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Transcript of –1 0 +1 - World Book Day | World Book Day is a ...€¦ · A CIP catalogue record for this book...

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Bloomsbury Publishing, London, Oxford, New York, New Delhi and Sydney

First published in Great Britain in October 2016 by Bloomsbury Publishing Plc50 Bedford Square, London WC1B 3DP

First published in the USA in September 2016 by Bloomsbury Children’s Books1385 Broadway, New York, New York 10018

www.bloomsbury.comdaniellepaigebooks.com

BLOOMSBURY is a registered trademark of Bloomsbury Publishing Plc

Copyright © Danielle Paige Hale 2016

The moral rights of the author have been asserted

All rights reservedNo part of this publication may be reproduced or

transmitted by any means, electronic, mechanical, photocopyingor otherwise, without the prior permission of the publisher

A CIP catalogue record for this book is available from the British Library

ISBN 978 1 4088 7293 2

Typeset by RefineCatch Limited, Bungay, SuffolkPrinted and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY

1 3 5 7 9 10 8 6 4 2

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To my family, Mommy, Daddy, Andrea, Josh,  Sienna, and Fi, and every girl who wanted  to be a princess but became a queen . . .

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FIRST  KISSeS  SOMeTIMeS  WAKe  slumbering  princesses, 

undo spells, and spark happily ever afters. Mine broke Bale.

Bale burned down a house when he was six. He was a patient 

at the Whittaker Psychiatric Institute like me, and he was also 

my only friend. But there was—he was—something . . . more. I 

told him to meet me where we could be alone, at the one place 

where we  couldn’t  see  the  iron gates  that hemmed us  in. Our 

kissing would have a time limit, though. The time it took for the 

White Coats to notice that we were gone.

Bale met me in the darkest crook of the hall, just as I knew he 

would. Bale would meet me anywhere.

We were  clumsy  at  first. My  eyes  were  open. He  had  not 

leaned down quite far enough. And then we weren’t clumsy at 

all. His  lips were warm, and the heat washed over me. I could 

hear my own heartbeat in my ears. I leaned into him and felt his 

body against mine. When we finally broke apart, I rocked back 

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on my heels and looked up at him. I felt myself smiling. And I 

rarely smiled.

“I’m sorry, Snow,” he said, looking down at me.

I blinked up at him, confused. He was kidding.

“It was perfect,” I asserted. I was not the type to be mushy. 

But he was not allowed to joke about this. Not ever this.

I pushed his shoulder lightly.

“I  see what  you  are  now,”  he  said,  grabbing my hand  and 

holding on a little too tight.

“Bale . . .” I felt something snap in my palm, and a sharp pain 

ran up my wrist and arm. I cried out, but Bale just looked at me 

with steady eyes, his grip and gaze suddenly cold and unyielding.

Not like a prince at all.

It took three orderlies to get him to let go of my wrist, which 

I later learned was broken in two places.

As they pulled him away, I noticed through the double- paned 

windows down the hall that it was snowing. It was too late for 

snow.  It  was May.  But  it  was  upstate New  York,  and weirder 

things had happened. The snow stuck to the glass and melted.  

I  touched  the  cold  pane.  If  things  had  played  out  differently,  

the  snow would  have  been  a  perfect  punctuation  to  a  perfect 

moment. Instead it made it that much worse.

Bale went on the cocktail after that. I went on it, too, after 

they  refused  to  let me  see him. That was  the usual  procedure  

for Whittaker kids who never outgrew their  imaginary  friends, 

the dream catchers and time travelers, the cutters and kids who 

couldn’t  eat  or  couldn’t  sleep. And  for me, who  tried  to walk 

through a mirror when I was five. I still have the scars on my face, 

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neck, and arms  from the shards of glass,  though they’ve  faded 

now to faint white lines. I assume Becky, the girl next door who I 

had dragged through the mirror with me, still has them, too.

Dr. Harris said they’d found pills under Bale’s bed. He hadn’t 

been taking his meds. He couldn’t help what he did to me.

I wasn’t sure that was the whole truth, and I didn’t care. The 

broken  bones  were  temporary. What  stuck  with me  was  that 

perfect first kiss. And the shock of what he had said.

That was a year ago. Bale hadn’t spoken since.

