Application Procedure SFO Production Broc… · equipment used to support the rehearsals and...

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THE SANTA FE OPERA it's a Career Star ter. t It’s not just another prey place, 2018 The Santa Fe Opera is where I got my start, and I firmly believe I would not have the opera directing career I have without the connections I made, the knowledge I gained, and the practical experience I received from the apprenticeship program. At SFO, you will work alongside those at the top of the field in a challenging environment where learning your craft will consistently be rewarding. The skills you gain from your time as an apprentice will honestly serve you for the rest of your career. - MATTHEW OZAWA, DIRECTOR, Madame Butterfly (2018), Production/Music Services Apprentice (2004) There’s no simple way to describe the profound impact that working as an apprentice technician with The Santa Fe Opera has had on my career. The skills I learned while on stage crew that first summer in Santa Fe have served as the foundation of my approach to opera production to this day. We learned our crafts from some of the most accomplished technicians and artisans in the field, who stressed teamwork, diligence and precision. It was a level of excellence to which we all aspired, in a professional setting that was completely unique and motivating. - JENNIFER GOOD, MANAGING DIRECTOR, Production, San Francisco Opera, Stage Crew Apprentice (1992) My experience at SFO always expanded my boundaries of knowledge and endurance. Also it connected me to life-long peers and professionals who shaped my path both professionally and artistically. In many ways, my entire professional trajectory can be traced back to the days spent at SFO and the fantastic people who inhabit the organization. – JAPHY WEIDEMAN, LIGHTING DESIGNER, The (R)evolution of Steve Jobs (2017), 5 Time Tony Award Nominee: Dear Evan Hansen, The Visit, Of Mice and Men, Airline Highway , The Nance. Stage Crew Apprentice (1996), Electrics Apprentice (1997)

Transcript of Application Procedure SFO Production Broc… · equipment used to support the rehearsals and...

Page 1: Application Procedure SFO Production Broc… · equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired

The SanTa Fe Opera

it 's a Career Star ter.t

It ’s not just another pretty place,

2018To be considered for any position you must submit a current resumé and a 2018 Production Department Application Form. Complete the application form thoroughly. Please include with the application form a resumé of your production experience and training. For Properties, Scenic Art, Costumes, and Wig and Makeup applicants, please include a photo CD or mini portfolio, labeled separately, which demonstrates your construction(not design) skills. These images may also be emailed [email protected]. You may also include a link toyour personal website, if you prefer.

First time Costume Apprentice and Costume Staff Stitcher applicants must also include a hand sewing sample which includes examples of the following: cross stitch (herringbone/catch-stitch), whip stitch (hemming stitch), slip stitch, hook and eye, a 4 hole button sewn with thread shank and a snap. Although the Operawill make every effort to return these materials, do not send your only copies.

Be sure to note on the form when you will be available for work and please advise us as soon as possible should you become unavailable

for the 2018 season. Note also that our season runs through August 25, 2018 and many positions require your availability through that date.

On the back of the Application Form, please list names, telephone numbers and email addresses (both work and cell if possible) of three references who can describe your work. Apprentice applicants should have a shop supervisor, technical director, or designer fill out the enclosed Recommendation Form and have him/her mail it directly to the address listed on the form.

This application will remain active for the 2018 Season only. Applicants must be 18 years of age to be eligible. Applications are reviewed in order of receipt.

Personal interviews, although not required, are strongly recommended. If you plan to attend an interview, mail your application materials well in advance of your interview. Make sure to indicate on your application where you will be interviewing.

Please note: All positions which require the use of a respirator are subject to a physical exam, per OSHA requirements.

If you are applying for the Scenic Arts, Properties, Costumesor Wig and Makeup departments, please bring your portfolioto your interview.

If you are interested in Stage Management opportunities,please send cover letter and current resume to:[email protected].

Applications are reviewed in order of receipt.

The deadline for applications isSaturday, March 10, 2018.

Early response is strongly encouraged. Applications received after the deadline will only be considered as alternates.

