WOOD, GUYER _ ALLISON - Debating Allison on Transcendental Idealism
Allison Hirzel Portfolio 2014
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Transcript of Allison Hirzel Portfolio 2014
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allison hirzel
PORTFOLIOdesign
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allison [email protected]
As part of the interior architecture curriculum, I participated in an introductory design
studio sited in a forested area of the Pacific Northwest. The objective was to design a
tower with a small study for bird watching. During the design process I realized that by
gaining a greater understanding of the opening that framed the trees [the architecture]
I might enhance the seating within the interior space [the interior architecture]. At this
time I realized that studying interior architecture with the context of architecture would
enhance the potential for a more harmonious and connected space.
dual masters in interior architecture + architecture
206.351.6436
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SMALL CAFEInterior Architecture . Studio Work . Spring 2010
table of contents
MONTESSORI URBAN FARM SCHOOLInterior Architecture . Thesis Studio . Winter and Spring 2011
RURAL CYCLIST RETREATArchitecture . Studio Work . Fall 2011
01 - 06
07 - 12
13 - 18
19 - 22
23 - 24
25 - 26
27 - 28
29 - 30
37 - 38
35 - 36
31 - 32
39 - 40
33 - 34
41 - 42
HELSINKI MUSIC COLLABORATIVEArchitecture . Thesis Studio . Winter and Spring 2012
NET ZERO REST AREAArchitecture . Studio Work . Fall 2010
ALLEN HALL REMODELArchitecture . Building Enclosures . Fall 2012
POP-UP FOLDABLE HOUSESHED Design . 2007
LOGO + WEBSITESHED Design . 2008
KITCHEN REMODELFreelance Work . 2013
DUNE BOOM TOPOGRAPHYArchitecture . Studio Work . Fall 2011
ITS SALT & PEPPER!SHED Design . 2006
IKEA REMIX LP STORAGEInterior Architecture . Studio Work . Spring 2010
URBAN BIRDHOUSESSHED Design . 2008
RSUM
TECHNICAL WORK
FABRICATION
PROFESSIONAL
DESIGN STUDIO
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DESIGN PROBLEM Investigate & re-design the South Harbor of Helsinki.Select a site within the new re-design. Develop a feasible program that responds to the needs of this area.Design and implement architecture that enhances the experience of the harbor.
DESIGN SOLUTION FOR SOUTH HARBORIn its current state, people are unable to access the port in this area. The design solution speaks specifically to needs of the people by connecting this culturally rich area of Helsinki to the harbors edge.
The proposed Performance Harbor draws insight from the existing grid and zoning in the harbor in order to set-up a variety of spaces intended to encourage the meeting of people, nature, music and water.
CRITICAL LESSONSThis design project provided the opportunity to investigate the issues & opportunities of embedding a large scale building into an existing landscape on the water. This was also my first experience with urban planning.
architecture thesis projectHelsinki, Finland
architecture [winter + spring 2012]
Figure Ground Zoning
Grid Systems Primary Green Spaces
Analyzing Existing South Harbor
helsinki music collaborativesouth harbor redesign
1 DESIGN STUDIO: HELSINKI MUSIC COLLABORATIVE + SOUTH HARBOR REDESIGN
media: rhino, autoCAD, maxwell, artlantis, adobe CS5
helsinki
institutional
housing
retail
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View of Main Concert Hall from Harbor The concert hall will act as beacon and encourages public engagement
through music and performace in Helsinkis South Harbor.
2DESIGN STUDIO: HELSINKI MUSIC COLLABORATIVE + SOUTH HARBOR REDESIGN
helsinki
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View of Amphitheater with Floating Stage
Figure/Ground View of Proposed Performance Harbor Harbor Design Concept Performance HarborPROPOSED URBAN SITE PLANscale 1:3000
Mixed-Use HousingCreate density housing with interstitial parks to increase access to water. Crenelated edge creates smaller inlets and increases waterfront access.
Continue Green Space & Expand MarketContinue existing esplanadearound the peninsula to parkon the southeast edge. Water piazza and market create areas for people watching.
