Artist Slideshow (Updated May 2014)

8/15/2019 Artist Slideshow (Updated May 2014)

http://slidepdf.com/reader/full/artist-slideshow-updated-may-2014 1/404

Carel Weight

Anthony Green



Cezanne



Cy Twombly



Arth Daniel



Fernando Vicente



JMW Turner- Paintings of an extraordinary storm



Giuseppe Arcimboldo



Maggi Hambling- Waves



William BowyerLandscapes

Anselm Kief



Kurt Jackson



Anselm

Keifer



HENRI MATISSE

•PABLO

PICASSO



VINCENTVAN GOGH

PIERREBONNARD



• PAUL KLEE

PAUL CEZANNE



Franz Marc



William Kentridge


http://slidepdf.com/reader/full/artist-slideshow-updated-may-2014 18/404GEORGIA O’KEEFFE

EDWARD HOPPER



Henri Rousseau



• LUCIEN FREUD

FRANCISBACON



• DAVID HOCKNEY

PETER BLAKE



• PATRICK CAULFIELD

BRIDGETRILEY



Angie Lewin

h



Chinoiserie(chinese design)

h



Tsang Kin wah



Roxanne Worthington



Lorenzo Duran



Briony Morrow Cribbs



Jon Shireman



Bryan Nash Gill

Bryan Nash GillBryan Nash Gill



• MAGGIE HAMBLING

PAULA REGO



• ROBERT LUCANDER

LIAM SPENCER



Elizabeth

Peyton

Ch k Cl



34

Chuck Close

Ch k Cl



35

Chuck Close - PHOTOREALISM



36

Gene Prokop.



• Ron Hicks



• Erone



• Phibs



• Numskull

Jackson Pollock



Jackson Pollock



G B



Gunter Brus



SCULPTURE



Subodh GuptaStainless steelcontainers

d ld

http://www.flickr.com/photos/shihlun/3398982071/









Gordon Baldwin



YaYa Chou



Peter CallesenPaper

YaYa Chousweets

Jeremy MayerTypewriters



• BARBARA HEPWORTH•

HENRY MOORE



Lisa Milroy- Collections of ordinary objects

Claes Oldenburg- Everyday objects as giant sculptures



Claes Oldenburg Everyday objects as giant sculptures



• CONSTANTIN BRANCUSI

ALBERTO GIACOMETTI



ANTHONY GORMLEYANDY GOLDSWORTHY



• CLAES OLDENBERG

Gi tti



Giacometti



URBAN ART



Mark WallingerState britain 2007



•

ADAM NEATE

•

DAIM



• GUY McKINLEY

MA CLAIMSNUG



• ZEPHYR

• FUTURA 2000 •SEEN

Shepard Fairy



Shepard Fairy



Miles Donovan



ILLUSTRATORS

http://neonhero.wordpress.com/2010/06/06/bicicleta-sem-freio/







Bicicleta Sem Freio

JAMIE













JAMIE

HEWLETT

SIMONBISLEY

Ian Macarthur

http://iainmacarthur.carbonmade.com/



GLEN FABRY

• H R GIGER



• MAURICE SENDAK

RALPH STEADMAN

ALFONS



MUCHA

• AUBREYBEARDSLEY



YOSHITAKAAMANO

ALEXROSS



MARTIN SHARPSTANLEYMOUSE



SHAUNTAN

DAVEMcKEAN

Karol Bak



Karol Bak

Sarah King Artist



82

Dan AhKim



TEXTILES



Alli Coate

Marloes Duyker



Naomi Renouf



Carol Naynor



FASHION DESIGN

VERSACE



ALEXANDER Mc UEEN

VIVIENNE WESTWOOD



RITU BERI



DIOR

JEAN-PAULGAULTIER



ARCHITECTURE



FRANK LLOYD WRIGHTLE CORBUSIER



RICHARD

ROGERS

NORMANFOSTER

RICHARDMEIER



DANIEL LIBESKIND

FRANK GEHRY

ZAHA HADID



MIES VAN DER ROHE

GERRITRIETVELD

WALTER GROPIUS



MODERN

Boyle Family



Wols

Marc Francis

http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=20549&searchid=11817&tabview=image





RON MUECK ordinary people

Ron Mueck is a

hyper realist sculptor using techniquesdeveloped during his career as a modeland prop maker for lms. He plays withscale.

DUANE HANSO



Richard Billingham - family

Rineke Dijkstra- Photographs of ordinary people



Valie Export



p

Since the late sixties, VALIEEXPORT has concentratedon the body in her work,with the intention ofchallenging – in a societycharacterized by a falseegalitarianism of gender –contradictions, pressures,and violence towardwomen. In her practice,performance is a means ofinvestigating physical andpsychological limits or isused as a device todestabilize sexistideologies.

Lynn Hershman Leeson



y

Leeson's work has as its themes: identity in a time of consumerism,privacy in an era of surveillance, interfacing of humans andmachines, and the relationship between real and virtual worlds. Herwork grew out of an installation art and performance tradition. Sheexplored interactivity with her video work

Barbara Kruger



Barbara Kruger

yves klein



y

Vanessa Beescroft



Vanessa Beescroft

Helena Almeida



Gillian Wearing



g

Wearing has described her working method as ‘editing life'. By using photography and video torecord the confessions of ordinary people, her work explores the disparities between public andprivate life, between individual and collective experience.

