Bibliography978-1-137-48369-0/1.pdf · la littérature romanesque française’, Revue d’Histoire...

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231 Bibliography Abbott, Megan (2002), The Street was Mine: White Masculinity in Hardboiled Fiction and Film Noir. New York: Palgrave Macmillan. —— (2003), ‘“Nothing you Can’t Fix”: Screening Marlowe’s Masculinity’, Studies in the Novel, 35:3, 305–24. Adams, Michael C.C. (1994), The Best War Ever: America and World War II. Baltimore: Johns Hopkins University Press. The American Bloody Register ([1784] 1993), in Daniel Williams (ed.), Pillars of Salt: An Anthology of Early American Criminal Narratives. Madison, WI: Madison House, 232–57. American Film Institute Catalog of Feature Films. www.afi.com/members/ catalog/, date accessed 18 July 2012. American Heritage Dictionary of the English Language (2000), 4th edn, www. thefreedictionary.com/series, date accessed 25 August 2013. Anderson, James (1985), The Murder of Sherlock Holmes, adapted from The Murder of Sherlock Holmes, Richard Levinson, William Link and Peter Fischer (Story), Peter Fischer (Teleplay). London: W.H. Allen. Anderson, Jean (2014a), ‘Hardboiled or Overcooked? Translating the Crime Fiction of Léo Malet’, JoSTrans (Journal of Specialised Translation), 22 (July), www.jostrans.org/issue22/art_anderson.php, date accessed 13 October 2014. —— (2014b), ‘In the Footsteps of Léo Malet: Investigating Paris through Time and Space’, Clues, 32:2 (November), 62–70. Andrew, Dudley (2000), ‘Adaptation’, in James Naremore (ed.), Film Adaptation. New Brunswick: Rutgers University Press, 8–37. Antonello, Pierpaolo and Florian Mussgnug (eds) (2009), Postmodern Impegno: Ethics and Commitment in Contemporary Italian Culture. Bern: Peter Lang. Aranda, Daniel (2003), ‘Maurice Leblanc et la résurgence de la “série” dans la littérature romanesque française’, Revue d’Histoire littéraire de la France, 1, 111–21. Arnaud, Noël (1974), Dossier de l’affaire ‘J’irai cracher sur vos tombes’. Paris: Christian Bourgois. —— (2004–5), ‘Boris Vian et son double’, Magazine Littéraire, 6, 64–9. Ascari, Maurizio (1998), La leggibilità del male: genealogia del romanzo poliziesco e del romanzo anarchico inglese. Bologna: Pàtron Editore. —— (ed.) (2000), Two Centuries of Detective Fiction: A New Comparative Approach. Bologna: Cutepra. —— (2007), A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational. Basingstoke: Palgrave Macmillan. Atkinson, Michael (2009), ‘Parkour, Anarcho-Environmentalism, and Poiesis’, Journal of Sport and Social Issues, 33:2 (May), 169–94. Azoury, Philippe and Jean-Marc Lalanne (2002), Fantômas style moderne. Paris: Centre Pompidou-Yellow now. Bain, Donald (2012), Murder, HE Wrote: A Successful Writer’s Life. Danbury: Hyphenates Books. (ebook).

Transcript of Bibliography978-1-137-48369-0/1.pdf · la littérature romanesque française’, Revue d’Histoire...

Page 1: Bibliography978-1-137-48369-0/1.pdf · la littérature romanesque française’, Revue d’Histoire littéraire de la France, 1, ... Geografia e storia del giallo italiano contemporaneo.

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Bibliography

Abbott, Megan (2002), The Street was Mine: White Masculinity in Hardboiled Fiction and Film Noir. New York: Palgrave Macmillan.

—— (2003), ‘“Nothing you Can’t Fix”: Screening Marlowe’s Masculinity’, Studies in the Novel, 35:3, 305–24.

Adams, Michael C.C. (1994), The Best War Ever: America and World War II. Baltimore: Johns Hopkins University Press.

The American Bloody Register ([1784] 1993), in Daniel Williams (ed.), Pillars of Salt: An Anthology of Early American Criminal Narratives. Madison, WI: Madison House, 232–57.

American Film Institute Catalog of Feature Films. www.afi.com/members/catalog/, date accessed 18 July 2012.

American Heritage Dictionary of the English Language (2000), 4th edn, www.thefreedictionary.com/series, date accessed 25 August 2013.

Anderson, James (1985), The Murder of Sherlock Holmes, adapted from The Murder of Sherlock Holmes, Richard Levinson, William Link and Peter Fischer (Story), Peter Fischer (Teleplay). London: W.H. Allen.

