist.
P.M.
Asus2 P.M.
C
P.H.
P.M.
Bsus4 P.M.
D5 C5 B5
355
355
355
355
355
355
355
355
244
244
244
244
244
244
244
244
577
577
577
355
355
355
244
244
577
577
577
577
577
577
577
577
355
355
355
355
355
355
355
355
244
244
244
244
244
244
244
244
7 7
5 47
7 7
5 47
7 7
5 45 5
7 7 7 5 5 5 4
7 7
5 47
7 7
5 47
7 7
5 45 5
7 7 7 5 5 5 4
5
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$ q = 220
D5* C5
But I
B5
know,
Asus2
but I know,
C
but I
know.
Bsus4 D5* C5 B5
Pre-Chorus
E5
I see the ghosts
G5
of nav i- ga-
C5
tors- but they
A5
are lost,
Gtrs. 1+2 w/dist.Gtr. 3 tacet
E5
as they sail
G5
in to- the sun
C5
set- they’ll count
A5
the cost.
B5
57
7
57
7
57
7
35
5
35
5
35
5
24
4
24
4
577
577
577
577
577
577
577
577
35
5
35
5
35
5
35
5
35
5
35
5
35
5
35
5
244
244
244
244
244
244
244
244
577
577
577
355
355
355
244
244
0799
0799
101212
101212
355
355
577
577
079
9
079
9
1012
12
1012
12
35
5
577
799
6
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E5
As their ske
G5
le- tons- ac cu-
C5
sing- e merge
A5
- from the
sea,
E5
the si
G5
rens- of the rocks,
C5
they beck
A5
on- me.
B5
Gtrs. 1+2 cont. in slashes
Gtrs. 1+2
Chorus D5
cont. sim.
C5
Take my heart and set it free,
Gtr. 3
0799
0799
101212
101212
355
355
577
577
07
99
07
99
10
1212
10
1212
3
55
57
7
79
9
7
58 6 5 6
5
7
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car
D5
ried- for ward- by the waves.
C5
No
Bb5
where- left to run, nav i- ga- tor’s- son.
Cha
D5
sing- rain bows- all my days.
C5
Where
D5
I go I do not know,
C5
I
7
5
8 6 5 6 5
8
8 6 57 5
8
8 6 57 5
7
58 6 5 6
5
7
58 6 5 6
5
8
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To Coda Ø1.
2.
on
D5
ly- know the place I’ve been.
C5
Dreams
Bb5
they come and go, ev
Bb5
er- shall be so,
no
D5
thing’s- real un til- you feel.
C5
I2. feel.
7
58 6 5 6 5
8
8 6 57 5
8
8 6 57 5
7
58 6 5 6
5
5
9
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1.
2.
Guitar Solo
Gtr. 3
D5
3
Bb/D
6
Gtrs. 1+2 w/Fig. 12º + 3º Gtr. 3 ad lib.
full
C/D
3
6
D5
6
C/DPlay 4 times
fullfull
Gtrs. 1+2
( )
[E5] C5
Gtr. 3 tacet
D5
( )( )
( )
C5 D5
13 000015 15 15 13 10 9 10 11 12 11 1012 11 10
1210 12
13 13 12 1010
1013 12 13 12 10 9 9 10 11 10 9 11 10 9
1 2 1 1 1 0 1 2 1 012
1 0 1 2
7 7
5 5 45
5 7 7
5 5 45
5 7 7
5 5 45
5 355
577
7 577
5
10
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1.
2.
1.
2.
[D5] Bb5
C5
( )
( )
( )
C5
[E5] D5
E5
( )
( )
( )
E5
5
3 3 23
3 5 5
3 3 23
3 5 5
3 3 23
3 133
355
5 355
9
9
7 7 67
7 9 9
7 7 67
7 9 9
7 7 67
7 577
799
9 799
7
11
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accel.
1.
rall.
D.S. al Coda
2.
Ø Coda
[E5] C5
D5
( )
( )
( )
D5
Gtrs. 1+2
C5
Slower (Freely)
D5
feel. Oh.
Gtr. 3
w/feedback
7
5 5 45
5 7 7
5 5 45
5 7 7
5 5 45
5 355
577
7 577
5 7
58 6 5 6
7
12
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q = 132
Brave New WorldWords & Music by David Murray, Steve Harris & Bruce Dickinson
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited (50%)/Sanctuary Music Productions/Duellist Enterprises Limited/Warner/Chappell Music Limited (50%).
Gtr. 1 (elec.)
P.M.
µ
P.M.
5fr
D5
P.M.
Bb5
P.M.
3fr
C5
P.M.
3fr
G5
sim.
7fr
E5
w/clean tone + delay
Gtr. 2 (elec.)
Fig. 1...
...Fig. 1 ends
57
6
57
5
55
8
55
6
55
5
57
6
57
5
55
8
55
6
55
5
10 1312 10 12 12
53
3
53
5
53
6
53
5
53
3
5
7
6
5
7
5
55
8
55
6
55
5
10 1312 10 12
10
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1.
2.
Verse
1. Dy
I
ing
have
- swans,
seen
twist
ma
ed
ny
-
-
wings.
things,
Gtr. 3 w/Fill 1
Gtr. 2 w/Fig. 1
Beau
in
ty
a
- not
life
need
time-
ed
a
- here.
lone.-
Fill 1Gtr. 3
w/clean tone + chorus
let ring
57
6
57
5
55
8
55
6
55
5
57
6
57
5
55
8
55
6
55
5
53
3
53
5
53
6
53
5
53
3
57
6
57
5
55
8
55
6
55
5
87
06
10
0
98
109
08
87
06
10
0
98
109
08
765
988
109
08
87
06
109
08
05
06
05
06
05
0
56
0
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1.
2.
Lost
Moth
my
er-
love,
love
lost
is
my
no
life,
more.
in
Bring
this
this
gar
sav
den
age
-
-
of
back
fear.
Gtr. 4 (elec.)
D5
home.
57
6
57
5
55
8
55
6
55
5
57
6
57
5
55
8
55
6
55
5
53
3
53
5
53
6
53
5
53
3
57
6
57
5
55
8
55
6
55
5
57
6
57
5
55
6
57
5
57
6
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D5
2.
Close
Wild er
this
- ness,
mind,
-
Bb5
house
dull
of
this
pain.
brain.
Gtrs. 1+4
P.M. P.M. P.M. P.M. P.M. sim.
Gtr. 2 w/Fig. 1 (x4), w/distortionGtr. 3 tacet
C5
Makes
Mes si
no
ah- -
sense
be
of
fore-
it
his
all.
fall.
D5
Bb5
What
All
you
is
see,
lost,
C5
is
sold
not
your
real,
souls,
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
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$q = 230
Bb5
those
to
who
this
know
brave
will
new
not
world.
tell.
D5
Gtrs. 2+4
D5 Bb5cont. sim.
Chorus
A brave new world,
Gtrs. 1+3
P.M.
etc. 3
C5
in a brave new world.
D5
P.M.
Gtr. 3 w/Fill 2
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 85 5 7 5
8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 57 5
8 75
8 7 5
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D5
A brave new world,
Bb5
P.M.
3
C5
in a brave new world.
D5
P.M.
D5
In a brave new world,
Bb5
P.M.
3
Fill 2Gtr. 3 D5 w/bar
w/bar
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 85 5 7 5
8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 57 5
8 75
8 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 85 5 7 5
8 7
7768
7768
7768
7765
7765
7765
5553
7765
6
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To Coda Ø
C5
a brave new world.
D5
P.M.
Gtr. 3 w/Fill 2
D5
In a brave new world,
Bb5
P.M.
D5
a brave new world.
P.M.
Gtr. 1 cont. in slashes
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 57 5
8 75
8 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 8 7 5 8 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
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1.
VerseGtrs. 1+3+4
D5 Bb5
cont. sim.
Dra gon- kings, dy ing- queens,
Gtr. 2
w/distortion
where
C5
is sal va- tion- now?
D5
Lost my life, lost
Bb5
my dreams,
10 13
12 10 12 12
10 1312 10 12
10
10 1312 10 12 12
8
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rip
C5
the bones from my flesh.
D5
Si
Bb5
lent- screams, laugh
C5
ing- here,
Bb5 C5 D5
dy ing- to tell you the truth.
10 1312 10 12
10
10 13
12 10 12 12
10 1312 10 12
10
9
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2.
Bb5 C5
You are planned, and you are damned,
Bb5 C5 D5
in this brave new world.
Guitar Solo
Gtrs. 1+2+3D5
Gtr. 4
2º ad lib. 3
3
3 3 3 3
full
12 12 12
10 1312 10 12 12
10 1312 10 12
10
12 12 1012
1012
1012
10 12 10 12 1310
12 131 0 1 1 1 0
131 0 1 1 1 3
10
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C5
3
3
5
fullfull
full
D5
3
full
1º
2º
Bb5E5
C5C5
Bb5D5
2º ad lib.
full full full
1 0 1 213
10 12 13 13 13 12 121010
10 1013
1013 12 11 10 9 10
9 10 11 10 9 8 9 10
12 1012
1210 12
15 15 13 12 13 15 15 15 13 1213
15 1 5 13
11
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D5E5
Bb5E5
full
C5C5 Bb5D5 C5 D5E5
full full full
Gtr. 1
Gtr. 4
[E5] [C5] [D5]
1. 3.
