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    Before&After

    Continued Simple, uniform, repetitive 0604

    XiBAmagazine.com U

    Simple

    Uniform

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    XiBAmagazine.com U

    Simple, uniform, repetitiveA page from Browns book illustrates that consistency is key to a successful look

    IIf you love to designif you love to

    explore the different ways that a mes-

    sage can be beautifully and creativelyexpressedthen the aspect of design

    youll see here can be positively painful.

    Why? Because once youve settled on

    a logo and related imagery, what you

    must forever after do is leave it alone.

    Dont touch it. Repeat it exactly, over

    and over and over until youre bored

    and beyond bored. The surprise isthats what makes it strong; the public

    sees it, gets it, knows it, counts on it

    if you change it, it never settles in. To

    illustrate this simple (but hard to do)

    idea, we borrow a page from UPSs

    excellent Brand Guidelines . . .

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    Visual standards

    Your mark is unique. To protect its integrity and effectiveness, you need to set guidelines.They should regulate spacing, size, color and other key visual aspects of the design.

    To most viewers, the logo is the shield, but its

    really the shieldand the space around it .Noth-ing is allowed into this protected space, sothe shield can be seen without distraction or

    competition. The clear space also denes the

    minimum distance from the logo to the edge of

    a printed piece. As a rule, this space should be

    somerationalmeasure derived from a majorvisual element in the image itself; in this case

    its the x-height of the type.

    Small size Too small, and its no

    longer a logo; its a speck. To ensure

    visibility, specify a miminum size;

    for UPS its a half inch.

    Minimum size

    0.5 or 13mm

    x x

    x x

    x-height

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    A) Do not outline the brandmark in

    any color.

    B) Do not change the brandmark

    colors.

    C) Do not add new elements to the

    brandmark.

    D) Do not change the brandmarks

    orientation.

    E) Do not redraw any element

    of the brandmark.

    F) Do not delete the brandmarks

    shield background.

    G) Do not use the brandmark as a

    motif or graphic design element.

    H) Do not violate the brandmarks

    clear space.

    I) Do not create a read-through

    header with the brandmark.

    J) Do not add other effects the

    brandmark.

    K) Do not crop the brandmark

    in any way.

    L) Do not place the one-color brand-

    mark on a photograph or pattern.

    A B C D

    E F G H

    I J K L

    Brandmark

    Dene what can and cannot be done to your logo. Address rendering, color, orientation andso on. Your guidelines will ensure that the look and voice of your logo remains constant.

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    Dropboxes, airplanes and

    delivery vans are all diff-

    erent things in different

    environments, whichmakes it easy to overlook

    the sameness of the logo.

    Thats what you wantthe

    viewer isnt aware; he just

    gets it. Note that, strictly

    speaking, the edge-of-the-

    page rule is suspended on

    the airplanes tail, but with

    no nearby imagery, the eye

    moves from the shield into

    limitless space.

    Logos and images provided by

    United Parcel Service

    Application

    Consistent application in real life is the key; just treat your logo the same every timesame placement, same color, same importanceand your viewers will get to know it.

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    Before & After magazine

    Before & After has been sharing its practical approach

    to graphic design since 1990. Because our modern world

    has made designers of us all (ready or not), Before &

    After is dedicated to making graphic design understand-

    able, useful and even fun for everyone.

    John McWade Publisher and creative director

    Gaye McWade Associate publisher

    Vincent Pascual Staff designer

    Dexter Mark Abellera Staff designer

    Editorial board Gwen Amos, Carl Winther

    Before & After magazine

    323 Lincoln Street, Roseville, CA 95678

    Telephone 916-784-3880

    Fax 916-784-3995

    E-mail [email protected]

    www http://www.bamagazine.com

    Copyright 2005 Before & After magazine, ISSN

    1049-0035. All rights reserved

    You may pass this article around, but you may not alter

    it, and you may not charge for it. You may quote brief

    sections for review. If you do this, please credit Before

    & After magazine, and let us know. To feature free

    Before & After articles on your Web site, please contact

    us. For permission to include all or part of this article in

    another work, please contact us.

    Subscribe to Before & After

    Did you enjoy this article? Subscribe, and

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    Join our e-list

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    Before&After

    Back | Paper-saver format

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    For paper-saver formatPrint: (Specify pages 810)

    For presentation formatPrint: (Specify pages 16)

    Before & After is made to t your binder

    Before & After articles are intended for permanent reference. All are titled and numbered.

    For the current table of contents, click here. To save time and paper, a paper-saver format of this article,

    suitable for one- or two-sided printing, is provided on the following pages.

