Appendix B System Networks

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    System Networks: Visual | Textual | Discursive transformations

    THE IDEATIONAL METAFUNCTION

    TYPES OF STRUCTURES/PROCESSES PARTICIPANTS

    NARRATIVE

    Serve to present

    unfolding actions& events,

    processes of

    change,

    transitoryspatial

    arrangements

    a. Action Transactional Unitransactional

    a vector, formed by a

    depicted element,

    connects two

    participants

    Actor & Goal

    Bitransactional

    a vector, formed by a

    depicted element,

    connects two

    Interactors

    Interactors

    Non-transactional

    a vector, formed by a depicted element,

    emanates from a participant, the Actor, but

    does not point at any other participant

    Actor

    b. Reaction Transactional

    an eyelinevector connects two participants

    Reacter

    &

    Phenomenon

    Non-transactional

    an eyelinevector emanates from aparticipant, the Reactor, but does not point

    at another participant

    Reacter

    Circumstances

    (Setting, Means

    &Accompaniment)

    Secondaryparticipants

    which could be left out

    without affecting the

    basic proposition

    realized by the narrative

    pattern, even thoughtheir deletion would of

    course entail a loss of

    information

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    TYPES OF STRUCTURES/PROCESSES PARTICIPANTS

    CONCEPTUAL

    Represent

    participants in

    terms of their

    class, structure

    or meaning,namely in terms

    of their

    generalizedand

    more or less

    stableand

    timeless essence.

    a.

    Classificational

    Relate participantsto each other in

    terms of a kind of

    relation, a taxonomy

    Covert taxonomy

    The Superordinate is either only indicated in

    the accompanying text, or inferred fromsuch similarities as the viewer may perceive

    to exist between the Subordinates

    Superordinates

    &

    Subordinates

    Overt

    taxonomy

    Single-levelledA participant

    (Superordinate) is

    connected to two or

    more other

    participants

    (Subordinates)

    through a tree

    structure with two

    levels only

    Multi-levelledA participant

    (Superordinate) is

    connected to two or

    more other

    participants

    (Subordinates)

    through a tree

    structure with more

    than two levels

    b. Analytical

    Relate participants in terms of part-whole structure

    Carrier(the whole)

    PossesiveAttributes(the parts)

    c. Symbolic

    Are about what a

    participant isor

    means

    AttributiveRepresent meaning and identity as

    conferredto one participant, the Carrier.

    There are two participants: the participant

    whose meaning or identity is established in

    the relation, the Carrier, and the participant

    which represents the meaning or identity

    itself, the Symbolic Attribute.

    Human participants usually pose for the

    viewer.

    Carrier

    &

    Symbolic

    Attributes (madesalient through

    representation, pointed

    at, look out of place in

    the whole, or

    conventionally

    associated withsymbolic values)

    SuggestiveRepresent meaning and identity as coming

    from within, as deriving from qualities of

    the Carrier themselves.

    CarrierA generalized essence,

    not a specific moment

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    THE INTERPERSONAL FUNCTIONRelations between represented participants (human or not) and the viewer

    CONTACT

    Gaze

    Demand pictures Gaze at the viewer

    (address the viewer directly, realizing a visualyou)

    Offer pictures Absence of gaze at the viewer(represented participants are depicted as objects of

    contemplation)

    SOCIAL

    DISTANCESize of frame

    Intimate/personal Close shot (head and shoulders)

    Social Medium shot (waist)

    Impersonal Long shot (full figure)

    ATTITUDE

    Perspective

    Subjectivity

    (the viewer can see whatthere is to see only from a

    particular & imposed point

    of view)

    Involvement Frontal angle(what you see is part of

    our world)

    Detachment Oblique angle(what you see is notpart

    of our world)

    Viewer power High angle(makes the subject look

    small and insignificant)

    Equality Eye level angle

    Representation

    power

    Low angle(makes the subject look

    imposing and awesome)

    Objectivity

    (the image reveals

    everything there is to know

    violating sometimes the

    laws of naturalistic

    description or the laws ofnature.