[E5]
3º + 4º
Gtr. 2 tacetGtr.3 dbls. Gtr. 1 -8veGtr. 4 plays +8ve
1213
12
13 15
15 15 13 12 13 15
15 15 13 12 13 15 15 15 13 12 13 15 15
2
12
4
13
5
15
2
12
4
13
5
15
0
10
2
12
3
13
2
12
12
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D.S. al Coda
Ø Coda q = 132
2.
[E5]
4.
[E5]
D5Outro
world.
N.C.
Dy ing- swans, twist ed-
All gtrs. w/clean toneGtr. 2 w/Fig. 1Gtr. 3 w/Fill 1 ad lib sim.
Gtr. 4 tacet
wing, bring this sav age- back home.
2 4 5 2
8 10 1 2 8
4 5
2
4
1 0 1 28
10
5
2 4
5
128 10
122 4 5
8 10 12
12 11 9 11
12 10 8 109
12
9
12
811
811
10 12 10 9
9 11 9 7 9 710 910 9
12 10
577
57
6
57
5
55
8
55
6
55
5
57
6
57
5
55
8
55
6
55
5
53
3
53
5
53
6
53
5
53
37
65
13
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q = 175
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited.
Words & Music by Steve HarrisBlood Brothers
IntroGtr. 1 (elec.)
E5
E5
G5
3fr
G53fr
C5
C5
5fr
D5
D5
9fr
E5*12fr
G5*
E5
5fr
C5*7fr
D5*
G5
5fr
A57fr
Em7
C5 D5
Fig. 1...w/clean tone
E5 G5 C5 D5
E5 G5 C5 D5
...Fig. 1 ends
Gtr. 2 (elec.)
E5 G5 C5 D5 E5 G5 C5 D5
w/clean toneGtr. 1 w/Fig. 1
02
02
35
33
53
55
75
02
02
35
33
53
55
7
3
02
02
35
33
53
55
75
02
02
35
35
75
73
5
3
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
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E5 G5 C5 D5 E5 G5 C5 D5
Verse
E5
1.And if you’re tak
G5
ing- a walk
C5
through the gar
D5
den- of
Gtr. 1
Gtr. 2 w/Fill 1 (x4)
life,
E5
what do you think
G5
you’d ex pect
C5
- you would see?
D5 E5
Just like a mir
G5
ror- re -
Fill 1Gtr. 2 [E5] [G5] [C5] [D5]
let ring
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
7
97
97
35
35
33
53
53 5 5 5
79
79
73
53
53
35
35
3 57
57
5 79
79
73
53
53
912
912
9 1215
1215
1215
1012
1012
10
109 7
2
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flect-
C5
ing- the moves
D5
of your life,
E5
and in the ri
G5
ver- re flect
C5
- tions- of me.
D5
Verse
E5
3.
2.Just
And
for
as
a
you
sec
look
G5
ond
all
- a
a
glimpse
round
C5
-
of
at
my
the
fa
world
D5
ther
in
- I
dis
see,
may,
E5
-
and
what
in
do
a
you
move
see,
G5
ment
do
- he
you
P.M.
Gtr. 1 w/distortion (2º sim. ad lib.)1º Gtr. 2 w/Fill 1 (x4) 2º w/Fill 2 (x4)
Fill 2Gtr. 2
[E5] [G5] [C5] [D5]
let ring
35
35
3 5 5 5 79
79
73
53
53
35
35
3 57
57
5
02
02
02
02
02
35
35
35
35 3
535
35
35
35
57
57
57
57
02
02
02
02
02
35
35
35
35
99
12
99
12
99
12
121215
121215
121215
121215
121215
121215
578
578
578
578
578
578
578
578
3
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beck
think
C5
ons
we
- to
have
me.
learned?
D5 E5
And
Not
in
if
a
you’re
mo
ta
G5
ment
king
-
-
the
a
memo
look
C5
ries
at
- are
the
all
war
D5
that
torn
re
af
-
-
main,
fray,
E5
-
-
and
out
all
in
the
the
wounds
streets
G5
are
where
re
the
op
ba
C5
- ening
bies
-
-
a
are
gain.
burned.
D5
- We’re blood
bro
Chorus
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
We’re blood
Gtrs. 1+2
Gtrs. 1+2 w/dist.
35
35
35
35
35
57
57
57
57
02
02
02
02
02
35
35
35
35 3
535
35
35
35
57
57
57
57
02
02
02
02
02
35
35
35
35 3
535
35
35
35
577
022
355
355
577
022
355
355
577
4
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bro
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
Gtr. 2
w/clean toneGtr. 1 w/Fill 3
E5 G5 C5 D5 E5 G5 C5 D5
Fill 3Gtr. 1 [E5] [G5] [C5] [D5] [E5] [G5] [C5] [D5]
[E5] [G5] [C5] [D5] [E5] [G5] [D5] [C5]
022
355
355
577
022
355
355
577
577
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
0 35
3 810 10
1012
10 0 35
33
53
55
7
3
02
02
35
3 810
810
1012
10 02
02
35
35
75
73
5
3
5
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E5
G5 C5
D5 E5
G5 C5 D5
4. There are
Gtr. 2 cont. in slashes
Gtr. 2
E5* G5* C5* D5* E5* G5*
times when I feel I’m a fraid- for the world, there are times I’m a shamed- of us
Gtr. 1
w/dist.
P.M.
D5*
cont. sim.
E5* G5*
all. When you’re float ing- on all the e -
P.M. P.M.
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
02
02
02
02
02
35
35
35
35
35 3
535
35
35
35
57
57
57
57
57
02
02
02
02
02
35
35
35
35
35
57
57
57
57
57
577
02
02
02
02
02
35
35
35
35
35
6
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mo
C5*
- tion- you feel,
D5*
and re flect
E5*
- ing- the good
G5*
and the bad.
D5*
P.M.
Verse
E5*
5.Will we ev er- know
G5*
what the an
C5*
swer- to life
D5*
real ly-
P.M.
is?
E5*
Can you real ly- tell
G5*
me what life
D5*
is?
E5*
May be- all the things
G5*
that you
P.M. P.M.
35
35
35
35
35
57
57
57
57
57
02
02
02
02
02
35
35
35
35
35 5
757
57
57
57
577
02
02
02
02
02
35
35
35
35
35 3
535
35
35
35
57
57
57
57
57
02
02
02
02
02
35
35
35
35
35 5
757
57
57
57
577
02
02
02
02
02
35
35
35
35
35
7
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know
C5*
that are pre
D5*
cious- to you,
E5*
could be swept a way
G5*
- by fate’s own
D5*
hand. We’re blood
P.M.
bro
Chorus
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
We’re blood
Gtrs. 1+2
w/dist.
bro
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
35
35
35
35
35
57
57
57
57
57
02
02
02
02
02
35
35
35
35
35 5
77
577
577
577
577
577
577
022
355
355
577
022
355
355
577
022
355
355
577
022
355
355
577
577
8
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Gtr. 1
E5 G5 C5 D5 E5 G5 C5 D5
Gtr. 2 w/Fill 4
E5 G5 C5 D5 E5 G5 C5 D5
Gtr. 3 (elec.)
Gtrs. 1+2 cont. in slashes
Guitar Solo
Gtrs. 1+2
E5 G5 C5
D5
Gtr. 3
3
full full
Fill 4Gtr. 2 [E5] [G5]
1. 2. 3.
[C5] [D5]
4.
[C5] [D5]
w/dist.
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
9 7 9
8 7
10
7
10 8 10 8 79 7 9
8 77
10 10 8 7 8 12
12 10 12 14 1512
15
1512 14 15 15 14 12 14 1 2 14
912
912
1515
1513
1513
1515
1715
1214
12
13
9
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E5 G5 C5
w/bar
D5
3 3
full
E5
G5 C5 D5
full
full 1/21/2
E5 G5
3
C5 D5
P.M. full
Gtr. 2
E5 G5
cont. sim.
C5 D5
Gtr. 3
Gtr. 1
1215 15
1215 13 15 13 1 2 13
14 1215 12 15 12
14 12 14 1 214 12 14
12 14
14 1412 1412 12 1 5 12 1 2 12
15 14 1214
12 14 14 1214
12
12 1411 12 14
11 12 1412 13 12
1412 13 15
12 14 15 15
2
9 4
12
2
10
4
12
5
13
4
12
2
5
1012
2
9 4
12
2
10
4
12
5
13
4
12
2
5
1012
10
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E5 G5 C5 A5 D5
Interlude
Gtr. 4 w/Fig. 2
[E5]
Gtr. 1
Gtr. 4
[E5] [A5] [G5] Play 3 times
w/clean toneFig. 2
Gtr. 1 w/clean tone (P.M. throughout)Gtrs. 2+3 tacet
[C5] [D5] [C5] [D5] [E5]
Gtr. 1 cont. in slashes
2
9 4
122
104
125
134
122
5
1012
2
9 4
122
104
125
134
122
5
1012
2
92 2 2 2
7
7
7
7
7
9 99
99
97
7
7
79 99
99
9 7 7 5
9 910
910
95 5
89
89
8
3 3 3 5
55
55
55
5 5
77
77
7
3 3 3 5
55
55
55
5 5
77
77
75 59 99
99
9 5 59 99
99
9 5 59 99
99
9 5 59 99
99
9
11
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Middle
Gtr. 1
E5
cont. sim.