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In the dIstance I could see a tree that seemed to scrape the sky in

every direction, with gnarly branches and the strangest, almost lumines-

cent white wood. the bark was covered from top to bottom in intricate

carvings. I had seen this tree before. I felt a pull to walk right over to it

and run my fingers along the carvings. But instead I turned away from

the tree toward a loud, constant crashing sound: water. It was running

fast and deep. I looked down and saw that I was hovering on the edge of

a steep, rugged cliff, when something or someone came at me from behind,

shoving me hard.

I fell and fell and fell until my body hit the water. It was freezing

cold. cold like none I’d ever felt. the water cut at me like little needles

piercing my skin. and then when I could not stand it a second longer, I

opened my eyes and saw something in the murky deep: tentacles and gills

and gnashing teeth coming at me in the icy blue.

My arms flailed. I needed air. Which was worse? that thing in the

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water or drowning? I opened my mouth to scream as the thing reached

me, wrapping its icy tentacles around my ankle.

When I woke that morning, Vern, one of Whittaker’s orderlies, 

was standing over me.

“Hush, child,” she said quietly. She had a syringe in her hand, 

and she was prepared to use it.

I caught my breath and threw back the covers to check my leg 

for the mark made by that thing in the water. The sheets were 

drenched. But it was my sweat. There was no mark and no water 

creature to blame.

“Snow?”

The  orderlies—or White  Coats  as  we  liked  to  call  them—

weren’t  really  our  friends  even  though  they  were  the  only  

people we saw every single day. Some of them spoke to us. Some 

mocked us. Some laughed and moved us from locked room to 

locked room like furniture. But Vernaliz O’Hara was different. 

She  treated  me  like  a  person  even  when  I  was  a  completely 

drugged- out  vegetable  and  even  when  I  had  the  shakes.  She 

didn’t  know  which  person  I  was  at  the  moment,  hence  the 

syringe.

“I’d rather not knock you out today. Your mother is coming,” 

Vern  said  in her maple- syrupy Southern accent. Her  low,  long 

brown ponytail swung behind her as she stepped away from my 

bed and slipped the syringe back into the pocket of her scrubs. 

Looking up at her, I marveled at how close her head came to the 

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ceiling. At six feet nine, she was an abnormally tall woman. I half 

expected to feel a breeze from the whiplash of Vern’s hair.

Depending on which patient you asked, Vern was a giantess. 

Or  an Amazon. Or  a  Jörd,  the  giant Norse  goddess who  gave 

birth to Thor, the god who sometimes shows up in comic book 

movies. I’d looked up Vern’s condition in Dr. Harris’s collection 

of  old  encyclopedias  in  the  library.  Vern  suffered  from  acro-

megaly, a hormonal condition that occurs when too much growth 

hormone is produced by the pituitary gland, which resulted in a 

larger- than-everyone- else  Vern.  But  “suffered”  was  the  wrong 

word. Vern owned her size, and it made her the perfect muscle 

for Whittaker. No patient could find his or her way around the 

wall of woman she was. Not even me.

I held out my hand. “Fine,” I mumbled.

“She speaks,” Vern assessed, her oversize green eyes lighting 

up with surprise.

Vern wasn’t being sarcastic for a change. Because of the meds, 

I didn’t speak often these days except for swear words. And also 

because  I  didn’t  have  anyone  I wanted  to  talk  to.  except my 

mother when she was visiting . . . and of course, Bale.

Vern was the only one of the White Coats I could even stand 

to be around.

I had bitten Vern once—right after Dr. Harris had told me I 

couldn’t see Bale last year. I had expected Vern to treat me differ-

ently after that, but she didn’t. She was the same kind Vern. I 

always wanted to ask her why. But I never did.

“Did you have the dream again?” Vern asked with the same 

level of anticipation she had for the next episode of the end of

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almost, one of her “stories” that we watched during supervised 

recreation hours.

I  shook my  head,  a  lie  my  body  told  automatically.  They 

encouraged talking about the subconscious at Whittaker. But I 

didn’t like to. I was determined to keep my dreams mine and no 

one else’s. even though they were often twisty and dark,  they 

were the only place I got to be close to Bale. I had slipped and 

told Vern once. A fact she would not let me forget. 

Last night’s dream had been Bale- free. And a little stranger 

than usual. The tree was in it again, huge and looming, taking up 

the whole sky. Then there was that thing . . . The memory of it 

flooded in, distracting me, pulling me back into the cold, dark 

water. Patiently, Vern waited for me to sit up, pulled out a fresh 

pair of Whittaker gray sweats for me to wear, and sighed a heavy, 

breezy exhale that denoted her disappointment.