All Applicants will be notified by April 6, 2018

Address all correspondence, includingapplications and references, to:

The Santa Fe Opera Production DepartmentP.O. Box 2408Santa Fe, NM 87504-2408Attention: T. Armagost505.986.5973 | [email protected]

KCACTF Region V Des Moines, IA (various locations) January 22-26 2018New York City Area Call for information February 2018KCACTF Region VII Spokane, WA (various locations) February 20-24, 2018KCACTF Region VI Angelo State University, San Angelo, TX February 28 – March 3, 2018SETC Mobile, AL March 8-10, 2018USITT Fort Lauderdale, FL March 15-17, 2018

The SanTa fe operaApplication Procedure

Sfo Will Be inTervieWingat the Following Events:

The Santa Fe Opera is where I got my start, and I firmly believe I would not have the opera directing

career I have without the connections I made, the knowledge I gained, and the practical experience I

received from the apprenticeship program. At SFO, you will work alongside those at the top of the field

in a challenging environment where learning your craft will consistently be rewarding. The skills you

gain from your time as an apprentice will honestly serve you for the rest of your career.

- Matthew Ozawa, DirectOr, Madame Butterfly (2018), Production/Music Services Apprentice (2004)

There’s no simple way to describe the profound impact that working as an apprentice technician

with The Santa Fe Opera has had on my career. The skills I learned while on stage crew that first

summer in Santa Fe have served as the foundation of my approach to opera production to this day.

We learned our crafts from some of the most accomplished technicians and artisans in the field, who

stressed teamwork, diligence and precision. It was a level of excellence to which we all aspired, in a

professional setting that was completely unique and motivating.

- Jennifer GOOD, ManaGinG DirectOr, Production, San Francisco Opera, Stage Crew Apprentice (1992)

My experience at SFO always expanded my boundaries of knowledge and endurance. Also it

connected me to life-long peers and professionals who shaped my path both professionally and

artistically. In many ways, my entire professional trajectory can be traced back to the days spent

at SFO and the fantastic people who inhabit the organization.

– Japhy weiDeMan, LiGhtinG DesiGner, The (R)evolution of Steve Jobs (2017),

5 Time Tony Award Nominee: Dear Evan Hansen, The Visit, Of Mice and Men, Airline Highway, The Nance.

Stage Crew Apprentice (1996), Electrics Apprentice (1997)

2018_SFOApprenticeBrochure.indd 1 11/20/17 6:17 AM

Page 2: Application Procedure SFO Production Broc… · equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired

The positions listed are the only positions available for the 2018 season.Dates for each position vary. Most positions begin early to mid-May and many require your availability through August 25, 2018. Please use the following designations when filling out the application form. Detailed job descriptions are available on our website at www.santafeopera.org. You must be at least 18 years old to apply.

Safety Department Staff 214 to 17 weeks. Duties include maintaining present Safety program, monitoring First Aid and accident follow up, procuring and maintaining safety equipment. Must have strong interpersonal skills.Earliest start date is mid-May.POSITIONS StaffAVAILABLE 1 Safety Coordinator 1 Assistant Safety Coordinator

Costume Department Staff 49 • Apprentices 239 to 14 weeks of costume construction, paint/dye or crafts.4 weeks of dressing for repertory performances (apprentices only).Start dates vary beginning in early May.POSITIONS Staff ApprenticesAVAILABLE 4 Drapers 5 Stitchers 8 First Hands 1 Crafts 1 Tailor 12 Stitcher/Wardrobe 2 Tailor Assistants 2 Millinery 5 Costume Design Assistants 1 Wardrobe 10 Stitchers 1 Administrative/ 2 Millinery Assistants  Wardrobe 1 Crafts Head 2 Crafts Assistants 1 Head Dyer/Painter 1 Dye Assistant 1 Shop Assistant/Shopper 2 Wardrobe Assistants

Wig and Makeup DepartmentStaff 5 • Apprentices 38 weeks of construction of new wigs and accessories, and dressing of existing pieces. 4 weeks of wig maintenance and makeup for repertory performances. Earliest start date is May 28.POSITIONS Staff ApprenticesAVAILABLE 2 Staff 2 Apprentices