C5 A5 E5
(1º +3º Vocal tacet)
When you think that we’ve used all our chan ces- and the
Gtr. 2
w/dist.Gtrs. 3+4 tacet
full
chance
C5
to make ev
A5
’ry- thing- right,
D5
keep on mak
C5
ing- the same
D5
old mis -
full
takes.
E5
- Makes un tip
C5
- ping- the ba
A5
lance- so ea
E5
sy,- when we’re
97 8 7 8 10
710
7 10 710
710 8 10 10 10
7
10 710
710 8 1 0 8 10 10 10 8 10 8 7
9 97 8 7
97
9 7 9 4 97
12
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1.2.
3.
liv
C5
ing- our lives
A5
on the edge.
D5
Say a prayer
C5
on the book
A5
of the dead.
E5
C5 A5
full
full full full1/2
E5 C5 A5 D5
full full
C5 D5 C5 A5
1/2full
full full
8 79
79 7 9 9
7 8 79 7 9
79
15 15 15 15
12 14 14 14 1215
12 14
12 17 17 17 15 14 15 1415
12 14
14 14 1215
12 14 1215
1215 12
15
151215 14 12
1412
13
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E5 C5 A5 D5
full
C5
A5 E5
We’re blood
full full
bro
Chorus
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
We’re blood
Gtrs. 1+2
Gtr. 3Gtrs. 1+2
15 15
17 15 14 15 14 1 5 1415
14 15 17 15 1415
14 15 14
17
1514 17 15 14 15 14
1514
17 15 1215 14 12
022 12 14
12
355
355
577
022
355
355
577
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1.
2.
q = 160
rit.
bro
E5
thers,
C5
-
G5 D5
we’re blood bro
E5
thers.
C5
-
G5 D5
We’re blood
__
G5 D5
Outro
Gtr. 2
w/clean toneGtr. 1 w/Fill 3 ad lib.
E5 G5 C5 D5 E5 G5
C5 D5 E5 G5 C5 D5
E5 G5 C5 D5 Em7 D 7fr
7fr
F#
And if you’re tak ing- a walk through the gar den- of life.
022
355
355
577
022
355
355
577
577
355
577
577
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
9 7 9
8 710
710 8 10 8 7
9 7 9
8 710
710 8 7 8 7
7 9
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q = 200
Words & Music by Janick Gers & Steve Harris
The Mercenary
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited.
Intro
Gtr. 1+2 (elec.)
[E5]
P.M. P.M.
E5
P.M.
5fr
D5
P.M. etc.
3fr
C52fr
B55fr
A53fr
G5
w/distortion
P.M. P.M. P.M. P.M.
Gtr. 2
Gtr. 1
Verse
Pay
Hu
1.
2.
to
man-
kill,
heart,
die
hu
to
man-
lose,
mind,
hunt
in
ed
ter
-
- -
Gtrs. 1+2*
* Composite part
0 0
2
0 0
0
0 0
2 2
0
5 4 03
0 0
2
0 0
0
0 0
2 2
0
5 42
0 0
2
0 0
0
0 0
2 2
0
5 4 0
30 0
2
0 0
0
0 0
2 2
0
5 4 74 2 5
0 079
0 057
0 079
0 097
0 0109
0 079
0 057
0 0
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hunt
linked,-
er
in
- which are
ter-
you?
- twined.
Di
Fo
ab
cus
-
-
lo
sharp
- come
in
a
the
-
gain,
night,
- to
watch
make
the
tro
jun
phies
gle
-
-
out
burn
of
ing-
men.
bright.
79
0 035
0 055
0 079
0 057
0 079
0 097
0 0109
0 079
0 057
0 079
0 035
0 055
0 079
0 057
0 0
79
0 097
0 0109
0 079
0 057
0 079
0 035
0 055
2
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Lose
Toe
your
to
skin,
toe,
lose
throw
your
the
skull,
line,
one
ev
by
’ry-
one
one’s
the
caught
sack is
hands
full.
tied.
In
Ir
the
on-
heat
will,
de
ir
hy
on
-
-
-
drate,
fist,
- know
how
which
could
breath
it
will
have
be
come
your
to
last.
this.
0 0
79
0 057
0 079
0 097
0 0109
0 079
0 057
0 0
79
0 035
0 055
0 079
0 057
0 079
0 097
0 0109
0 079
0 057
0 079
0 035
0 055
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Pre-chorus
E5
No where- to run,
D5
no where- to
hide,
C5
you’ve got to kill
D5
to stay a -
Gtr. 2 cont. in slashes
Gtr. 2
E5 D5
live.- No where- to run, no where- to
Gtr. 1
let ring
0799
577
3
355
577
022
2
0 1 00
023
00 2 4 2 0
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$
C5 D5
hide, you’ve got to kill to stay a -
live.
[E5]
-
Gtrs. 1+2
Chorus C5
Show them no fear,
D5
show them no
Gtr. 1+2 tacet on D.S.
350
32 0 0
023
023
00
2
0 0
2
0 0
0
0 0
2 2
0
5 4 03
0 0
2
0 0
0
0 0
2 2
0
5 45
355
577
5
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pain.
E5
Gtr. 1
Gtr. 2
C5
Show them no fear,
D5
show them no
Gtrs. 1+2
pain.
E5
Gtr. 1
Gtr. 2
0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7
3 23 0
5 4 0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7 5 4 0
3 23
355
577
5
8
4
7
5
8 7
4 7
7 10
5
8
4
7
5
8 7
4 7
7 10
5
6
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To Coda Ø
C5
Show them no fear,
D5
show them no
Gtrs. 1+2
pain.
E5
Gtr. 1
Gtr. 2
C5
Show them no fear,
D5
show them no
Gtrs. 1+2
355
577
0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7
3 23 0
5 4 0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7 5 4 0
3 23
355
577
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pain.
E5
Gtr. 1
Gtr. 2
Guitar Solo
Gtr. 1
1º +3º2º +4º
B5B5
Gtr. 2 w/Rhy. Fill 1
A5D5
3
A5C5
3
Play 4 timescont. ad lib.
Gtr. 2 cont. in slashes
Gtr. 2
E5 G5
cont. sim.
Gtr. 1
3
1/2 1/2
5
8
4
7
5
8 7
4 7
7 10
5
8
4
7
5
8 7
4 7
7 10
5
19 17 15 17 15 14 15 14 12
14 12 10 12 10 9 7 10 9 7 10 9 7 5 7
14 14 12 1417
15
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E5 3 3 G5
full
D5 5 A5 5
Rhy. Fill 1Gtr. 2
B5 A5
B5 D5 C5
1417 15
1417
1617
1614 14
1212 13
14
1412
12
11 12 1412 13 15
11 12 1412 13 14 14 17
14 15 17 19
244
244
244
244
244
3 2 03
022
022
022
022
022
0 0 2 3
244
244
244
244
244
3 2 0 577
577
577
355
355
355
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E5
w/bar G5 D5
1/2 w/bar
G5
w/bar
E5
w/bar
G5 D5
3 3
A5
full
Middle
Gtrs. 1+2
[E5] [D5]
19 19 17 19 17 20 19 1720
19 1720 19
1720 19 17 19
2017 19
2017
20 1720
17 19 2017
20 19
17 17 19 2017 19
2019 20 17 19 20 22 22
12 12 12 12 12 12 13 12 1012
10 10 10 10 10 10 10 10 12 13
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D.S. al Coda
[C5] [D5]
[E5] [D5]
[C5] [D5] A5
12 12 12 12 13 12 1012
10 10 10 10 10 10 10 10 12 13
12 12 12 12 13 12 1012
10 10 10 10 10 10 10 10 12 13
12 12 12 12 12 12 13 12 1012
12 12 12
577
577
577
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Ø Coda
pain.
A5/E
Gtr. 1
Gtr. 2
C5
Show them no fear,
D5
show them no
Gtrs. 1+2
pain.
E5
Gtr. 1
Gtr. 2
0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7
3 23 0
5 4 0
5 5
8 8
0
4 5 5
7 8 8
2 5 5 0
5 8 8
7 5 4 0
3 23
355
577
5
8
4
7
5
8 7
4 7
7 10
5
8
4
7
5
8 7
4 7
7 10
12
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q = 100
q = 100
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited.
Dream Of MirrorsWords & Music by Janick Gers & Steve Harris
Intro
A55fr
Am('9) F55fr
D53fr
G5 Am3fr
C57fr
A5*3fr
F5*5fr
G5*
A5
Have you ev er- felt, the fu ture- is the past,
Gtrs. 1+2 (elec.)
w/distortion
but you don’t know how?
A re flect- ed dream,
of a cap tured- time, is it real ly- now, is it real ly- happen ing?-
Gtr. 1 cont. in slashes
577
577
4 5 45
5577
577
4 5 45
7
577
577
4 5 45
5 3 2 3 23 2
5 4
577
577
4 5 45
5
577
577
4 5 45
7
577
577
4 5 45
5 3 2 3 23 2
5 4
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Gtr. 1Gtr. 2
A5 N.C. (A bass)
Gtr. 2 w/clean tone + delay Gtr. 1 tacet
(G bass) (A bass)
Verse
N.C. (A bass)
1.