Anderson, Jean (2014a), ‘Hardboiled or Overcooked? Translating the Crime Fiction of Léo Malet’, JoSTrans (Journal of Specialised Translation), 22 (July), www.jostrans.org/issue22/art_anderson.php, date accessed 13 October 2014.

—— (2014b), ‘In the Footsteps of Léo Malet: Investigating Paris through Time and Space’, Clues, 32:2 (November), 62–70.

Andrew, Dudley (2000), ‘Adaptation’, in James Naremore (ed.), Film Adaptation. New Brunswick: Rutgers University Press, 8–37.

Antonello, Pierpaolo and Florian Mussgnug (eds) (2009), Postmodern Impegno: Ethics and Commitment in Contemporary Italian Culture. Bern: Peter Lang.

Aranda, Daniel (2003), ‘Maurice Leblanc et la résurgence de la “série” dans la littérature romanesque française’, Revue d’Histoire littéraire de la France, 1, 111–21.

Arnaud, Noël (1974), Dossier de l’affaire ‘J’irai cracher sur vos tombes’. Paris: Christian Bourgois.

—— (2004–5), ‘Boris Vian et son double’, Magazine Littéraire, 6, 64–9.Ascari, Maurizio (1998), La leggibilità del male: genealogia del romanzo poliziesco e

del romanzo anarchico inglese. Bologna: Pàtron Editore.—— (ed.) (2000), Two Centuries of Detective Fiction: A New Comparative Approach.

Bologna: Cutepra. —— (2007), A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational.

Basingstoke: Palgrave Macmillan. Atkinson, Michael (2009), ‘Parkour, Anarcho-Environmentalism, and Poiesis’,

Journal of Sport and Social Issues, 33:2 (May), 169–94.Azoury, Philippe and Jean-Marc Lalanne (2002), Fantômas style moderne. Paris:

Centre Pompidou-Yellow now.Bain, Donald (2012), Murder, HE Wrote: A Successful Writer’s Life. Danbury:

Hyphenates Books. (ebook).

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Fox, 110 min.Marshall, George (dir.) (1946), The Blue Dahlia. Paramount, 100 min.Montgomery, Robert (dir.) (1947), Ride the Pink Horse. Universal, 101 min.Morel, Pierre (dir.) (2004), District 13. EuropaCorp/TF1/Canal+, 84 min.

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—— (dir.) (1943), Sherlock Holmes in Washington. Universal Studios, 71 min.—— (dir.) (1943), Sherlock Holmes Faces Death. Universal Studios, 68 min.—— (dir.) (1944), The Spider Woman. Universal Pictures, 62 min.—— (dir.) (1944), The Scarlet Claw. Universal Studios, 74 min.—— (dir.) (1944), The Pearl of Death. Universal Studios, 69 min.—— (dir.) (1945), The House of Fear. Universal Pictures, 69 min.—— (dir.) (1945), The Woman in Green. Universal Studios, 68 min.—— (dir.) (1945), Pursuit to Algiers. Universal Studios, 65 min.—— (dir.) (1946), Terror by Night. Universal Studios, 60 min.—— (dir.) (1946), Dressed to Kill. Universal Studios, 76 min.Punch, Monkey (dir.) (2002), Lupin III Vol. 1. Tokyopop, 48 min.Rawlins, John (dir.) (1942), Sherlock Holmes and the Voice of Terror. Universal

Studios, 65 min.Reinhardt, John (dir.) (1947), The Guilty. Monogram, 71 min.Ripley, Arthur D. (dir.) (1946), The Chase. United Artists, 86 min.Salomé, Jean-Paul (dir.) (2004), Arsène Lupin. Hugo/TF1, 125 min.Soffici, Mario (dir.) (1958), Rosaura a las 10. Argentina Sono Film S.A.C.I.,

100 min. van Gogh, Theo (dir.) (2004), Submission. VPRO, 12 min.Welles, Orson (dir.) (1946), The Stranger. RKO, 95 min.Zinnemann, Fred (dir.) (1948), Act of Violence. MGM, 82 min.

