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Transcript of Book 2016
Season ‘## Members 1OFFICE
Book 2016Andrew J Mack
2 PROJECT
How&Whatto Build
From the University of Michigan
3
Thesis for a Master’s in Architecture from the University of Michigan. The premise is an alignment of tectonics and form through ubiquitous building systems.
HOW & WHAT TO BUILD is designed like an old construction manual. Each chapter contains illustrations of construction details for a “model” tract house. Each element of the house is explored in an eccentric capacity so that its ultimate capability may be illustrated. At the limits of these details, the essential “house-ness” of the system is achieved. As the finished house is as ubiquitous as the one under construction, it is the goal if this thesis to enshrine the formal and tectonic applications that a low density single family environment offers.
Thesis SemesterProf. Keith Mitnick
SPRING ‘16U. MICH
4 HOW & WHAT TO BUILD
The suburban tract house is impervious to the rationalizations of urbanists everywhere. The stud frame is remarkable for its accommodation to any design and yet remains remarkable homogeneous. A series of formal maneuvers provide a shortcut to preserving the iconic form of a house while working on it. Meanwhile, a Semperian breakdown of a stud frame illustrates the moments at which the tectonics of frame construction may be operated on.
Punnett and Semper come together to form a matrix on which the different points of the model house are operated on. Combined, each formal maneuver operates on the other and spirals the construction typology to logical and illogical ends.
R - ReorientationS - SubtractionD - DislocationI - Interruption
G-Fo - Ground to FoundationFo-Fr - Foundation to FrameFr-R - Frame to RoofR-S - Roof to Sky
SPRING ‘16 5U. MICH
Directions for How & What to Build
6 PROJECT
SunnysideCity
FALL ‘15 7U. MICH
Queens was conscripted into the service of Manhattan upon the completion of tunnels and bridges across the East River in the Mid-Twentieth Century. Factories and rail yards transformed the sleepy rural hamlet, into the largest borough in New York. One of these projects was Sunnyside Yards.
Sunnyside Yards is the terminus of the Long Island Rail Road, although it has no major station of its own. The yards are a massive pen, used to store and redirect trains. Its impressive length cleaves Queens in two. Stretching east and west, Sunnyside Yards is crossed by 4 large bridges that connect the southern warehouse district to the northern bedroom communities.
Development on the site of Sunnyside Yards has been suggested since its construction. The developments at Hudson Yards and Ground Zero have renewed interest in a project wedding transit and construction. However, the similarities between these sites remain are purely cosmetic. As Queens has grown up around the Yards so have the complications of joining its disparate neighborhoods.
Urban Design StudioProf. Roy Strickland
8
Bridge 1
Bridge 2
Bridge 3
13.500.000 sftBusiness Center
1.500.000 sftNew Residential
CIRCLE
EXPO CITY
Site:222 Acres.35 Square Miles.9 Square Kilometers
YARD LOFTS
INDUSTRY CITY 2
225.000 sftArena
MoMA PS1
4.500.300 sftMixed Use Residential
6.500.000 sftLight Industry
600.000Mixed Use Residential
*Totals in GFA
SUNNYSIDE CITY
Bridge 1:
Bridge 2:
This is a typology driven development. A gradient of use, from small scale residential in the east - to monolithic industry in the west - informs the scale of the various neighborhoods on the site. Each neighborhood is bound to a bridge which defines access to, and across, the site.
The far western portion of the site keys into the neighborhood via a circus that becomes the gateway to the site. Bordered on three sides by MoMA PS1, a new stadium, and business district.
At the narrowest point in the site, north and south converge at the apron of the podium that supports a new residential zone. This neighborhood is accesses by bicycle lanes to the south-west and a bridge facing plaza in the east.
9
Bridge 3
Bridge 4Bridge 5
MED. CENTER
PARKVIEW
THE GARDENS
3.000.000 sftMedical Campus
6.000.000 sftMixed Use Residential
1.500.000 sftResidential
1.000.000 sftResidential
FALL ‘15U. MICH
Bridge 3:
Bridge 4:
Bridge 5:
The center of the site picks up the grid from the city. The adjacent typologies of large single-use warehouses informs the design of loft buildings for light industry.
Podium developments and a medical center reflect the density of the neighboring buildings. The area surrounding the fourth bridge opens onto a park that mitigates the sectional difference between the north and south sides.