Wearing began to use adult actors lip-synching the recorded confessions of children, and subjects, solicited fromadvertisements placed in newspapers, making confessions while wearing masks. The introduction of actors signalledan increasingly dramatic element in her work and a shift away from the use of documentary techniques.

GillianWearing



Gillian Wearing‘I decided that I wantedpeople to feel protected

when they talked aboutcertain things in their lifethat they wouldn’t want thepublic that knows them toknow. I can understandthat sort of holding on tothings—it’s kind of part ofBritish society to hold

things in. I always think ofBritain as being a placewhere you’re meant tokeep your secrets—youshould never tell yourneighbors or tell anyone.Things are changing now,because the culture’schanged and the Internethas brought people out.We have Facebook andTwitter where people tellyou small details of theirlife.[1]’

Gregory Euclide

http://en.wikipedia.org/wiki/Gillian_Wearing#cite_note-1

http://en.wikipedia.org/wiki/Gillian_Wearing#cite_note-1



Sophie Calle



Her work frequently depicts

human vulnerability, andexamines identity and intimacy.She is recognised for herdetective-like ability to followstrangers and investigate theirprivate lives. Her photographicwork often includes panels of textof her own writing.

Elke Krystufek



‘In her paintings, videos and performances, she appearsto be offering the most private revelations aboutherself and her life, whether in form of her own photoalbum, her expressive self-portraits, or her intimateposes and explicit actions. But no matter how ‘private’or ‘real’ these public displays may seem, they turn outto be more or less stereotypical gestures, based onsocially conventional roles and preconceived patterns

or behaviour’



Gerhard Richter – curtains and shadows

Ed Ruscha- Ribbon drawings



Slinkachu- Little worlds



‘Dispatchwork’ Series



Urban Repair Squad



Sandrine Estrade Boulet



Javier Pérez

http://javierperez.ws/

http://javierperez.ws/



Daan Botlek



Ben Heine



TheFunTheory.Com



GregoryThielker



Gregory Thielker

Tactia Dean



Ambroise Tezenas



Victor Rodriguez



Victor Rodriguez

Yinka

http://3.bp.blogspot.com/_eGn17q6s9Wg/SlFF7g8N5GI/AAAAAAAAE5s/JRyUJUyfU6s/s1600-h/shonibare03_body.jpg



Shonibare

Bert Stern





DAMIEN HIRST

MARCUSHARVEY

MARC QUINN



VIK MUNIZ

CHRIS OFILI TRACEY EMIN

D-Face



MICHAEL CRAIG MARTIN



JULIAN OPIE

Kara Walker



Danny Haas



Jane Doe



James Fisher

140

Beatriz Milhazes



141

Marion Bolognesi



142

Agnes Cecile



143

Terbywonder



144

Fiona Rae



145

Diana Al-Hadid



146

Sara Rahbar



147



Kirstin Baker



149

Alexandra Birken



150

Silke Schatz



151

Corinne Wasmuhlt



152



Julian Opie

RANKIN - Destroy Project



PHOTOGRAPHY

Teun Hocks



Gregory Crewdson



Caryn Drexl



Francesca Woodman



Tom Hunter



Dan Witz



Lauren Simonutti



Michael Donovan



Dan Mountford



Alexey



IndrisKh



Khan



CINDY SHERMAN

ANNIE LIEBOVITZ

RICHARD AVEDON



ANSELL ADAMS

HENRI CARTIER BRESSONKARSH

MAN RAY



ROBERT CAPA

BILL BRANDT

DON McCULLIN



RICHARD BILLINGHAMMARTIN PARR



MARIO TESTINO DAVID BAILEY

Tim Walker



Tim Walker



DAVID



BARBARAKRUGER

HOCKNEY

MENTALGASSI

http://www.peanutsoupdeluxe.com/2009/12/mentalgassi.html



MENTALGASSI

SETH BRUNDEL



http://www.peanutsoupdeluxe.com/2009/12/seth-brundel.html

http://www.peanutsoupdeluxe.com/2009/12/seth-brundel.html



Stephanie Lucas



Acrylic on Canvas

Joe Coleman'Mommy Daddy'



ART FROM

OTHERCULTURES



SAMUEL FOSSO

WILLIE BESTER



FRANCOIS THANGOCHERI SAMBA

BODYS ISEK KINGELEZ



COLLAGE



Jacques Villeglé

The photographs are composed of thousands of scanned images of objects from Hong Hao’s own life. These commonplace things arearranged by the artist using a computer. There is no traditional photo taken by a camera. Using a selection of brightly coloured objectsfrom a variety of magazines/images sourced on the net please create a well thought out ‘consumer pattern’ collage.

