2nd Conference of the European Association for Asian Art and … · 2017-08-02 · Brij TANKHA,...
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Hochschulstiftung Program of the 2nd Conference of the European Association for Asian Art and Archaeology August 24–27, 2017 Venue University of Zurich Rämistrasse 71 CH-8006 Zurich Switzerland
Transcript of 2nd Conference of the European Association for Asian Art and … · 2017-08-02 · Brij TANKHA,...
Hochschulstiftung
Programofthe
2ndConferenceoftheEuropeanAssociationforAsianArtandArchaeology
August24–27,2017
Venue
UniversityofZurichRämistrasse71CH-8006ZurichSwitzerland
2nd EAAA Conference 2017Rämistrasse 71, CH-8006 Zurich
KOL-F-101(213seats) KOL-F-104(142seats) KO2-F-152(90seats) KOL-E-18(90seats) KO2-F-174(70seats) KO2-F-175(70seats)
09:30–10:00 OPENING/WelcomeEAAAandUZH
10:00–12:00 Panel1 Panel2 Panel3 Panel4 Panel5TracingNetworks,theMaterialityofExoticaandAssociatedIdentitiesinAncientEurasia(5thC.BC–5thC.CE)
ReproductionasArtisticTransmitter:VisualKnowledgeandEvidentialDocumentsinEdoandMeijiJapan
ContemporaryChineseArtI India TowardsNewHorizons:Discovering“KoreanHistory/ArtHistory”throughArchaeology"
12:00–13:30
13:30–15:30 Panel6 Panel7 Panel8 Panel9 Panel10TerritorialBorders,CulturalMarginsandtheIdentityofTombOccupantsinEarlyDynastic,ImperialandMedievalChinaI
ExploringtheAestheticandSpiritual:TransnationalNetworksinModernJapan
ContemporaryChineseArtII ArchaeologyandIconographyinIndianTemples
EarlyChineseTombs
15:30–16:00
16:00–18:00 Panel11 Panel12 Panel13 Panel14 Panel15TerritorialBorders,CulturalMarginsandtheIdentityofTombOccupantsinEarlyDynastic,ImperialandMedievalChinaII
ArtandPolitics:TwentiethandTwenty-FirstCenturyEastAsia
China:WordsandImages ThePortraitinAsianBuddhism:Representation,FunctionandReception
CANCELLED
MuralPaintinginHanChina:Re-ExaminingtheOriginsandDevelopmentoftheGenre
18:30–19:30 KEYNOTELECTUREAshura'sFace;YukioLIPPIT,HarvardUniversity,USA
19:30–21:00
Thursday,August24,2017
COFFEE&TEABREAK;LichthofNord
WELCOMERECEPTION;LichthofNord
LUNCHBREAK
EAAAEDITORIALBOARDMEETING;KO2-F-156(12:00–13:00)
2nd EAAA Conference 2017Rämistrasse 71, CH-8006 Zurich
KOL-F-101(213seats) KOL-F-104(142seats) KO2-F-152(90seats) KOL-E-18(90seats) KO2-F-174(70seats) KO2-F-175(70seats)
09:00–11:00 Panel16 Panel17 Panel18 Panel19 Panel20AspectsofKoreanBuddhistMaterialCultureandArchitecture
China:PaintingsandPrints ViewingJapan TransculturalTrajectoriesinSouthAsianVisualArts
JapanandKoreathroughVisualCulture
11:00–11:30
11:30–13:30 Panel21 Panel22 Panel23 Panel24 Panel25Reception,Misunderstanding,andManipulation:Workingsin[Korean]ArtHistory
China:ImaginingNature InfluenceofEastAsianArtonEuropeanArtisticDevelopment
China:AppropriationofHistory ColonialCollectingPracticesofTibetanArtandMaterialCulture
13:30–14:30
14:30–16:30
17:00–19:00 Panel26 Panel27 Panel28 Panel29 Panel30BetweenImaginationandRepresentation:Neo-ConfucianLiteratiGardensoftheJoseonDynasty
ArchitectureandGardens MaterialSymbolsintheEarlyStateFormationofJapan(3rdtoEarly7thCenturiesA.D.)
