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Tarangini A Keralaiyers E-Magazine for the changing times
April 2010
Vishu
Its meaning and
significance
Thrissur Pooram & Vadakkunnathan
A story behind the pooram of all poorams and
Vadakkunnathan Temple, Thrissur
HAPPY VISHU!
In this issue:
Philosophy of Indian Classical Dance
The real goal of Indian dance forms and Adi Guru
Shiva, the teacher
From the Adukulai
Vishu Special: Mouth-watering
Chakka Pradhaman
to all our readers
I do read the Gita daily, but understanding
the meaning in a layman's language is a bit
difficult.. If Ananthu mama can give the mean-
ing for each chapter in every issue, I guess
people like me will be blesses enough to read
the chapters after knowing the meanings.
Also I feel that write ups on various temples
in and around Palakkad will add on to the
value of Tarangini. Kudos to the creators and
the contributors... And I really must admit
that Tarangini has started to re kindle the
urge of writing and creativity in my mind as
well, which I had stopped since I left college.
-Kirti
From the Editors
Dear Readers,
Thank you very much for your continued
support and cooperation to this venture
which is now only 4 issues old. We are striv-
ing hard to make things better, include new
topics, new columns and make the e-
magazine much more informative and enter-
taining. As regards the matrimonial column,
we are not venturing into that domain imme-
diately, we are sure other groups are doing a
very good job in that domain (sruthivani, ker-
alaiyers.com through kalyanam group) and we
would like the elders to take care of this ra-
ther than youngsters! But you never know,
there could be a matrimonial section in the
future!
-Navneet Narayan & Hridya Anand (Editors)
A laudable venture by youngsters,for the
youngsters by the youngsters! Wish all suc-
cess for the venture. I would suggest inclu-
sion of one more column MATRIMONIAL. I
know that there are enough portals catering
to matrimonial purposes, but one originating
from Tarangini will greatly help the Brahmin
diaspora in their search for suitable match for
thir wards.
-A. Ranganathan
I being a Palakkad Iyer now settled in Delhi
proud to read Tarangini. It is a great effort to
publish such a wonderful magazine about our
culture. My children will benefit to know
more about my native Kerala through your e-
magazine and of course I will get my old/
current memories of my Ayalur agraharam in
Palakkad. I wish you all success for your ser-
vice. Thank you,
-Ayalur Sreekanth
New Delhi.
I got an email from our Family Group, where-
in my brother/sisters had spoken highly about
it... So, being anxious I read it from beginning
to end.. And I have to agree, my elders were
right! A Great magazine... please continue the
tradition... we live in Canada & the article
brought back memories of our visit to Pe-
runkulam and Palakkad....Love
-Eswar
Tarangini is getting better and better over
every issue. I really like the explanations on
the Bhagavad Gita and the write ups on vari-
ous temple festivals.
Ungaloodu Abhiprayam
A Keralaiyers E-magazine for the changing times
April 2010
Volume I Issue 4
Tarangin i
Inside this issue:
Monthly
Visheshangals 3
Vishu 4
Mahatmyam of ―Om
Namo Narayanaya
Namaha‖
6
Humour 7
Kakka Raman and
Abhishravanam 8
Inspiration 11
Tips to avoid sun
burns in summer
11
Philosophy of Indian
Classical Dance 12
Internet Calling… 14
Thrissur Pooram &
Vadakkunathan 15
Save the girl child 17
Parur Saasthapreethi 18
Vedic Astrology 20
Devayani and Kacha 22
From the adukulai -
Chakka Pradhaman 23
We are very happy to bring
out the April issue just at
the time of the New Year
for us Keralaiyers—Vishu!
Tarangini wishes all its
readers a very Happy
Vishu, May this year bring
prosperity to one and all.
We are striving at making
the issues of Tarangini
better each issue and we
require your involvement
in these endeavours. May
this year bring in more
interesting articles to read
via Tarangini (Now now,
are we being too greedy!?
Aren‘t we entitled for a
Kaineettam too?)
Well, this issue consists of
the regular dose of articles
SUN MON TUE WED THUR FRI SAT
1 2 3
4 5 6 7 8 9 10
11 12 13 14
Vishu
15
Vishukkani kaanal
at temples in
Kerala
16 17
18
Shukla
Chaturthi
Vratham
19 20
Shukla Shashti
Vratham
21 22 23 24
Thrissur
Pooram
25 26
Mahapradosham
27 28
Chitra
Pournami -
Gajendra
Moksham
29 30
SUN MON TUE WED THUR FRI SAT
1
Sankatahara
Chaturti
2 3 4 5
Sravana Vratham
6 7 8
9
Smartha
Ekadashi
10
Vaishnava
Ekadashi
11
Maha
pradosham
12 13
Sarva
Amavasya
14
15
Edavom
begins
16 17 18 19 20 20 21
22 23 24 25 26 27 28
29 30 31
Vikruthi
Samvatsaram begins.
Mesha Ravi
Sankraman, Suryan
enters Mesha Rasi
at 5.30 am IST
Medom month be-
gins; Vishu Punya-
kalam. Panchanga
Padanam at various
celebrated temples
Sarva Amavasya
Monthly Visheshangals: -K V Ananthanarayanan
The Vedas state that for Devas, one full year is equal to one day. Their day time is
Uttarayanam and Night time is Dakshinayanam. Since ancient times, it has also
been a tradition of treating Nature as God in our culture. We have even heard sto-
ries of rituals being performed to please Mother Nature. Water, Earth, Fire, Wind
and Space are the five forces of nature (Panchabhootangal) that control us.
The first day of Chithirai (Medam) month in tamil calendar is called as “Vishu punya
kalam”. “Vishu” literally means Early Morning. “Thula Sangrama Vishu” falls on the
third month after Dakshinayanam starts, when the earth is slightly inclined towards
the south. That’s when we offer our prayers to Water and Wind by taking an early
morning bath and doing tarpanam for our ancestors (considered to be in the form
of wind i.e. vayu). “Mesha Vishu Punyakalam” arrives three months after the begin-
ning of Uttarayanam (14th of January (Makar Sankranthi Day) i.e., when the earth is
slightly inclined towards the north. This is the day that we offer our prayers to the
Gods who are in the form of “jyothi” & the mother Earth who gives us different
kind of food to control our hunger & place to live. In other words, the day when
Earth and Fire are offered prayers. The New Year also starts on the same day.
The above matter clarifies and signifies the important aspects of the celebrations of
Vishu in the month of Chithrai. The preparation for the celebration of Vishu starts
from the previous day itself. The night before going to bed the elders of the family
spread rice on a taambalam and keep all varieties of vegetables, fruits, flowers
(specifically kanipoo), God’s photo and a mirror. It is also customary to keep Gold
and Silver Coins in the coconut (broken in two parts) and money. The fruits, vegeta-
bles and things kept on the taambalam represent certain principles of our day-to-
day life. The main vegetables are ripe Cucumber, raw mango, bitter gourd, snake
gourd, lemon etc., and fruits are Jackfruit, banana, mango, grapes, apple etc.