Hong Hao

http://www.chinesecontemporary.com/hong_hao_cv.htm




ac ues Ville le






Peggy Wolf



David Hockney



John Stezaker



Erin Case



Matt Wisniewski

http://mattw.us/

http://mattw.us/



Partick Bremer



Wangechi Mutu



201



INSTILLATION

Dan Flavin



Pop art



Mixed Media

Jonathan Darby



Portraiture andFigures

Egon Schniele



Craft

Helaina Sharpley



Shelly Goldsmith



Michael Brennand Wood



Celia Smith



Lucy Brown



Debbie Smyth



Ansel Adams



225Phil Yamada



Sylvia Ji



takashi murakami



Emma Plunkett



Kimberly Santiago



Rachel Graves



ason Thielke



TakahiroKimura

http://faceful.jp/1155/g-a-l-l-e-r-y






Stefan Zsaitsits



Dan Cretu



Victor Rodrigues



Thomas Barbey



Maggie Taylor



MATTHEW CUSSICK



Evelin Kasikov



SUSAN STOCKWELL



Jasper James



259



Carsten Witte



261



Greg Sand



264

Amanda Clyne



265



Daniele Buetti



268

Niki Pilkington



269



William Morris



Tsang Kin Wah



Shepard Fairey



Nicola Carter



Angie Lewin



Chinoiserie

chinoiserie !"n#w$%z&ri/noun

noun: chinoiserie1. 1 .

a decorative style in Western art, furniture, andarchitecture, especially in the 18th century,characterised by the use of Chinese motifs andtechniques.

Escher



THEMES



THEMESIN ART

The Urban Environment



! The urban environments has provideda rich source of material for artistssuch as Charles Sheeler, Paul Strandand the Boyle family. Their workfocused on aspects of light , structure,shape and texture. Develop your ownresponse, making reference toappropriate work by others.

Charles Sheeler 1883-1965



October 16th 1890 – March 31st 1976

Paul StrandAmerican photographer and lmmaker



Boyle Family



Caricature

! Philip Guston Romare Bearden & Stuart Pearson



Philip Guston, Romare Bearden & Stuart PearsonWright Have created images that are stronglyinuenced by caricature. Their images often have apolitical and/or a social dimension. Consider

examples and develop work based on a theme ofyour choice in which caricature plays an importantrole in your representation of the human gure

Philip Guston June 27th 1913 – June 7th 1980



Gallus gallus w ith Still Life and Presidents –The BP portrait award winner 2001

STUART P EARSON WRIGHT

http://upload.wikimedia.org/wikipedia/en/b/b9/Gallus_gallus_by_Stuart_Pearson_Wright_.jpg






Contrasting SurfaceQualities

The contrasting qualities of di ! erent surfaces





g qcan be seen in a range of work. You might liketo look at the 17 th century Dutch still-lifepaintings, the sculptures of Barbara Hepworth &the paintings of Fiona Rae & Peter Doig. Look atexamples & produce work in which contrastingsurface qualities are a signicant Feature.

Vanitas



Barbara Hepworth



Fiona Rae



Peter Doig

http://www.saatchi-gallery.co.uk/artists/artpages/doig_Canoe-Lake.htm



Identity! Frida Kahlo e plored the nat re of





! Frida Kahlo explored the nature ofidentity, in her work, by changing herappearance and surroundings. Artistssuch as Francis Bacon and Lucian

Freud have explored the nature ofidentity through portrait studies thatgo beyond supercial appearances.Consider appropriate work anddevelop your own response.

Frida Kahlo



Francis Bacon



Lucian Freud



Islamic Art



IslamicArchitecture



Degas19 July 1834 – 27 September1917



Toulouse-Lautrec24 November 1864 – 9 September 1901



Sam Taylor wood



Colour in a high

! Artists such as Erich Heckel Sonia Delaunay



Artists such as Erich Heckel, Sonia Delaunayand Frank Stella have exploited theexpressive potential of using colour in ahigh key. Research appropriate examples

and produce two or three dimensional workin which colour in a high key plays asignicant role

Erich HeckelGerman Expressionist Painter,

1883-1970



Sonia Delaunay



Frank Stella



The Human Condition Artists such as Goya, Munch and Zakine

have produced work that reveals aspectsof the human condition in oftenchallenging ways. Their di ! erent



g g yresponses go beyond the supercial whendealing with political and social issues.Look at the examples and explore this

idea in your own way.

GoyaSpanish Rococo Era/Romantic Painter and Printmaker,1746-1828



Munch12 December 1863 – 23 January 1944



EXAMS



Disorder/ War

Emily PrinceMark Wallinger

Protest art in DenmarkAndy Warhol Gun 1981



Otto Dix, Flandern,Banksy

Shirin Neshat Allegiancewith wakefulnessShepherd

Fairey ImperialGlory

Eberhard Havekost Ghost 2

Diana Weiser - Blood

Andywarhol-atomic-bomb-1965

Henry Moore Shelter Drawings

Goya he Charge of theMamel kes 1814



Guerra-de-la-paz Atom Bomb Niki De Saint PhalleShooting Picture 1961

Anti War Murals On Palestine WallAnd In Belfast

Tom Lee A ThousandYard Stare Jake And Dinos Chapman Hell 2002

Mamelukes 1814

Cornelia Parker

Dirk Skreber

Disorder/ chaos/Explosion



Jenny Stark

Stefano Arienti.