QuestioningIdentity:DifferentPerspectivesonIdentitiesinAsia
CollectingChina
19:30–20:30 KEYNOTELECTUREKoreathroughtheForeignLens:PhotographsbyBurtonHolmesandJackLondon;BurglindJUNGMANN,UniversityofCaliforniaLosAngeles,USA
Friday,August25,2017
EAAABOARDMEETINGI;KO2-F-156
COFFEE&TEABREAK;infrontofKOL-F-101/KOL-F-104
LUNCHBREAK
CITYTOURSZURICH
2nd EAAA Conference 2017Rämistrasse 71, CH-8006 Zurich
KOL-F-101(213seats) KOL-F-104(142seats) KO2-F-152(90seats) KOL-E-18(90seats) KO2-F-174(70seats) KO2-F-175(70seats)
09:00–11:00 Panel31 Panel32 Panel33 Panel34 Panel35 Panel36ArtsfortheEmpire:PoliticalExpansions,CulturalEncounters,andImperialRepresentationsinChina
EastAsianArchaeology NewInsightsintoAnthropomorphicMasksofCentralAsia
AuthenticityandtheArtMarketinChina1600-2000
PrehistoricInteractionsandEarlyMaterialCulture
ReinventingTraditionalImages:VisualIdeologiesinContemporaryEastAsia
11:00–11:30
11:30–12:30 EAAAGENERALASSEMBLY
12:30–14:00
14:00–16:00 Panel37 Panel38 Panel39 Panel40 Panel41 Panel42BuddhistLifeandSpace ChineseandCentralAsianTextiles
fromHantoYuanDynastyTermsandConditions:WordsthatShapeArtandItsHistoriesI
AsianArtefactsinEuropeanCollectionsbefore1940:BackgroundStories
India:WordsandImages AgencyandMaterialityinCulturalDynamics
16:00–16:30
16:30–18:30 Panel43 Panel44 Panel45 RoundTable46 Panel47 Panel48ChineseBurialCustom
CANCELLED
ArtandReproductioninRepublicanChina
TermsandConditions:WordsThatShapeArtandItsHistoriesII
Identification,CategorizationandDigitizationofEastAsianArtObjectsinLocalCollectionsofDifferentEuropeanCountries
Re-ExaminingSouthAsia "Scrolling"
19:00–21:00
10:00–17:00
Saturday,August26,2017
Sunday,August27,2017
EAAABOARDMEETINGII;KO2-F-156
LUNCHBREAK
COFFEE&TEABREAK;LichthofNord
COFFEE&TEABREAK;LichthofNord
OPTIONALPOST-CONFERENCEMUSEUMSUNDAY
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Thursday,August24,2017KeynoteLectureThu18:30–19:30;KOL-F-101Ashura’sFaceYukioLIPPIT,HarvardUniversity,USAPanel1Thu10:00–12:00;KOL-F-104TracingNetworks,theMaterialityofExoticaandAssociatedIdentitiesinAncientEurasia(5thCenturyBC–5thCenturyCE)ChairedbyAnnetteKIESER,UniversityofMünster,GermanyGatekeeperstotheOtherWorld:Human-facedGuardianBeastsandDemonWarriorsintheNorthernWeiPingchengPeriod Chin-YinTSENG,DunhuangAcademy,ChinaBaijiTombandItsEurasianContext ChenLI,TongjiUniversity,ChinaTechnologyTransferinEarlyIronAgeAltaiandChina:ACaseStudyonPrestigeGold YanLIU,AshmoleanMuseumofArtandArchaeology,UnitedKingdomAnalyticalStudyoftheManufacturingTechniquesofGranulatedGoldOrnamentsfromTomb1ofXigouCemeteryatBarkölKazakh,Xinjiang PanpanTAN,NorthwesternPolytechnicalUniversity,China JunchangYANG,NorthwesternPolytechnicalUniversity,ChinaDiscussant:XuanCHEN,BeijingNationalPalaceMuseum,ChinaPanel2Thu10:00–12:00;KO2-F-152ReproductionasArtisticTransmitter:VisualKnowledgeandEvidentialDocumentsinEdoandMeijiJapanChairedbyFrankFELTENS,Freer|SacklerGalleries,USA,andKatharinaRODE,HeidelbergUniversity,GermanyOurForeignSelves:LayersofChinaintheIdentityofYosaBuson(1716–1784) FrankFELTENS,Freer|SacklerGalleries,USA