The yellow colour is auspicious for any event/occasion. In this context, ripe cucum-
ber and lemon signify the above fact. The sour raw mango gives us visions of sweet
future yet to come when it ripens. In practice, just as the farmers who tie a stone at
the bottom of the small snake gourd for its elongated growth, similarly if we get a
good companion/friend/philosopher/guide, our lives would be smooth without any
hurdles. Our day-to-day life puts us through a lot of bitter experiences which should
Vishu -K V Ananthanarayanan
“The preparation for
the celebration of
Vishu starts from the
previous day itself.
The night before
going to bed the
elders of the family
spread rice on a
taambalam and keep
all varieties of
vegetables, fruits,
flowers ...“
Page 4
Tarangin i
Kanipoo
not make us lose our faith, instead try to overcome them. To remind this fact, we
keep the bitter gourd. To signify the fact that we must be useful by all means to this
world, we keep ripe bananas as we all use almost all the parts of a banana plant. At
times, we meet certain people who do not treat us well or use harsh words against
us. We should remember them as people with good heart, signified by the Coconut
which has a sweet and soft interior but is rough on the outside. Similarly, Jackfruit
is surrounded by prickly thorns outside but has a sweet fruit inside which implies
that at times it might be difficult to overcome our troubles, but if we struggle hard
we will surely be able to achieve our goal. Apples, which are grown in harsh condi-
tions of high winter are soft and sweet help us understand that whatever our cir-
cumstances in life may be, we can use our resources in a proper way to lead a hap-
py life. Sweet and sour grapes tell us the story of life which tends to have ups and
downs.
On the day of Vishu early morning, our elders wake us up and lead us with our eyes
closed to the puja room and make us sit and view all the items kept in the taamba-
lam. The very first sight is that of our own face in the mirror which signifies that for
all our future endeavours, we are solely responsible—this is called Vishu Kani. To
start the day with joy and happiness throughout the year, the elders give Kani Pon
(master of day-to-day life in present scenario) as blessings to the younger ones. In
India, till date, in Guruvayurappan and Ayyappan temples all devotees visiting the
temple on this day early morning are given Kani Pon by the temple priest. On that
note, I would like to wish you all a very hearty - HAPPY VISHU!!
Vishu contd..
“The very first sight is
that of our own face
in the mirror which
signifies that for all
our future
endeavours, we are
solely responsible—
this is called Vishu
Kani. “
Page 5
Tarangin i
Vishu Kani
Trichy Sri Kalyaranaraman, one of the stalwarts in conducting discourses of the Srimad Bhagavatham, Srimad Ra-mayanam and other religious texts, nar-rated a story that gives us the signifi-cance, or Mahatmyam of the chant “Om Namo Narayanaya Namaha”.
Once, Lord Vishnu told Sage Narada to go and tell the words “Om Namo Nara-yanaya Namaha” in the ears of a cater-pillar near a river. Narada obeyed the words of the Lord, and went to the Earth, i.e. Bhoolokam and chanted the words into the caterpillar’s ear. To his surprise, the caterpillar died immedi-ately. Shocked and filled with grief, Narada went to Lord Vishnu and told him about it. The Lord then asked him to say the same words into the ear of a bird in a bush. Narada again went down to the Earth and did as he was told. The bird died once the words were said into its ears. Narada went back to the Lord and told him about the fate of the bird. Next, the Lord asked him to say the words into the ears of a doe playing in a garden. Narada, being an ardent devo-tee, did as he was told. The doe died as well. Next, he was told to say the words into the ear of a newborn calf. And the same thing happened to little calf.
Filled with remorse and guilt of bringing on the death of innocent lives, Narada went back to Vaikuntam to the Lord and asked him the reason behind these deaths. In response to his question, Lord Vishnu asked Narada to go to the palace of the King of Kaasi, where a crown prince was born after several
years, and chant the same words into the little boy’s ears. Narada reluctantly proceeded to Kaasi. On his arrival, the King welcomed him with the Poorna Kumbham, and shared the wonderful news of the birth of the prince with Narada. Narada asked to see the new born alone, to which the King gladly agreed.
Narada, now alone with the baby, was pondering over the fate of the baby, once he chanted the words into his ears. He was concerned about the King, as he was blessed with the baby after many years. However, since he cannot ignore the orders of the Lord, he unwillingly went near the baby’s cradle, which was made of gold, and said the words “Om Namo Narayanaya Namaha” slowly into the baby’s tiny ear. To his astonishment, the baby instantly sat up in the cradle and started talking!
The prince asked Narada, “Do you know the meaning behind the nama, Om Na-mo Narayanaya Namaha?” “No,” replied Narada. The baby stated that Narada was his Guru, as he was the cause for his soul, Atma, to get the form of a human, the Manushya Janma. Narada, perplexed at that statement, asked for clarification. “When I was born as the caterpillar,” explained the new born, “you said the words Om Namo Narayanaya Namaha into my ear. Immediately, I left the body and got a better form as a bird. Again, you came and said the same words in my ear, and I got an even better form, as a doe. Then, as a calf, and then finally a human being, which is the most blessed
Mahatmyam of “Om Namo Narayanaya Namaha”
- Shanti Tilak
“Narada obeyed the
words of the Lord,
went to Bhoolokam
and chanted the
words into the
caterpillar’s ear. To
his surprise, the
caterpillar died
immediately. “
Page 6
Tarangin i
form of life. Manushya Janma is the only janma in which you can attain the Paramatma by just saying the Nama – Om Namo Narayanaya Namaha.”
From the story, we learn that the human form is the most blessed form of life in which the Lotus feet of the Lord can be attained by just chanting the Nama. It is said that in Kaliyuga, one can attain Moksham simply by chanting the Lord’s name, Namasankeerta-nam. The soul, Atma, can get a human form only by performing a lot of good deeds, Punya Karma, in the previous births. Therefore, we should use our human form to do only good and no evil.
It is also said that when we recite slokas, or chant the Lord’s names, or do Poojas, we should say the words aloud, so that they reach the ears of the birds, animals or plants nearby, and help them get a better form in their next birth, like in the story above. By chanting the names of the Lord and enabling an Atma to attain a better form, we are doing a good deed. Another thing we learn from this story is that it is always good to recite the slokas loudly, so that the vibrations can reach other forms of life as well.
Loka Samastha Sukhino Bhavanthu
Mahatmyam of “Om Namo Narayanaya Namaha” contd...
Page 7
Volume I I ssue 4
About the author:
Shanti Tilak - I started off a lecturer in Chinmaya Mission College, Palakkad after completing my MA
degree in Economics at Government Victoria College, Palakkad. After my marriage with Tilak K. A, I
moved to Dubai where I worked in several banks including Citibank and ABN Amro Bank. In 1997, our
family moved to Chennai and stayed there until 2007 when our only daughter left for higher studies in
the US. Currently we are based in Doha. I am very interested in the rich Indian culture, religious prac-
tices and attending discourses . I also like playing veena, singing, designing clothes and sewing.