Production/Music Services CrewStaff 2 • Apprentices 48 weeks of supporting onstage rehearsals, orchestra rehearsals and general notes. This position overlaps with several areas of production, i.e.: stage, props, and scenic art. Excellent position for someone interested in theatre production. 5 additional weeks of performance repertory. Heavy lifting and physical stamina required.Earliest start date is May 21.POSITIONS Staff ApprenticesAVAILABLE 1 Supervisor 4 Apprentices 1 Assistant

Audio/Video DepartmentStaff 3 • Apprentices 4Department staff and apprentices set-up, operate, maintain and repair equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired/wireless microphones, speakers, digital mixers, intercom systems, video cameras, video monitors, recording equipment, computers & networking, terminating wires and cables is required. Earliest start date is May 14.POSITIONS Staff ApprenticesAVAILABLE 2 Audio Technicians 4 Apprentices

2018 TeamS

The Santa Fe Opera is located in the foothills of the Sangre de Cristo Mountains outside of Santa Fe, NM.The Santa Fe Opera Production Department is unique in that all of the construction and crafts shops are onsite. All of these areas have been newly renovated. Completed in the spring of 2016, renovations include equipment and square footage upgrades in the Scene Shop, Prop Shop, Lighting Areas, Audio-Visual Suite, Production Offices, and the notable addition of a new 3,700 ft² Paint Shop, a space that the Opera has never had before.

Our Production Staff is comprised of experienced designers, technicians and craftspeople from regional theatres, opera companies and universities from around the world. Over 60% of our staff are former Santa Fe Opera technical apprentices.

Staff compensation varies with responsibilities of the position and experience of the applicant. Staff housing is arranged by the Opera. Housing deductions are based on a percentage that is deducted weekly from your base pay. All staff receive assistance towards the cost of long-distance travel to and from Santa Fe.

Alongside our Professional staffs are apprentice technicians from colleges and theatre conservatories across the country. The Apprentice program for Theatre Technicians, established in 1965, is an intermediate to advanced training program. The program offers instruction and practical experience in stage operations, properties, audio/video, costumes, production/music services, wigs and makeup, electrics and scenic art.

Apprentices receive an hourly wage with overtime, and assistance with travel to and from Santa Fe, NM. Apprentice Housing is located in Opera owned apartments. Housing deductions are based on a percentage that is deducted weekly from the base pay.

Director and Designer presentations, resumé reviews, master classes, specialty workshops and portfolio reviews by our professional staff and guest designers are offered throughout the season.

Once all of the season’s repertory productions have opened, technical apprentices participate in the production of fully staged opera scenes presented in two evening concerts featuring the apprentice artists. We also host a Portfolio Fair in which seasonal employees can share their work with fellow employees, designers and invited guests. This presentation will be scheduled for midseason. Please bring your portfolio fully prepared, for there is very limited time to work on it once you arrive.

The production of The Santa Fe Opera season is rigorous, personally and professionally demanding, and physically taxing. The schedule includes many continuous periods of long work days and nights. Twelve- hour-plus days, and six to seven day work weeks can be the norm. Since we are an outdoor venue, technical rehearsals must begin after sunset, and end well in the post-midnight hours.

The Santa Fe Opera Summer Festival presents five productions in repertory. This season’s productions include Candide, Madame Butterfly, Doctor Atomic, The Italian Girl in Algiers, and Ariadne auf Naxos.

Stage Department Staff 6 • Apprentices 1813-16 weeks of technical and dress rehearsals, work notes and repertory changes. 4 additional weeks of repertory running crew.Heavy lifting and physical stamina required.Earliest start date for Stage Department is May 14.POSITIONS Staff ApprenticesAVAILABLE 1 Stage Operations Supervisor 16 Stage Crew 1 Stage Operations Carpenter 2 Shop Carpenters 2 Show Crew Supervisors 2 Stage Crew Leads

Scenic Art Department Staff 5 • Apprentices 412 weeks of scenic painting, sculpture, texture, other finish work including touch up. You must submit a portfolio to be considered for a position in this department. Staff positions require 3 years of professional experience. Earliest start date for Scenic Artist Staff is March 12 (Apprentices start May 14).POSITIONS Staff ApprenticesAVAILABLE 4 Staff 4 Apprentices