Connect Park to WaterConstructing amphitheater/ performance hall into existing park connecting the green space to water front. Existing road tunneled under theater no longer divides the people from the harbor.
3 DESIGN STUDIO: HELSINKI MUSIC COLLABORATIVE + SOUTH HARBOR REDESIGN
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BUILDING CONCEPT
At a larger scale The Helsinki Music Collaborative acts as a hinge connecting two distinct grid systems of the city.
Building Emerges from Landscape The Sectional Diagram Describes the Connection of Nature, People, Harbor and Music.
The concept for the extroverted concert hall is to expose the traditionally insular activities [music] as a way to bring energy and exuberance to the port city.
The large natural amphitheater is carved into the granite hillside and will act as the cities only outdoor performance venue.
The park steps through and down on either side of the concert hall in order to create a direct connection between people, music, nature and water.
East - West Section: Main Interior Staircase Moves from Park Down to Waters Edge
4DESIGN STUDIO: HELSINKI MUSIC COLLABORATIVE + SOUTH HARBOR REDESIGN
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Grand Foyer
Interior of Main TheaterDecent from Park Level Location of Performance Hall on Exterior Connects Music toPeople and City
CirculationSteps through and down on either side of building from park to water.
AxesTwo major axes: N to S brings People to Music E to W brings Park to Water
PartiLarge amphitheater acts as hinge connecting two main grid systems.Building acts as extension of park/amphitheater leading to harbor.
5 DESIGN STUDIO: HELSINKI MUSIC COLLABORATIVE + SOUTH HARBOR REDESIGN
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Decent from Park Level
First Floor Plan Second Floor Plan Third Floor Plan
9:00 AM
8:00 AM
10:00 AM
11:00 AM
12:00 AM
1:00 PM
2:00 PM
3:00 PM
4:00 PM
5:00 PM
6:00 PM
7:00 PM
8:00 PM
9:00 AM
10:00 AM
large
per
form
ance
hall
small
per
form
ance
hall
rehe
arsa
l spa
ce
ampi
thea
ther
foye
r/ent
ryex
hibitio
n sp
ace
resta
uran
t/caf
ecla
ssro
oms
reco
rding
stud
io
libra
ry
back
of h
ouse
dre
ssing
room
s
large
con
fere
nce
room
s
ticke
t offic
e
small
con
fere
nce
room
s
copy
room
& st
orag
e
adm
inistr
ative
offic
es
lavat
ories
loadi
ng d
ock
park
ing
stora
ge
LAWRENCE HALL3100 Squater Meters
HELSINKI MUSIC PROJECT4600 Squater Meters
large
medium small
3000 + capacity
1500 + capacity
100 - 500 capacity
PRIMARY PERFORMANCE VENUES
FOOTPRINT COMPARED TO LAWRENCE HALL
SITE
North - South Section: Main Performance Space Facing City of Helsinki Connecting Music with City and Harbor.
6DESIGN STUDIO: HELSINKI MUSIC COLLABORTIVE + SOUTH HARBOR REDESIGN
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DESIGN PROBLEM Select a site to design and implement a constituent in a network of cyclist retreats along the Old West Scenic Bikeway in rural eastern Oregon.
DESIGN SOLUTION The architecture sits at the edge of John Day Fossil beds, which dates back 20-40 million years.
The concept for this scheme connects one main component, the body to the surrounding landscape.
Fluent interventions are implemented in the tectonics of the building so the user is capable of conceptually inhabiting the fossil beds.
CRITICAL LESSONSThis project provided the opportunity to design a small building in an impressive landscape. In response to the conditions, my goal was to create an architecture that subtly encouraged a greater understanding of the layering of time in the surrounding landscape.
design studio John Day Fossil Beds, Oregon
architecture [fall 2011]
TIMEcontinuous
44 Ma 50 Ma 53 Ma
40 Ma
33 Ma 30 Ma 29 Ma 24 Ma 20 Ma 15 Ma 7 Ma 4 Ma
ORIENTATIONhorizontals
BODYvertical center of mass FORMAL EXPRESSION
enhancing verticals and breaking continuous plane celebrates striations in landscape
Time: Continuous in the Landscape
Body: Vertical Center of Mass Formal Expression Enhancing Verticals in Order to Break Continuous Horizontal Datums
Orientation: Inundation of Horizontals
rural cyclist retreat
7 DESIGN STUDIO: RURAL CYCLIST RETREAT
media: rhino, maxwell, autoCAD, adobe CS5
john day
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View of Central CourtyardHorizontals in the landscape are celebrated through intentionally juxtaposed vertices in the constructed architecture.