Mark Chadwick ExplosionPicture

Jackson Pollock

Damien HirstSpin Paintings

Lisa Milroy

Mark DionOrder/ Collections /

Organisation



Ursus WehrliThe art of clean up

Kathy Klein

Tony Cragg

Susan Hiller

Damien Hirst, Spot paintings

Cornelia Parker

Martin Waters

HaeckelChristopher

Marley

Linnea Strid

Order/Routine



George JonesLouise Bourgeois

Andrew Newton

Mandala

Order/ Culturalpatterns/ Symmetry

HennaIslamic Pattern

Order/ disorder/ People/



Peter Bruegel

LS Lowry

Kathe Kollwitz

Francisco de Goya

Crowds at football matchesSubway

Disorder/ CrowdsOrder /Queuing



A swimming pool in Tokyo during a heatwave

People on anescalator

A train in India

Car parks

Jonathan Borofsky

Liz McQueen

Queuing

Brazilian Shanty Towns Indian Slums Michael Wolf



Chinese VillageAmerican street grid system

London streets

Colombian Island ofSanta Cruz de Islote

Order/ disorder/ Places/

Order/ Repetition

Pi t M d i



Ian Davenport

Bridget Riley

Piet Mondrian

Andy Goldsworthy

Nils-Udo

Order/ Disorder / Text



Paula Scher

Eye chart

Milton Glaser Jasper Johns

Disorder- naturaldestruction/ weather

Mark Mawson Coloured

Water

Curtis Mann Modication 2008



Louise Bourgoise ThrobbingPulse

Caspar DavidFriedrich

Maggie Hambling

Vincent Van Gogh

Amy Casey, impossible cities

Oder/ disorder of movement

Anthony GormleyEdgar Degas



Eadweard Meuybridge

Drawing with light Picasso

E! ect of force on di ! erent materials. Crush/Bend/Twist

Francois Alys

Jenny Saville

Cubism

Distorting the human body. Gerard Butler

Disorder of the body/gure



y

Picasso

E! ect of force on humanbody.

Francis Bacon

• E! ect of force on the human body.• Forcing the body into di ! erent shapes.

David Hockney

A-LEVEL EXAM 2013



A LEVEL EXAM 2013ARTISTINSPIRATION

Unit 2 : AS Externally SetAssignment 2013

Covert



andObscured

ARTIST INSPIRATION

‘the history of place lied

hidden beneath or within itscurrent appearance’



current appearance

‘many artists strive to catch aglimpse of that past which they

can sense in the present’332

Andrew Wy ethhttp: //andrewwyeth.com/

Gera niums1960 , drybrush on paper.

Potte d owers grown by ChristinaOlso n sit here on the window sillof he r house in Cushing, Maine.Thro ugh the window beyond thegera niums, one can see the

d l b t k th i k

http://andrewwyeth.com/images.html













mod el best known as the pink-dress ed gure in Christina'sWorl d (1947 tempera, Museum ofMod ern Art, New York). Ms.Olso n, her brother Alvaro, andtheir farm were subjects ofWyet h's paintings and drawingsfor d ecades ending with thesiblin gs' deaths in the late 1960s.The h ouse is now open to visitors

throu gh the Farnsworth ArtMuse um.

















Hotel Minerva'Hotel Minerva' (2007), the work thatlends the exhibition its name, is of ahotel in Switzerland in which Chorltonhas never stayed. His only encounterwith it is through an old postcard heonce found – a postcard that revealslittle information about the hotel, onlythat it is in Lugano, or once was.While not a particularly distinctivebuilding, it has a grandeur and charmof its own, and may once have beenthe most modern and stylish place tostay in the area. The nostalgia of avintage postcard, celebrating thelocal hot spots of yesteryear is

Graham Chorlton, Hotel Minerva, 2007,Oil and acrylic on canvas, 63.5 x 76.2 cm



local hot spots of yesteryear, iscarried forward in Chorlton’s paintingas a memory that was neverexperienced. For many British peopleat the time the hotel was built and the

postcard printed, continental Europewas a far-away dream, a holidaydestination only for the rich andglamorous – a European imaginarybefore the days of budget airlines.Hotel Minerva captures this sense oflonging through the lter of Swissmodernist architecture.

Rachel Whiteread

Ghost1990Plaster on steel frame269 x 355.5 x 317.5 cm



Rachel Whiteread

“Number 193 Grove Road used to be an unexceptional Victorian house in the East End ofLondon. Extensively remodelled, improved beyond habitability, it has become bothmonument and memorial. It has become Rachel Whiteread's House: a strange andfantastical object which also amounts to one of the most extraordinary and imaginativepublic sculptures created by an English artist this century. 193 Grove Road is no longer ahome but the ghost of one perpetuated in art. It has no doors, no windows, no walls and noroof. It was made, simply by lling a house with liquid

concrete and thenstripping the mould - that



is, the house itself, rooftiles, bricks and mortar,doors and windows and

all - away from it. Theresult could be describedas the opposite of ahouse, since what itconsists of is a cast of thespaces once contained byone.”Andrew Graham-Dixon

Daniela Gullotta

Her work depicts large empty interiors, often of an industrial nature. Her intention is to drawthe viewer's attention to the dramatic nature of space. Sometimes individual objects areemphasized and human presence is always suggested though never depicted.