Humour
Have you heard about the
abhishravanam? At least till
about thirty years ago, in the
houses of affluent pat-
tars, when there was cere-
monial offering of food to the
learned Brahmins on occa-
sions like Sraadhdham, a
large number of loukeeka
Brahmins would be invited to
sit in a separate place with-
in the earshot of the elite pu-
rohitas partaking in the cere-
monial feast and chant some
manthras and sookthas (such
manthras were also called
Abhisravana manthras). The
loukeekas whose level of
knowledge of the vedic sook-
thas and chants was big zero
(this includes our hero) would
have learnt such chants by
just having heard it being
uttered repeatedly by many
of their profession-
al colleagues - an exercise of
parrot -
like repetition. Besides some
poor brahmins who could not
get to chant the verses in
spite of all earnest attempts,
the new entrants to the pro-
fession who were yet to
memorize the abracadabra,
would all sit in the group and
either move their lips or just
utter some inarticulate words
ensuring that the voice was
kept so low that others did
not know what these people
were uttering. The ordinary
onlooker’s impression will
be that the elite scholars
were chanting something in
deep meditation. Anyway
this exercise was carried
through because the Abhis-
ravana pattar would be also
given some dakshina (may
be four annas or if they were
lucky enough, eight an-
nas). If they were extremely
lucky, they may be offered a
meal (samaradhana), after
the ceremony .It was the
practice that any Brahmin
could come and sit in the
group even without be-
ing invited and he also re-
ceived the dakshina. So, the
crowd in those days could be
quite huge and some pomp-
ous householders who want-
ed to show off their devotion
in religious matters would
use all means at their dis-
posal to restrict the number
of Abhisravana pattars to
keep in control their expendi-
ture by way of dakshina. In
some cases the pattar of the
house would closely watch
the poor Brahmins chant-
ing and with great dexterity,
would identify the hapless
lipmovers and new entrants
and openly insult them and
ask them to get out. Instead
of dakshina the poor soul
would be abused with the
words like, “Peera pattarey,
enna oye, neer pulinguru,
pulinguru ennu japikkara-
thukku onakku naan kaasu
tharanamaa? Edatha kaali
pannu . (to translate –“you
wretched pattar you are
chanting something repeat-
edly like pulinguru [the tama-
rind seed---please just note,
the word is magical, when
you repeat the word silently
moving your lips there will be
very hectic lip movements
creating a profound impres-
sion on the person who is
watching], instead of the
manthras and for this have I
to pay you money? You im-
mediately get out of here).
Now this is the background
of a funny but costly tiff be-
tween our hero and a so
called prominent grihastha
KAKKA RAMAN AND ABHISHRAVANAM -K V Ananthanarayanan
“Peera pattarey, enna
oye, neer pulinguru,
pulinguru ennu
japikkarathukku
onakku naan kaasu
tharanamaa? Edatha
kaali pannu..”
Page 8
Tarangin i Humour
in our agraharam.
The prominent pattar
was a “mookkillaa rajyathey
murimookkan rajaavu” ( in
the country of people without
noses, the solitary man who
has a small lump in the place
of nose will be honoured as
king) of our agraharam. One
cannot but be skeptic
about his credentials as a
devout Brahmin. He had at
least one public sam-
bandham in which he had a
quarter of a dozen of
nair children in addition to a
near dozen progenies
through his Brahmin sa-
hadharmini and his over-
tures to greener pastures
even in the upper middle
aged status of his life had
earned him the fame as a
local don juan. But he want-
ed to flaunt his affluence by
celebrating religious ceremo-
nies in the noisiest of ways
with the least expenditure.
On one such occasion, our
Rama Iyer was the victim of
such an insult as men-
tioned above, and this was
all the more insulting to our
hero because the grihastha
concerned was a relative of
the grama vaadhyar (the
village priest) and this inci-
dent created some serious
loss in our hero’s profession
for livelihood which included
attending such religious cer-
emonies and
receiving the pittance of
dakshinas involved. Our he-
ro is very good natured but
his pride (whatever it is) and
his means of livelihood (a
still more obscure thing)
were affected and he was
raring to get even with his
tormentor.
Our hero got his opportuni-
ty: The vaideekas and
loukeekas of almost all the
agraharams around Kalpa-
thy usually met every day in
front of Kshipra Ganapathy
temple just opposite the
famous muniappan kada
(shop) at the ther mutti (the
place where the temple car
(Ratham) of Viswanathaswa-
my is parked on days other
than the three days of the
car festival) and exchanged
notes, and the loukeekas
would be invariably present
because it was here that
they were informed
about their job opportuni-
ties for the coming days,
whether it was some pooja ,
sraadhdham, hiranyam
etc. The main vaadhyars
chalked out the duty roster
for the lesser ones, and the-
se were occasions where
they exhibited their superiori-
ty over the latter souls. One
heartening feature in the
whole process is that the
noble vaadhyars of those
days never demanded a
kickback on the dakshinas
received by junior vaadhyaar
or loukeekas, whose cases
were referred to by them,
It was on one such day and
there was a sraadhdham in
the house of the VIP pattar
of the agraharam who had
become the enemy of our
hero. As luck would have it,
our grama vadhyar was not
present for the summit of the
day and snatching the op-
portunity, our hero spread
the hush and anonymous
news that there was a
sraadhdham at the house of
…Iyer and for Abhisra-
vanam, the dakshina would
Continued….
“As luck would have it,
our grama vadhyar
was not present for the
summit of the day
and snatching the
opportunity, our hero
spread the hush and
anonymous news that
there was a
sraadhdham at the
house of …Iyer and for
Abhisravanam, the
dakshina would be five
rupees per head …”
Page 9
Volume I I ssue 4
be five rupees per head and many vaideekas were spe-
cially attending. Remember five rupees forty years ago
was a very substantial sum.
The Sraadhdham day dawned. By 9 AM one could see a
long parade of vaideekas (and also loukeekas) most of
them clad in pompous somans and angavastras , sporting
prominent viboothi pattais or pattai namams making a
beeline to the house of the VIP grihastha. The grama
vadhyar who was present in the house and preparing the
days schedule for the sraaddham and the VIP pattar were
both surprised at the flow of such an elite crowd to the
household. The professional colleagues of the grama
vaadhyar informed him in whispers that they had all come
for the Abhisravanam and they knew how important it
was since the dakshina was five rupees per head. The
duo, the VIP pattar and the gramam vadhyar
were flabbergasted for a moment. Wrong news had been
spread. Ho wever the fact remained that there was a
sraadhdham and there was Abhishravanam also. And the
scholars who have come were all very learned, and at
least to save his face the VIP pattar could not deny the
news. The rich pattar had to shell out five rupees each to
at least the elite vaideekas, and the number of such per-
sons in Palakkad at that time was quite substantial.
Kaakka Raman had taken revenge for his disgrace.
Pattar’s Dictionary:
Sraadhdham: the annual death ceremony in honour of
dead parent. Done every year on the same Thithi (the so-
lar phase) and month of death
Loukeeka Brahmanan: the Brahmin who assists in cere-
monies but does not have the complete knowledge of
mantras and prayogas as a vadhyar
Dakshina : Money given as remuneration or gift for partici-
pating in religious ceremonies
Grihastha: One who is living in a house in agraharam,
especially the head of the household. Now it can be ap-
plied to anyone running a family anywhere in the world.
Agraharam: A street in the village traditionally inhabited
by Brahmins.