    Action

    orientation

    Frontal angle(this is how it works, this is

    how you use it,

    this is how you do it)

    Knowledge

    orientation

    Topdown angle(it contemplates the world froma god-like perspective, puts it at

    your feet, rather than within

    reach of your hands)

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    THE TEXTUAL METAFUNCTIONComposition

    INFORMATION

    VALUE

    Centred

    (an element

    the Centre- is

    placed in the

    centre of the

    composition)

    Circular The non-central elements in a centred

    composition are placed both aboveand below

    and to the sidesof the Centre, and further

    elements may be placed in between these

    polarized positions

    Triptych The non-central elements in a centred

    composition are placed eitherto the right and

    left or above and below the Centre.

    Margin The non-central elements in a centred

    composition are identical or near-identical, so

    creating symmetryin the composition.

    Mediator The Centre of a polarized centred composition

    forms a bridgebetween Give and New or/and

    Ideal and Real, so reconciling polarizedelements.

    Polarized

    (there is no

    element

    element in the

    centre of the

    composition)

    Given The left element in a polarized composition, or

    the left polarized element in a centred

    composition

    New The rightelement in a polarized composition, or

    the right polarized element in a centred

    composition

    Ideal The top element in a polarized composition, or

    the top polarized element in a centred

    compositionReal The bottomelement in a polarized composition,

    or the bottom polarized element in a centred

    composition

    SALIENCE The degree to which an element draws attentionto itself (color, tonal values,

    sharpness, definition, or other features)

    FRAMING Disconnection The degree to which an element is visually separatedfrom

    other elements through framelines, pictorial framing devices,

    empty space between elements, discontinuities of colour and

    shape, and other features.

    Connection The degree to which an element is visuallyjoined to anotherelements, through the absence of framing devices, through

    vectors and through continuities or similarities of colour,

    visual shape, etc.

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    SystemNetworks:Visual|Textual|Discursivetransformations

    thanonesocial

    practice

    foraclassificationorfunctio

    nalization(Barthes)

    Distillationconnectssocia

    lactorstoseveralsocialpracticesbyabstractingthesame

    featurefromtheactorsinvol

    vedinthesepractices:professionalswho

    offertherapy

    Indetermination-representedasu

    nspecified,

    anonymousindividualsorgroups:somebody,somepeople

    Genericisationrepresentedascla

    sses:non-Europeanimmigrants

    Specification

    Individu

    alisation-representedasspecific,identifiableindividuals

    Assimila

    tion-

    representedas

    groups

    Collectivisationtheyaren

    otquantified:thecommittee

    Aggregationisrealizedbythepresenceofdefiniteorindefinitequ

    antifiers:anumberof

    critics

    Impersonalisation

    Abstraction-representedbymeansofaqualityassignedtothembytherep

    resentation:thechangingfaceofAustral

    ia(insteadofnew

    immigrants)

    Objectivisation-representedbymeansofreferencetoaplaceorthingcloselyassociatedeitherwiththeirpersonor

    withtheactivitythey

    arerepresentedasbeingengagedin:report,survey

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    Socialactionnetwork

    Reaction

    Unspecifiedverbslikereactandre

    spondandtheirrelatednouns,adjectives&adverbs

    Cognitive-think

    Affectivefeel,

    fear,etc

    Perceptivehear,see,etc.

    Action

    Material-doing

    Transactive

    Actor&goal

    Interactiveverbthatcanonlytake

    ahumanobject;affectspeoplebecand

    idwith

    Instrumentalverbthatcanalsotak

    eanonhumanobject;

    affectsotherkindsofthings,repres

    entpeopleasinterchangeablewithobjec

    tsdealseffectivelywith

    troublemakers

    Non-transactive

    onlyactor

    Semiotic-

    meaning

    Behavioralc

    ommunicateseffectively

    Non-

    behavioral

    Formspecification-opinion,story,lesson,

    diagram,etc.

    Topicspecificationaphrasewitha

    bout,concerning,etc.