Pantheon, 2010mixed media on wood140 x 200 cm



Interior (w.113), 2002mixed media on wood138 x 198 cm

Caspar David FriedrichTemple in Agrient

http://www.caspardavidfriedrich.org/Temple-in-Agrient-large.html





Monastery Graveyard In The Snow

Wreck in the Moonlight c. 1835

‘Artist often use layers to hide



yor reveal information in their

work’

340

Christo and Jeanne-Claude

Wrapped Reichstag, Berlin, 1971-95



Rembrandt

The small panel, "Old Man witha Beard", dating from about1630, was brought to arthistorians in Amsterdam by aprivate collector who believedit bore striking similarities to the

Dutch master's work.Unable to conrm the painter'sidentify despite severalt t li i g l th t

Old Man with a Beard, dating from about 1630



tantalising clues, the expertsbecame convinced there was asecond image lyingunderneath the surface whichcould solve the problem onceand for all.They took the painting to two X-ray imaging laboratories, theEuropean SynchrotronRadiation Facility in Grenoble,France, and the BrookhavenNational Laboratory in NewYork in the hope of uncoveringthe hidden layers of paint.

The X-ray next to another self-portrait of Rembrandt

Caravaggio



Most artists executed rough preliminary drawings on the canvas before painting in order tobe certain of composition and proportions. Amazingly, x-rays have revealed that Caravaggiodid no such thing. Instead of preparatory drawings, the artist would trace rough indicationsin the rst layers of paint with the handle of his brush, and then go right ahead with the restof his painting.

Van Gogh

With a sophisticated X-ray analysisscientists have identied why parts of theVincent Van Gogh painting 'Flowers in ablue vase' have changed colour over time- a supposedly protective varnish applied

after the master's death has made somebright yellow owers turn to an orange-grey colour.



A new X-ray technique has revealed apreviously unknown portrait of a woman byVincent van Gogh, which was painted over bythe artist.The peasant woman's face was hidden behindthe work Patch of Grass, completed by VanGogh in Paris in 1887.Van Gogh is known to have often reusedcanvasses to save money.

Larry Rivers

"After 1961, popular and commercial imagesand insignia became a major element inRivers' painting. He showed consistent if notimmediately conscious preferences of subjectin terms of his own particular attitudes andtechnical gifts He was drawn to the Dutch



technical gifts. He was drawn to the DutchMasters cigar box label because it in turnreproduced Rembrandt's Syndics, and gavehim the opportunity to modulate a theme inboth crude and more nished denition acrosspopular media and back to its original sourcein ne art. The medium of traditional art is thetheme of his popular subjects; thecontemporary world, the object of his 'ne art'handling and painterly virtuosity."

Robert RauschenbergBed, 1955. Oil andpencil on pillow,quilt, and sheet onwood supports,191.1 x 80 x 20.3cm



Canyon, 1959. Oil, pencil,paper, metal, photograph,fabric, wood, canvas, buttons,mirror, taxidermied eagle,cardboard, pillow, paint tubeand other materials, 207.6 x

177.8 x 61 cm

Rival, 1963. Lithograph, composition60.3 x 44.1cm

Jasper Johns



White Numbers, 1957. Encaustic on canvas,86.5 x 71.3 cm

0 through 9, 1961 (cast 1966). Aluminum,66 x 50.2 x 2.2 cm

David Hepher



These works

speak in aheterogeneousvisual language,theMondrianesquegrids of the

buildings areinterrupted bysegments oflandscape torn

from other urbanareas; streaks ofpaint mark theirarchitecturalanatomies;spray paint

mimicking tagsof grafti litterthe canvas.

Adriana V arejao

A Malvada (The Wicked) 2009

http://www.lehmannmaupin.com/artists/adriana-varejo







Azulejaria "de tapete" em carne viva, 1999oil on canvas and polyurethane on aluminum andwood support, 150 x 190 x 25 cm

A Malvada (The Wicked), 2009g raphite on paper, 64 x 72 cm

‘The secret of private lives andexperiences are often gidden















behind closed doors orexpressions that give nothing

away’

350

Manet

http://www.getty.edu/art/exhibitions/manet_bar/



Manet's Bar at the Folies-Berger












Caroline WalkerConservation, 2010,Oil on canvas, 200 x 290 cm

“Occupying a place between document and ction, my painting practice explores therelationship of women to domestic space, and reects on a history of representing womenin art. The locating of a specic house, most recently a contemporary ‘grand design’, isthe starting point for creating a set in which the ctitious scenarios I develop can unfold.

A combination ofthe existingcontents of thehouse and



house andadditional propsare used tosubvert an idea ofdomestic order,while a lonefemale gureinhabits multiplecharacters fromthe cleaner, to themistress, to thelady of thehouse.”

Francis BaconThree Studiesfrom the HumanBody, 1967, oil oncanvas, 197.5 x147.6 cm



Four Studies fora Self-Portrait,1967, oil oncanvas, 91.5 x33 cm

Justin Mortimer



Annexe, 2012, 240 x 180 cm

Creche, 2012, 220 x 180 cm

Paula Rego The Maids, 1987, Acrylic on canvas-backed paper, 213 x 244 cm

The story at the heart of thepainting came to Paula Regoready-made in the form of JeanGenet’s play The Maids (1947),itself based on the real-lifecase of the Papin sisters,Christine and Lea, who worked

as maids for a rich Parisianfamily. One day, frightened forno apparent reason other thanth t f t hi h



that of a power cut whichinconvenienced and possiblyfrightened the sisters, they

brutally murdered the motherand daughter of the familywhile the man of the house wasout at work. In working with thestory, Paula Rego

seems to have focused on the unnatural closeness of the sisters, both to each other and themother and daughter they murder. Ambiguity and menacing psychosis reverberate withinthe picture, much of it carried in the objects with which the room is claustrophobicallyfurnished.