Sambandam: High caste people like pattars and nam-
boodiris having marital or extra marital relationships with
ladies of not so low caste (the ladies will be usually nairs
or ambalavasis. The children born will take the lady’s
caste)
Sahadharmini: the wife that a man is properly married to.
Grama Vadhyar: In good old days a vadhyar was as-signed the charge of conducting the religious ceremonies of a whole agraharam. He was almost a family member to all.
Continued….
Page 10
About the author:
K V Ananthanarayanan - I am Ananthanarayanan, a senior officer in the Indian Reve-
nue Service, a postgraduate in applied Physics with Industrial Electronics as specializa-
tion. The culture and divine nature of our country is more dear to me than my own
life...I had formal education in Sanskrit, and some parts of Vedas and can use Malayalam,
Tamil and a little Telugu in addition to English and Hindi. Posted as joint Commissioner
in Incometax at Trivandrum, an upper middle manager in the service of India.
Tarangin i
Mahatma Gandhi did not make history but it was history which made Gandhiji. Whereas, history did not make Jamsetji Tata, the Founder of
the Tata Group. It was Jamsetji Tata, a man of vision and creative ideas, who created history. One must note that it is easy to repeat history
but it is difficult to create it.
If it was one “ J “ – Jamsetji – who created the Tata Foundation, it was another “ J “ – Jehangir – affectionately known as “ Jeh “ JRD Tata -
to his colleagues and many friends, who successfully expanded, diversified and consolidated it. And, finally, it was then left to Mr Ratan Tata
to further consolidate the portfolios of the Group and transform it into a cohesive, dynamic, globally competitive and increasingly interna-
tional enterprise and leave his own personal stamp on the future with the tremendously innovative vision, since transparent into reality to
developing the world’s cheapest car, the NANO.
( One of Mr JRD Tata’s favourite quotes )
“ I have always felt that in running any enterprise, I would rather have a team of dedicated second-raters fully behind me than a group of
semi-geniuses who have a tendency to fight each other “.
Inspiration - K D Skandan
Page 11
Some tips to avoid sun burns / rashes in summer -Lavannya Krishna
Always have a bottle of Caladryl/ Calamine in the fridge.
Wash the affected area (face or any part of the body) with cold water. Wipe it gently with a soft cotton cloth (blotting type of cloth) & then immediately apply calamine from the fridge. It will be very soothing & the rashes / sun burns will van-ish off.
Everyday, eat salads made out of fresh tomatoes, cucumber, carrot & onions. Reduce spicy foods as much as possible.
Avoid pickle completely. Now you may ask “For thayir chadham what side dish can I have instead ?” Here is a remedy: mix finely grated ginger, carrot, cucumber, very little green chilli, little powdered hing (Perungaya podi), a bit of lemon juice & garnish with mustard, a dried red chilli & curry leaves in little coconut oil. This dish will be superb & soothing, not only for thayir chadham but also for any rice & also for chapathis. With chapathis, you can mix thick curd to the mix.
While taking a bath, squeeze some lemon juice in the water to chase away body odour & to keep yourself fresh though out the day.
During the day, try to have atleast 2 tender coconuts apart from drinking a minimum of 10 – 12 glasses of water.
HAPPY SUMMER!!
About the author:
I am Lavannya Krishna, daughter of Ranjani N and Krishnan-Late, successfully running a herbal
beauty clinic in Bangalore.
Volume I I ssue 4
About the author:
K D Skandon: I originally hail from Irinjalakuda, Trichur District and I
have been in Bombay for over the last 50 years. I served the Tata
Group for over 40 years with the great and late Mr Naval H Tata and
his son, the present Chairman of the Tata Group, Mr Ratan Tata and
retired in 2000.
The Indian classical
dance has its Adi Guru
as Shiva in his Nataraja
form. So why was Shiva
the Adi Guru? Why not
Vishnu or Bramha the
creator himself?
To get an answer to that
question, we need to un-
derstand the philosophy
of dance. Shiva is the
Adiguru in agamas
which are also known as
Tantras. There are 64
tantras for which he is
the author. These are in
the form of a dialog be-
tween Parvathi and Shi-
va. Tantra have been the
base philosophy from
where Indian dance got
its first form. Dance is a
way of communication
to this universe. It is
proved by the mudras it
uses.
Mudra in tantra as well
as dance is used to com-
municate a particular
idea to the audience. In
the sadhanas in tantra, it
is used to communicate
to the devata whereas in
dance, it can be used to
communicate to the au-
dience or to the whole
universe as well. Mudra
is a contribution of tan-
tra to the world. One of
the famous commen-
taries for Natyasastra
was written by famous
Kashmir shaivist and
tantrist Shri Abhinava
Gupta which is known
as Abhinavabhāratī.
What we see outside and
perceive by our 5 senses
is matter. We also see
that we use different
forms of matter like
flowers or food as offer-
ings to a particular deity.
Now this is an external
process but the same can
be done using mudras. In
the scriptures it is held
more powerful and bene-
ficial than external forms
of offerings. Mudra uses
certain postures of hands
to communicate to the
deity. Shiva was the first
to expound this in his
tantras and that is one of
the reasons why he is re-
garded as the guru in
dance.
This whole universe is
filled with dance. Dances
exist in the form of vi-
bration even in atoms. If
we delve deep into it, as
per particle physics, each
atom consists of protons,
neutrons, and electrons.
These are further consti-
tuted by a class of parti-
cles called Quarks.
Again, as per the latest
development in physics,
String Theory, the basic
element of the matter is
in the shape of a string.
It is nothing but vibrat-
ing energy and this actu-
ally is that form of dance
at the sub atomic levels.
Now from where did
matter originate? Phys-
ics tells us that it origi-
nated from energy. So
where did energy origi-
nate from?
This is a question that
has haunted the scien-
tific community for a
long time and in a recent
interview, Stephen
Hawkings, regarded as
the greatest in this field
currently in the scientific
circles, stated that it is
quite possible that ener-
gy may have originated
from consciousness. We
in India call that con-
sciousness as Shiva. This
Philosophy of Indian Classical Dance -Rakesh Ramachandran
“Mudra uses certain
postures of hands to
communicate to the
deity. Shiva was the
first to expound this
in his tantras and
that is one of the
reasons why he is
regarded as the guru
in dance. ”
Page 12
Tarangin i
whole universe is a manifesta-
tion of Shiva. Shiva exists in
this universe in the form of
dance and that is why when he
does the thandava the whole
universe proceeds towards its
essential and final destruction
which is nothing but a
preparatory phase for
the next creation.
The basic philosophy of
dance was captured
from the universe's ex-
istence by our rishis
and they developed the
Indian classical dance.
Today it has degenerat-
ed itself to an external
art form in which the
basic participants for-
get the whole philosophy of it.
It is in this period that under-
standing the basic philosophy
and evolution of Indian classi-
cal dance becomes a basic neces-
sity.
Unfortunately, most people now
consider it as a mere form of en-
tertainment. This is detrimental
to the whole development of In-
dian classical dance. If we un-
derstand the basic philosophies
of dance and put that into prac-
tice we will become like Shiva.
When we dance we can see the
whole universe in the thandava
state. Reaching that level
should be the goal of a person
who is venturing to learn Indian
classical dance, anything else is
futile.