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Adaptation,Emulation,andAmeliorationinthePre-Nishiki-ePrintsofSuzukiHarunobu SabineBRADEL,UniversityofZurich,SwitzerlandLiteratiPaintingforChildren:ThePaintingManualKangaDokugakuFu KatharinaRODE,HeidelbergUniversity,GermanyEarlyJapaneseSpiritPhotographyandtheQuestionofPhotographicReproduction MioWAKITA,HeidelbergUniversity,GermanyDiscussant:FrankFELTENS,Freer|SacklerGalleries,USAPanel3Thu10:00–12:00;KOL-E-18ContemporaryChineseArtIIn-Between:TheLiminalityofContemporaryChineseArt BérangèreAMBLARD,InstituteofTranstextualandTransculturalStudies,FranceAvoidingtheBrushwork:RadicalDeclinationfromTraditionintheMovementofExperimentalInkandWashPaintinginMainlandChina
DanielaZHANGCZIRÁKOVÁ,SlovakAcademyofSciences,SlovakiaFromFormtoContent:IndependentCuratorsandChineseExperimentalArtintheNineties YannaTONG,AutonomousUniversityofMadrid,Spain“Westernization” Against“Sinization” inChineseContemporaryGraffiti:AComparisonBetweentheABSCrewandtheKwan-yinClan AdrianaIEZZI,UniversityofBologna,ItalyPanel4Thu10:00–12:00;KO2-F-174IndiaRenaissanceofArtandPhilosophy:TheVidyashankaraTempleatSringeri NiharikaK.SANKRITYAYAN,IndianInstituteofTechnologyMandi,IndiaIndusCivilisationandPost-IndusVillagesinNWIndia:TransformationsandInnovationsofCeramicIndustriesintheBronzeAgeofSouthAsia AlessandroCECCARELLI,UniversityofCambridge,UnitedKingdomArtatSannati:AnEarlyHistoricBuddhistSettlementinNorthKarnataka,India HemaTHAKUR,NationalInstituteofAdvancedStudies,India
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SgraffitoPotteryArt,fromtheFirstMuslimConqueredPortCity,Debal(Banbhore),inSouth-AsiaPakistan NargisRASHID,UniversityofKarachi,PakistanPanel5Thu10:00–12:00;KO2-F-175TowardsNewHorizons:Discovering"KoreanHistory/ArtHistorythroughArchaeology"ChairedbyJamesB.LEWIS,UniversityofOxford,UnitedKingdomAddressingKoguryo HistorythroughRoyalTombsinJi’an MarkE.BYINGTON,HarvardUniversity,USAUnlockingtheTextuallyInvisible:AnArchaeologicalStudyoftheYongsanRiverBasinbetweenthe4th–6thCenturyCE DennisLEE,YonseiUniversity,SouthKoreaTheInventionof“Mt.GyeryongStyleBuncheong” in1927 SeungYeonSANG,HarvardArtMuseum,USATheAutonomyofArchaeologyasanAcademicFieldandSeoulNationalUniversity(1961–1981) LuisBOTELLA,UniversityofMalaga,SpainDiscussant:JamesB.LEWIS,UniversityofOxford,UnitedKingdomPanel6Thu13:30–15:30;KOL-F-104TerritorialBorders,CulturalMarginsandtheIdentityofTombOccupantsinEarlyDynastic,ImperialandMedievalChinaIChairedbyLIUYan,AshmoleanMuseumofArtandArchaeology,UnitedKingdomCemeteriesoftheca.11–8thcc.BCEintheWeiRiverValleyandtheSearchfortheMetropolitanZhouIdentity MariaKHAYUTINA,Ludwig-MaximilianUniversityMunich,GermanyIdentityofTombOccupantsatBaifuintheNortheasternFrontieroftheWesternZhouduringMid-10thCenturyBCE SUNYan,GettysburgCollege,USAOntheEdge:ThePoliticsofDeathintheBorderlands,c.100CE KatherynM.LINDUFF,UniversityofPittsburgh,USA KarenS. RUBINSON, NewYorkUniversity,USA