A modernist tower-on-park development compliments the residential neighborhood next door. This loose assemblage of buildings creates the gateway to the site through the porosity of the towers.
10 PROJECT
Rendezvous
Rendezvous is a small pavilion designed for the forks in Winnipeg Canada. It is a charred timber stack that houses a fire to warm yourself after a day on the ice. Slowly, ash from the fire, and the structure itself, blackens the snow as people interact with it. This tiny point on the horizon grows with the mirth of the winter season.
Independent competition with Michal Ojrzanowski
SUMMER ‘15 11INDEPENDENT
Mitered lap joint
Countersunk 8 in. bolts at corners
Charred railroad tie9 in. x 7 in. x 96 in. Typical
Artist designed architrave
Railtie benches
Charred fire pit
Cross laid timber foundation
A
A
B B B
A
A
A
A
1/2 in. fire pit ring
7 ft.
- 0
in.
14 ft
. - 0
in.
21 ft
. - 0
in.
3 ft.
- 8
in.
3 ft.
- 8
in.
7 ft.
- 4
in.
14 ft
. - 8
in.
12 PROJECT
TortillaTerrace
SPRING ‘15 13U. MICH
Tortilla Terrace is situated in the sleepy east side of Austin, Texas. This neighborhood is in the throes of redevelopment, spurred along by the establishment of a light-rail train that connects to the downtown.
Such a connection should be a lifeline to the existing working class population of East Austin; instead, as these things go, higher rents are driving out the original residents. Rows of cheaply constructed housing stock is popping up in the wake of the neighborhood turnover to capitalize on this new market.
The objective of Tortilla Terrace is to provide housing that supports alternative rent models to the newer high priced housing. This is accomplished through a mix of unit configurations that support shared rent, live/work, and multi-generational arrangements. Each unit is crafted to meet the demands of public and private life and the seamless sharing of amenities.
Through a marriage of masonry and timber construction Tortilla Terrace is a handsome fit to the sensibilities of the Austin climate. Passive systems of heating and cooling are essential to the ethos of providing a low cost environment and create the backbone of signature architectural chimneys of the project.
Tortilla Terrace is a community development over nearly 5 acres. 10 rows of housing provide a total of 145 units for the young and old.
1 bedroom. (860 sf.) x 96 units2 bedroom. (120 sf.) x 23 units4 bedroom. (1720 sf.) x 26 units
Multiple scales of access insure that the development is both well connected to the new transportation corridor and feels like home.
Design Studio with Michal OjrzanowskiProf. Mick Kennedy
S UNIT x 6C UNIT x 2Z UNIT x 3
S UNIT x 6C UNIT x 3Z UNIT x 2
C UNIT 2 bedroom.1720 sf.
Z UNIT 4 bedroom.1720 sf.
S UNIT 1 bedroom. 860 sf
14 TORTILLA TERRACE
C - UNIT PLAN
The C-Unit plan provides 4 bedrooms in an over-under configuration that suits the growing family, or, like the S-Unit distinguishes between work and life. The most private bedroom on the ground floor provides total discretion in a sublet configuration or for extended family living.
S - UNIT PLAN
The studio unit plan is built around a duel lifestyle arrangement for the single user. One side, the private, is built in masonry and consolidates all the essential functions of life; eating, sleeping, bathing. The other side, public, is frame built to accentuate its openness and provide space for small business or hosting.
15
Z - UNIT PLAN
2 independent living arrangements, with their own stair and bath form the Z shaped unit. Built for assisted living arrangements, both quarters are separate but share a kitchen. The tighter and more discrete quarters within the masonry shell provides the caretaker with their own space but adequate proximity to their charge.
Back Balcony
Passive chimney
Brick wrapped block interior
Stucco wrapped exterior
Chimney
Bath
Wet wall cavity
Seating build out
SPRING ‘15U. MICH
16
Each masonry stack contains all mechanical and environmental systems. Chillers are located at the roof level and force air down to the associated units, sharing a respective meter.
Hot water pump and furnace also located in the mechanical stack and ventilated directly to the exterior.
Passive systems are in place to draw fresh air from ground level and up through a central chimney. Warmed air from the mechanical will augment the chimney effect to increase the passive cooling of the units.
The added height of the chimney tower will increase the thermal mass and also contribute to a low pressure plane over Tortilla Terrace, maximizing the potential for natural cooling.