You can reach fame, money,
and every other material things
but the same is reached by a
business man also just that he is
called as a business man and
you are called as a dancer. So
what is the difference be-
tween the two? This
would be the result of
learning any art form
without understanding
the basic philosophy be-
hind it. Dance and all
other art forms were de-
veloped in India with a
reason that went beyond
the entertainment value
associated with these cur-
rently. They were devel-
oped to enable each individual
soul to reach the supreme con-
sciousness.
Let that supreme Sadashivan
help us all in reaching the pure
form of dance which is the basic
existence of this whole universe.
Philosophy of Indian Classical Dance -Rakesh Ramachandran
Page 13
Tarangin i
About the author:
Rakesh Ramachandran - I hail from the family of Thrithalla Krishna Iyer. I am pres-
ently working in Jamcracker Technologies in Bangalore. I practicing psychology and also
Sri Vidya upsana in dakshina marga. My hobbies include writing and reading; I also en-
gage myself in intellectual debates in various topics including vedanta, agama, bhagavad
gita, political science, metaphysical science etc.
Internet Calling… -Poornima Srikanth
Gtalk to `see’ their
`Americkan’ kids, places
across the globe appear
just across the computer
screen. It indeed gives a
huge relief when senile
phrases like `gone are the
good old days of friend-
ship…’ give way to opti-
mistic notes, as our senior
generation decides to stop
fretting over the darkness
and light a candle.
Ours is an elephant family
with endless number of
cousins, uncles and aunt-
ies. Everyone met just on
devasham or some kal-
yanam…until a family
networking site said hi to
us. The site could help us
build our family tree (yes,
and accommodate our 100
plus clan!) and invite rela-
tives; and the family now
meets each other everyday
on our desktops. I was
surprised to see the active
participation from elders
and youngsters alike.
Sharing photos, events or
interesting links has nev-
er been easier. The other
day, I was raking my
head over choosing a
name for my child. When
I asked ammammai for her
suggestions, phat came
the reply – “Look in your
computer, it will have a
number of names”. OMG!
Gone is the age when
paatis referred Sahasra-
naamams for names.
From browsing for a reci-
pe or shlokam to e-
booking railway tickets,
internet has become a
close daayaadii of our
folks.
Well, as long as our
grannies don’t ask us to
download kaduku maangai
from the internet, I am
totally okay with technol-
ogy shaking hands with
them!
“ Hi Poornima, Mathur
Sesha Iyer Ranganathan
added you as a friend on
Facebook. We need to
confirm that you know
Mathur Sesha Iyer in or-
der for you to be friends
on Facebook.”
If you thought Mathur
Sesha Iyer Ranganathan
was my old college mate
or neighbour, you got it
wrong. It was my sixty
plus father-in-law sending
me a friend request in Fa-
cebook.
The advent of e-social net-
working sites has of
course conjured the youth
in its web magic. But our
senior citizens are left no
strangers too. Words like
`download’, `browse’,
`click’ have slowly seeped
into the lexicon of all
paatis and thathas. As more
and more parents take
shelter in video chatting
platforms like Skype and
“The advent of e-
social networking sites
has of course conjured
the youth in its web
magic. But our senior
citizens are left no
strangers too.”
Page 14
Tarangin i
About the author:
I am Poornima Srikanth, working as a Sr. Technical Author in FCI OEN, Kochi. I am married to Srikanth, and we are blessed with a son. I enjoy writing, blogging, sketching and painting. My grandfather PR Sankara Iyer was a connoisseur of Nama Sankeerthanam, and my father Tripu-nithura PS Ramachandran is carrying forth the tradition. Thanks to this lineage and my wedlock, I am very passionate about singing and participating in bhajans.
Thrissur Pooram & Vadakkunathan Temple
-P S Krishnan and P R Ramachander
Page 15
Tarangin i
Every year Thrissur Pooram is celebrated on Pooram
Nakshathram day in the month of Medam (April - May). This year
it is on 24th of April. Thrissur Pooram is known as Pooram of all
poorams. The present day form of Thrissur Pooram was started
by Sakthan Thamburan (Raja Rama Varma) in the Malayalam
era 9769 (1801AD). He took up the renovation of the
Vaddakkunnathan temple complex and built the four gopurams
(entrance gates). Shakthan Thamburan made the sprawling
Thekkinkadu Maidan the major venue of Thrissur Pooram and
entrusted the onus of holding the festival to the two public tem-
ples- Thiruvampadi and Paramekkavu temples. He himself is
said to have drawn up the 36-hour hectic schedule for the
Pooram festival.
On the Pooram day, Gods and Goddesses from nine
temples around Thrissur visit Vadakkunnathan temple to pay
obeisance to Lord (Sri) Vadakunnathan with five, seven, nine or
eleven elephants along with panchvadhyam, the rhythmic beat-
ing of the drums. These temples are :
1. Kannimangalam Sastha
2. Paramekkavu Bhagavathy
3. Panamukkam Palli Dhara Sastha
4. Karamukku Bhagavathy
5. Chembukkavu Kathyayani
6. Ayyanthole Karthyayani
7. Choorekkattu kavu Durga Devi
8. Laloorkavu Karthyayani
9. Neithilakavu Bhagavathy and
10. Thiruvambadi Bhagavathy
Through out the year the East, North and West Gopu-
rams (entrance) of Vadakkunnathan temple are kept open ex-
cept the South side entrance. The south entrance is opened only
on the Pooram day. The Pooram starts with the arrival of Kan-
nimangalam Sastha in the early morning who pushes open the
south door and enters the temple to pay obeisance to the Lord.
Then one by one all other cherupoorams visit the Lord before
1.30PM. All eight processions except Paramekkavu and Thiru-
vambadi are cherupoorams.
Thiruvambadi Thever starts at 7 Am with fifteen ele-
phants and reaches the Brahmaswom Madom. After Irakki pooja
at Madom Thiruvambadi starts at 1 PM to visit Vadakkunna-
than. This Madathil varavu is accompanied by Panchvadhyam
which lasts for hours. By the time Thiruvambadi reaches
Naikkanal, the Ilanjiththara Melam by Paramekkavu starts.
Paramekkavu Bhagavathy starts at about 12 Noon with 15 ele-
phants with Vadhya ghosham starting with Chembada, and Pan-
dimelam first kalaasam. By this time Paramekkavu Bhagavathy
enters Vadakkunatha temple, the artists finish second kalaasam
of Pandi melam. After wards the famous Ilanjiththara melam by
Paramekkavu starts, comprising more than 200 artists. Then the
Bhagavathy comes around Vadakkunnathan and comes out
through South gopuram to Thekkinkadu maithanam. From there
with 5 elephants she visits the statue of Raja and comes back to
participate in Kudamattam. By this time Thiruvambadi group
after meeting Vadakkunnathan, comes out through South Gopu-
ram and the 15 elephants stands in row to take part in Kudamat-
tam facing Paramekkavu Bhagavathy. The Pooram Festival is
celebrated by these two rival groups representing the two divi-
sions of Thrissur, Paramekkavu and Thiruvambadi vying with
each other in making the display of fireworks grander and more
colourful. Each group is allowed to display a maximum of fifteen
elephants and all efforts are made by each party to secure the
best elephants in Kerala and the most artistic umbrellas, several
kinds of which are raised on the elephants during the display
(Kudamattam).