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251

Index

adaptation, 167–76age and ageing see detective: woman

detectiveAlleyn, Roderick, 89anti-communism see setting: period Ascari, Maurizio, 154, 220

Bain, Donald, 185, 186, 187Bakhtin, Mikhail, 103, 142Baudelaire, Charles, 189 Bengtzon, Annika, 111–21Benjamin, Walter, 28, 126, 131, 132,

189, 190, 196Bioy Casares, Adolfo, 31–40Black, Cara, 188–96Blyton, Enid, 219, 227, 228Bogart, Humphrey, 169, 172, 175Borges, Jorge Luis, 31–40Bruce, Nigel, 168Budgeon, Shelley, 105, 107, 109, 110Burma, Nestor, 188–96Burroughs, Stephen, 11–19Bustos Domecq, Honorio, 34, 35, 39, 40

Caution, Lemmy, 57Cawelti, John, 11, 19, 54, 62, 179–83Chandler, Raymond, 11, 17, 37, 38,

56, 59, 65, 68, 124Chase, James Hadley, 47Cheryl (girlfriend of ‘Le Poulpe’), 55,

59–61Cheyney, Peter, 46–7, 50, 56, 57, 62Christie, Agatha, 11, 32, 89, 98,

183, 208, 213, 217Coats, Karen, 220, 227, 228Cohen, Bernard, 41–2, 50Cold War see setting: period collections (multi-authored)

Le Poulpe, 5, 52–62Séptimo Círculo collection, 31–9 Série noire, 41–3, 45–9, 50 Stratemeyer, Edward, 220, 222, 223,

227, 230

confession see Burroughs Conrad, Joseph, 138

Dannay, Frederic, 177–87Debord, Guy, 189, 190, 196detective (types)

armchair detective, 35, 191, 195dynamic detective, 101embedded detective, 197–207hardboiled detective, 1, 6, 7, 19,

37–9, 42–9, 53–9, 60–5, 167, 99–101, 171, 197, 199, 201–7

loner detective, 7, 120, 169, 197–9, 207

woman detectiveage and ageing, 89, 94, 96,

101–10Gullette, Margaret Morganroth,

101–2Drew, Nancy, 220, 222, 224Fletcher, Jessica, 177–87Leduc, Aimée, 188–96Marklund, Liza, 111–21Mars, Veronica see film and TV:

TV seriesWarshawski, V.I., 99–110

dime novels, 22, 25, 26, 29Dmytryk, Edward, 65, 73Doyle, Arthur Conan, 11, 23–30,

168–76, 180, 222Drew, Nancy see detective: woman

detectivedrugs, 127, 128, 130Duhamel, Marcel, 42, 43, 45–9, 53,

57, 60

Eco, Umberto, 11, 21, 23–6, 87, 100, 101, 133

Ellroy, James, 74–83, 124embeddedness, 197–207

Fantômas, 23, 188, 189, 195fascism see setting: period

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252 Index

Feuillade, Louis 188Les Vampires, 188, 196

feuilleton, 21–30film and TV

film noir, 72,film series, 63–73, 167–76 TV series

Ellery Queen, 177–87Murder, She Wrote, 177–87Veronica Mars, 208–19

Twentieth Century Fox, 168, 170, 176

Universal Studios, 167, 168, 170, 175, 176

flâneur, flânerie, 189, 190, 195, 196Fleming, Ian, 11, 17Fletcher, Jessica see detective: woman

detective Frías, Carlos, 31, 38–40

Geherin, David, 124, 125, 134Genette, Gérard, 45ghost story, 221, 226Golden Age, 7, 87, 208 Goligorski, Eduardo, 38, 40Gothic fiction, 222, 230Grafton, Sue, 99, 117, 209Gramsci, Antonio, 3, 63, 73Grosz, Elizabeth, 144–6, 151Gullette, Margaret Morganroth,

101, 102see also detective: woman detective

Halttunen, Karen, 12, 13Hammett, Dashiell, 37, 38, 55, 124,

184Hammond, Andrew, 219–30Haraway, Donna, 143hardboiled see detectiveHarmsworth, Alfred see juvenile

crime fictionhistorical detective fiction, 219, 220,

229Hollywood, 64, 66, 73, 74, 78,

167–75Holmes, Sherlock, 24–30, 89–91,

97, 167–76 Hornung, Ernest W., 22–6, 29, 30Huston, Nancy, 49

Invisible Detective series, 221–9

juvenile crime fictionCRYPT, 219–30detective school story, 219–30Famous Five, The, 219 Five Find-Outers, The, 219 Hardy Boys, The, 220Harmsworth, Alfred, 219, 229 hybrid, 219–30Nancy Drew, 220, 222, 224Secret Seven, The, 219 Stratemeyer syndicate see collections Veronica Mars see film and TV: TV series