8DESIGN STUDIO: RURAL CYCLIST RETREAT
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Site Plan Showing Juxtaposition of Building in Landscape
Floor Plan Showing Layering of Perpendicular Axes
1
2
3
4
5
6
78
9
10
11
Key to Floor Plan1 Bike Shop2 Restrooms & Showers3 Laundry Room4 Visitor Center5 Grocery Store6 Kitchen7 Eating Area8 Garden // Courtyard9 Double Units10 Single Units11 Public Interior Space
Building Model Showing Shaping of Light through the Layering of Glass and Wood
9 DESIGN STUDIO: RURAL CYCLIST RETREAT
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public restrooms // laundry
visitor center // kitchen // store
double rooms // single rooms
Programmatic Elements & Public to Private Access
Cycling Versus Pedestrian Circulation
Layered Wall System Emulates Layers of Time in Landscape
age // bike repair shop
View of Interior Visitor Center and Vertical Layers of Glazing and Wood
10DESIGN STUDIO: RURAL CYCLIST RETREAT
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North to South Building Section Illustrates Concept of Layering Materials and Exaggerating Verticals in Order to Contrast Horizontal Datums
11 DESIGN STUDIO: RURAL CYCLIST RETREAT
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East to West Building Section Tall thin buildings with simple geometries describe a distinction between architecture and landscape.
12DESIGN STUDIO: RURAL CYCLIST RETREATSite Sections Describe Buildings as an Anomaly in the Landscape
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DESIGN PROBLEM Research and develop a program proposal for thesis topic.Create a detailed interior architecture program.Select an appropriate site and building for renovation.Re-purpose and renovate existing structure based on program requirements.
DESIGN SOLUTION The building, an old firehouse, stands a proud beacon of the Central Eastside area of Portland and is thus symbolically superlative for a new school.
The design concept is based on the montessori pedagogy and encourages the fundamental principals of nature, community and order.
CRITICAL LESSONSThe renovation of three buildings [one being a registered historic landmark] provided an opportunity to research the building tectonics and structure. Efficient circulation and spatial organization were also critical considerations due to the complexity of the program and the scale of the building.
9 10 aff
11 3 aff
10 7 aff
8 8 aff
9 2 aff
10 0 aff
12 2 aff
7825 sq ft
1750 sq ft
1328 sq ft
9450 sq ft
Existing Sectional Floor to Ceiling Heights
Existing Floor Plate Location and Size
interior architecture thesis projectCentral Eastside Portland, Oregon
interior architecture [winter + spring 2011]
montessori urban farm school
13 DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
media: autoCAD, sketchup, artlantis, adobe CS5
portland
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View of Main Atrium Space Showing Connection to Stark St.
14DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
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INT
ER
NA
L S
TAIR
EX
TE
RN
AL
CLASS CLASS
SCIENCE/ ART
PUBLIC
FARM
Parti Redefines buildings into three distinct zones with a large central atrium bridging the main learning spaces.
Building Before Intervention
Building After Intervention
Proposed Zoning
Clear Circulation Path
Integrated Farm Spaces
South Elevation Connection between busy Stark St and the public atrium of school.
Design Strategies to Support Lifecyle of Farm and School
CONC
EPT
ORGA
NIZA
TION
Green RoofVegetable growing as
a main component of this program teaches parents and students
about the significance and positive impact
of local growing and perma-culture.
Catch and Re-use Utilize existing roof to catch and re-use rainwater for irrigation.
Large Operable WindowsSlide open to allow for passive ventilation.