It is worth pointing an interesting sequence of events
here for the readers. It seems that until about 75 years ago,
there was no Kudamattam. The colour of umbrella on the ele-
phant carrying the God would always be green and others red.
At that time one Mani Iyer , who was a native of Thiruvambadi,
thought that it would be nice to have different colour umbrellas.
He made 14 green umbrellas and one red umbrella in consulta-
tion with the Thiruvambadi temple management. That year, the
Koodi Kazhcha started as usual with red umbrellas. In the mid-
dle, to the surprise of every body, the Thiruvambadi party
switched their umbrellas. The Parmekkavu party were not pre-
pared for it. It seems that they then rushed and changed to dec-
orative Patta Kodais. From then on, Kudamattam became an
important part of Pooram and we all have to thank a Keralaiyer
Shri. Mani Iyer for coming up with such an innovative idea. The
world famous Kudamattam lasts for nearly two hours and after
that Thiruvambadi Bhagavathy goes to Brahmaswom Madam
and Paramekkavu Bhagathy goes to her temple on the east
side of the main temple.
By 8.30 PM these poorams again comes to pay obei-
sance to Lord Vaddunnathan. By night 3.00 AM the fireworks
starts with the arrival of Paramekkavu at the pandal at Manikan-
dan Aal and Thiruvambadi at Nai kanal. This lasts till
5.30AM. Next day Pakal Pooram marks the end of the festival.
The grand finale of this festival of colour, music and fire works
would be marked with a function of bidding farewell to the dei-
ties of the Thiruvambadi and Paramekkavu Devaswams in front
of the Western Gate of the Vadakkunnathan Temple.
Vadakkunathan Temple : Vadakkunnathan Temple, is one of
the largest and ancient Shiva temples in Kerala. It is located in
the heart of Thrissur town. It is believed that Lord Parasurama
built the temple. Vadakkunnathan temple is surrounded by a
massive stone wall enclosing an area of nearly 9 acres
(36,000 m2). Inside this fortification there are four gopurams
each facing north, south, east, and west directions. The temple
is a multi-shrined complex in the center with three principal
shrines dedicated to Shiva (Vadakkunnathan), Shankaranaraya-
na and Rama.Here Lord Shiva is facing West direction. Apart
from these three deities Sree Parvathy and Sree Ganapathi are
also enshrined within the nalambalam of the temple. Lord Vettek-
karan (Siva in a hunter form) is also worshipped within the nalam-
balam enclosure. Outside the nalambalam, there are shrines of
Lord Krishna, Vrishabha, Parasurama, Simhodara, Dhar-
masastha and Adi Sankaracharya. Adi Sankara is believed to
have been born to the Shivaguru-Aryamba couple of Kalady in
answer to their prayers before Vadakkunnathan. A fairly large
white bullock on the verandah of the Nalambalam is worshipped
as Nandikeswara. Apart from these deities, devotees can offer
their prayer to Kasi Viswanathar, and Lord Chidambaranatha of
Chidambaram, Lord of Shiva of Rameswaram, Sree Kali of Ko-
dungallur, Urakam Ammathiruvadi, Lord Bharatha
(Koodalmanickam) at Irinjalakuda, Sree Vyasa (On the Vyasar
palakai ( stone - devotees write “Hari sree Ganapathaye Na-
ma:”•on this stone), Sree Hanuman and the serpent gods.
Speciality of Lord Vadakkunnathan : In the Garbhagraham the
lord is inside a huge mount of frozen ghee (Neiyyu Mala). This
neiyyu mala is about ten feet in height and is supposed to be
many centuries old (more than thousand years). The idol of Shi-
va, which is not visible, is covered under a mount of ghee, formed
by the daily abhishekam with ghee over the years. A devotee
looking into the sanctum can now see only a ten-foot high mount
of ghee decorated with thirteen cascading crescents of gold and
three serpent hoods at top. According to traditional belief, this
represents the snow-clad Mount Kailas, the abode of Parvathy
and Parameswara. Next time when you visit this temple please
ensure to stand in front of the Lord for few minutes and look care-
fully to notice the Ghee Mala behind the decorations.
Thrissur Pooram & Vadakkunathan Temple contd..
Page 16
Tarangin i
About the author:
P S Krishnan - I am a native of Pallassana East Village in Palakkad District, very famous for Meenkulathi
Kavu Bhagavathy kshetram. I left our Gramam in 1961 for my higher studies. After graduation I worked in
Govt.Victoria College, Palakkad as Demonstrator in Chemistry for a short period and then moved to
Mumbai where I have been living for 45 years now. I retired as an Executive from ICI after 33 year‘s of
service. I have been studying Vedam for the last eight years and have taken part in few Maha Rudram and
Athi Rudram functions in and around Mumbai. Often I write articles and many of them have appeared in
Pattars.com and [email protected].
Brahmins have been marginalised significantly since India's independence. Whatev-
er the cause or justification, it is a fact that Brahmins have been, and are being,
discriminated against and deprived of legitimate opportunities in the country.
The Pattars yahoo group frequently carries pathetic tales of Brahmin deprivation,
almost begging for financial and social support from fellow-Brahmins. Undoubtedly,
responses from fellow-Brahmins have been generous. Unlike other segments of
the society, Brahmins are socially handicapped from taking up menial jobs and la-
bour to support themselves and their families. The net result is that we now have
several Brahmin families below the poverty line. It is pathetic that Brahmins, who
once occupied intellectually superior status by merit, are now at the bottom de-
prived of even equal opportunity.
Girl children bear the burden of deprivation for obvious reasons and they suffer
neglect and social isolation, for no fault of theirs. Some are denied even the basic
education for want of resources. This cause for Girl children among poor Brah-
mins deserves to be taken up on priority, before they are consigned to their fate
by the society.
I am willing to provide financial support (for living and education @ Rs. 1000/- pm,
per head) for up to two (2) deserving and meritorious Brahmin girls until they
complete their Secondary School education. The proposed grant is for ONE
YEAR at a time, and extended at the discretion of the donor, based on the re-
view/appraisal of the beneficiary' s performance Brahmin friends, who know such
cases from their villages, may please refer those cases (with full information includ-
ing their contact details) to me at: [email protected]
SAVE THE GIRL CHILD- AN APPEAL -Venketesh Iyer
Page 17
Tarangin i
North Parur (now Para-
voor), is a very old and
growing municipality locat-
ed in Ernakulam district.
The Parur town is 19 kms
away from Alwaye (Aluva)/
Edappally in the city of Ko-
chi. One can call Parur, a
Temple Town for the num-
ber of marvelous temples that one can visit there.
The reason for so many temples in the region is at-
tributed to the influence of Travancore State and
Cochin State rulers who ruled North Parur for
many years. Also at different times in history, Karna-
taka Brahmins (Pottie, Embran etc), Tamil Brahmins
(Iyers) and GSB Brahmins (Prabhu, Shenoy, Pai etc)
came to this town, settled here and constructed
temples for themselves and for their workers who
spoke same or similar languages. Some of the fa-
mous temples found there are:
Sree Venkatachalapathi Temple Potten Street,
KMK Junction.
