faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... ·...

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Transcript of faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... ·...

Page 1: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 2: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 3: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 4: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 5: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 6: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 7: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 8: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 9: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 10: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 11: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 12: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 13: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-
Page 14: faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod001.pdf · from an art of 'naturalism' or 'social realism' to what became celebrated after 1945 as 'Abstract Expressionism'

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod001.pdf · from an art of 'naturalism' or 'social realism' to what became celebrated after 1945 as 'Abstract Expressionism'

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Wittig straight.pdf · who will deny that Lacan scientifically acknowledged, through the "analytical ... from speaking

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Wittig straight.pdf · who will deny that Lacan scientifically acknowledged, through the "analytical ... from speaking

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Chave... ·  · 2009-08-24264 Anna C. Chave Minimalism and the Rhetoric of Power Source: Anna C. Chave, 'Mimmalism

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Chave... ·  · 2009-08-24264 Anna C. Chave Minimalism and the Rhetoric of Power Source: Anna C. Chave, 'Mimmalism

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Nochlin Morisot.pdf · MORISOT'S WET NURSE The Construction of Work and Leisure in Imþressionist Painting LINDA NOCHLIN

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Nochlin Morisot.pdf · MORISOT'S WET NURSE The Construction of Work and Leisure in Imþressionist Painting LINDA NOCHLIN

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod005.pdf · Part 2: Abstract Expressionism and the politics of criticism Clement Greenberg and the ascendance of the

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod005.pdf · Part 2: Abstract Expressionism and the politics of criticism Clement Greenberg and the ascendance of the

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/schneider body001.pdf · The Feminism and Visual Culture Reader Second edition Edited by Amelia Jones Routledge Taylor

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/schneider body001.pdf · The Feminism and Visual Culture Reader Second edition Edited by Amelia Jones Routledge Taylor

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Beuys.pdf · BEUYS Benjamin H. D. Buchloh Appendix THE TWILIGHT OF THE IDOL Preliminary Notes for a Critique

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Beuys.pdf · BEUYS Benjamin H. D. Buchloh Appendix THE TWILIGHT OF THE IDOL Preliminary Notes for a Critique

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 imp 1.pdf · MODERNIZATION: SPECTACLE AND IRONY 113 stew of Argenteuil; not a line, not a plane, not a shape carried

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 imp 1.pdf · MODERNIZATION: SPECTACLE AND IRONY 113 stew of Argenteuil; not a line, not a plane, not a shape carried

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker essential... · 2012-05-12 · If truth is not to be found in the British Museum ... categorization—a 'stereotype'

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker essential... · 2012-05-12 · If truth is not to be found in the British Museum ... categorization—a 'stereotype'

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh... · 2009-08-24 · subsequent definition in terms of traditional ... all of modernism's most radical and

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh... · 2009-08-24 · subsequent definition in terms of traditional ... all of modernism's most radical and

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Sandler ch 2...THE IMPACT OF 1968 ON EUROPEAN ART cal of established values, an iconoclastic perspective that would

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Sandler ch 2...THE IMPACT OF 1968 ON EUROPEAN ART cal of established values, an iconoclastic perspective that would

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT greenberg modern… · 5 Clement Greenberg (1909—1994) 'Modernist Painting' More than any other single text

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT greenberg modern… · 5 Clement Greenberg (1909—1994) 'Modernist Painting' More than any other single text

Castles of Grief (Castra Doloris Chapter 1-6)

Castles of Grief (Castra Doloris Chapter 1-6)

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Pollock statements... · BARNETT NEWMAN The Plasmic Image (1943-45) The subject matter of creation is chaos. The present

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Pollock statements... · BARNETT NEWMAN The Plasmic Image (1943-45) The subject matter of creation is chaos. The present

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Raven...ular gigantic working rocking horse, makes adults feel child- sized, there are three other bedrooms— Personal

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Raven...ular gigantic working rocking horse, makes adults feel child- sized, there are three other bedrooms— Personal

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Warhol part a.… · ANDY WARHOL'S ONE-DIMENSIONAL ART: 1956-1966 "Ifyou want to know all aboutAndy Warhol,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Warhol part a.… · ANDY WARHOL'S ONE-DIMENSIONAL ART: 1956-1966 "Ifyou want to know all aboutAndy Warhol,

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Saslow Bonheur (A).pdf · life, the most recent assessment, by Whitney Chadwick, maintains the accepted view that Bon-

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Saslow Bonheur (A).pdf · life, the most recent assessment, by Whitney Chadwick, maintains the accepted view that Bon-

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/Zemel Van Gogh (A).pdf · self," Van Gogh wrote after painting his thirty fifth ... it is hardly accidental that the

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/Zemel Van Gogh (A).pdf · self," Van Gogh wrote after painting his thirty fifth ... it is hardly accidental that the

faculty.winthrop.edufaculty.winthrop.edu › stockk › Modernism › vol 3 picasso 1.pdf · made only 330 francs at a sale. Pablo Picasso's Ma Jolie (1911) fetched 6,500 francs later

faculty.winthrop.edufaculty.winthrop.edu › stockk › Modernism › vol 3 picasso 1.pdf · made only 330 francs at a sale. Pablo Picasso's Ma Jolie (1911) fetched 6,500 francs later

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker... · Sofonisba Anguissola (1532/35—1625) belonged to a family of five sisters who were encouraged by an enlightened

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker... · Sofonisba Anguissola (1532/35—1625) belonged to a family of five sisters who were encouraged by an enlightened