Properties Department Staff 17 • Apprentices 1312 to 16 weeks in construction and finishing of furniture, stage dressing and prop elements. Run staff and apprentices support technical and dress rehearsals and repertory performances. Earliest start date for Properties is February 5 (most start May 7).POSITIONS Staff ApprenticesAVAILABLE 1 Lead Craftperson 2 Prop Carpenters 3 Craftpersons 2 Prop Craftsperson 3 Carpenters 1 Painter/Craftsperson 1 Carpenter Journeyperson 8 Run Crew 1 Lead Props Carpenter 1 Crafts Journeyperson 1 Junior Craftsperson 1 Prop Carpenter Journeyperson 1 Head Run Crew Chief 3 Run Crew Chiefs 1 Prop Paint Charge 1 Prop Painter 1 Prop Shopper/Buyer

Electrics/Lighting DepartmentStaff 7 • Apprentices 89 weeks of hang, trial focus, practical construction, and technical and dress rehearsals. 4 weeks of daily repertory focus and running shows.Start dates vary from May 14 – May 28.POSITIONS Staff ApprenticesAVAILABLE 3 Lighting Supervisors 8 Electricians 1 Staff Electrician 1 Staff Electrician/Video Technician 1 Assistant Master Electrician 1 Light Board Operator

CAnDiDEBernsteinDirector/Costume DesignerLaurent PellyScenic DesignerChantal ThomasLighting DesignerDuane SchulerProjection DesignerBenjamin Pearcy

MADAME BuTTERFLYPucciniDirectorMatthew OzawaScenic DesignerJean-Marc PuissantCostume DesignerBrigette ReiffenstuelLighting DesignerRick Fisher

DOCTOR ATOMiCAdamsDirectorPeter SellersScenic DesignerDavid GropmanCostume DesignerGabriel BerryLighting DesignerJim Ingalls

THE iTALiAn GiRL in ALGiERSRossiniDirectorShawna LuceyScenic DesignerRobert Innes HopkinsCostume DesignerDavid C. WoolardLighting DesignerDuane Schuler

ARiAnDEAuF nAxOSStraussDirectorTim AlberyScenic/Costume DesignerTobias HoheiselLighting DesignerThomas Hase

The mission of the Santa Fe Opera is to advance the operatic art form by presenting ensemble performances of the highest quality in a unique setting with a varied repertoire of new, rarely performed, and standard works; to ensure the excellence of opera’s future through apprentice programs for singers, technicians and arts administrators; and to foster and enrich an understanding and appreciation of opera among a diverse public.

poSiTionS availaBle for 2018The SanTa fe operaIt ’s not just another pretty place, it ’s a career starter.

t

t

2018_SFOApprenticeBrochure.indd 2 11/20/17 6:17 AM

Page 3: Application Procedure SFO Production Broc… · equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired

The positions listed are the only positions available for the 2018 season.Dates for each position vary. Most positions begin early to mid-May and many require your availability through August 25, 2018. Please use the following designations when filling out the application form. Detailed job descriptions are available on our website at www.santafeopera.org. You must be at least 18 years old to apply.

Safety Department Staff 214 to 17 weeks. Duties include maintaining present Safety program, monitoring First Aid and accident follow up, procuring and maintaining safety equipment. Must have strong interpersonal skills.Earliest start date is mid-May.POSITIONS StaffAVAILABLE 1 Safety Coordinator 1 Assistant Safety Coordinator

Costume Department Staff 49 • Apprentices 239 to 14 weeks of costume construction, paint/dye or crafts.4 weeks of dressing for repertory performances (apprentices only).Start dates vary beginning in early May.POSITIONS Staff ApprenticesAVAILABLE 4 Drapers 5 Stitchers 8 First Hands 1 Crafts 1 Tailor 12 Stitcher/Wardrobe 2 Tailor Assistants 2 Millinery 5 Costume Design Assistants 1 Wardrobe 10 Stitchers 1 Administrative/ 2 Millinery Assistants  Wardrobe 1 Crafts Head 2 Crafts Assistants 1 Head Dyer/Painter 1 Dye Assistant 1 Shop Assistant/Shopper 2 Wardrobe Assistants