Solar ModulesSchott AG applied to glazing provide solar electricity while helping to shade and minimize glare and solar heat gain to improve overall thermal comfort of atrium space.
Chicken Coup & CompostChickens will provide fresh eggs
while their waste will provide nutrient rich fertilizer for the
vegetable gardens.
15 DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
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WATER
SOIL
Large Water Bladder
Soil Storage
Garden
Garden
Integrated Water, Soil and Light Strategies
BUILDING CONCEPT
Nature: Connecting children with growing and cultivating food, providing a variety of farms spaces.
Community: The central atrium or core is primarily glazed and acts as a path of connection between each classroom as well as between the bustling public area of Central Eastside Portland and the large
community garden on the South side of the school.
Order: The overall spatial organization is based on a grid system, the cruciform circulation paths are perceptually clear, by revealing the existing trusses the students are able to experience the inherent order of structural systems.
North - South Section Showing View of Farm Space and Smaller Individual Gardens for Each Classroom
16DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
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2nd Floor Plan
1
32
4
5
6
1 Farm Space2 Science Room3 Art Room4 Common Area5 Library6 Computer Room
Main Floor
1 Upper Elementary Room2 Lower Elementary Room3 Primary Classroom4 Directors Office5 Assistant Directors Office6 Reception7 Staff Breakroom / Copy8 Auditorium9 Playground10 Chicken Coup 11 Community Kitchen12 Community Farm
5-002-01
7-005-11
11-10
West Elm GlassPendant Light
Flos LightedExit Sign
Perforated MetalMesh Drainage
Red French Doors
1 3/4 Clear Coated Cedar
AluminumFramed Windows
24 Concrete Patio Pavers
Reclaimed Wood Planter Boxes
Wall Section DetailManipulated wall encourages people to inhabit the bench and engagement with interior planters. Links interior learning space with public atrium.
17 DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
12T
H A
VE
NU
E
SE STARK STREET
2
3
4
5
6
7
8
910
11
12
1
2
3
1
Floor PlansStrong relationship between public spaces (grey) and learning areas.
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Micro-Dot Rubber Floor [ grey ]
Small Cart on Casters [
Series 7 Childrens Chair [ blue ]
Small Table [ white ]
Wood Floor [ cedar ]
Mamut Ikea Chair
Anne Sacks Recycled Glass Tile
Entry to ClassroomCustom handrail promotes active learning by grouping perforations into groups of one to five.
Classroom Furniture and MaterialsOverall the palette utilizes natural materials and green and blue finishes to create a calm and focused environment for learning with highlights of bright warm colors.
East - West Section Illustrating Integrated Farm spaces, Daylighting Strategies and Connection Between Learning Spaces and Public Atrium.
18DESIGN STUDIO: MONTESSORI URBAN FARM SCHOOL
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DESIGN PROBLEM Design a net zero rest area that responds to an existing art installation in the salt flats outside of Salt Lake City, Utah. This design studio was part of the Lyceum Travel Fellowship Competition.
DESIGN SOLUTION The concept treats the flat terrain as an unspoiled pristine plane and the buildings act as excavated salt blocks.
During the spring when the salt flats flood the blocks are intended to appear as a series of reflecting pools contained within a set of reveals.
CRITICAL LESSONSThe design of a rest area in the pristine terrain of the salt flats was an interesting design challenge. I began to research land art installations as a way to understand the minimal context [Michael Hizer & Robert Long]. My response is a simple gesture that remains subdued as a way to celebrate the desert setting.
lyceum competition studioGreat Salt Lake Desert, Utah
Concept Salt boxes are tethered to undulating line.
AxisPerpendicular to center pole of the existing art installation.
Public to Private AccessProgrammatic conditions quiet as you move away from the busy highway into the stillness of the desert.
architecture [fall 2010]
net zero rest area
19 DESIGN STUDIO: NET ZERO REST AREA
media: autoCAD, sketchup, artlantis, adobe CS5
salt lake desert
path centered on art installation
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Subtle Incision in the LandscapeThe buildings act as excavated salt blocks that sit 3 above the desert floor . The subterranean siting allows the architecture to remain quiet and visually unobtrusive in the landscape by blending seamlessly into the earth. While the visual power of the desert is enhanced by the simplicity of the forms and geometry.