TORTILLA TERRACE
17
10’ - 8”
20’ - 8”
30’ - 8”
41’ - 3”
46’ - 3”
60’ - 0”
Stack Side Section
SPRING ‘15U. MICH
18
Ground Floor - Typical
TORTILLA TERRACE
19SPRING ‘15U. MICH
View from the Bar
Semi-Private Entrance
Public Stair
Public Courtyard
Live/Work Units
20 TORTILLA TERRACE
Second Floor - Typical
21SPRING ‘15U. MICH
Private Rooftop
Front Door
Stick Build Living
Public Rooftop
Back Balcony
Masonry Living
22 PROJECT
Connected City
FALL ‘13 23OMA
Development in Dallas, Texas is hemmed in by infrastructure that is threatens to choke the city. Between downtown Dallas and the Trinity River Corridor lies a gaggle of highways and underdeveloped land. This zone forms a virtual moat around Dallas severing connections between the city and the waterfront.
By resurrecting existing watersheds and culverts along the Old Trinity River, a new ecological and urban spine is created.
Professional CompetitionProject Architect Lawrence SiuContributions: model, graphics, and concept design
RESIDENTIAL
OFFICE
HOTEL
CAMPUS / EDUCATION
RECREATION
CULTURAL AMENITIES
ENTERTAINMENT / RETAIL
CIVIC AMENITIES
Over and under existing infrastructure.
Revealing the Old Trinity River
An archipelago of program.
24 DALLAS CONNECTED CITY
The levees that surround the Trinity River Corridor are misconstrued as simply necessities of infrastructures. However, the top of the levees are the same elevation as downtown Dallas. New urban zones extend this shared “upper datum” (pink) while the “lower datum” (gold) of Riverfront Boulevard is developed as a revitalized river corridor with civic content.
Design District
GFA 13,735,000 sfLand Area 6,450,000 sf
Avg. FAR 2.12 Max Building Height 180’
Dallas Loop
GFA 17,000,000 sfLand Area 3,000,000 sf
Avg. FAR 5.7 Max Building Height 700’
Basin
GFA 12,810,000 sfLand Area 3,840,000 sf
Avg. FAR 3.34 Max Building Height 220’
Trinity Loop
GFA 18,000,000 sfLand Area 2,686,000 sf
Avg. FAR 6.68 Max Building Height 700’
Valley
GFA 1,530,000 sfLand Area 6,962,000 sf
Avg. FAR 0.04 Max Building Height 75’
25FALL ‘13OMA
Tech Campus
Residential
Main St. Gateway
Trinity LookoutBiofiltration Gardens
Dealy Plaza
Dallas CC
MixMaster
Trinity Lake Club
Maritime Museum
Residential
Entertainment District
Residential
Bridge to DART
26 PROJECT
DePaulStadium
SUMMER ‘13 27OMA
Chicago is a sports town with many storied venues. DePaul University basketball is being brought back into the thick of it. A 10,000 seat arena that keys into the McCormick Place Convention Center will be the new home to the Blue Demons.
The stadium will serve as a convention hall and performance venue between games, and a community center year round. A 500 room hotel will serve McCormick Place and bring an iconic presence to the design.
Professional CompetitionProject Architect Patrick Hobgood Contributions: concept design, model, and plans
RET
AIL
AN
D A
MM
ENIT
IES
CITY
CITY
Community
Hotel
On a tight, urban site with different conditions on each side, standard arena arrangements can’t respond to the demands of the city around them.
Rotating the arena opens-up the corners for hotel, retail and amenities strategically placed to respond to the neighborhood.
Seemingly in opposition, the site’s various uses— arena, hotel, convention center and retail—when strategically combined, allow for synergy between the building and the city.
Community McCormick Place Event Center
= !McCormick Place West
PROPOSAL
Community Arena Hotel McCormick Place West
+++ = ?
PROGRAM
TYPICAL ARENA 1: NO CONNECTION TO CITY PROPOSAL: FULLY CONNECTED
1. 3.2.
Ammenities
Typically, arenas are severed from the city around them by a ring of support spaces and amenities.
programmatically and spatially. The proposed con�guration allows for a permeable arena that adapts to its surroundings both Blocks of retail, arena and hotel program are arranged in an arc arcoss the site, framing a
plaza at the South West and a new multi-functional community space at the North East.