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InvestigatingtheIdentityofEarlyNicheGraveOccupantsintheTurfanBasin IlseTIMPERMAN,SOASUniversityofLondon,UnitedKingdomPanel7Thu13:30–15:30;KO2-F-152ExploringtheAestheticandSpiritual:TransnationalNetworksinModernJapanChairedbyBrijTANKHA,UniversityofDelhi,IndiaTheGarakutaNetwork:Re-ThinkingNihonBijutsuinaGlobalContext HelenaCnAPKOVÁ,WasedaUniversity,JapanNetworksofPlay,NetworksofSubversion:MiyatakeGaikotsuandtheRecoveryofUkiyo-e BrijTANKHA,UniversityofDelhi,IndiaTheosophicalNetworkbetweenModernChinaandJapan:Variationsof“UniversalBrotherhood” ChienhuiCHUANG,OsakaUniversity,JapanDiscussant:ToshioAKAI,KobeGakuinUniversity,JapanPanel8Thu13:30–15:30;KOL-E-18ContemporaryChineseArtIIArchiving theEverydayinthePracticesof ContemporaryChineseArtists WANGRuobing,LasalleCollegeoftheArts,SingaporeTheSelfinContemporaryChineseArtists KwankiuLEUNG,RoyalCollegeofArt,UnitedKingdomFromAestheticstoEthics:LandscapeRepresentationinChineseContemporaryArt ElenaMACRI,UniversityofNaples“L’Orientale,”ItalyArtasCounter-Memory:ContemporaryLens-BasedArtinEastAsia NayunJANG,TheCourtauldInstituteofArt,UnitedKingdomPanel9Thu13:30–15:30;KO2-F-174ArchaeologyandIconographyinIndianTemples
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TheGauriShankarTempleofDashal:AnIntroductionofitsArchitectureandIconographicSystem
GeraldKOZICZ,TechnicalUniversityofGraz,AustriaValleyoftheGods:TheSmallStoneShrineofGauriSankar
MarinaDUROVKA,TechnicalUniversityofGraz,AustriaFromKuraiyaBirtoKadwaha:TheIconographyandSymbolismofTempleLalatābimbas(c.8–11thCenturiesCE) SeemaBAWA,UniversityofDelhi,IndiaStelleKramrischandtheHinduTemple VerenaWIDORN,UniversityofVienna,AustriaPanel10Thu13:30–15:30;KO2-F-175EarlyChineseTombsTheChimeofFive(4+1)BellsExcavatedin2013intheTombM111ofYejiashanGraveyardisaKey-JalonintheHistoryofChineseMusic VeroniqueAlexandreJOURNEAU,Paris-SorbonneUniversity,FranceTheDraperyoftheMarquisYiofZenganditsDesign ZHANGChangping,WuhanUniversity,ChinaTheDecorativePatternofChuTomb-ProtectingBeasts,andTheirUseofGuidingtheSoultotheHeaven
DingLAN,South-CentralUniversityforNationalities,ChinaPanel11Thu16:00–18:00;KOL-F-104TerritorialBorders,CulturalMarginsandtheIdentityofTombOccupantsinEarlyDynastic,ImperialandMedievalChinaIIChairedbyLIUYan,AshmoleanMuseumofArtandArchaeology,UnitedKingdomMigrantandImmigrantIdentitiesintheHexiCorridorDuringtheHanEmpire AliceYAO,UniversityofChicago,USAFuneraryBehaviorandtheDeterminationofIdentityattheSouthernImperialMargin:AViewfromYulinCommandery'sGravesduringtheHanDynasty FrancisALLARD,IndianaUniversityofPennsylvania,USA