I slipped out of my paper- thin cotton pajamas in front of her 

and caught a glimpse of my reflection in the plastic mirror on the 

door of my closet. Since the kiss, I was still searching for what-

ever it was about me that had spooked Bale.

My  face  looked  the  same  to  me.  Brown  eyes.  Pale  skin  

because of the lack of sun. The trail of white scars tracked down 

one  side  of  my  body,  most  densely  on  my  left  arm.  Despite 

multiple  surgeries,  my  arm  and  torso  would  forever  bear  the 

weblike tattoo of the day that had brought me here.

The white streaks that wove through my ash- blond hair had 

grown only more pronounced this year. Vern blamed it on the new  

drug cocktail, but I didn’t see any other patients going gray, and 

plenty of us in Ward D were taking the same prescription.

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“Maybe we should put some new art up. You’re really getting 

good,” said Vern.

I shrugged, but I felt a surge of pride well up underneath the 

gesture. I had begun drawing as therapy. But I kept doing it for me.

Sometimes I drew the other patients. A lot of my drawings 

were  of  Bale.  There were  dozens  of  them,  in  fact.  I  drew  the 

inmates as they were and as they wanted to be. Wing thought 

that she was an angel or something, so I gave her wings. Chord 

believed in time travel, so I’d draw him anywhere or anytime he 

wanted to be. He once told Bale that he “blinked” from place to 

place. That was what he called it: blinking. He could come and 

go  from  the  signing  of  the Declaration  of  Independence  in  a 

single blink. Time was  infinite  and different  for him.  I  envied 

him that. I would give anything to blink back in time to before 

the kiss with Bale.

Sometimes  I  sketched Whittaker. The  asylum had  a  lot  of 

rooms. But there was a dividing line between what the parents 

saw and what the patients saw. My room was pretty spare: white 

sheets and walls, a white cabinet, a full- length plastic mirror on 

my closet door, plus a small white desk. The only decorations at 

all  were  the  drawings  hung  everywhere with  duct  tape.  I  had 

Vern  to  thank  for  that.  The  rest  of Whittaker  looked  like  an 

english manor —with high ceilings, fancy furniture, and wrought- 

iron  sconces  along  the walls. The  irony was Whittaker wasn’t 

that old. It was built sometime last century. And rural New York 

was a far cry from england.

Sometimes I sketched my dreams, which ranged from stark, 

blinding- white  landscapes  to  creepy  execution  scenes  that  I 

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couldn’t really explain. The worst was the one with me standing 

on a mountaintop, and below me there were bodies, blue as ice 

and covered in a blanket of snow. I was smiling in it, like I had a 

secret.

Or there was the one with the armored executioner who was 

wielding an ax, about to swing it into something—or someone—

off  the  page.  I was  proud  of  how  I  captured  the  blowback  of 

blood on his armor.

Dr. Harris thought drawing was a good way to channel my 

anger and imagination by putting pen to paper and seeing the 

“ridiculous” things in my head. By getting them out of my mind, 

he thought it would help draw a dividing line between what was 

real and what was just a fantasy.

It worked for a while, but ultimately Dr. Harris wanted the 

drawing to be a gateway to my talking about my feelings. That 

rarely happened—or at least not in the way that he liked.

“Almost time for visiting hours,” Vern pressed. She had turned 

to her cart and was grabbing the familiar tiny white paper cup 

that contained today’s pill.

“What’ll it be today, Vern. Sleepy or Dopey?”

I had affectionately named my myriad pills after some of the 

seven dwarfs. each one corresponded to the effect it had on my 

mood. Sleepy made me sleepy; Grumpy, etc. One by one, they all 

came to represent—even Sneezy.

Today there was a green pill in the little cup.

“Happy.” I grimaced. That one didn’t really work anymore.

“You  are  chatty  today,”  Vern  half  questioned,  cocking  her 

head.

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I pulled the nondescript hospital uniform shirt over my head, 

and I pulled on the pants. Vern handed me the paper cup and 

waited  for me  to gulp down  the pill, which was  so big  that  it 

scraped down the back of my throat even with a sip of water. 

Vern took back the cup and waited for me to open my mouth to 

check that I had actually swallowed the pill.

In that half- a-heartbeat pause, a second of resentment flooded 

in. It was that moment in our everyday routine that kept us from 

being  friends—that,  more  than  the  lock  on  the  door  or  the 

syringe  in Vern’s pocket.  It was her  job to check, not to trust. 

And it reminded me every day that even though she was the only 

person who really talked to me, she was paid to be here.

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