Alexei Antonov

96
Click to advance

Transcript of Alexei Antonov

Page 1: Alexei Antonov

Click to advance

Page 2: Alexei Antonov

http://antonovart.com/artist.html

Alexei Antonov presents his collection of oil paintings and drawings.Having studied art in Russia, Azerbaijan, and Italy, Alexei has been living in the US since 1990.His main goal in life is to promote the Ecology of Culture, more specifically, in visual art.

So much for art. How about the artist?

I was born in Russia in 1957, and I've been trying both hands (I'm ambidextrous) at art ever since. I can remember my self from the age of two, and when I was three, I was the terror of my mother's make-up kit, as I loved to draw murals on the wallpaper with her lipstick. All through my childhood I continued drawing, and in high school, though I left much to be desired in my other classes, I excelled in art and singing. I think that I was not a good student in other areas, because I prefer to teach than to be taught. Eventually though, I learned to learn.

Page 3: Alexei Antonov

http://antonovart.com/artist.html

Alexei Antonov isi prezinta colectia de desene si picturiDupa ce a studiat arta Rusia, Azerbaidjan, si Italia, Alexei traieste in USA din 1990.Scopul sau principal in viata e sa promoveze Ecologyia Culturii in special in artele visuale.

Bun, atat despre arta. Ce putem spune despre artist?

M-am nascut in Rusia in 1957, si m-am antrenat sa fac arta cu ambele maini (sunt ambidextru). Imi amintesc despre mine de la varsta de doi ani, apoi cand aveam trei ani o terorizam pe mama cu trusa ei de machiaj, pt ca desenam tablouri pe tapet cu rujul ei de buze. In tot timpul copilariei am continuat sa desenez si in liceu, desi lasam mult de dorit la alte materii, excelam in arta si cantat. Cred ca nu eram un elev bun la alte materii pt ca prefer sa-I invat pe altii decat sa mi se dea lectiii. Ulterior totusi am invatat cum sa invat.

Page 4: Alexei Antonov

In 1972 I entered the State Art College in Baku, where impressionistic, realistic, and abstract painting were taught...but no classical. I joined other students in minor revolts against communism by growing my hair out, looked for hot chicks, and even studied quite a bit. In 1976 I graduated, and went to work at the Reseach Institute of Design in Moscow. From1986 to 1990 I lived in Moscow and worked as a graphic artist and illustrator for magazines published by the main Russian Press Agency, "Novosti" (News). I also designed posters for leading pop singers and rock groups during this period of time, but my most important work was the active and attentive study of the technique of the old masters such as Rubens, Van Dyke, and Snyders. This is when I met Nikolai Shurigin, a successful artist and Russian patriot, who, though younger than me, had already discovered much about this technique and was powerful both in his painting and in his personality. I learned much from and with him.

I left Russia for the first time in 1988, when I visited Italy to study the paintings in the museums and exhibit some of my own. In 1989 I opened Rubens Gallery in Moscow, under the sponsorship of the central youth newspaper, "Komsomolskaya Pravda". I also took part in numerous exhibitions in Moscow, which were covered by the Russian Press.

I have been living and working in the USA since 1990, and it's a good thing, because if I were still in Russia, I never would have made this beautiful web page for you to enjoy. This unique classical technique is practiced by very few artists at this time and is no longer taught in art schools. My works are in private collections in many countries around the world.

Page 5: Alexei Antonov

In 1972 am intrat la State Art College in Baku, unde erau predate pictura ere impresionista, realista si abstracta...dart nu si cea clasica. M-am alaturat altor studenti in revolte minore impotriva comunismului purtand plete, alergand dupa fete sexy si chiar am studiat un pic. In 1976 am absolvit si am mers sa lucrez la Reseach Institute of Design in Moscova. Din 1986 pana in 1990 am locuit in Moscova si am lucrat ca artist grafic si ilustrator pt reviste publicate de agentia principala de stiri Russian Press Agency, "Novosti" (News). Deasemenea am creat afise pt cantareti pop si grupuri rock; dar cela mai importanta preocupare a fost sa studiez cu atentie in mod activ tehnica unor vechi amestri Rubens, Van Dyke siSnyders. Atunic l-am intalnit pe Nikolai Shurigin, un artist de successsi un patriot rus care,desi mai tanar ca mine, deja descoperise multe despre acesta tehnica si avea atat o puternica personalitate cat si o mare pricepere in pictat. Am invatat multe de la el.