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WasItaXianbeiorWasItaChinese?InterpretationofSomeBurialCustomsundertheNorthernWeiDynasty(386–534) ShingMUELLER,Ludwig-MaximilianUniversityMunich,GermanyLocals,Long-TermSettlers,Newcomers?IdentityofTombOccupantsinaTimeofMigration(220–589) AnnetteKIESER,UniversityofMünster,GermanyPanel12Thu16:00–18:00;KO2-F-152ArtandPolitics:TwentiethandTwenty-FirstCenturyEastAsiaChairedbySarahTEASLEY,RoyalCollegeofArt,UnitedKingdomFashioningFascism:YokoyamaTaikan’sPaintingsofMountFuji AsatoIKEDA,FordhamUniversity,USAChina’sHuiMuslimsandConstructing‘IslamwithChineseCharacteristics’ ZaraARSHAD,VictoriaandAlbertMuseum,UnitedKingdomDancingattheEndofPaxAmericana:CulturalContortionsattheDawnofTheDonald
TylerRUSSELL,CentreA:VancouverInternationalCentreforContemporaryAsianArt,Canada
Crisis,Community&Design:Post-3/11DesigninJapan&theModernExperience SarahTEASLEY,RoyalCollegeofArt,UnitedKingdomDiscussant:TylerRUSSELL,CentreA:VancouverInternationalCentreforContemporaryAsianArt,CanadaPanel13Thu16:00–18:00;KOL-E-18China:WordsandImagesViolenceastheSymbolofMorality:EroticImagesCirculatedintheNewsPictorialsinLateQing(ca.1880s–1911) ZhenJIA,HongKongBaptistUniversity,HongKongWordsandImagesbetweenObservedRealityandWrittenTexts:WalterBosshard(1892–1975)andhisPhotographicWorkinManchukuo AnnaElisabethHERREN,UniversityofZurich,SwitzerlandQiBaishiinPragueandtheCanonFormationofChineseDaxieyiPaintingStyle ChinchiYANG,SOASUniversityofLondon,UnitedKingdom
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EnshriningNeolithicPottery:NarrativesonPrehistoricPastinContemporaryMuseumsinChina
SofiaBOLLO,UniversityofZurich,SwitzerlandPanel14Thu16:00–18:00;KO2-F-174ThePortraitinAsianBuddhism:Representation,FunctionandReceptionCANCELLEDPanel15Thu16:00–18:00;KO2-F-175MuralPaintinginHanChina:Re-ExaminingtheOriginsandDevelopmentoftheGenreChairedbyAllisonR.MILLER,SouthwesternUniversity,USATheStatusoftheMuralinEarlyHanArt:ReflectionsfromtheShiYuanTomb
AllisonR.MILLER,SouthwesternUniversity,USANewApproachestoTombMuralsalongtheHanNorthernFrontier
LeslieV.WALLACE,CoastalCarolinaUniversity,USARethinkingChariotProcessionsinHanTombMurals Carrie(Huichih)CHUANG,TainanNationalUniversityoftheArts,RepublicofChinaDressandStatusinHanDynastyWallPaintings SheriA.LULLO,UnionCollege,USADiscussant:ArianePERRIN,TheCentreforStudiesonChina,KoreaandJapan(UMR8173),France