    Renditionreportedspeech

    Quotation-quote

    Activation

    actions&reactionsrepresenteddynamically-analyze

    Deactivation-statically

    Objectivizationtheactions&reac

    tionsaredowngradedinordertogiveprioritytosomethingelse:nominalizationsanalysis,dialogue

    Descriptivizationmoreorlesspermanentqualitiesofactorsorotherelementsofthesocialpractice:

    epithetsorattributesasmilingteacher,speciallytrainedsquadofteachers,etc.

    Agentialization

    actionsrepresentedasbroughtaboutbyhumanagency

    De-agentialization

    Eventuationactionorreactionrepresentedasanevent,assomethingjusthappens:undergo,experience,happen,etc.

    Existentialization-actionorreactio

    nrepresentedassomethingsimplyexists:exist,existence,etc.

    Naturalization-actionorreactionrepresentedasanaturalprocess:racismis

    developing,debatesarebuilding,etc.

    Abstraction

    Generalizationabstractsawayfromthemorespecificmicro-actionsthatm

    akeupactions:distributetheworkload

    Distillationabstractqualitiesfrom

    actionsorreactionsdiplomacy,

    disharmony

    Concretization

    Singledetermination

    Overdetermination

    Agivensocialpracticestandsfor

    morethanitself

    Symbolizationan(oftenfictional)socialpracticestandsforanumberofso

    cialpractices:raceodyssey

    Inversiononeormoreelementsof

    thesocialpracticearechangedintoitso

    ppositesTheFlinstones(characters,se

    ttings,objectsinthepast&

    thewaytheyinteractandlivearecon

    temporary)

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    Discursiveaddisions:Legimationnetwork

    Authority

    Legitimation

    (imposed)

    Custom

    Conformitybecauseth

    isiswhateverybodyelsedoes

    Traditionbecausethis

    iswhatwealwaysdo/havedone

    Authority

    Personalauthorityleg

    itimacygiventopeoplewhohaveacertainroleorstatusinaparticularinstitution:becausetheteachersays

    soImpersonalauthority

    laws,rules&regulations:thelawsays

    Recomme

    ndation

    Expertauthoritylegitimacyisprovidedbyexpertiseratherthanstatus:someexperts

    Rolemodelauthority

    membersofapeergroupormediacelebrity:inadvertising

    Morallegitimation

    (basedonvalues)

    Evaluationevaluativeadjectives

    Abstraction-distillsfrompracticesaqualitythatlinksthemtodiscoursesofmoralvalues:cooperateinsteadofplayinginthe

    playground

    Comparison-explicitorimplicit,positive(associatedwithpositivevalues)ornegative(associatedwithn

    egativevalues)

    Rationalizationlegitimation

    Instrumental

    G

    oalorientationpurposesareconstructedasinpeople,asconsciousorunconsciousmotives,aims,goals,

    in

    tentions:inorderto

    M

    eansorientation-purposesareconstructedasinactions,andtheactionasameanstoanend:bymeansof

    Effectorientationstressestheoutcomeofactions:sothat

    Theoretical

    Experientialcommonsenseknowledge

    Scientificdifferentiatedbodiesofknowl

    edgethataredevelopedtolegitimatespe

    cificinstitutions

    (p

    sychology)

    Definition-oneactivityisdefinedinterm

    sofanother,moralizedactivity:greenwa

    shingis

    Explanationdescribegeneralattributesorhabitualactivitiesofspecificactors

    Predictionbasednotonauthority,butonexpertise

    Mythopoesis

    (storytelling)

    Moraltaleprotagonistsarerewardedforengaginginlegitimate

    socialpracticesorrestoringthelegitima

    teorder

    Cautionarytaleprotag

    onistsengageindeviantactivitiesthatle

    adtounhappyendings

    Overdetermination

    In

    versiontheactorsand/oractionsareinvertedintermsofspecificsemanticfeat

    ures

    Symbolizationsymbolicactions,specifi

    cactionsthatcanrepresentmorethanon

    edomainof

    in

    stitutionalizedsocialpractice

    Multimodallegitimation

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    Discursive additions: purpose constructions