3.
2.
Don’t
Think
I
know
I’ve
get
why
heard
up
I
your
put
feel
voice
on
this
be
the
way,
fore,
light,
-
Gtr. 2
5 6 5
7
5
7 7 7
5 5 6 5
7
5 6 8
5 5 5
3 3 4 35
3
7 7 7
5 5 6 57
5 6 8
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
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have
think
dread
I
I’ve
ing-
dreamt
said
the
this
these
on
time,
words
com-
this
be
ing-
place?
fore.
night.
-
Gtr. 3
2º only
Amadd9
Some
Some
Scared
thing
thing
to
-
-
vi
makes
fall
vid
me
a
- comes
feel
sleep-
ag
I
and
ain
just
dream
- in
might
the
-
2º only
to
lose
dream
- mymy
a
mind.mind.
gain.-
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
3
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1º only
Amadd9
And
Am
No
I
I
thing-
think
still
that
I’ve
in
I
seen
side
con
-
your
my
tem-
face,
dream?
plate,-
Gtr. 3 w/clean tone
Amadd9
Is
seen
No
this
this
thing
a
-
room
that
new
been
I
re
in
can
al-
this
com
i-
place.
pare
ty?
-
-
to let
Some
Some
ting
thing
thing
-
-
-
loose
vi
makes
the
vid
me
-
de
comes
feel
mons
ag
- deep
ain
that
-
I have
in
in
-
-
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
4
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to
lost
side-
- my
my
my
mind.
mind.
head.
Gtr. 1
Bridge F5 D5
cont. sim.
1.
2.
3. Dread
All
All
to
my
my
think
hopes
hopes
what
and
and
might
ex
ex
be
pec
pec
-
-
stir
ta
ta
-
-
ring,
tion,
tion,
-
-
-
Gtr. 1 w/dist.1º Gtr. 1 tacet (2º +3º play in slashes)3º Gtr. 2 plays in slashes w/dist.1º Gtr. 3 sim. ad lib. (2º +3º tacet)
F5
that
look
look
my
ing
ing
-
-
dream
for
for
is
an
an
re
ex
ex
D5
oc
pla
pla
-
-
-
cur
na
na
-
-
-
ing.
tion.
tion.
-
-
-
F5
Got
Have
Com
to
I
ing-
keep
found
to
a
my
the
-
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
13
33
13
33 5
77
75
77
7
13
33
13
33 5
77
75
77
7
13
33
13
33
5
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1.
way
des
rea
D5
from
ti
li
-
-
drift
na
sa
-
-
ing,
tion?
tion
-
-
-
F5
sav
I
that
ing
just
I
- me
can’t
can’t
from
take
see
my
no
for
self.
more.
sure.
G5
-
Am
The dream is true.
C5 G5 Am
The dream is
Gtr. 3 tacet
true.
C5 G5 Am
The dream is true.
C5 G5
57
77
57
77
13
33
13
33
35
55
55
55
02
22
52
4
35
0
3
00
00
22
25
24
35
0
3
00
00
22
25
24
35
0
3
00
0
6
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$ 2.
Am F5 G5
Gtr. 3
Amadd9
The dream is true.
Gtr. 1
A5* F5* G5* A5*
I on ly- dream in black and white, I on ly- dream ’cos
Gtr. 2
Gtrs. 1+2 w/dist.
02
22
52
4
13
3
3
00
0 0 0
9 10 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 1 0 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
577
577
577
577
577
577
577
133
355
355
355
355
577
577
577
577
577
577
577
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I’m
F5*
a live.
G5*
-
A5*
I on ly- dream in black
F5*
and white,
G5*
to
save
F5*
me from my self.-
G5* A5*
I on ly- dream in
black
F5*
and white,
G5* A5*
I on ly- dream ’cos I’m
F5*
a live.
G5*
-
133
355
355
355
355
577
577
577
577
577
577
577
133
355
355
355
355
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
577
577
577
577
577
577
577
133
355
355
355
355
577
577
577
577
577
577
577
133
355
355
355
355
8
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A5*
I on ly- dream in black
F5*
and white,
G5*
to save
F5*
me from my self.-
G5* Am
The dream is true.
C5 G5
Am
The dream is true.
C5 G5 Am
The dream is
577
577
577
577
577
577
577
133
355
355
355
355
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
02
22
52
4
35
0
3
00
0
02
22
52
4
35
0
3
00
00
22
25
24
9
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To Coda Ø
3.
true.
C5 G5 Am
The dream is true.
F5 G5
Gtr. 1
Gtr. 2
Chorus
A5*
I on ly- dream in black
F5*
and white,
G5*
35
0
3
00
00
22
25
24
13
3
3
00
0 0 0
9 1 0 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
0 0 0
9 1 0 910
0 0 0
7 9 79
0 0 0
5 7 57
0 0 0
4 5 45
577
577
577
577
577
577
577
133
355
355
355
355
10
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q = 168
q = 168
A5*
I on ly- dream ’cos I’m
F5*
a live.
G5*
-
A5*
I on ly- dream in
black
F5*
and white,
G5*
to save
F5*
me from my self.-
G5*
Interlude
Gtr. 1
A5 G5
Gtr. 2
A5 F5 G5
577
577
577
577
577
577
577
133
355
355
355
355
577
577
577
577
577
577
577
133
355
355
355
355
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
2 3 2 0
5 6 5 3
2 2
5 5
0
0
0
33
3
2 3 2 0
5 6 5 3
2 2
5 5 33
3
0
0
0
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
2 3 2 0
5 6 5 3
2 2
5 5
0
0
0
33
3
2 3 2 0
5 6 5 3
2 2
5 5 33
3
0
0
0
11
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Lost,
Lost,
A5
a
in
hell
a
that
dream
I
of
re
mir
vis-
rors.
it.
-
-
Lost,
Lost,
G5
an
in
oth-
a
er-
Gtrs. 1+2
etc.
P.M.
pa
time
ra
and
- dox.
place.
- Lost,
Lost,
A5
a
and
pa ra- llel
time
- ex
is
is
spin
- tence.
ning.
-
-
P.M.
Lost,
Lost,
F5
a
a
night
night
mare
mare
-
-
I
I
G5
re
re
trace.
trace.
-
-
P.M.
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
133
133
133
133
133
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
355
355
355
355
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Gtr. 1
A5 G5
Gtr. 2
A5 F5 G5
Gtr. 1 cont. in slashes
Chorus
Gtr. 1
A5* F5* G5*
cont. sim.
A5*
I on ly- dream in black and white, I on ly- dream ’cos
Gtr. 2
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
2 3 2 0
5 6 5 3
2 2
5 5
0
0
0
33
3
2 3 2 0
5 6 5 3
2 2
5 5 33
3
0
0
0
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
4 5 4 2
7 8 7 5
4 4
7 7
2
2
2
55
5
2 3 2 0
5 6 5 3
2 2
5 5
0
0
0
33
3
2 3 2 0
5 6 5 3
2 2
5 5 33
3
0
0
0
577
133
133
355
577
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I’m
F5*
a live.
G5*
-
A5*
I on ly- dream in black
F5*
and white,
G5*
to
save
F5*
me from my self.-
G5*
Oh.
Interlude
(1º Vocal tacet)
A5
Oh.
F5
Oh.
Gtrs. 1+2
133
133
355
577
133
133
355
133
133
133
133
133
133
133
355
355
355
355
355
355
355
2 4 2 0 25 5 5 3 3 3
5 5 5 4 2 4 2 0 25 5 5 3 3 3
5 5 5 4
14
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C5
Oh.
F5
Oh.
G5
Gtr. 1
Gtr. 2
Gtr. 2 cont. in slashes
Guitar Solo
Gtr. 1
A5cont. sim.
Gtr. 2
w/dist.
full
F5 C5
full1/2
3 3
F5
3
G5
full
10 10 10 10 10 10
full
2 4 2 0 25 5 5 3 3 3
5 5 5 4 2 4 2 0 2
1 3 1 0 14 2 4
3 1 3
7 7 5 4 5 4 5 4 5 47
47
4 5 47
47
4 5 47
47
4 7 47
47
4 5 47
4 7 47
47
4 X 7 7 5 7
10 8
10 10 10 8 10 8 7
98
7
98
7
15
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A5
3
F5
full
P.H.
C5
3 rake rake
full
F5 G5
full
Oh.
Chorus
A5
(1º Vocal tacet)
Oh.
Gtrs. 1+2
710 10
710
7 8 710
710
7 1 0 710
7 8 7 710
7 1 0 710
7 10 8 7 8 7 8 8 7
87 7 7 7 7 7 5
75 4 X
X
8 7
7
8
7
8 710
710 8
97
9 8 7
11 12 14 1 2 1114 10
8 10 10 12
2 4 2 0 25 5 5 3 3 3
5 5 5 4
16
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D.S. al Coda
rall.
Ø Codarall.
F5
Oh.
C5
Oh.
F5
2º
Oh.