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Friday,August25,2017KeynoteLectureFri19:30–20:30;KOL-F-101KoreathroughtheForeignLens:PhotographsbyBurtonHolmesandJackLondonBurglindJUNGMANN,UniversityofCaliforniaLosAngeles,USAPanel16Fri09:00–11:00;KOL-F-104AspectsofKoreanBuddhistMaterialCultureandArchitectureBuddhistLacquerObjectsofAnapji: SomeThoughtsonaGenuineLacquerTraditioninKorea MargaretePRÜCH,HeidelbergUniversity,GermanyTheBuriedDomeofSokkuram:TheSilla-KoreanBuddhistSanctuaryandItsIranianCognates MinkuKIM,TheChineseUniversityofHongKong,HongKongTheTripitakaKoreana,theKoreanCanonofBuddhistScripture,andtheJikji Soon-ChimJUNG,IndependentScholar,Münster,GermanyAGroupofNineGoryeoLacqueredSutraChestsInlaidwithMother-of-Pearl PatriciaFRICK,MuseumofLacquerArtMünster,GermanyVisualRepresentationsofArhatsinKoreainContext:TheConcept,theFormsandtheInfluence BeatrixMECSI,EötvösLorándUniversity,HungaryPanel17Fri09:00–11:00;KO2-F-152China:PaintingsandPrintsAuthenticationof“ClothesofTheWaterMill”withArchaeologicalObjects BaihuaREN,UniversityofGlasgow,UnitedKingdomTurningPoint:WangHui(1632–1717)andXuQianxue(1631–1694)
Chin-SungCHANG,SeoulNationalUniversity,KoreaAndrewChinnandFayChong:AsianMastersofAmericanArt JamesWalterELLIS,HongKongBaptistUniversity,HongKong
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“Whenredisplacednearyellow,thelightisdazzling...”:“SongoftheColorMatching”andOtherPreceptsofFolkArtintheChinesePrintmakingTradition AlinaMARTIMYANOVA,UniversityofZurich,SwitzerlandPanel18Fri09:00–11:00;KOL-E-18ViewingJapanSpecialist’sDiscoursesandaSkipinEastAsianArtHistory:TheBumpyHistoryofResearchonJapaneseArchitecture
BeateLÖFFLER,UniversityofDuisburg-Essen,GermanyBehindtheCollections'Growth:TheAuraofUkiyo-ePrintsattheHeartofEurope
MarkétaHÁNOVÁ,NationalGalleryinPrague,CzechRepublicJapaneseArtsandCraftsforSovietPublic(1957TheStateHermitageMuseumAcquisitionandExhibitionsAcrosstheCountry) AnnaEGOROVA,HermitageMuseum,RussiaPresentationandRationaleofaneLearningPlatformonKofun-PeriodArchaeology StephanieSANTSCHI,BritishMuseum,UnitedKingdomPanel19 Fri09:00–11:00;KO2-F-174TransculturalTrajectoriesinSouthAsianVisualArtsChairedbyIsabellaNARDI,ClevelandStateUniversity,USARemotelyConnected:TheNilgiriMountainsCultureofSouthIndia DanielaDeSIMONE,BritishMuseum,UnitedKingdomMuslimIcons:SufiSaintsasAgentsofTransculturationinEarly-ModernIndia MuradMUMTAZ,UniversityofVirginia,USABetweenIndianMiniaturePaintingandPhotography:PopularManorathIllustrationsfromNathdwara IsabellaNARDI,ClevelandStateUniversity,USASplittingtheGoddess,SplittingtheYoni:OriginsoftheYoginısatKamakhya PaoloEugenioROSATI,UniversityofRome,Italy
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Panel20Fri09:00–11:00;KO2-F-175JapanandKoreathroughVisualCulturePicturePostcardsinSlovenia:1890s–1910s ChikakoSHIGEMORIBUCAR,UniversityofLjubljana,SloveniaJapaneseWarKimonos:History,ConnectivitiesandMeanings
KlausFRIESE,UniversityofZurich,Switzerland;Ludwig-MaximilianUniversityMunich,Germany
CapturingOccupiedKorea:ThePhotographCollectionofDr.AliceKeller(1896–1992) RebecaGOMEZMORILLA,UniversityofZurich,SwitzerlandInterculturalExchange:Children’sDrawingsfromJapaninSwitzerlandfrom1930to1970