Retail
RESIDENTIAL
COMMERCIAL
McCormick
ConventionCenter
Community
Reta
il
"THE FORTRESS" OPEN ARENA
1. Rotation
4. Permeable
2. Synthesis
3. Adaptation
RET
AIL
AN
D A
MM
ENIT
IES
CITY
CITY
Community
Hotel
On a tight, urban site with different conditions on each side, standard arena arrangements can’t respond to the demands of the city around them.
Rotating the arena opens-up the corners for hotel, retail and amenities strategically placed to respond to the neighborhood.
Seemingly in opposition, the site’s various uses— arena, hotel, convention center and retail—when strategically combined, allow for synergy between the building and the city.
Community McCormick Place Event Center
= !McCormick Place West
PROPOSAL
Community Arena Hotel McCormick Place West
+++ = ?
PROGRAM
TYPICAL ARENA 1: NO CONNECTION TO CITY PROPOSAL: FULLY CONNECTED
1. 3.2.
Ammenities
Typically, arenas are severed from the city around them by a ring of support spaces and amenities.
programmatically and spatially. The proposed con�guration allows for a permeable arena that adapts to its surroundings both Blocks of retail, arena and hotel program are arranged in an arc arcoss the site, framing a
plaza at the South West and a new multi-functional community space at the North East. R
etail
RESIDENTIAL
COMMERCIAL
McCormick
ConventionCenter
Community
Reta
il
"THE FORTRESS" OPEN ARENA
1. Rotation
4. Permeable
2. Synthesis
3. Adaptation
Synergy between the different programs.
Bridge to Convention Center
28
Entry LevelEvent Level
Concessions LevelBox Level
DePAUL STADIUM
29
Entry Level
Stadium Section
SUMMER ‘13 OMA
30 PROJECT
MBCC
SPRING ‘13 31OMA
The Miami Beach Convention Center is an island within an island. This concrete atoll has expanded twice since its initial construction in the 1950’s, crowding out future development. The goal of the MBCC master plan is to re-urbanize the convention center district, provide new hotel and retail space, and enhance the history of South Beach.
The existing convention center itself will be partially demolished and completely renovated. New ballrooms and an 800 room hotel will be perched on top of the MBCC. By moving upward, not outward, the MBCC achieves a new iconic status in South Beach.
Professional CompetitionProject Architect Jason Long Contributions: convention center concept design and model
32 MIAMI BEACH CONVENTION CENTER
1935 - Golf Course
1987 - Expansion II 2013 - South Beach ACE
1957 - Built 1968 - expansion I
South Beach Arts Culture Entertainment (ACE) is a
team comprised of Tishman Development, OMA, and
Michael Van Valkenburgh Associates.
The original convention center will remain mostly intact, with a new hall added to the West. To the East the residential neighborhoods is extended.
To the south, new cultural and retail buildings activate the space and create a new civic band between the convention center and 17th Street.
33
800 Room Hotel
Ballroom 40,000 sqf.MBCC
Ballroom 15,000 sqf.Hotel
Hotel Terrace and Pools
Solar Roof
Ballroom 60,000 sqf.MBCC
Parking Deck220 parking spaces
Ballroom 10,000 sqf.Hotel
Meeting Room 57,500 sqf.MBCC
Hall A172,500 sqf.
Hall B179,700 sqf.
Hall C148,700 sqf.
Hotel Lobby
MBCC Lobby
Axon
The hotel is perched atop the convention center. However each remains autonomous in terms of program; both posses their own ballrooms and service space.
SPRING ‘13 OMA
34
The master plan reestablishes the area around the Convention Center as a new public amenity for the city, with 28 acres of public open space. To the West and South of the Convention Center, hard-scaped plaza areas provide new civic areas that can also be used as temporary exhibition and spill out or tented spaces for events like Art Basel and the Miami Boat Expo.
GLEASONPlanting: 67,650sfPaths: 42,900sfTotal : 110,550sf
NORTH PARKPlanting: 215,500sfPaths: 141,000sfTotal : 356,500sf
CC DRIVEStreetscape : 17,000sf
MEDIANPlanting: 21,280sfPaths: 14,906sfTotal: 35,615sf
WASHINGTONStreetscape: 16,122sf
PLAZA68,450sf
18th Street (E)Planting: 13,950sfPaths: 32,000sfTotal: 46,000sf
CITY HALLPlanting: 44,450sfPaths: 35,670sfTotal: 80,120sf
Public17.2 acres748,550sf
17th StreetscapeStreetscape 11,250sf
WEST PARKPlanting: 88,710sfPaths: 28,800sfTotal : 117,510sf
42 South Beach ACE
Masterplan
Open Public SpaceStarting with its role as the original Miami Beach Mu -nicipal Golf Course, the site has an important history as an open space within Miami Beach. Our masterplan reestablishes the area around the Convention Center as a new public amenity for the city, with 28 acres of public open space.