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    amagazine.com

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    Simple,uniform,repetitive0604

    0604Simple,uniform,repetitive

    S

    imple

    Uniform

    Repe

    titiv

    e

    IIfyoulovetodesignifyouloveto

    explorethedifferentwaysthatames-

    sagecanbebeautifu

    llyandcreatively

    expressedthentheaspectofdesign

    youllseeherecanb

    epositivelypain-

    ful.Why?Becauseonceyouvesettled

    onalogoandrelatedimagery,what

    youmustforeveraft

    erdoisleaveit

    alone.Donttouchit.Repeatitexactly,

    overandoverandoveruntilyoure

    boredandbeyondb

    ored.Thesurprise

    isthatswhatmakes

    itstrong;thepub-

    licseesit,getsit,knowsit,countson

    itifyouchangeit,

    itneversettlesin.

    Toillustratethissim

    ple(buthardto

    do)idea,weborrow

    apagefromUPSs

    excellentBrandGuidelines...

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    0604Simple,uniform

    ,repetitive

    A)Donotoutlinethebrandmarkin

    anycolor.

    B)Donotchangethebrand

    mark

    colors.

    C)Donotaddnewelement

    stothe

    brandmark.

    D)Donotchangethebrand

    marks

    orientation.

    E)Donotredrawanyelement

    ofthebrandmark.

    F)Donotdeletethebrandm

    arks

    shieldbackground.

    G)Donotusethebrandmarkasa

    motiforgraphicdesigne

    lement.

    H)Donotviolatethebrandmarks

    clearspace.

    I)Donotcreatearead-through

    headerwiththebrandmark.

    J)Donotaddothereffects

    the

    brandmark.

    K)Donotcropthebrandma

    rk

    inanyway.

    L)Donotplacetheone-colorbrand-

    markonaphotographorpattern.

    A

    B

    C

    D

    E

    F

    G

    H

    I

    J

    K

    L

    Brandmark

    Denewhatcanandcannotbedonetoyo

    urlogo.Addressrendering,color,orientationan

    d

    soon.Yourguidelineswillensurethatthelookandvoiceofyourlo

    goremainsconstant.

    Visualstandards

    Yourmarkisuniqu

    e.Toprotectitsintegrityandeffectiveness,you

    needtosetguidelines.

    Theyshouldregulatespacing,size,colorandotherkeyvisualaspe

    ctsofthedesign.

    Tomostviewers,thelogo

    istheshield,butits

    reallytheshieldand

    the

    space

    around

    it.Noth-

    ingisallowedintothispr

    otectedspace,so

    theshieldcanbeseenwithoutdistractionor

    competition.Theclearspacealsodenesthe

    minimumdistancefromthelogototheedgeof

    aprintedpiece.Asarule,

    thisspaceshouldbe

    somerationalmeasurede

    rivedfromamajor

    visualelementintheimageitself;inthiscase

    itsthex-heightofthetyp

    e.

    SmallsizeToo

    small,anditsno

    longeralogo;itsaspeck.Toensure

    visibility,specify

    amiminumsize;

    forUPSitsahalfinch.

    Minimumsize

    0.5or13mm

    x

    x

    x

    x

    x-height

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    Simple,uniform,repetitive0604

    0604Simple,uniform

    ,repetitive

    Application

    Consistentapplica

    tioninreallifeisthekey;justtreatyourlogothesameeverytime

    sameplacement,s

    amecolor,sameimport

    anceandyourviewerswillgettoknowit.

    Dropboxes,airplanesan

    d

    deliveryvansarealldiff

    -

    erentthingsindifferent

    environments,which

    makesiteasytooverloo

    k

    thesamenessofthelogo.

    Thatswhatyouwantt

    he

    viewerisntaware;heju

    st

    getsit.Notethat,strictl

    y

    speaking,theedge-of-the-

    pageruleissuspended

    on

    theairplanestail,butw

    ith

    nonearbyimagery,thee

    ye

    movesfromtheshieldinto

    limitlessspace.

    Logosandimagesprovided

    by

    UnitedParcelService

    Before&Aftermag

    azine

    Before&Afterhasbeensharingitspracticalapproach

    tographicdesignsinc

    e1990.Becauseourmodernwor

    ld

    hasmadedesignerso

    fusall(readyornot),Before&

    Afterisdedicatedtom

    akinggraphicdesignunderstand

    -

    able,usefulandeven

    funforeveryone.

    JohnMcWadePublisherandcreativedirector

    GayeMcWadeAssociatepublisher

    VincentPascualSta

    ffdesigner

    DexterMarkAbelleraStaffdesigner

    EditorialboardGwen

    Amos,CarlWinther

    Before&Aftermag

    azine

    323LincolnStreet,Ro

    seville,CA95678

    Telephone916-784-3

    880

    Fax916-784-3995

    [email protected]

    wwwhttp://www.bamagazine.com

    Copyright2005Before&Aftermagazine,ISSN

    1049-0035.Allright

    sreserved

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