G5
Gtr. 1
Gtr. 2
___________________________________________________________
Am
Gtrs. 1+2
w/clean tone + chorus + delay
2 4 2 0 25 5 5 3 3 3
5 5 5 4 2 4 2 0 2
5 5 5 3 3 35 5 5 4 2 4 2 0 2
1 3 1 0 14 2 43 1 3
0 0
9 10 910
0 0
7
0 0
9 10 910
0 0
7
17
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q = 140
q = 140
© Copyright 2000 Iron Maiden Holdings Limited.Zomba Music Publishers Limited.
All Rights Reserved. International Copyright Secured.
The Fallen AngelWords & Music by Adrian Smith & Steve Harris
_=
3 ___
Gtrs. 1+2 (elec.)
w/distortion
µ
E5
3
5fr
D5
3
3fr
G53fr
C5
3
2fr
B55fr
D5/A
3 etc.
5fr
A5
3
4fr
C#5 F#5
3
4fr
G#5
3
3
3 3 3 3
3 3 3
3 3 3 3 3
Gtr. 3 w/Fill 1
3 3 3
3 3 3 3 3
Gtrs. 1+2 +3
3
3
Fill 1Gtr. 2 (elec.)µ
3 3 3 3
3 3 3 3 3 3 3 3
w/dist.
0 2 2 2 2 20
2 2 2 2 25 5 5 4 4 4 2 5 4 2 0
0
0 2 2 2 2 2 5 2 2 2 2 27 7 7 5 5 5 4 7 5 4
7 5 0 2 2 2 2 2 5 2 2 2 2 2
5 5 5 4 4 4 2 5 4 2 04
2 2 2 2 2 2 2 2 2 2 2 2 64 7
54 7
5
4 5 5 5 5 54
5 5 5 5 59 9 9 7 7 7 5 9 7 5
9 74 4 4 4 4 4 4 4 4 4 4 4
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Gtrs. 1+2
Gtr. 3 tacet
E5
3 3
D5 G5 D5 E5
3 3
C5 G5 C5
E5
D5
G5 D5 E5
C5 G5
1.
C5
Az
3 3 3 3
a
Beat
Verse
2.
E5
- zel
en
-
-
is
fall
be
en
3
-
side
an
- you
gel-
and
but
he’s
I’ve
3
play
ris
ing
en
-
-
a
a
3
gain,
game,
C5
- and the
3 3 3
P.M.
3
P.M.
0 0 0 2 3 0 0 0 2 3 5
77
35
5
5
77
0 0 0 2 3 0 0 0 2 3 3
55
35
5
3
55
0 0 0 2 3 0 0 0 2 3577
355
577
0 0 0 2 3 0 0 0 2 3355
355
355
0 0 0 0 0 0 0 0 0 0 0355
0 2 3
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de
pow
E5
mons
er
-
-
are
is
in
in
3
side
side
-
-
you
me
and
I’ve
they’re
de
3
ma
ci-
king
ded
-
-
their
to
3
play.
pray.
D5
As I
3 3
P.M.
3 3
P.M.
Watch
wait
E5
ing
for
- and
Ar
they’re
ma
3
-
hi
ged-
ding
don
-
-
as
and
they
it’s
3
wait
com
for
ing-
their
my
3
time,
way,
C5
for
it’s
a
an
3
3 3 3
P.M.
3
P.M.
dev
hon
E5
il
our
-
-
to
to
get
be
3
rea
cho
dy
sen
-
-
and
and
take
I
3
ov
wait
er
for
- your
the
3
mind.
day.
D5
3 3 3
P.M.
3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0577
0 2 3
0 0 0 0 0 0 0 0 0 0 0355
0 2 3
0 0 0 0 0 0 0 0 0 0 0 0577
0 2 3
3
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You
Pre-chorus
B5
and on
C5
ly- God
D5
will know
E5
what
B5
could be
3
done,
3
you
B5
and on
C5
ly- God
D5
will know
E5
I
B5
am the
3
on ly- one.
3
You
B5
and on
C5
ly- God
D5
will know
E5
3 3
what
B5
could be
3
done, you
B5
and on
C5
ly- God
D5
would know
E5
I
B5
am the
3
cho sen- one.
3
Gtr. 2 w/Fill 2
3 3 3
244
244
355
355
577
577
799
244
244
244
244
244
244
244
355
355
577
577
799
244
244
244
244
244
244
244
244
355
355
577
577
799
244
244
244
244
244
244
244
355
355
577
577
799
244
244
244
244
244
30
4
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$
$
Chorus
E5
Could it
3
be
C5
it’s the
D5
3
end
D5/A
of the
3
world?
G5 A5
Fig. 1...
E5
All the
3
things
C5
that we
D53
che
D5/A
rish- and
3
love.
3
3
Fill 2Gtr. 2
B53
799
799
XXX
XXX
355
355
577
5577
5577
578
79
10
799
799
XXX
XXX
355
355
577
5577
5577
64 7
54 7
558
447
225
447
5
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E5
No thing
3
- left
C5
but to
D5
3
face
D5/A
this all
3
on
G5
my
A5
...Fig. 1 ends
own.
B5
’Cos I
D5
am the
3
cho sen- one.
3
Gtrs. 1+2
Gtr. 4
Gtr. 4 w/dist.
3 3 3 3 3 3 3 P.M.
3
3
E5
Could it
3
be
C5
it’s
D5
the
3
end
D5/A
of the
3
world?
G5 A5
Gtr. 4
6 6 6
Gtrs. 1+2 w/Fig. 1
799
799
XXX
XXX
355
355
577
5577
5577
355
577
24
24
24
24
24
24
24
24
24
24
24
24
57
57
57
57
57
57
57
57
57
57
57
57
12 0 10 0 8 0 7 0 8 0 10 0 8 0 7 0 5 0 3 5 0
6
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To Coda Ø
E5
All the
3
things
C5
that
D5
we
3
che
D5/A
rish- and
3
love.
6 6 6
E5
No thing
3
- left
C5
but
D5
to
3
face
D5/A
this all
3
on
G5
my
A5
6 6 6
own.
B5
’Cos I
D5
am the
3
cho sen- one.
3
3
2º Gtrs. 1+2 cont. in slashes
12 0 10 0 8 0 7 0 8 0 10 0 8 0 7 0 5 07
0
12 0 10 0 8 0 7 0 8 0 10 0 8 0 7 0 5 0 3 5
710
7 10
7
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1.
2.
Gtrs. 1+2
µ
3 3 3 3
3 3 3
3 3 3 3 3
3 3 3
3 3 3 3 3
3 3 3
3
3 3 3 3
3 3 3
3
Guitar Solo
Gtrs. 1+2
C#53 3 3 3
B53 3
E5 F#5
cont. sim.
Gtr. 3
w/wah wah 3
full
0 2 2 2 2 2 5 2 2 2 2 25 5 5 4 4 4 2 5 4 2 0
0 0 2 2 2 2 2 5 2 2 2 2 2
7 7 7 5 5 5 4 7 5 47 5 0 2 2 2 2 2 5 2 2 2 2 2
5 5 5 4 4 4 2 5 4 2 00
0 2 2 2 2 2 5 2 2 2 2 27 7 7 5 5 5 4 7 5 4
7 5
11 11 9 11
8
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C#5
3 3 3
3 B5
3 3
E5 F#5
C#5
3
3 B5
3 3
E5 F#5
full
C#5 B5 E5 F#5
full Gtr. 1 cont. in slashes
Gtrs. 1+2
G#5
3 3 3 3
F#5
3 3
B5
cont. sim.
Gtr. 4
Gtr. 3 tacet 3 3
3
full
full
9 11 8 911
89 11 7 9
11 7 9 7 69
6 76
12
X
X
912 9
119 12 9
12 11 9
11
11
11
9 12 911
9 12 9 9 1 2 9 12 X 16 1714 17
16 1714 17
17 1916 19
17 1916 19
19 1916
19 161819 18 16 18
16 17 19
9
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1.
D.S. al Coda2.
G#5
3 3
F#5
3 3
B5
3 3
full
G#5
3
3
3
F#5
6 3
B5
3
full
G#5
3
F#5 B5
full
full full
B5
3 3
C5 D5
B5
3 3
C5 B5A5
3
B5
1916 18 19 19 19 17 1619
16 1719
1619 17 16 19 17 16
18
1616 18 15 16
18
1616 18
16 17 1618
16 1718 15 16
19
1816 17 19
16 19 1619
1619 16 18 16
19
1916 18 19 19 16
1919
244
244
244
244
244
244
355
577
244
244
244
244
244
244
355
244
022
24
0
10
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Ø Coda
Ø Coda
one.
E5
Gtrs. 1+2
3 3 3 3 3 3 3 3 3 3 3 3
(Gtr. 4)
Gtr. 4 w/wah wah
3
3 3 3 3 3 3 3 3 3 3 3
Ye ah.
3
-
3 3 3 3 3 3 3 3 3
2
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022 0 2 0 2
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
11
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q = 125
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited.
Words & Music by David Murray & Steve Harris
The Nomad
1.
2.
7fr
E58fr
F5
Intro
Gtr. 3 (elec.)
Gtrs. 1+2 (elec.)
w/distortionFig. 1...