Prima data am parasit Rusia in 1988, cand am visitat Italia ca sa studiez pictura pe cont propriu in muzee si expozitii. In 1989 am deschis Rubens Gallery in Moscow, avand ca sponsors unul din ziarele centrale pt tineret, "Komsomolskaya Pravda". Am luat deasemenea parte la numeroase expozitii in Moscova, despre care s-a scris in presa rusa.

Traiesc si lucrez USA din 1990, si asta e bine, pt ca daca as fi ramas in Rusia niciodata nu mi-as fi facut o pagina de facebook de care sa va bucurati voi. Acesta tehnica clasica unica e practica de f putini artisti si nu se mai invata in scolile de arta. Lucrarile mele se gasesc in multe colectii din diferite tari.

Page 6: Alexei Antonov

Classical painting, not to be confused with figurative or realistic painting, is very real. Classical paintings, though very real, are not to be confused with the contemporary figurative and realistic styles. This is art for all those of us who have lamented the decline of beauty and grace with the increase of technology and industry. As we develope new, faster ways to do things, we often lose touch with the better ways. I has re-established that link through my paintings. The Classical art school does exist, and is prepared it for the twentieth-first century We all prepare to meet the twenty-first century in various ways.Take a look at how I am preparing with my paintings, and how Classical art is prepared to reclaim its place. My Classical painting is my route to the twenty-first century, and I invite you join me. come with me. Alexei Antonov

Page 7: Alexei Antonov

Pictura clasica, ce nu trebuie confundata cu cea figurativa sau cea realista,e f reala.. Pictura clasica, desi f reala, nu trebuie confundata cu stilurile figurative sau realiste contemporane. Aceasta este arta pt toti aceia dintre noi care s-au lamentat ca odata cu cresterea tehnologiei si a industriei s-a produs un declin al frumusetii si al gratiei. Asa cum dezvoltam cai noi, rapide, de a face lucruri, adesea pierdem legatura cu caile mai bune.. Eu am recreat aceasta legatura prin intermediul picturilor mele. Scoala de Arta Clasica exista si e pregatita pt secolul 21. Noi ne pregatim sa ne intalnim cu secolul 21v in felurite moduri. Ia priviti cum ma pregatesc prin picturile mele si cum arta Clasica este pregatita sa-si reclame locul care I se cuvine.. Modul meu clasic de a picta este drumul meu catre secolul 21 si va invit sa ma insotiti.Alexei Antonov