Flexible Outdoor SpaceTo the West and South of the Convention Center, hardscaped plaza areas provide new civic areas that can also be used as temporary exhibition and spill out or tented spaces for events like Art Basel and the Boat Show.
Convention Center Drive has been recon�gured as a shared surface road and the tra�c strategy con -�gured to allow it to be closed, creating 60,000 sf of space for events or public programing. In addition to this hardscaped space, a 65,000 sf lawn area pro -vides additional space for functions and events.
At the Convention Center entry to the south, the MBCC plaza provides 70,000 sf of dedicated space free from obstructions that can house tents for large exhibits or other smaller installations for community events. In addition, 45,000 sf in front of the Jackie Gleason Theater can also be used for events.
GLEASONPlanting: 67,650sfPaths: 42,900sfTotal : 110,550sf
NORTH PARKPlanting: 215,500sfPaths: 141,000sfTotal : 356,500sf
CC DRIVEStreetscape : 17,000sf
MEDIANPlanting: 21,280sfPaths: 14,906sfTotal: 35,615sf
WASHINGTONStreetscape: 16,122sf
PLAZA68,450sf
18th Street (E)Planting: 13,950sfPaths: 32,000sfTotal: 46,000sf
CITY HALLPlanting: 44,450sfPaths: 35,670sfTotal: 80,120sf
Public17.2 acres748,550sf
17th StreetscapeStreetscape 11,250sf
WEST PARKPlanting: 88,710sfPaths: 28,800sfTotal : 117,510sf
42 South Beach ACE
Masterplan
Open Public SpaceStarting with its role as the original Miami Beach Mu -nicipal Golf Course, the site has an important history as an open space within Miami Beach. Our masterplan reestablishes the area around the Convention Center as a new public amenity for the city, with 28 acres of public open space.
Flexible Outdoor SpaceTo the West and South of the Convention Center, hardscaped plaza areas provide new civic areas that can also be used as temporary exhibition and spill out or tented spaces for events like Art Basel and the Boat Show.
Convention Center Drive has been recon�gured as a shared surface road and the tra�c strategy con -�gured to allow it to be closed, creating 60,000 sf of space for events or public programing. In addition to this hardscaped space, a 65,000 sf lawn area pro -vides additional space for functions and events.
At the Convention Center entry to the south, the MBCC plaza provides 70,000 sf of dedicated space free from obstructions that can house tents for large exhibits or other smaller installations for community events. In addition, 45,000 sf in front of the Jackie Gleason Theater can also be used for events.
Public Space
Flex Space
MIAMI BEACH CONVENTION CENTER
Flex Space
35
12
4
5 6
8 9
10 11
7
3
1 . Convent ion Center (exis t ing)2 . Convent ion Center (new bui ld)3 . Hotel with Off ice Space4 . Resident ia l5 . Ci ty Hal l (exis t ing)6 . Jackie Gleason (renovat ion)7 . Gourmet Dining8 . Museum of Modern Art9 . Transi t Terminal10 . Parking and Shopping11 . New World Symphony (exis t ing)
Ground Level Master Plan
=Convent ion center=Resident ia l=Civic Amenit ies=Enter ta inment =Dining/shopping=Hotel
0 50’ 100’ 200’ 400’
SPRING ‘13 OMA
36 PROJECT
ColpatriaTower
FALL ‘12 37OMA
Colpatria Tower is designed as a super high-end residence in Bogota, Columbia. The site is surrounded by two urban datums: 5 to 6 story buildings along tree-lined streets, and a sprinkling of taller towers that pierce through the tree line. The building’s mass takes advantage of these two conditions by splitting the building in two main masses.
The top volume hovers above the trees’ foliage, taking advantage of unobstructed views towards the city and the mountains. At the bottom volume, the building’s footprint is sheared, creating two longitudinal gardens that flank its north and south.