Sree Venugopalaswami temple, Chennaman-
galam.
Mookambika Saraswathi Temple- One of the
most important Saraswathy temples in Kerala
Peruvaram Mahadeva Temple.
Kannankulangara Sreekrishna Temple
Amman Temple –Near English High School
Besides these temples, the Sasthapreethi conducted
every year during Kumbha Maasam (Maasi Masam)
by the Pandi Brahmana Samooham is very famous
and popular like the Sasthapreethi at Kochi
Thekkethalam. The Samooham has on its member-
ship record, Brahmins who mostly migrated from
Tirunelveli district of Tamilnadu during the last and
previous century in search of a livelihood and set-
tled down here at Parur. The Samooham also con-
ducts Maharudram during Vasantha Rithu and Bha-
gavathi Seva for 41 days during Adi masam (July 15
onwards). The Samooham organizes upanayanam
for deserving poor vatus and help poor Brahmin
families in the conduct of marriage of their daugh-
ters. The Samooham also runs a High School for the
benefit of all. The Sasthapreethi being a major
event attracts people from far and wide. Prompted
by an active member of the Samooham settled at
Bangalore, I had the benefit of participating in the
Sasthapreethi at Parur this year on 20th February
along with nine other members from the Pradosha
Pooja Group, Bangalore. We were requested to
join the Vedic chanting and for singing the Varavu
songs and Vanchi Paattu. It was a memorable and
exciting experience for all of us to be a part of the
celebrations.
The elaborate Mahanyasa Purasaram Ekadasavara
Parur Saasthapreethi -P V Anantanarayanan
Page 18
Tarangin i
Alankaram
Rudrabhishekam, followed by chanting of Taitreeya
Upanishad, Mahanarayanam and Rudra Kra-
marchana was a six hour religious exercise to all of
us. This was followed by Deeparadhana and singing
of Varavu songs and a sumptuous Prasadam lunch.
Paal payasam being the Mahaneivedyam, is prepared
with all care and devotion. I was informed by senior
members of the Samooham that late Ambi Maama
used to take extreme care in maintaining the quality
of milk supplied. Though he did not have a scientific
instrument to test the quality of milk supplied, he
would use a cane (Perambu) which he would dip in
the milk and examine the quality of milk supplied.
The Vanchi Paattu extending for about 90 minutes
in the late evening sung in the adjacent Madathumuri
Street of samooham was a delight to the ears of the
devotees present. There was a bhajan at the Pandal
followed by Deeparadhana, Varavu Pattu and invok-
ing of Sastha, Yakshi and Chellapillai. The pro-
gramme extended well beyond mid night and left all
those who experienced the festivities with a great
sense of satisfaction & awe.
I must mention, the excellent and elaborate flower
decoration to the lamps done by florists, specially
invited for the function from Kallidaikuruchi in Ta-
milnadu. Besides the sincere efforts by the office
bearers and committee members of the Samooham,
other members and well wishers, the smooth con-
duct of the Sasthapreethi was over seen by the 93
year old Sri Sahasranama maama (fondly called as
Chathu Maama).
I am sure, that by now, those of you from Parur
who missed this event are reminiscing the old mem-
ories of the functions you would‘ve attended and
are already planning your trip for the next
Sasthapreethi and those of you new to Parur, would
include this temple town in your travel plans to
Kerala! For your convenience, the Samooham also
takes care of your food requirements while visiting
this place.
Parur Saasthapreethi contd...
Page 19
Tarangin i
About the author:
I am P V Anantanarayanan, a retired. Sr. Manager from one of India‘s leading nation-
alized banks. I am a vedic & cultural enthusiast, actively involved in organizing and con-
ducting Poojas & Bhajans in Bangalore. A founder member of the Pradosha Pooja
Group, Bangalore which regularly conducts Pradosha poojas at various residences on
Pradosham days and Sasthapreethis at public venues in and around the city.
Prima Facie I wish to say that Vedic
Astrology is not a subject of so free
hand for any person to practice at
his will; nevertheless and very unfor-
tunately we see many people pro-
claiming them to be ―Astrologers‖
knowing not much or nothing at all
of Vedic Astrology jumping over to
become Astrologers after reading
few astrological books in order to
make fast bucks thus giving a inde-
cent burial to the sacred subject.
Vedic Astrology, so far as its predic-
tive part is concerned, is not such an
exact science as Physics or Mathe-
matics in which, it is possible for any
person to wriggle himself out of any
position however difficult it may be,
without the divine grace, but in the
case of Vedic Astrology, which is a
very close approach to a science,
divine grace must operate.
Though I learned the effect of plan-
ets on human being and to interpret
horoscope way back in early eighties
but I did not show much interest in
practising astrology then because I
understood that most of the astrolo-
gers in those days (& even today!)
followed the traditional way while
analysing horoscopes where lot of
superstitions were involved which I
did not like due my firm belief in the
fact that the ‗human beings are ra-
tional creatures‘.
I always believed in Karma and re-
birth theory; and also in one Supreme
God. I often opposed to the common
belief and general practise by many
Astrologers that such and such a sac-
rifice or grains or pulses or things
should be offered to such and such a
planet to appease it or pacify it be-
cause I firmly believe that planets are
just agents of one Supreme God indi-
cating only the effects produced by
such causes, without they themselves
producing the effects. In my personal
opinion Jupiter is neither Brahmin nor
Saturn a Sudra as referred in many
ancient classic works.
Even today most people (especially
in India) are under the false impres-
sion that performing certain astrolog-
ical remedies (Shaanthi Pooja) or
wearing any gem stone or changing
the alphabets in their name could
eliminate all their sufferings (Karma)
and bring them good luck. From an
astrological point of view, the timing
of the ‗punishments‘ imposed on a
person as a result of past birth Karma
is no doubt determined by the plane-
tary positions in a horoscope, howev-
er, undertaking certain remedial
measures before the completion of
‗at least seventy five percent of
‗punishment‘ life‘ would never wash
away the past birth Karma com-
pletely.
Similarly, many people believe that
choosing an auspicious date or aus-
picious time for giving birth would
make the newborn babies to feel
lucky after their birth. The belief
that infants developing birth de-
fects or becoming abnormal if born
during inauspicious day is deeply
rooted in our country; hence many
expectant mothers in our country
scheduled for delivery during inaus-
picious period always prefer cae-
sarean delivery either earlier or
later rather than taking ―risk‖.
But the truth is that however re-
arranging the date or time for de-
livery according to our convenient
during inauspicious days would
simply change the Rising Sign,
Moon Sign and the planetary posi-
tion in the Birth-Chart of the baby
and confuse the astrologers in the
later period but definitely not the
child‘s Karma!
The fundamental tenet is that
while passing through lives, every
individual acquire virtue for all vir-
tuous and noble acts; similarly
curse for sinful and wicked acts.
They go on accumulating till the
end of life; then the departed soul,
Vedic Astrology-as I see it N. P. Krishnan Iyer
(Vedic Astrologer and Author)
Page 20
Tarangin i
automatically carries with it the ac-
cumulated burden of both virtue and
curse which together constitute Pra-
rabdha Karma. Accordingly, under
the Law of Karma, an individual must
experience enjoyment as reward for
the righteous act and suffer punish-
ment for the evil act committed in
the past birth. There is no escape
from paying the penalty.