Page 8: Alexei Antonov

Accidental Putting on

Page 9: Alexei Antonov

After the Encounter

Page 10: Alexei Antonov

After the performance

Page 11: Alexei Antonov

An ant is above-ground in a rose

Page 12: Alexei Antonov

Anna

Ants Paradise

Page 13: Alexei Antonov

Artists Sketch-board

Page 14: Alexei Antonov

Basket with Roses

Page 15: Alexei Antonov

Bouquet with fruits

Page 16: Alexei Antonov

Candle

Page 17: Alexei Antonov

Candy Box

Page 18: Alexei Antonov

Carafe

Page 19: Alexei Antonov

Cherry Brandy

Page 20: Alexei Antonov

Claret Grapes

Page 21: Alexei Antonov

Apple Harvest

Page 22: Alexei Antonov

Coffee with Reflections

Page 23: Alexei Antonov

Constraint from surplus of light

Page 24: Alexei Antonov

Country Pitcher

Page 25: Alexei Antonov

Dark Bordeau red rose in by golden light

Page 26: Alexei Antonov

Famous Pistol

Page 27: Alexei Antonov

Portrait study --Finish

Page 28: Alexei Antonov

Flower for sweet one

Page 29: Alexei Antonov

Flower of the Kings

Page 30: Alexei Antonov

Forenoon Beauty

Page 31: Alexei Antonov

Gold Yellow Rose

Page 32: Alexei Antonov

Good Fortune

Page 33: Alexei Antonov

Grandmothers Rug

Page 34: Alexei Antonov

Greek Motif

Page 35: Alexei Antonov

Green Apple

Page 36: Alexei Antonov

History in a cell at a moonlight

Page 37: Alexei Antonov

Holly

Page 38: Alexei Antonov

In front of the Window

Page 39: Alexei Antonov

Katya

Page 40: Alexei Antonov

King flavor with glass

Page 41: Alexei Antonov

King flavor with urne

Page 42: Alexei Antonov

Ksenya

Page 43: Alexei Antonov

Lonely rose but proud

Page 44: Alexei Antonov

Lonely Rose

Page 45: Alexei Antonov

Lost Rose

Page 46: Alexei Antonov

Mandarin

Page 47: Alexei Antonov

Monarch Invasion

Page 48: Alexei Antonov

Monocromatick

Page 49: Alexei Antonov

Morning in the Artist's Studio

Page 50: Alexei Antonov

Mulled Wine and Winter Evening

Page 51: Alexei Antonov

My Favorite Russian Things

Page 52: Alexei Antonov

On the threshold of a spring feast

Page 53: Alexei Antonov

Pearls and Shell

Page 54: Alexei Antonov

Picnic

Page 55: Alexei Antonov

Pomegranate is the disrupting orange to surprise and happiness to ants

Page 56: Alexei Antonov

Prisoner of Love

Page 57: Alexei Antonov

Red and White

Page 58: Alexei Antonov

Red on White

Page 59: Alexei Antonov

Red Rose

Page 60: Alexei Antonov

Reflections

Page 61: Alexei Antonov

Refreshments somewhere on the east

Page 62: Alexei Antonov

Rose Fog and Sun

Page 63: Alexei Antonov

Rose in the Artist's Studio

Page 64: Alexei Antonov

Rose in the Darkness

Page 65: Alexei Antonov

Rose Next

Page 66: Alexei Antonov

Rose on a bronze plate

Page 67: Alexei Antonov

Variegated

Page 68: Alexei Antonov

Unforgettable

Page 69: Alexei Antonov

Under solar beams

Page 70: Alexei Antonov

Traveler from a Roseland

Page 71: Alexei Antonov

To The Rose Hot

Page 72: Alexei Antonov

There where a rain snow and sun are

Page 73: Alexei Antonov

The rural beauty

Page 74: Alexei Antonov

The Italian ancient vase

Page 75: Alexei Antonov

The evening award

Page 76: Alexei Antonov

Tatiana in the similitude

Page 77: Alexei Antonov

Tanya in a brown study

Page 78: Alexei Antonov

Stilllife with lace

Page 79: Alexei Antonov

Still life with Samovar

Page 80: Alexei Antonov

Still life with Gilded Vase

Page 81: Alexei Antonov

Star of the cinema

Page 82: Alexei Antonov

Solicitudes of a bee

Page 83: Alexei Antonov

Silver Coffeepot Reflections

Page 84: Alexei Antonov

Silver Coffeepot and Lace

Page 85: Alexei Antonov

Silver Bowl

Page 86: Alexei Antonov

Silence

Page 87: Alexei Antonov

Sight upwards

Page 88: Alexei Antonov

Samovar

Page 89: Alexei Antonov

Russian Breakfast

Page 90: Alexei Antonov

Roses and Carafe

Page 91: Alexei Antonov

Rose with wings and pomegranate with children

Page 92: Alexei Antonov

Rose under the Lampshade

Page 93: Alexei Antonov

Rose on the Light Background

Page 94: Alexei Antonov

Rose on the Air

Page 95: Alexei Antonov

Aurelia

Page 96: Alexei Antonov

Muzica:

Piotr Ilici Ceaikovski

"Valsul Florilor"

din baletul

"Spargatorul de Nuci"