Kennedy, Douglas, 4–50Knight, Stephen, 20, 149–50, 198

Lafforgue, Jorge, 31–3, 35, 37, 38Lansbury, Angela, 177, 181–6Larsson, Stieg, 111, 121 Leblanc, Maurice, 21–30Lecouvreur, Gabriel, 54–61Leduc, Aimée see detective: woman

detectiveLee, Manfred B., 177, 178, 180, 185, 187Leroux, Gaston, 54Lister, Lord, 21–30 loner see detective Los Angeles Quartet, 74–83Lupin, Arsène, 21–30

Maigret, Jules, 23Mailer, Norman, 50Malet, Léo, 54, 188–96Maloney, Shane, 197–207Manchette, Jean-Patrick, 61, 62Mandel, Ernest, 206Marklund, Liza see detective:

woman detectiveMarsh, Ngaio, 89, 98masculinity 60, 68, 167–9, 171–6Mattalia, Sonia, 31, 35McDermid, Val, 117Miller, Arthur, 72modernism, 228Molander Danielsson, Karin, 101,

111, 119–21dynamic detective see detective

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Index 253

Moore, Lewis D., 197, 198, 202Most, Glenn, 127, 131

Napier, Elizabeth R., 222noir, 5, 7, 41–52, 54–62, 66, 71–4,

77–9, 100, 144, 147, 149, 154, 167, 169, 176, 188, 217

novel of manners, 88, 93, 96, 97

Occupation see setting: period

paratext, 44–8Paretsky, Sara, 97, 99–110, 117, 197Parodi, (Don) Isidro, 33–40 Peace, David, 133–43Pelecanos, George, 122–32Pennac, Daniel, 43, 49, 50, 51picaresque, 17Poe, Edgar Allan, 39, 55–7, 96, 188 Poirot, Hercule, 89, 90Porter, Dennis, 11, 298post-feminism, 104–6postmetropolis, 147, 151, 153–4postmodernism, 228Pouy, Jean-Bernard, 52, 54–9, 62

Queen, Ellery, 177–87

racism, 122, 128Radcliffe, Ann, 222Raffles, A.J., 21–30Rathbone, Basil, 167, 168 Raymond, Derek, 59–62, 144–52, 154Red Riding Quartet, 133–43Reddy, Maureen, 100, 117Richards, Justin, 219–30Rivera, Jorge, 31–8Roosevelt, Franklin D., 64, 66, 69

Sapiro, Gisèle, 43, 47, 50Sayers, Dorothy L., 87–98Scaggs, John, 20, 198Scott, Adrian, 65, 70, 73setting

periodanti-communism, 72, 73 Cold War, 64, 73 fascism, 56, 65, 66, 70, 93, 159Hays Office, 169

Nazism (Nazi), 5, 65–71, 170–5, 194

Neo-Nazi, 194 New Deal, 64–6, 69, 70, 72 Occupation, 194Perón/peronismo, 34, 35, 40post-war, 43, 46, 50, 91, 93–4 second-wave feminism, 99,

102–10 Thatcherism, 144, 148 third-wave feminism, 99, 104–8World War II, 63, 69, 73, 168, 170 see also historical detective fiction

placeLondon, 14, 142, 144, 149–53,

175, 217, 221 Los Angeles, 74, 76–8, 81–3, 198 Maryland, 126, 127 Melbourne, 198, 199, 204 Paris, 6, 43, 50, 53, 55, 57,

188–96urban periphery, 144, 145, 152Vigàta, 155–96Washington (DC), 122, 125–7,

129–31Yorkshire, 133–43

shell shock, 91, 94Simenon, Georges, 23Sontag, Susan, 143Stefanos, Nick, 124, 126, 131Stine, R.L., 220 Strange, Derek, 124–8, 130, 131Stratemeyer, Edward see collectionsSuarez Lynch, Benito, 34, 35, 40Sullivan, Vernon, 41–9, 50, 51supernatural, 219, 230Sur (group, magazine, publisher), 32,

34, 36, 39

Temple, Peter, 197–207third-wave feminism see setting:

periodTodorov, Tzvetan, 2, 19, 75, 163, 190Tokyo Trilogy, 133traceur, 188, 190, 193, 195, 196translation, 3–37, 41–3, 46–7, 49, 50,

56, 57Truman, Harry S, 69Truman, Margaret, 123, 131

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254 Index

TV series see film and TVTwentieth Century Fox see film

and TV

Universal Studios see film and TV

Vane, Harriet, 88, 92–3, 95veteran, 63–73Vian, Boris, 41–51

Vian, Michelle, 46

Warshawski, V.I. see detective: woman detective

Welles, Orson, 66Whelan, Murray, 197, 199, 200–6Wimsey, Lord Peter, 87–98

Yorkshire Ripper, 134, 135, 140