E5
5fr
D5
E5
3fr
C5
F5
E5
A5*7fr
B5 F#53fr
G5
Gtrs. 1+2
5fr
A5 Em3fr
Cmaj7
F5
E5
5fr
Am7
D5
Em('9)
Gtr. 3 cont. sim.
E5
F5
E5
F5
E5 C5 A5*
F5
E5
...Fig. 1 ends
Gtr. 3
E5 F5 E5 F5 E5 D5 E5 F5 E5
Gtrs. 1+2 w/Fig. 1
0 0 0 0799
81010
799
0 0
99
7 70 0 0 0
799
81010
799
0 0577
0 0577
0 0
99
0 0 0 0799
81010
799
0 0799
0 0799
0 0 0 0799
81010
799
0 0355
0 0 577
0 0 0 0799
81010
799
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
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F5 E5 C5 A5* B5 D5 B5 B5 A5
Gtr. 1 cont. in slashes
B5 B5 C5
cont. sim.
E5 F5 E5
Gtrs. 1+2 w/Fig. 1
F5 E5 D5 E5
F5 E5 F5 E5 C5
Ah,
A5
Gtr. 4 w/dist. + slideGtrs. 1+2 cont. in slashes
Gtr. 4 (elec.)
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
10
13
9
12
7
10
9
12
9
12
9
12
9
12
9
12 7
10
13
9
12
7
10
2
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B5 F#5 G5 F#5 B5
ah, ah,
Gtr. 3 tacet
F#5 G5 F#5 E5 F5 E5 F5 E5 D5
ah.
Gtr. 4 tacetGtrs. 1+2 w/Fig. 1 (x2)
Gtr. 3
E5 F5 E5 F5 E5 C5 A5* E5 F5 E5
F5 E5 D5 F5 E5 F5 E5 C5 A5
12 7 8 7 12
7 8 7 12 13 1214
12 12 13 1214
15 13 1214
12 12 13 1214
12 12 13 1214
15 13 1214
12 12 13 1214
12
1 2 1 3 1 214
15 13 1214
12 12 13 1214
12 12 13 1214
15 13 1214
3
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tells.
tells.
Verse
B5
(2.)
(3.)
1.
Un
Like
No
a
der
one
-
-
mi
co
dares
rage
ver
to
-
-
rid
of
ev
ing
the
en
-
-
on
veil
look
F#5
the
of
or
des
your
glance
ert
dis
your
- sand,
guise,
way,
A5
-
Gtr. 1
Gtr. 3 tacet
the
your
B5
like
men
rep
a
that
u-
vis
fear
ta-
ion
you
tion
-
-
float
are
goes
ing
the
be
- with
ones
fore
F#5
-
the
that
you
des
you
they
ert
de
all
- winds.
spise.
say.
D5
-
B5
Know
No
Like
the
one’s
a
-
sec
cer
spi
ret
tain
rit
-
-
-
of
what
that
the
your
can
an
fu
dis
F#5
cient
ture
ap
-
-
-
des
will
pear-
ert
be
at
- lands,
hold,
will.
A5
-
244
244
244
577
577
244
244
244
244
244
577
577
244
244
244
244
577
577
244
4
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1.2.
B5
you
you’re
are
a
ma
the
leg
ny-
keep
end
claim
-
er
of
- of
your
things
the
own
but
myst
sto
no
F#5
ery
ry
one’s
-
-
-
in
will
seen
your
be
you
hands.
told.
kill.
D5
No
E5
mad,
F5
-
E5
ri
F5
der
E5
- of the
D5
an cient- east.
E5
No
F5 E5
mad,-
Gtr. 3
Gtrs. 1+2 w/Fig. 1
ri
F5
der
E5
- that men
C5
know the
A5*
least.
E5
No
F5 E5
mad,- where
F5
you
E5
go to
D5
no one-
244
244
244
244
577
577
12 13 1214
12 12 13 1214
15 13 1214
12 12 13 1214
12
1 2 1 3 1 214
15 13 1214
12 12 13 1214
12 12 13 1214
15 13 1214
5
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3.
knows. No
F5 E5
mad,- where
F5
you
E5
go to
C5
no one
A5
-
No
Chorus
E5
mad,- you’re the ri
B5
der- so
C5
myst er
D5
- i- ous.-
Gtrs. 1+2
Gtr. 1
Gtr. 2
No
E5
mad,- you’re the spi
B5
rit- that
G5
men fear
A5
in us.
Gtrs. 1+2
Gtr. 1
Gtr. 2
12 12 13 1214
12 12 13 1214
15 13 1214
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577
4 5
7 8 10 10 8 7
7 7 5 4
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577 4 5
7 8 10 10 8 7
7 7 5 4
6
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No
E5
mad,- you’re the ri
B5
der- of
C5
the des
D5
ert- sands.
Gtrs. 1+2
Gtr. 1
Gtr. 2
No
E5
man’s ev er- un
B5
der- stood
G5
- your ge
A5
ni- us.-Gtr. 4(elec.)
Gtrs. 1+2
Gtr. 1
Gtr. 2
w/bar
Gtr. 4 (elec.)
Guitar Solo
w/dist.2º +3º Gtr. 4 ad lib.Gtrs. 1+2 w/Fig. 1
E5 F5 E5
w/bar
w/bar
F5 E5 D5 E5 F5 E5
3
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577
4 5
7 8 10 10 8 7
7 7 5 4
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577 4 5
7 8 1 0 10 8 7
7 7 5 4
15
13 12 10 12 10 910 9 10 9
12 10 9
7
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1.
2.
F5 E5 C5 A5* E5 F5 E5
5
E5 F5 E5 D5
full
E5 F5 E5
3
2º Gtrs. 1+2 cont. in slashes
E5
F5 E5 C5 A5*
B5 F#5 G5 F#5 B5 F#5 G5 F#5 E5 F5 E5
Ah. ah, ah, ah.
Gtr. 3
w/dist + slideGtr. 4 tacet
12 11
19 17 19 20 17 19 2 0 19 1720
16
2018 17 17 18 17 16 17
16 17 1619
1619 18 14
12 7 8 7 12 7 8 7
8
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$
$
3.
Verse
B5
4. Those
Leg
who
end-
see
has
you
it
in
that
ho
you
ri
speak
F#5
- zon
an
- des
an
ert
cient
-
-
sun,
tongue,
A5
but
B5
those
no
who
one’s-
fear
spoke
your
to
re
you
pu
and
- ta
lived
F#5
- tion
to
- hide
tell
or
the
run.
tale.
D5
B5
You send
Some
be
they
fore
say
- you
that
a
you
mys
have
tique
killed
F#5
- that’s
a
all
hun
your
dred-
own,
men,
A5
244
244
244
577
577
244
244
244
244
577
577
244
244
244
244
577
577
244
9
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To Coda Ø
B5
your sil
oth
hou
ers
-
-
ette
say
- is
that
like
you
a
have
sta
died
F#5
tue
and
- carved
live
in
a
stone.
gain.
D5
-
No
No
Chorus
E5
mad,
mad,
-
-
you’re
you’re
the
the
ri
ri
B5
der
der
-
-
so
of
C5
the
myst er
des
D5
- i
ert
-
-
ous.
sands.
-
Gtrs. 1+2
Gtr. 1
Gtr. 2
No
No
E5
man’s,
mad,- you’re
ev
the
er-
spi
und
B5
rit
er
-
-
that
stood
G5
-
men
your
fear
gen
A5
in
i-
us.
us.-
Gtrs. 1+2
Gtr. 1
Gtr. 2
244
244
244
244
577
577
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577
4 5
7 8 10 10 8 7
7 7 5 4
0799
0799
0799
0799
0799
0799
0799
244
355
577
577
577
577
577 4 5
7 8 1 0 10 8 7
7 7 5 4
10
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Middle
EmGtr. 2
Bass arr. for gtr.
Cmaj7
Am7 Emadd9
Gtr. 4
w/clean toneGtr. 2 cont. sim ad lib.
Em Cmaj7
Am7 Emadd9
02200
2
2
2
2
0
2
2
2
2
2
2
3
5
4
5
4
5
4
5
3
5
4
5
4
5
4
52
2
2
2
0
5
5
5
5
5
5
5
0
5
5
5
5
5
5
5
0
2
4
2
4
2
4
2
0
2
4
2
4
2
4
2
9 9 11 12 11 11 12 12 11 12
9 9 11 12 11 11 12 12 4
11
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Em Cmaj7
Am7 Emadd9
Em Cmaj7
Am7 Emadd9
9 9 11 12 11 12 14 12 1212
12
9 9 11 12 11 11 12 9
9 9 11 12 11 12 1417 17
1212
9 9 11 12 11 12 11 12 11 9 7 9 4 4
12
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Gtrs. 1+2
E5
cont. sim.
C5
Kybd. arr. for gtr.Gtrs. 1+2 w/dist.Gtrs. 1+3 tacet
A5 E5
Gtr. 4
w/clean tone2º ad lib. sim.
E5 C5
A5 E5
912 12 12 10 12 12 12
912 12 12 10 12 12 12
912 12 12 10 12 12 12 13
10
13 12 1012 11 12
9
12 12 12 10 12 12 12
9
12 12 12 10 12 12 12
9
12 12 12 10 12 12 12 13
10
13 12 10
12 11 12
9 9 11 12 11 12 14 12 12 11 12
9 9 11 12 11 12 11 12 9
13
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1.