Nevertheless, we can try to clean
the ‗virus‘ adhered on to our soul (in
the form of curse) by practising med-
itation or introspecting or self-
analyzing or we can minimize much
of our sufferings with our own will-
power, with our positive thinking,
with our virtuous and noble-actions.
A noble action means discharging
our routine work honestly and sin-
cerely. None of our good deeds go
waste and they definitely yield good
results-- may be immediately or
within a short period or some time
after a long period, probably after
completion of our ‗punishment‘ life;
it all depends upon the way we dis-
charge our duties and perform our
action. However, it is not necessary
for any person to follow illogical way
or shortcut means to receive the
blessings of God immediately in or-
der to change his / her Karma; sim-
ple and sincere prayers have never
gone unheard. At last we must thank
God for creating us intelligent crea-
tures;
I am not against anybody preferring
to perform Shaanthi Pooja to escape
the wrath of past birth curse be-
cause certain powerful Shaanthi
Pooja definitely yield positive results
but the native must have already
completed seventy percent of
‗punishment‘ life. Performing any
astrological remedies (Shaanthi
Pooja) are just like moving a bail
application before the law-court;
whether to grant us bail or not, en-
tirely rests in the hands of the Judg-
es who take note of our case. Our
request will get materialized on the
merit of arguments and the presen-
tations of our case by our talented
advocate in front of the Judges. Simi-
larly, our devotion and our dedica-
tion while praying or performing
Shaanthi Pooja will bring us required
positive results provided the priest
or astrologer conducting the Shaan-
thi Pooja must perform like a talent-
ed advocate!
Vedic Astrology-as I see it Contd...
Page 21
Tarangin i
About the author:
N P Krishnan Iyer - I am from Nurani Agraharam, Palakkad and I have been settled in Navi-
Mumbai for quite some long years. I am married (my wife hails from Kumbakonam Brahmana)
and blessed with two children. I am astrologer by profession who thoroughly believes in Kar-
ma and re-birth theory. I have been writing astrological articles in a local newsweekly since
last three years. I wish you visit my website www.astrologicalguidence.com
Kacha was the eldest son of Brahaspathi, the son of Angeeras. He was an extremely handsome boy. His father was the Guru
(teacher) of all devas. When he was a young lad, the fight between Devas and Asuras was continuing. Devas had a complaint that
Shukra the Guru of Asuras was protecting the Asuras in a better way. Shukra had got the knowledge oh Maha Mruthyunjaya Man-
tram from Lord Shiva and he was using it to bring it to life all dead Asuras. The devas also wanted to learn that mantra. Kacha vol-
unteered to help them.
He went and approached Shukra as a student. Shukra accepted him and
started teaching him. Shukra had a very pretty daughter called Devaya-
ni. Devayani and Kacha being of the same age became very close
friends. The Asuras were looking at this happening with lot of suspi-
cion. They justifiably thought that Kacha’s intention was not to simply
gain knowledge but learn the Maha Mruthyunjaya Mantra from Sage
Shukra. So when Kacha had gone to the forest to graze the cattle of
Shukra’s household, they killed Kacha and made a wolf eat him. When
Kacha did not return, Devayani started crying. Since Shukra loved his
daughter very much, he chanted the Maha Mruthyunjaya Mantra to
bring back Kacha. Kacha came back to life in the stomach of the wolf,
pierced it and came out. The Asuras were very unhappy at the turn of
these events. So when next day, Kacha went to take bath in the river, they killed him, burnt him and mixed his ashes in the sea.
Again the same thing happened. To please his darling child Devayani, Shukra brought back Kacha to life using his mantra. This in-
furiated the Asuras. So next time when they hold of Kacha, they killed him, burnt him and mixed the ashes with an alcoholic drink
and gave it to their teacher Shukra. Shukra unknowingly drank the drink. This time when Shukra chanted the Maha Mruthyunjaya
Mantra, he came to life in the stomach of Shukra. It became evident that if he comes out, Shukra will die. Then Shukra taught the
Maha Mruthyunjaya mantra to Kacha who was within his stomach. Kacha came out of the stomach of Shukra and brought back his
teacher to life by chanting the mantra. Once it was over, Kacha told his Guru that he wanted to go back. At this time Devayani re-
quested Kacha to marry her, since she loved him. But Kacha told that since he came out of the stomach of Shukra, he was like a son
to him and Devayani was like a sister. Devayani cursed Kacha that the mantra that he has learnt would not be effective, if he chanted
it. Kacha also cursed Devayani that she would not get married to son’s of any devas.
Kacha went back happily and taught the mantra he had learned to others. Later Devayani married a king called Yayati. Shukra, who
got into trouble because of alcoholic drink, forbade, all Brahmins from drinking it.
*Picture acknowledgement: Indian Book House Ltd., Mumbai (Amar Chitra Katha)
Devayani and Kacha - retold by P R Ramachander
Page 22
Tarangin i
About the author:
P R Ramachander - A resident of Bangalore, my roots lie in Kerala and my life journey took me to other parts of
India before I settled in Bangalore. A scientist by profession and a story teller by heart is how I would like to de-
scribe myself. For years I worked in the field of science in a horticultural institute in Bangalore. Soon after my retire-
ment, the poet and the storyteller in me pushed itself out. Among the challenges I have undertaken are the transla-
tion of several slokas to English in a poetic form. These can be viewed at www.geocities.com/ramya475/ . I am a
poet in a very small way too. Some of my poems can be seen at www.poetrypoem.com/ramya475. My other inter-
ests are cartooning, history and sociology.
Chakka Pradhaman
Page 23
Tarangin i
Ingredients:
Jackfruit slices (10-12) or ready Chakka Varatti
Jaggery as per required sweetness
Ghee as required
Water - 1/2 cup total
Coconut milk - 2 cups
1 tsp ground cardamom
Coconut bits, cashew nuts fried in ghee
Method:
If you don't have readymade chakka varatti to start with, then please proceed to make it
using Jackfruit slices for this preparation.
Chakka Varatti: Make a smooth paste of jackfruit slices by grinding without water. Melt the jaggery in
water and add the jackfruit paste to it. Heat the mix with occasional stirring and cook until the required
chakka varatti consistency is reached. You may add ghee to the mix to make it more workable.
Chakka Pradhaman: Melt the jaggery in water. Add varatti (obtained as above or from a readymade
stock) and heat the mix to a boil. Keep on stirring the mix and add coconut milk. Allow it to simmer and
add cardamom and ghee fried cashew nuts/ coconut pieces.
From the Adukulai
Tarangini
Articles contributed by:
K V Ananthanarayanan
Shanti Tilak
K D Skandon
Lavannya Krishna
Rakesh Ramachandran
Poornima Srikanth
P R Ramachander
P S Krishnan
Venketesh Iyer
P V Anantanarayanan
N P Krishnan Iyer
Send us your write-ups/material at:
E-mail: [email protected]
Website: http://sites.google.com/site/taranginiki/
Editors:
Hridya Ramani
Navneet T Narayan