Wig and Makeup DepartmentStaff 5 • Apprentices 38 weeks of construction of new wigs and accessories, and dressing of existing pieces. 4 weeks of wig maintenance and makeup for repertory performances. Earliest start date is May 28.POSITIONS Staff ApprenticesAVAILABLE 2 Staff 2 Apprentices

Production/Music Services CrewStaff 2 • Apprentices 48 weeks of supporting onstage rehearsals, orchestra rehearsals and general notes. This position overlaps with several areas of production, i.e.: stage, props, and scenic art. Excellent position for someone interested in theatre production. 5 additional weeks of performance repertory. Heavy lifting and physical stamina required.Earliest start date is May 21.POSITIONS Staff ApprenticesAVAILABLE 1 Supervisor 4 Apprentices 1 Assistant

Audio/Video DepartmentStaff 3 • Apprentices 4Department staff and apprentices set-up, operate, maintain and repair equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired/wireless microphones, speakers, digital mixers, intercom systems, video cameras, video monitors, recording equipment, computers & networking, terminating wires and cables is required. Earliest start date is May 14.POSITIONS Staff ApprenticesAVAILABLE 2 Audio Technicians 4 Apprentices

2018 TeamS

The Santa Fe Opera is located in the foothills of the Sangre de Cristo Mountains outside of Santa Fe, NM.The Santa Fe Opera Production Department is unique in that all of the construction and crafts shops are onsite. All of these areas have been newly renovated. Completed in the spring of 2016, renovations include equipment and square footage upgrades in the Scene Shop, Prop Shop, Lighting Areas, Audio-Visual Suite, Production Offices, and the notable addition of a new 3,700 ft² Paint Shop, a space that the Opera has never had before.

Our Production Staff is comprised of experienced designers, technicians and craftspeople from regional theatres, opera companies and universities from around the world. Over 60% of our staff are former Santa Fe Opera technical apprentices.

Staff compensation varies with responsibilities of the position and experience of the applicant. Staff housing is arranged by the Opera. Housing deductions are based on a percentage that is deducted weekly from your base pay. All staff receive assistance towards the cost of long-distance travel to and from Santa Fe.

Alongside our Professional staffs are apprentice technicians from colleges and theatre conservatories across the country. The Apprentice program for Theatre Technicians, established in 1965, is an intermediate to advanced training program. The program offers instruction and practical experience in stage operations, properties, audio/video, costumes, production/music services, wigs and makeup, electrics and scenic art.

Apprentices receive an hourly wage with overtime, and assistance with travel to and from Santa Fe, NM. Apprentice Housing is located in Opera owned apartments. Housing deductions are based on a percentage that is deducted weekly from the base pay.

Director and Designer presentations, resumé reviews, master classes, specialty workshops and portfolio reviews by our professional staff and guest designers are offered throughout the season.

Once all of the season’s repertory productions have opened, technical apprentices participate in the production of fully staged opera scenes presented in two evening concerts featuring the apprentice artists. We also host a Portfolio Fair in which seasonal employees can share their work with fellow employees, designers and invited guests. This presentation will be scheduled for midseason. Please bring your portfolio fully prepared, for there is very limited time to work on it once you arrive.

The production of The Santa Fe Opera season is rigorous, personally and professionally demanding, and physically taxing. The schedule includes many continuous periods of long work days and nights. Twelve- hour-plus days, and six to seven day work weeks can be the norm. Since we are an outdoor venue, technical rehearsals must begin after sunset, and end well in the post-midnight hours.

The Santa Fe Opera Summer Festival presents five productions in repertory. This season’s productions include Candide, Madame Butterfly, Doctor Atomic, The Italian Girl in Algiers, and Ariadne auf Naxos.