2.
E5 C5
A5
E5
E5 C5
A5
w/kybds.
E5
12 12 12 1013 12 13 12
12 12 12 1013 12 13
12 1012
10 12 1312 12 12 10
13 12 13 12 1012
10 12 13 12 10
129
129 9 11 12
1012 11 12 12
1012 11 12 11 9
12
9 9 11 12 11 12 14 12 1212
12
9 9 11 12 11 12 912 12 10 12 12 12 12 12 10 12 12
14
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D.S. al Coda
Ø Coda
rall.
w/kybds.
E5 C5
A5 E5
Gtr. 3
Gtrs. 1+2 w/Fig. 1 (x2)
E5 F5 E5 F5 E5 D5 E5 F5 E5
F5 E5 C5 A5 E5 F5 E5 F5 E5 D5
F5 E5 F5 E5 C5 A5
Gtrs. 1+2E5
Gtr. 1 w/feedback
91 2 1 2 1 2 1 0 1 2 1 2 1 2
91 2 1 2 1 2 1 0 12 12 12
912 1 2 12 1 0 12 1 2 12 13
101 3 1 2 1 0
1 2 1 1 1 2
0 7 7 7 5 7 7 7 0 7 7 7 5 7 7 7 0 7 7 7 5 7 7 7 8 10 8 7 5 3 2 3
12 1 3 1 214
12 12 13 1214
15 13 1214
12 12 13 1214
12
1 2 1 3 1 214
15 13 1214
12 12 13 1214
12 12 13 1214
15 13 1214
12 12 13 1214
12 12 13 1214
15 13 1214
12 13 1214
12
15
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q = 135
Words & Music by Janick Gers, Bruce Dickinson & Steve Harris
Out Of The Silent Planet
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited (50%)/Sanctuary Music Productions/Duellist Enterprises Limited/Warner/Chappell Music Limited (50%).
1.2.
rall.3.
Gtr. 1 (elec.)
Intro
w/distortion + delay
[E5]
7fr
E5*
3
3fr
C5
3
G5*
3
D5*
3
E5
3
3fr
G5
3
3fr
C5
3
5fr
D5 A5
3
[A5]
C
3
[G5]
2fr
B5
3
3 3
3 3
3 3
[E5]
3 3
3 3
3 3
3 3
[A5]
1º & 2º 3º
3
[G5][C5]
3
3 3
3 3
3 3
[A5]
3 3
3 3
12 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7
0 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7
0 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7 0 0 10 7
98 10
9
10 7
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rall.
q = 160
Gtr. 1 +Gtr. 3 (12st. acous.)
Chorus
E5
cont. sim.
C5 G5*
Out of the si lent- pla net,- out of the si lent-
Gtr. 2 (elec.)
full
full full
pla
1. 2. 3.
D5*
net- we are. pla
4.
D5*
net- we are.
Gtrs. 1+2
w/dist.Gtr. 3 tacet
E5*
etc.
P.M.
Gtr. 2 cont. in slashes
10 8 10 10 10 8 10 8 10 8
1010 8 12 10 89
1010 8 12 10 89
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
2
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Gtr. 2
Verse
E5 G5/E C5
With
kil(2.)
1. ered
ling
-
-
hands,
fields,
with
the
ered
griad
- bod
ing-
ies,
wheels,
- beg
crushed
ging
by
- for
equ
sal
il-
va
i
-
-
-
-
Gtr. 1
Gtr. 4 w/Fill 1
D5 E5 G5/E
tion.
bri
-
- um.-
Des ert
Sep
- ed
’rate
-
-
by
lives
the
no
hands
more
of
dis
Gods,
guise,-
Gtr. 4 w/Fill 1 (x3 sim. ad lib.)
Fill 1Gtr. 4
P.M.
w/dist.
E5 G5
022
022
022
022
022
022
022
022
355
355
355
355
577
577
0 3 2 022
022
022
022
022
022
022
022
9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 X 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 X
3
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C5 A5
cont. sim.
E5
of
no
their
more
own
se
cre
cond-
a
chan
- tion.
ces.
-
-
Na
Hag
tions
gard
-
-
cry,
wis -
dom,
G5/E
-
un
spit
C5
der
ting
-
-
neath
out
- de
the
cay
bit
-
D5
ing
ter
-
-
skies
taste
a
of
bove.
hate.
-
E5
You
I
are
ac
guil
cuse-
G5/E
ty,
you,
- the
be
pun
fore
C5
-
ish
you
- ment
know
- is
the
death
crime
355
355
355
355
022
022
0 3 2 022
022
022
022
022
022
022
022
355
355
355
355
577
577
0 3 2
022
022
022
022
022
022
022
022
355
355
355
355
4
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D5
for
it’s
all
all
who
too
live.
late.
A5 C
The
Be -
Gtrs. 1+2*
Gtr. 4 tacet
* Composite part
let ring
pun
fore
E5
-
ish
you
- ment
know
- is
the
death
crime
for
it’s
all
all
who
too
live.
late.
A5
full
C5 D5
577
577
577
577
022
022
022
320
00 1 0
022400
022
022
2 2 0
022
022
022
022
355
355
355
355
577
577
577
577
577
577
577
5
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$Chorus
E5*
cont. sim.
C5
Out of the si lent- pla net,-
Gtrs. 1+2+4
2º + D.S. Gtrs. 1+2+4 play in slashes
dreams
G5
of des o- la-
D5
tion.-
E5*
Out of the
si
C5
lent- pla net,- come
G5
the de mons- of
D5
cre a- tion.-
0799
0799
0799
355
355
355
355
355
355
577
577
577
0799
0799
0799
355
355
355
355
355
355
577
577
577
6
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E5*
Out of the si
C5
lent- pla net,- dreams
G5
of des o- la- -
2º + D.S. Gtr. 4 w/Fill 2 (x2)
D5
tion.-
E5*
Out of the si
C5
lent- pla net,-
Fill 2Gtr. 4
E5 C5 G5 D5
w/dist.
0799
0799
0799
355
355
355
355
355
355
577
577
577
0799
0799
0799
355
355
355
022
2 33 5 3 2
5 3 2
7
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come
G5
the de mons- of
D5
cre a- tion.-
1º only
No repeat on D.S.
2. The
Gtr. 1
Gtr. 2
Gtr. 4 cont. sim. rhythm
E5*
1º Gtr. 2 doubles Gtr 1 8ve lower
2º Gtr. 2 plays part as written
C5
full
full
full
full
G5 D5
full
full
Out
E5*
of the si lent- pla
C5
net,-
full
full
full
full
355
355
355
577
577
577
10
5 4 58 10 10
5 510
48
10
5 4 58 10
48
510 108 12
54 7 5 45
10 89
5
1
4 58 10
5
1
510
48
8
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To Coda Ø
q = 125
out
G5
of the si lent- pla
D5
net- we are.
full
full
Gtrs. 1+2
1º 2º - 6º
1º + 2º Gtr.4 tacet3º - 6º Gtr. 4 w/ad lib. fills
[E5][C5]
[E5][D5]
[E5]
[E5][E5][E5] Play 6 times
C5 D5 E5 D5/E
Gtrs. 1+2 3
full
10
5 4 58 10
48
510 108 12
54 7 5 45
10 89
7 X X 5 X X 7 X X 5 X X 7 X5
7 X X 5 X X 7 X X 5 X X5
7 X 3
7 X X 5 X X 7 X X 5 X X 7 X5
7 X X 5 X X 7 X X 5 X X5
7 X 3
5 5 75 8 10 10 8 7 10 12 10 8
9
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D.S. al Coda
accel.
Ø Coda
C5
3 D5 E5
full
C5
3 D5 E5
full
C5
3 D5 B5 C5 D5
full
Gtr. 4
E5* C5
Out of the si lent- pla net.-
full
full
full
full
5 5 75 8 10 10 8 7 8 7
7
5 5 75 8 10 10 8 7
12 10 7
5 5 7 5 8 10 10 8 7 8 10
10
5 4 58 10
5
1
510
48
10
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rall.
G5
1. 2. 3.
D5
4.
D5
Out of the si lent- pla net- we are.
- net we are.
full
full
Gtrs. 2+4
Freely E5
Gtr. 13 3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
w/feedback
10
5 4 58 10
48
510 108 12
54 7 5 45
10 89
55 3 711 0 3 1 0
0
5 3 0
12 0 10 7 10 7
98 10
9
10 7 12 0 10 7
98 10
9
10 7
12 0 10 7
98 10
9
10 7 12 0 10 7
98 10
9
10 7
11
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q = 145
Words & Music by David Murray & Steve Harris
© Copyright 2000 Iron Maiden Holdings Limited.
Zomba Music Publishers Limited.
The Thin Line Between Love & Hate
Intro
Gtr. 2 (elec.)Gtr. 1 (elec.)
F#5
F#5 E52fr
B53fr
G5 Asus45fr
D5 A5
E5
F#m11 Esus2/4
Gtrs. 1+2 w/distortion
P.M.
B5 G5 D5 B5
P.M.