20DESIGN STUDIO: NET ZERO REST AREA
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21 DESIGN STUDIO: NET ZERO REST AREA
1 SUBTRACT FROM EARTH
2 SEPARATE PROGRAMS
4 INCISE INTO LANDSCAPE 5 PATH DESIGNATES VIEWS
3 CATCH WATER
6 BRIDGE
Constructing the Excavated Salt Blocks or Process of Developing and Articulating the Salt Blocks
East - West Section Looking toward entry
Glazed facade and roof provide view to layers of excavated salt and celestial skies.
Catchment surfaces act as largereflecting pools during spring rain.
WATER
Unobtrusive Buildings Sit Below Ground to Enhance Views of Surrounding Landscapes
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Channels of Water Along Path Mirror Incision in Landscape
Net Zero Design Strategies
Walls constructed from excavated earth. Thermal mass maintains a cooler interior climate in the day and warmer temperatures in the evening
Over 20,000 SF of catchment surface produces approximately 24,000 gallons of water per year.
Subterranean construction capitalizes on inherent climate capabilities of soil. Deep soil provides a warmer environment in winter and cooler environment in the summer.
15,000 SF of Photovoltaic panels for power production needs.
Storage area from water cisterns
Concrete slab in interior spaces absorbs and slow
releases heat from geothermal wells in Bonneville area
Large shading sails cover public andquiet courtyard areas.
Rooms with View of cascading water featureas it floods over wall into catchment basin.
WATER
22DESIGN STUDIO: NET ZERO REST AREA
Courtyard or Point of Physical Connection with Desert Floor
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Brick Wall Elevation
The goal of this project was to gain a better understanding of the ceiling and floor interface of a brick and glazed wall system. The drawings were required to be hand drawn.
The wall systems were part of a project assignment that explored the design potential of an existing building on the University of Oregon campus.
building enclosures courseEugene, Oregon
architecture [fall 2011]
allen hall remodel
23 TECHNICAL WORK: ALLEN HALL REMODEL
media: hand
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Brick Wall Section
24TECHNICAL WORK: ALLEN HALL REMODELGlass Curtain Wall Section
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GARAGE DOOR SILL DETAIL1"= 1'-0"
GARAGE DOOR HEADER DETAIL1 "= 1 '-0 "
Presse cafe is a renovation project downtown Eugene, Oregon. The scope of the studio was to develop a design in the first four weeks and complete a working drawing set during the final seven weeks of the term.
The concept for the cafe is a based on a European market. The large operable garage door and built-in bench create a seamless connect between the interior and exterior seating areas.
construction drawings studio Eugene, Oregon
interior architecture [spring 2010]
Wall Section
small cafetenant improvement
25 TECHNICAL WORK: SMALL CAFE
media: autoCAD
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Floor PlanCustom Cabinet Section
Custom Table Longitudinal Section
26TECHNICAL WORK: SMALL CAFE
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This storage unit is intended to reshape the way we look at a storage device as an object that accommodates everything. It is intended to speak to the permanence of an object of nostalgia being a meaningful part of ones life therefore requiring a specific space to live.
Non-precious materials: plywood, formica, acrylic. Straightforward manufacturing easily reproduced. Records create a rhythmic pattern.Space to display music one is listening to, see the music!Albums can me stored on the top or bottom. Plexi top allows you to see your music.
materials: birch ply + formica + acrylicinterior architecture [winter 2010]
Concept Sketch + EqualizerLooking at vinyl records and investigating ways in which the object determines the form. Inspired by the visual expression of sound.
27 FABRICATION: IKEA REMIX LP STORAGE
ikea remix lp storage
design studio
Ikea Expedite ShelvingThe studio required that each student select one item from Ikea and remix the piece into a meaningful object.
Color Coded Elevation of Final Furniture PieceA series of color coded modular pieces held together by wooden dowels create a rhythmic storage device for records [LPs].