Stage Department Staff 6 • Apprentices 1813-16 weeks of technical and dress rehearsals, work notes and repertory changes. 4 additional weeks of repertory running crew.Heavy lifting and physical stamina required.Earliest start date for Stage Department is May 14.POSITIONS Staff ApprenticesAVAILABLE 1 Stage Operations Supervisor 16 Stage Crew 1 Stage Operations Carpenter 2 Shop Carpenters 2 Show Crew Supervisors 2 Stage Crew Leads

Scenic Art Department Staff 5 • Apprentices 412 weeks of scenic painting, sculpture, texture, other finish work including touch up. You must submit a portfolio to be considered for a position in this department. Staff positions require 3 years of professional experience. Earliest start date for Scenic Artist Staff is March 12 (Apprentices start May 14).POSITIONS Staff ApprenticesAVAILABLE 4 Staff 4 Apprentices

Properties Department Staff 17 • Apprentices 1312 to 16 weeks in construction and finishing of furniture, stage dressing and prop elements. Run staff and apprentices support technical and dress rehearsals and repertory performances. Earliest start date for Properties is February 5 (most start May 7).POSITIONS Staff ApprenticesAVAILABLE 1 Lead Craftperson 2 Prop Carpenters 3 Craftpersons 2 Prop Craftsperson 3 Carpenters 1 Painter/Craftsperson 1 Carpenter Journeyperson 8 Run Crew 1 Lead Props Carpenter 1 Crafts Journeyperson 1 Junior Craftsperson 1 Prop Carpenter Journeyperson 1 Head Run Crew Chief 3 Run Crew Chiefs 1 Prop Paint Charge 1 Prop Painter 1 Prop Shopper/Buyer

Electrics/Lighting DepartmentStaff 7 • Apprentices 89 weeks of hang, trial focus, practical construction, and technical and dress rehearsals. 4 weeks of daily repertory focus and running shows.Start dates vary from May 14 – May 28.POSITIONS Staff ApprenticesAVAILABLE 3 Lighting Supervisors 8 Electricians 1 Staff Electrician 1 Staff Electrician/Video Technician 1 Assistant Master Electrician 1 Light Board Operator

CAnDiDEBernsteinDirector/Costume DesignerLaurent PellyScenic DesignerChantal ThomasLighting DesignerDuane SchulerProjection DesignerBenjamin Pearcy

MADAME BuTTERFLYPucciniDirectorMatthew OzawaScenic DesignerJean-Marc PuissantCostume DesignerBrigette ReiffenstuelLighting DesignerRick Fisher

DOCTOR ATOMiCAdamsDirectorPeter SellersScenic DesignerDavid GropmanCostume DesignerGabriel BerryLighting DesignerJim Ingalls

THE iTALiAn GiRL in ALGiERSRossiniDirectorShawna LuceyScenic DesignerRobert Innes HopkinsCostume DesignerDavid C. WoolardLighting DesignerDuane Schuler

ARiAnDEAuF nAxOSStraussDirectorTim AlberyScenic/Costume DesignerTobias HoheiselLighting DesignerThomas Hase

The mission of the Santa Fe Opera is to advance the operatic art form by presenting ensemble performances of the highest quality in a unique setting with a varied repertoire of new, rarely performed, and standard works; to ensure the excellence of opera’s future through apprentice programs for singers, technicians and arts administrators; and to foster and enrich an understanding and appreciation of opera among a diverse public.

poSiTionS availaBle for 2018The SanTa fe operaIt ’s not just another pretty place, it ’s a career starter.

t

t

2018_SFOApprenticeBrochure.indd 2 11/20/17 6:17 AM

Page 4: Application Procedure SFO Production Broc… · equipment used to support the rehearsals and production of a five opera repertory season. Familiarity with equipment such as wired

The SanTa Fe Opera

it 's a Career Star ter.t

It ’s not just another pretty place,

2018To be considered for any position you must submit a current resumé and a 2018 Production Department Application Form. Complete the application form thoroughly. Please include with the application form a resumé of your production experience and training. For Properties, Scenic Art, Costumes, and Wig and Makeup applicants, please include a photo CD or mini portfolio, labeled separately, which demonstrates your construction(not design) skills. These images may also be emailed [email protected]. You may also include a link toyour personal website, if you prefer.

