Art Golden Ratio Renaissance. Golden ratio The golden ratio is a special number approximately equal...
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Transcript of Art Golden Ratio Renaissance. Golden ratio The golden ratio is a special number approximately equal...
ArtGolden Ratio
Renaissance
Golden ratioThe golden ratio is a special number approximately equal to 1.618. If you divide a line into two parts so that: the longer part divided by the smaller part is also equal to the whole length divided by the longer part then you will have the golden ratio. The golden section is also a term that describes a unique measurement phenomenon in nature wherein the off-centered proportional finite value of about 5 to 8 represents a measurement with infinite values.
Many artists, architects and mathematicians believed (and still believing) this proportion is aesthetically pleasing. Mathematicians have
studied the golden ratio because of its unique and interesting properties.
Art
The Renaissance marks the period of European history at the close of the Middle Ages and the
rise of the Modern world. It represents a cultural rebirth from the 14th through the middle of the
17th centuries. Early Renaissance, mostly in Italy, bridges the art period during the fifteenth
century, between the Middle Ages and the High Renaissance in Italy. It is generally known that
Renaissance matured in Northern Europe later, in 16th century.
Piero della Francesca
It portrays Christ being baptised by John, his head
surmounted by a dove representing the Holy Spirit. Christ, John's hand, the bird and the bowl form an axis which divides the painting in two symmetrical parts. A second division is created
by the tree on the left, which instead divides it according to the golden
ratio.
Baptism of Christ
Sandro BotticelliThe Birth of the
Venus Botticelli (1445-1510) had to be fascinated by the golden proportion, since used it for his "Birth of Venus. " In fact if you
measure the height of the navel height overall, their relationship will be 0.618,
as well as between the distance between the
neck of the femur and the knee and the length of the
entire leg or the relationship between the elbow and the tip of the middle finger and arm
length.
Leonardo Da Vinci
He explored the human body involving in the ratios of the lengths of various body
parts. He called this ratio the "divine proportion" and featured it in many of his
paintings and used this ratio very impressive.
Leonardo Da Vinci explored the human body involving in the ratios of the lengths of various body
parts. He called this ratio the "divine proportion" and featured it in many of his paintings.
Old Man
Vitruvian Man
Mona Lisa
Using the left side of the painting as a side, create a square on the left of the painting by inserting a vertical line. Notice that you have created a square and a rectangle. The rectangle turns out to be a Golden Rectangle, of course. Also, draw in a horizontal line that is
61.8% of the way down the painting (.618 - the inverse of the Golden Ratio). Draw another line that is 61.8% of the way up the painting. Try again with vertical lines that are 61.8% of the way
across both from left to right and from right to left. You should now have four lines drawn across the painting. Notice that these lines intersect important parts of the painting, such as the angel, the
woman, etc. Coincidence? I think not!
The Annunciation
In The Last Supper golden rectangles can be seen. He applied golden section from the
dimensions of the table which Jesus sat, to the wall and window.
The Last Supper
Measure the length and the width of the painting itself.
The ratio is, of course, Golden. Draw a rectangle around Mona's face (from the top of the forehead to the base of the chin, and from left cheek to right
cheek) and notice that this, too, is a Golden rectangle.
Mona Lisa
Georges SeuratBathers
The horizon falls exactly at the golden section of the
height of the painting. The trees and people are placed
at golden sections of smaller sections of the
painting.
Circus Sideshow (Parade de Cirque)
Seurat’s painting which is following Circus Sideshow has a large number of the
golden rectangle. This painting rely on the
principle of the golden ratio. The people’s who are on the
left side of the picture, above the waist per unit
(1.618), down 1 unit.
Edward Burne JonesGolden Stairs
Golden sections appear in the stairs and the ring of the
trumpet carried by the fourth woman from the top.
The lengths of the gowns from the sash below the
breast to the bottom hem hits the phi point at their knees. The width of the
interior door at the back of the top of the stairs is a
golden section of the width of the top of the opening of
the skylight.
Salvador Dali
In addition, the windows in the background are formed by a large dodecahedron. Dodecahedrons consist of 12 pentagons, which exhibit phi relationships in their
proportions.
The Sacrament of the Last Supper Following Da
Vinci's lead, Dali positioned the table exactly at
the golden section of the height of his painting. He
positioned the two disciples at Christ's side at
the golden sections of the
width of the composition.
http://jwilson.coe.uga.edu
http://britton.disted.camosun.bc.ca
http://goldennumber.net
http://en.wikipedia.org
References
Safa ADAKUL
Cansu YAVUZMarcelo RAMOS