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materials: birch ply + formica + acrylic
28FABRICATION: IKEA REMIX LP STORAGE
LP Storage UnitReshapes the traditional definition of storage as an accommodation for everything and addresses the permanence of an object of nostalgia as a meaningful part of ones life, therefore requiring a specific place to live.
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This topographic model was fabricated using data collected and interpolated in Rhino. The result is a topographical landscape.
The x-axis is the location, y-axis is the frequency and the z-axis is the amplitude of six sand dunes collapsing. The phenomena of sand songs or dune booms is said to be attributed to the size and shape of the sand grains and therefore only occurs in a very small number of deserts throughout the world.
dune boom topography
architecture [fall 2011]
Image of the Dune Collapse Due to the Build-up of Wind Forces.
Varying Sand Textures is Critical in Determining whether Dune Boom will Occur
3D Print of Model with Design InterventionThe final phase of the modeling process involved incorporating the letter T into the parametric landscape as an architectural intervention.
29 FABRICATION: DUNE BOOM TOPOGRAPHY
media: rhino, lasercutter & 3d printer
design studio
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y-ax
is is
f req
uenc
y
z -ax is is ampl i tude
x-ax is islocat ion
ch i ledeath va l ley
morroccocu lver dune
sand mteureka dune
AREAS IN THE WORLD
WHERE DUNE BOOM
OCCURS:
30FABRICATION: DUNE BOOM TOPOGRAPHY
design studio
2D Parametric TopographyThe model was developed in Rhino using a collection of data from research about the phenomena of Dune Boom.
The data was entered as points and lofted into a virtual landscape.
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PROFESSIONAL WORK
Prior to graduate school I was employed with Shed Design in Seattle. My experience included a design internship along with maintaining the position as office manager.During my time at Shed I collaborated with design professionals on several design projects.
Before Shed I was briefly employed at Stuart Silk Architects where I designed and created competition entries and managed the administrative duties for the office.
The following projects are a small collection of some of the graphic and three-dimensional design investigations created during my time with Shed.
shed seattle llc +stuart silk architectsSeattle, Washington 2006 - 2008
31 PROFESSIONAL WORK
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design of shed logo + website
PROJECTS / OFFICE
32PROFESSIONAL WORK: SHED LOGO + WEBSITE
www.shedbuilt.com
With the guidance of principals Prentis Hale and Thomas Schaer I developed the logo for Shed Seattle LLC and assisted with the design and development of the web interface for the initial website.
Shed Logo
Project Image from Website
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kitchen remodel
33 PROFESSIONAL WORK: KITCHEN REMODEL
Kitchen Before RemodelThe existing kitchen was dark with minimal work surfaces and storage. The owners are avid cooks and entertainers and desired and open, bright, modern kitchen that recognized the existing historic characher of the 1906 Victorian home.
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34TECHNICAL WORK: MODULAR HOME
Kitchen After RemodelThe new scheme involved removing the wall between the back entry and the heart of the kitchen. This design move connects the kitchen to the outdoor space and floods the space with daylight. The counter space was doubled and floating walnut shelves were installed to keep the space light and open. This was a freelance project I designed the space and created the construction documents.
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pop-UP foldable house
materials: one sheet of paperdimensions: 28 x 15
The pop-out and foldable house is a composed from one sheet of paper. This particular project was a collaborative response to a design show. The show required a re-interpretation and re-production of the traditional Sears mail order home.
RULES:
1. The model home to be one piece when cut-out.2. No adhesives or mechanical fasteners can be used.3. Structural stability achieved through folding.4. Sheets remnants to remain as familiar or perhaps nostalgic site.5. Home must be mass-producable and sendable via post or email.6. Model must be affordable.
35 PROFESSIONAL WORK: POP-UP FOLDABLE HOUSE
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36PROFESSIONAL WORK: POP-UP FOLDABLE HOUSE
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5its salt & pepper!materials: stainless steel and rubber plugsdimensions: 1 x 4
The shakers were the product of scrapped stainless piping from a construction job and thus were not intended for mass production. We needed a christmas gift for our friends and clients and during a design charrette decided shakers would be ideal. The form was determined from our work with the masher in the metal shop. We, five to be exact, worked in the shop together cutting, sanding, mashing and drilling over one hundred pieces. In order to differentiate the two, the salt is polished and the pepper sand blasted.