Gtrs. 1+2
F#5 B5
Fig. 1...
2 24 4 0 0 2 2
2 24 4 0 0
4 4 0 02 2
3 30 0
0 02 2
3 3 0 0
2 24 4 0 0 2 2
2 24 4 0 0
4 43 3
0 02 2 0 0
3 3
0 02 2
3 3
022
244
244
244
244
244
244
244
244
244
244
3 2 0022
244
244
244
244
244
244
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1.
2.
1. When a
...Fig. 1 ends Gtr. 2 cont. in slashes
Gtr. 2
F#5 B5 cont. sim.
per
few
son
small
- turns
tears
to
be
wrong,
tween,-
is it
some
a
one-
Gtr. 1
P.M.
P.M.
P.M.
P.M.
want
hap
F#5
to
py-
be,
and
be
one
long.
sad.
B5
- Part
Just
of
a
things
thin
F#5
at
line
an
drawn
y
be
- cost,
tween
B5
-
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
244
244
244
244
3 2 0 244
244
244
244
3 2 0
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
2
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D5 Asus4 E5
at
be
what
ing-
price
a
a
gen
life
ius- or
is
in
lost.
sane.-
At
At
what
what
P.M. P.M.
F#5 B5
cont. sim.
F#5 B5
point
age
do
be
we
gin-
be
to
gin,
learn,
- fight
of
er
which
- spi
way
rit
out
- will
we
to
will
win.
turn.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
But
There’s
what
a
makes
long
F#5
a
and
man
wind
dec
ing-
ide,
road,
B5
- take
and
the
the
P.M. P.M. P.M. P.M. P.M. P.M.
244
244
244
244
244
244
023
0223
022
00
022
00
022
00
022
00
022
00
022
00
022
00
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
3
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D5 Asus4 E5
wrong
trail
or
is
right
there
eous
to
- road.
burn.
Bridge F#5 D5 A5 E5
There’s a thin line be tween- love and hate,
cont. sim.
F#5 D5
wi der- di vide- that you can see be -
023
0223
0223
022
00
022
00
022
00
022
00
022
00
022
00
022
00
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
4
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tween
A5
- good and
E5
bad. There’s a grey
F#5
place be
D5
-
tween- black and white,
A5
but ev
E5
’ry- one- does
have
F#5
the right
D5
to choose the path
A5
that he
E5
910
910
910
910
910
910
910
910
910
910
99
99
99
99
99
99
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
99
99
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
5
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1.F#5
Verse
B5 cont. sim.
takes. 2. We are right to put the blame, on so -
P.M. P.M. P.M. P.M.
ci
F#5
- e- ty- these days.
B5
But what kind
F#5
of good or bad,
B5
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
a new gen
D5
e- ra
A5
- tion- brings.
E5
Some times-
P.M. P.M.
910
910
99
99
99
99
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
023
022
02245
02245
02245
02245
02245
02245
02245
6
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takes
F#5
just more than that
B5
to sur vive
F#5
- be good at heart.
B5
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
There is ev
F#5
il- in some of us,
B5
no mat ter-
P.M. P.M. P.M. P.M. P.M. P.M.
what
D5
will ne
A5
ver
E5
- change.
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
244
023
022
02245
02245
02245
02245
02245
02245
02245
7
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I
Chorus
F#5
will hope,
D5
my
soul
A5
will fly
E5
so I
F#5
will live
D5
for ev
A5
- er.
E5
- - -
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
8
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Heart
F#5
will die,
D5
my soul
A5
will fly,
E5
and I
F#5
will live
D5
for -
ev
A5
- er.
E5
- - - - -
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
9
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2.
Guitar Solo
Gtr. 3 (elec.)
w/wah wah + dist.Gtrs. 1+2 w/Fig. 1(x2)
F#5
w/bar B5
full full w/bar full full
F#5
3
1/4 full full full full full
full
B5
3. Just a
3
w/bar
w/bar full
Guitar Solo
Gtr. 3 F#5 B5
w/wah wah + dist.Gtrs. 1+2 w/Fig. 1 (x2)
full
P.M.
1/2
17 17 17
1414 17 14
17 16 1616 14 1416 14
14
16 16
17 1714 16
1717 14 14
171 6 1 4 1 6 1 4
1714 1714
17
17 1617
1417
14
15 14 1 5 1 4 1 5 1 4 1 214
12 1 4 15 1 4 12 1 4 15 1 4 12 1 4 12 1 4 12 1 4 14 14 1 2 14 1 2 10 1 2 10 1 2 10 9 9 10
10
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F#5
full
B5
3
full full
I
Chorus
F#5
will hope,
D5
my
soul
A5
will fly
E5
so I
F#5
will live
D5
10 14 1514 15 14 13 14 13 1 2 1 3 12 1 1 1 2 11
10 11 9 1010 9 7 9 10 9 7 9 7 9 7
9
12 14 1512 14 17 1716 17
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
244
244
244
244
244
244
577
577
11
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for ev
A5
- er.
E5
- - -
Heart
F#5
will die,
D5
my soul
A5
will fly,
E5
and I
F#5
will live
D5
for -
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
244
244
244
244
244
244
577
577
577
577
577
577
577
577
577
577
12
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ev
A5
- er.
E5
- - - - -
Instrumental
Gtr. 2Gtr. 1
F#5
sim.
E5
P.M.
4º Gtr. 3 ad lib.
B5
P.M.
G5
1. 2. 3.D5 B5
P.M.
Gtr. 3
4.D5 B5
Gtr. 3 w/distGtrs. 1+2 cont. sim.
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022
2 24 4 0 0 2 2
2 24 4 0 0
4 4 0 02 2
3 30 0
0 02 2
3 3 0 02 2
4 4 0 0 2 22 2
4 4 0 04 4
3 3
0 02 2 0 0
3 3
0 02 2
3 3 3 3
0 0
14
2 23 3
13
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Gtr. 3
F#5 E5
w/bar
full w/bar full full
B5
3
3
G5
D5
B5
full
F#5
w/bar
E5
full full w/bar full
B5
3
G5 D5 B5
full full fullfull
1416
14 1715 17 17
1714 16 17
17 17 16 17 16 1415 14 15 14 12
13 1412 14
14 16 17 19
19 19 1719
1617
1415 17 14 15
171 4 1 5 1 4
1714 1715
1417 14
1 7 1 6 1 4 1616 14 1614 17
1914 17 19 19
14
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q = e
q = e
Half Time Feel
[F#m11]
w/bar
[Esus2/4]
Gtrs. 1+2 w/Fig. 2 w/bar
Middle
Gtr. 2
w/clean tone + choruslet ringGtr. 3 tacetFig. 2...
F#m11
Esus2/4
F#m11
...Fig. 2 ends
Esus2/4
F#m11
Gtr. 3Esus2/4
Gtrs. 1+2
Gtr. 2 cont. sim.
Gtr. 3
F#m11 Esus2/4 F#m11
3
1719 19 19
2
4200
02
4200
2
4200
02
4200
2
4200
20
00
2
02
200
20
09 100
24
12 12 14 12 10 9 10 99
9 9 11
15
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Esus2/4 F#m11 Esus2/4
F#m11
Esus2/4
The thin line
F#m11
3
Gtr. 2
Gtr. 3 tacet
Esus2/4
be tween- love
F#m11
and hate.
Esus2/4
9 X
X
9 10 12 12 14 12 12 10 9
10 99
99 11 9
2
4200
02
200
2
4200
02
200
16
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1.
2.
Gtrs. 1+2 F#5 A5
E5Gtrs. 1+2
E5cont. sim.
2º Gtrs 1+2 cont. in slashes
Gtr. 3
Instrumental F#5
2º ad lib.3
fullfull full full
E5
w/bar 3
3
F#5
3
w/bar full
244
244
244
244
244
244
244
244
244
244
577
577
577
577
022
022
022
022
022
022
022
022
022
022
022
022
022
022
022 14
14 1616
16 14 1616
14 16
1614
171414 14 16 14
1717
14 16 17 17 17 17 1617 17 15 14 15 14
16 1 4 16 14 13 14 1 614 15
17
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w/bar
E5
w/bar
full w/bar full w/barfull
1/2 full
F#5 E5
F#5 E5
Gtr. 1
Gtr. 2
F#5 E5
w/clean toneGtr. 3 tacet
17 171716
16
16
1414
1616
1414
16
17
14
17
7 10 10 10 10 9 9 9 9 7 7 7 7 5 5 5 12 12 12 12 10 10 10 10 9 9 9 10 99 11
10 10 10 10 9 9 9 9 7 7 7 7 9 7 5 12 12 12 12 10 10 10 10 9 9 9 10 99 11
24
200
200
200
200
200
200
200
200
200
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
18
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e = q
Outro
Half Time Feel
Gtr. 2
Gtr. 1 tacet
F#m11
Esus2/4
F#m11
Gtr. 3
Esus2/4
Gtr. 2
Gtr. 2 cont. sim.
Gtr. 3
F#m11 Esus2/4 F#m11
3
Esus2/4
The thin line
F#m11 Esus2/4 E
be tween-
Gtr. 2
2
42
00
02
42
00
2
4 42
00
0
4 42
00
9 10
12 12 14 12 10 9 10 99
9 9 11