Professional CompetitionProject Architect Rami Abou-KhalilContributions: concept design and model
Upper Volume
Concept Models
Concept
Lower Volume
38 COLPATRIA TOWER
Ground Floor Lobby
Low
er V
olum
e
Unit Breakdown
Upp
er V
olum
e
4BR 3BR 2BR
3x
2x
1x
4BR 3BR 2BR
Lower Volume
Upper Volume
39
Floor 3 PlanLower Volume
Section
Each unit revolves around a shaft that brings fresh air into the building and facilitates service to each apartment. An amenity floor occupies the space between the split volumes and provides dinning and recreational space, amongst other programs.
FALL ‘12OMA
40 PROJECT
TheMonuseum
SPRING 2012 41UIUC
Going to school in the middle of the Middle West gives you time to think. Architecture is over the 3 point curve, Corbusier’s 5 rules, and the 9 square house. It is the age of architecture without architects, and it was invented here on the great plains. We gave the world silos, stockyards, and highways; now its time for a redux.
In our age of digitization and mass-customization, everyone is shaping their world. In the most generic pursuit “the quest for individuality”, people are becoming more like themselves (unique like everyone else). In our ever crowded world, we can’t seem share anything. Community, likewise, is being customized. The chat room and fanzine moving people ever and ever into communities of their own design. Is it a bad thing to be ever more pigeonholed? Perhaps not, but when do the modifiers run out on “Caucasian Over-40 SCUBA Enthusiasts for the Continued Use of Print Publishing, LGBT”.
This issue extends from man to his environment. Rem Koolhaas in his essay “Generic City” describes a case of this
modern schizoid tendency. Koolhaas’ cities have an identity crisis, competing with themselves to be both individual/cutting edge and regional/historic. But if his intent is to just let buildings be, better to let people alone too.
GIVE UP! The collective cannot compete with itself in the pursuit for collectivity. In the pursuit of regionalism, the million dollar museum will never compete with the converted one-room-school-house. THINK BIG! As repository for emotions and memories the monument is the answer to unifying the populace. Via experience, rather than content, a monuseum can bring people together.
The Monuseum: familiar and strange, wild and calculated, impressive and mundane, historic and non-contextual. Constructed in the heart of the Midwest, a land most schizoid in its typography. The Monuseum defines collectivity through experience.
Design Studiowith Caitlin HubbsProf. Stuart Hicks
42 MONUSEUM
The Monuseum is understood by everyone. The dizzying repetition of forms challenges one’s perception but perhaps recalls a familiar place or one seen in National Geographic.
Above:Oblique
Ink, charcoal, wash on cotton board
43
This project is a result of a studio focusing on the legitimacy of museums today. Especially as they pertain to an increasingly diversified landscapes, here the Midwest.
Clockwise from Top Left:Section
Ink, charcoal, wash on cotton board
Massing ModelPlaster and acrylic
Plan, Entirety of MonuseumInk, charcoal, wash on cotton board
Plan, Entry LevelInk. charcoal, wash on cotton board
SPRING 2012UIUC
44
BMWGeorge V
SUMMER ‘11 45CARBONDALE ARCH.
Construction documents for BMW flagship store, ave. George V., Paris.Produced within Carbondale Arch. Summer 2011
These documents present one of many options for modifying the normalizing wall-screen which wraps the store’s interior.
46 SUPPLEMENTS
OMAChAD
Concept ModelRubber and Acrylic
OMAColpatria Tower
Final ModelAcrylic with Wood
OMAMBCC
Final ModelAcrylic with
Natural Materials
OMAMBCC
Final ModelResin
OMAMBCC
Final ModelResin
Photo from the OMA Model Shop
47
OMA Facade Detail, 1/2 Scale
Plaster
OMAProject for Brasil
Concept ModelWood and Resin
OMADePaul Stadium
Final ModelAcrylic
OMAProject for Brasil
Concept ModelResin
OMADePaul StadiumConcept ModelResin
SUPER MODELS
48
University of MichiganSunnyside City
Final ModelCedar Wood and Acrylic
University of MichiganTortilla Terrace
Final ModelFoam
University of MichiganThesis - How & What to Build
Final ModelFoam
University of MichiganLove Child
Concept ModelFoam and Urethane Resin
OMADepaul StadiumConcept Model
Foam, Wood and Resin
SUPPLEMENTS
49
University of MichiganModel City, Tortilla Terrace
University of IllinoisMonuseum
Final ModelCork Wood and Gesso
OMABay Grove Miami
Final ModelAcrylic
SUPER MODELS
50 PROJECT