‘The extraordinary often lied



The extraordinary often lied

hidden within the ordinary’

357

Pieter de HooghDe Hooch is noted for his interior scenes and use of light. His favorite subjects were middle-class families in ordinary interiors and sunny courtyards, performing their humble dailyduties in a calm atmosphere disrupted only by the radiant entry of natural light penetrating adoor or window.

A Mother and Child with its Head in Her Lap, c. 1658-1660

The Courtyard in Delft, 1658Oil on canvas, 73.5 x 60 cm



Vermeer

Young Woman with a Water Pitcher c. 1664-1665, oil oncanvas, 45.7 x 40.6 cm

Hotspots in the image!

http://www.essentialvermeer.com/catalogue/young_woman_with_a_water_pitcher.html

http://www.essentialvermeer.com/catalogue/young_woman_with_a_water_pitcher.html



Hotspots in the imagA Girl Reading a Letter by an Open Window, c. 1657oil on canvas, 83 x 64.5 cm

ChardinThe SilverTureen ,c. 1728,Oil on canvas,76.2 x 108 cm

http://www.essentialvermeer.com/catalogue/girl_reading_a_letter_by_an_open_window.html





Chardin is renowned for the quiet charm of his carefully constructed genre scenes and stilllifes. His skill at recording the look and feel of objects was astutely commented upon in the19th century.

SickertGirl at a Window, Little Rachel, 1907, Oil paint oncanvas, 508 x 406 mm

http://www.tate.org.uk/art/images/work/T/T06/T06447_10.jpg

http://ichef.bbci.co.uk/arts/yourpaintings/images/paintings/tate/large/tate_tate_n03846_10_large.jpg




Walter Sickert was one of the most inuential British painters of his day. He thought that mostpaintings were too sentimental and that art needed to embrace the dark side of real life.

Ennui (‘boredom’ in French), c.1914Oil on canvas, 152.4 x 112.4 cm

Morandi







Winifred Nicholson

Blue Hyacinths in a Winter LandscapeOil on board, 1950s , 61 x 76cm

http://www.winifrednicholson.com/node/161/106



Cheeky ChicksOil on canvas

1950 62 x 75cm

Nina MurdochPrawle Point, 2010, egg tempera ongesso panel, 48 x 78 in





Antony GormleyAnother Place, 1997



Unit 4 : A2 Externally SetAssignment 2013

Inside,O id



Outside,In Between

ARTIST INSPIRATION

Louise Bo urgeoisMaman, 1999, Steel and marble, 9271 x 8915 x 10236 mm, Tate

"Maman", the giant egg-carrying spider,

is a nurturing and protective symbol offertility and motherhood, shelter and thehome. With its monumental and terrifyingsc ale, however, "Maman" also betrays










Tate: Louise Bourgeois: Maman Work ofthe Week, 1 June 2010

this maternal trust to incite a mixture offear and curiosity.

You Tube video Maman

Placing work of art inside,outside or in between specic






http://www.youtube.com/watch?v=G4NaxDcBN1k




http://www.tate.org.uk/context-comment/blogs/louise-bourgeois-maman-work-week-1-june-2010












environments can have animportant impact on our

perception of them.

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Damien Hirst BBC News, placement of the statue in pictures.

http://news.bbc.co.uk/2/shared/spl/hi/pop_ups/06/entertainment_damien_hirst0s_the_virgin_mother/html/6.stm

http://news.bbc.co.uk/2/shared/spl/hi/pop_ups/06/entertainment_damien_hirst0s_the_virgin_mother/html/6.stm



The Virgin Mother, 2005, Painted bronze, 10232 x 4620 x 2065 mm

Barbara Hepworth

The Family o f Man, Bronze, 1970,complet e groups at Yorkshire

Sculpture Park

a ncestors a nd

a n “Ultimat eform”. Inbetween theycover the

“I kept on thinking of large works in a landscape: this has always been a dream in my mind.”

The Family consists of 9 separate pieces –individuals starting with a young girl andnishing with

http://www.britishpathe.com/video/barbara-hepworth-sculptress-1









InterviewHepworth

various ages ofman. They areabstract, butclearlyrepresentpeople,becoming moresophisticated asthey mature.