37 PROFESSIONAL WORK: ITS SALT & PEPPER!
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38PROFESSIONAL WORK: ITS SALT & PEPPER!
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urban birdhousesmaterials: pvc pipe, plastic caps, adhesive paper, band posters, earth magnets, zip ties (where appropriate) dimensions: 4 1/2 X 10 1/2
Team design charrette at SHEDquarters. Involved in research, design and fabrication. Concept based on anchoring birdhouses in a matter or minutes using zip ties for the pole house, earth magnet for the galv house and a staple gun for the rock poster house. Homes featured in local birdhouse art show.
39 PROFESSIONAL WORK: URBAN BIRDHOUSES
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40PROFESSIONAL WORK: URBAN BIRDHOUSE
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allison [email protected]
206.351.6436
Revit, AutoCAD, Rhino, SketchUp, Artlantis, 3D Studio Max, Maxwell, ArcGIS, Adobe Creative Suite CS6
EDUCATION
TECHNICAL PROFICIENCIES
HONORS
Master of Architecture University of Oregon, Eugene, Oregon
Master of Interior Architecture University of Oregon, Eugene, Oregon
Bachelor of Arts in Interdisciplinary Visual Art/ Art History University of Washington, Seattle, Washington
2008 - 2012
2008 - 2012
2000 - 2004
2011
2012
2011
2010
2009
2009
Comprehensive Project Featured in Interior Architecture Program Brochure for University of Oregon
Recipient of Gender and Diversity Grant
Pass Commend, Fall Arch 584, Erin MooreNet Zero Rest Area for Lyceum Competition, Great Salt Lake Desert, Utah
Pass Commend, Winter Iarc 584, Sara HustonIkea Remix Furniture Studio
Recipient of Hanyang Travel Exchange Grant to South Korea
Pass Commend, Spring Arch 584, Kelsey BeardsleyMinimal & Modular Housing Studio, Eugene, Oregon
41 PROFESSIONAL WORK: RSUM
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EXPERIENCE
PROFESSIONAL EXPERIENCE
2010 - 2012
2009 - 2010
2006 - 2008
1.2013 - current
6.2012 - current
Graduate Administrative Fellow for Baker Lighting Laboratory University of Oregon College of Architecture and Allied ArtsHiring and managing 3 to 4 lab assistants, developing and leading various lectures and workshops dedicated to the research and study of daylighting and electric lighting in architectural design, supporting faculty and students for research in Environmental Control Systems and Electric Lighting courses.
Graduate Teaching Fellow [ Intro to Interior Architecture + Environmental Control Systems II ]University of Oregon College of Architecture and Allied ArtsDeveloping and planning teaching lessons, leading critical discussions about design process and principles, grading design work, reviewing and critiquing student work.
Office Manager/ Architectural InternSHED Design LLC, Seattle, WashingtonDrafting and 3D modeling using AutoCAD and SketchUp, pre-design research including ECA, Zoning and Land-Use restrictions, assisted in compiling materials for permit applications, designed schematic presentation packets for clients, designed identity and other SHED marketing materials, organized and cataloged materials and images, managed all financial accounts for LOC, AP and AR
Designer2Form Architecture, Eugene, OregonDeveloping design concepts for projects across multiple scales, experience in fostering strong client relations, skilled in prioritizing, organizing, and delegating project tasks, researching and implementing sustainable design strategies, producing construction sets for residential, institutional, multi-family, and commercial projects, assisted in re-imagining firm identity and reviewing RFPs and marketing materials.
Freelance WorkFull redesign of kitchen in 1906 Victorian home in Portland, Oregon, includes light structural work, electrical, mechanical, plumbing, custom cabinetry, replacement of all finishes and several appliances
42PROFESSIONAL WORK: RSUM