First time Costume Apprentice and Costume Staff Stitcher applicants must also include a hand sewing sample which includes examples of the following: cross stitch (herringbone/catch-stitch), whip stitch (hemming stitch), slip stitch, hook and eye, a 4 hole button sewn with thread shank and a snap. Although the Operawill make every effort to return these materials, do not send your only copies.

Be sure to note on the form when you will be available for work and please advise us as soon as possible should you become unavailable

for the 2018 season. Note also that our season runs through August 25, 2018 and many positions require your availability through that date.

On the back of the Application Form, please list names, telephone numbers and email addresses (both work and cell if possible) of three references who can describe your work. Apprentice applicants should have a shop supervisor, technical director, or designer fill out the enclosed Recommendation Form and have him/her mail it directly to the address listed on the form.

This application will remain active for the 2018 Season only. Applicants must be 18 years of age to be eligible. Applications are reviewed in order of receipt.

Personal interviews, although not required, are strongly recommended. If you plan to attend an interview, mail your application materials well in advance of your interview. Make sure to indicate on your application where you will be interviewing.

Please note: All positions which require the use of a respirator are subject to a physical exam, per OSHA requirements.

If you are applying for the Scenic Arts, Properties, Costumesor Wig and Makeup departments, please bring your portfolioto your interview.

If you are interested in Stage Management opportunities,please send cover letter and current resume to:[email protected].

Applications are reviewed in order of receipt.

The deadline for applications isSaturday, March 10, 2018.

Early response is strongly encouraged. Applications received after the deadline will only be considered as alternates.

All Applicants will be notified by April 6, 2018

Address all correspondence, includingapplications and references, to:

The Santa Fe Opera Production DepartmentP.O. Box 2408Santa Fe, NM 87504-2408Attention: T. Armagost505.986.5973 | [email protected]

KCACTF Region V Des Moines, IA (various locations) January 22-26 2018New York City Area Call for information February 2018KCACTF Region VII Spokane, WA (various locations) February 20-24, 2018KCACTF Region VI Angelo State University, San Angelo, TX February 28 – March 3, 2018SETC Mobile, AL March 8-10, 2018USITT Fort Lauderdale, FL March 15-17, 2018

The SanTa fe operaApplication Procedure

Sfo Will Be inTervieWingat the Following Events:

The Santa Fe Opera is where I got my start, and I firmly believe I would not have the opera directing

career I have without the connections I made, the knowledge I gained, and the practical experience I

received from the apprenticeship program. At SFO, you will work alongside those at the top of the field

in a challenging environment where learning your craft will consistently be rewarding. The skills you

gain from your time as an apprentice will honestly serve you for the rest of your career.

- Matthew Ozawa, DirectOr, Madame Butterfly (2018), Production/Music Services Apprentice (2004)

There’s no simple way to describe the profound impact that working as an apprentice technician

with The Santa Fe Opera has had on my career. The skills I learned while on stage crew that first

summer in Santa Fe have served as the foundation of my approach to opera production to this day.

We learned our crafts from some of the most accomplished technicians and artisans in the field, who

stressed teamwork, diligence and precision. It was a level of excellence to which we all aspired, in a

professional setting that was completely unique and motivating.

- Jennifer GOOD, ManaGinG DirectOr, Production, San Francisco Opera, Stage Crew Apprentice (1992)

My experience at SFO always expanded my boundaries of knowledge and endurance. Also it

connected me to life-long peers and professionals who shaped my path both professionally and

artistically. In many ways, my entire professional trajectory can be traced back to the days spent

at SFO and the fantastic people who inhabit the organization.

– Japhy weiDeMan, LiGhtinG DesiGner, The (R)evolution of Steve Jobs (2017),

5 Time Tony Award Nominee: Dear Evan Hansen, The Visit, Of Mice and Men, Airline Highway, The Nance.

Stage Crew Apprentice (1996), Electrics Apprentice (1997)

2018_SFOApprenticeBrochure.indd 1 11/20/17 6:17 AM