Howard Hodgkin

The North Sea, 2000, 33.6 x 38.6cm, Oil on wood









Dark Evening, 2011, 52.7 x 66cm

Deviating from accepted formatst i t ti d d i



creates interesting and dynamic

optical effects

372

Anthony FrostAnthony Frost's paintings are bright, full of colour andexpression. They include repeated motifs (lines, trianglesand dots) and a mix of materials (acrylic, hessian, sailcloth, string and other materials that come to hand). Thishints at a complexity in the work, which at rst sightappears quite straightforward. Although there is anelement of planning in each work, there is also a random

element which manifests itself in the creative process:Adding a piece of material or a tie that can change thepainting's direction in unplanned ways. – Zimmer StewartGalleryThe Beats 25 x 25 cm Mixed media on



yThe Beats, 25 x 25 cm, Mixed media oncanvas

Electric Honey, 76 x 61 cm, Mixed media on canvas

Sublime Frequencies II ,76 x 50 cm, Mixed media on canvas

Patrick Hughes

Open Space, 2012, 69 x 155 x 21 cm

http://www.patrickhughes.co.uk/





Three minute lm

Authorities, 2008,11 x 242 x 42 cm

Artist who use gallery space asan integral part of the work of art

http://www.patrickhughes.co.uk/films.htm

http://www.patrickhughes.co.uk/films.htm



with installations that utilise thebuildings they are houses in...

375

Anish Kapoor

Svayambh,2007, Wax andoil-based paintDimensionsvariable



Craftworkers also exploitthe potential of the



377

interesting shaped surfaceson the many different forms

they create

Craftworkers



Capturing the effects of light



when passing from inside tooutside

379

Edward Hopper

Summer Evening1947; Oil on canvas, 30 x 42 inches

Nighthawks,1942Oil on canvas84.1 x 152.4 cm

“ Maybe I am notvery human -what I wanted todo was to paintsunlight on theside of a house.”



Morning Sun, 1952, Oil on canvas, 28 1/8 x 40 1/8 inche

From the Royal Exchange, Rain Effect



Ken Howard

Cannareggio, Venice, 2005

Summer Evening, Sennen

Zoos and wildlife parks providespectacular opportunities forf



artists to encounter terrifyingwild creatures in what would beperilously close proximity wild

382



Anyone who can experienced

breaking down on a busy motorway,and stepped out of a safe andf bl h l d



comfortable vehicle, noisy and

dangerous roadside verge, will beaware of how powerful an experience

such a transition can be.

384

Edward Sea goEvening Haze, Thurne Dyke, Norfolk ,Oil o n canvas board, 21.6 x 26.7 cm

A Norfolk Village, Aldeby ,Oil o n canvas, 75.9 x 101.5 cm

http://ichef.bbci.co.uk/arts/yourpaintings/images/paintings/ncm/large/nfk_ncm_nwhcm_1944_82_large.jpg

http://ichef.bbci.co.uk/arts/yourpaintings/images/paintings/palg/large/ws_palg_001_006_large.jpg



http://ichef.bbci.co.uk/arts/yourpaintings/images/paintings/ncm/large/nfk_ncm_nwhcm_1977_481_1_large.jpg





The Anvil Cloud , Oil on canvas, 101.6 x 127 cm The Rainbow , after 1945, Oil on board, 22.2 x 27.1 cm

John Virtue John Virtue's monochromaticlandscape is from a series of viewsof London taken from differentp oints along the River Thames. StPaul's Cathedral can be seen fromthe river, looking towards BlackfriarsBridge, its monumental domemodelled in viscous black paint.Initially, it seems as if little else isdistinguishable, but gradually otherd etails start to emerge, such as thest eeple of a church on the horizon.

Landscape No.662 , 2003White acrylic, black ink, shellac &em ulsion on canvas, 183 x 183 cm









http://ichef.bbci.co.uk/arts/yourpaintings/images/paintings/gac/large/gac_gac_17850_large.jpg

















pThis painting and 'Landscape No.664', another work by John Virtue in

the Government Art Collection, arethe result of a unique workingpr ocess which Virtue hasd eveloped during his career. Hea pplies paint to the canvas using awide gamut of tools, including

br ushes, rollers, basting syringes,spray guns and calligraphybrushes, and sometimes even hisngers and toes.

JMW Turner

Turner is perhaps the best-loved English Romantic artist.He became known as 'the painter of light', because of hisincreasing interest in brilliant colours as the mainconstituent in his landscapes and seascapes.

The Fighting Temeraire,1839,Oil on canvas90.7 x 121.6 cm















Dutch Boats in a Gale1801, Oil on canvas,162.5 x 221 cm



Jan Van EyckThis work is a portrait of Giovanni di Nicolao

Arnolni and his wife, but is not intended as arecord of their wedding. His wife is notpregnant, as is often thought, but holding upher full-skirted dress in the contemporaryfashion.The ornate Latin signature translates as 'Jan

van Eyck was here 1434'. The mirror reectstwo gures in the doorway. One may be thepainter himself. Arnolni raises his right handas he faces them, perhaps as a greeting.

The Arnolni Portrait, 1434,Oil on oak, 82.2 x 60 cm



VelasquezLas Meninas, c. 1656,oil on canvas,318 x 276 cm,Museo Nacional del Prado, Madrid

video

This, the most famous ofVelázquez’s works, offers acomplex composition built with

admirable skill in the use ofperspective, the depiction oflight, and the representation ofatmosphere. The Infanta

http://www.youtube.com/watch?v=IiTtGENiVOA

http://www.youtube.com/watch?v=IiTtGENiVOA



Margarita, wears white andappears in the center of the

composition, surrounded byher ladies in waiting, the“meninas”, along with two courtbuffoons and a mastiff.The King and Queen arereected in the mirror at the

back of the room, leading toseries of extraordinarilycomplex spatial relations.

When a building loses its roof orwindows, nature is quick to invadeand reclaim the space. Artists have

often used this imagery to make



391

powerful statements about thefragility of human existence and the

futility of attempting immortality.

English Romanticism

http://www.all-art.org/neoclasscism/romantic_era3.html

http://www.all-art.org/neoclasscism/romantic_era3.html



Richard WilsonJohn CromeJohn Sell CotmanThomas GirtinRichard Parkes BoningtonJohn Constable

JMW TurnerRuins of West Front, Tintern Abbey c.1794-5, Watercolour and graphite onpaper, 32,5 x 23,5 cm

http://www.tate.org.uk/art/images/work/T/TW0/TW0957_9.jpg

http://www.tate.org.uk/art/images/work/D/D00/D00374_10.jpg







Before he had entered the Royal Academyschools at the age of 14, Turner had workedas an architectural draughtsman. This trainingis evident in his fascination with the famousruins of Tintern Abbey. Tourists of the timewere as much impressed by the way thatnature had reclaimed the monument as by thescale and grandeur of the buildings. Turner'sblue-green washes over the abbey's far wallblend stone and leaf together.

John PiperChrist Church, Newgate Street, 1941

Incendiary bombs gutted ChristChurch during the Blitz. Impressionof east end of church, built byWren, as it looked from nave the

morning after it had been gutted byincendiary bombs from a Nazi airattack. Christ Church steeple, alsoseriously damaged, was re-erectedin 1960 but the church was never









in 1960 but the church was neverfully restored. This is one of a group

of paintings John Piper produced inDecember 1940 and January 1941featuring London's bomb-damagedchurches.

Anselm Kiefer

Audio Athanor

Athanor, 1991, oil, sand, ash, gold leaf and lead foilon canvas, 225 x 380 cm

http://www.christies.com/7955_35-1258-4.aspx






Shulamite ,1983. Oil, emulsion, woodcut, shellac, acrylic, andstraw on canvas. 541 x 368.3 cm

The ability to visualise the nishedpiece as if it was trapped inside theraw material has been appreciated



396

by many sculptors.

Michelangelo

http://www.italian-renaissance-art.com/Michelangelo-David.html




Pietà, St Peters, Rome, 1499–1500

David, 1501-1504 Gallery of the Academy of Fine Arts

‘In every block of marble I see a statue as plainas though it stood before me, shaped and perfectin attitude and action. I have only to hew away therough walls that imprison the lovely apparition toreveal it to the other eyes as mine see it’

Auguste Rodin



http://www.tate.org.uk/art/images/work/N/N06/N06228_10.jpg






The Kiss, Le Baiser, 1901-4, Pentelican marble,object: 1822 x 1219 x 1530 mm, 3180 kg

The idea of releasing a person oranimal from an inorganic block andbringing it to life has inspired artist






399

for many centuries

Ron Mueck Ron Mueck is a London-basedphoto-realist artist. Born in

Melbourne, Australia, to parents whowere toy makers, he labored onchildren’s television shows for 15years before working in specialeffects for lms . Muek then startedhis own company making models to

be photographed for advertisements.Eventually he concluded thatphotography pretty much destroysthe physical “presence” of theoriginal object, and so he turned to

‘A seven-footadolescent girlin a bathingsuit, "Ghost"was "theperfectmetaphor forher poignantdiscomfort

with her ownbody’



"Peek inside and you can see teeth, gums andeven a little faux saliva," writes Plagens of "Mask II.""Stand beside it for a moment, and you'll swear youcan hear him snore." Mask II, 2000

g j ,ne art and sculpture.

Ghost, 1998Fibreglass,silicon,polyurethanefoam, acrylic breand fabric

Many naturally occurring objects havestartling contrasts between their inner andouter surfaces. Fruits such as watermelon,

lychee, coconut, kiwi fruit and shells likeabalone, conch and mussel demonstratethis. Some organic structures including



401

this. Some organic structures including

jellysh and prawns are so transparentthat their internal organs can be seenthrough their outer skins. Still life paintershave been fascinated by these objects.



Juan Sánchez Cotán Still Life with Game,Vegetables, Fruit, 1602

Quince, Cabbage, Melon, and Cucumber, 1602



Juan Sanchéz Cotán developed the basiccomponents of "bodegones," or still lifes:dark background, mostly fruits andvegetables, shadows and shades to

create a realistic appearance, and the useof various types of lighting. His still lifesare executed awlessly and look almostlike photographs.

Many of these painters simply revelled inthe sumptuousness and beauty of suchobjects, seeking no other purpose that to



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produce as lifelike an image as possible.

Laura Shechter

“Once the outlines of the images are transferred to the canvas, I startpainting. I control my light source--that's why it's dark in here. I want a veryspecic light--I'm really trying to capture a Moment of Light. My goal is toconvey the precise visual sensation of the surfaces of the objects at oneinstant of light.”

White Porcelain Heart, 2002, Oil on Canvas Still Life with White Heron, 1998, Oil on Canvas

Artist Slideshow (Updated May 2014)

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