AnnaLEHNINGER,ArchiveofChildren’sDrawings,PestalozzianumFoundation,Switzerland
Panel21Fri11:30–13:30;KOL-F-104Reception,Misunderstanding,andManipulation:Workingsin[Korean]ArtHistoryChairedbyBurglindJUNGMANN,UniversityofCaliforniaLosAngeles,USATiredofEmbroidery:RememberingSinSaimdang(1504–1551)andMariaSybillaMerian(1647–1717) BurglindJUNGMANN,UniversityofCaliforniaLosAngeles,USAFishOutofWater:TheTransmissionandManipulationofNatureStudiesintheLateChosonDynasty NathanielKINGDON,UniversityofCaliforniaLosAngeles,USATheDarkSideofGenrePaintingsinLateChosonKorea(1700–1850) JPPARK,UniversityofCaliforniaRiverside,USASuzhouPianasInspirationforChosonCourtPainting YoonjungSEO,FreeUniversityofBerlin,GermanyDiscussant:Youn-miKIM,EwhaWomansUniversity,KoreaPanel22Fri11:30–13:30;KO2-F-152China:ImaginingNature
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Evolution,Adaptation,orInnovation:TheEmergenceofShuang-long-bing-huinTangChina Chun-ILIN,SOASUniversityofLondon,UnitedKingdomArtisticCharacteristicsofYixingRedStoneware: FromanExampleofBrushPotinGroningenMuseum
RuomingWU,NankaiUniversity,ChinaStoneSculpturesofDogsinSouthChina:OriginsandSemantics
MariaA.KUDINOVA,NovosibirskStateUniversity,RussiaSergeyA.KOMISSAROV,NovosibirskStateUniversity,Russia
PresentingtheMastiff:AnimalEncountersandQingAuthorityinFrontierAreas LianmingWANG,HeidelbergUniversity,GermanyPanel23Fri11:30–13:30;KOL-E-18InfluenceofEastAsianArtonEuropeanArtisticDevelopmentChristianArtundertheShogun'sRage:AReconsiderationoftheRoleofChristianBrotherhoodsintheProductionofArtafter1614inJapan JoseBLANCO-PERALES,UniversityofOviedo,SpainACuriousComedyattheCourtofLouisXIVin1700:The"MasqueradeoftheKingofChina" BrunoBENTZ,UniversityofParisIV-Sorbonne,FranceTheConstructionofChinoiserieGardensin18thCenturySanssouciinPotsdam,Prussia Sheng-ChingCHANG,FuJenUniversity,RepublicofChinaSomeExamplesofInteriorChinese-StyleDecorationsinCzechia LucieOLIVOVÁ,MasarykUniversity,CzechRepublicPanel24Fri13:30–15:30;KO2-F-174China:AppropriationofHistoryThe“Neolithisation” ofSouthernChina? LenaWESEMANN,FreeUniversityofBerlin,GermanyNegotiatingStatecraftandHandicraft:Qianlong(r.1736–1795)’sAppropriationofMingOfficialCarvedLacquer
ZhenpengZHAN,TheChineseUniversityofHongKong,HongKongCollection,Application,Processing:YixingWaresintheQingCourt(1644–1911) SUNYue,HeidelbergUniversity,Germany
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Panel25Fri11:30–13:30;KO2-F-175ColonialCollectingPracticesofTibetanArtandMaterialCultureChairedbyReginaHÖFER,UniversityofBonn,GermanyConstructingtheLandofMysteryinLondonandBerlin:TheTibetanCollectionofL.A.Waddell ReginaHÖFER,UniversityofBonn,GermanyTouristinginLadakh:TheRelativeValueofan‘Inauthentic’ TibetanCollection InbalLIVNE,Powell-CottonMuseum,UnitedKingdomAPoliticalOfficer’sTibetCollection:JohnClaudeWhiteandComplicatedNotionsofCollectinginSikkim,Bhutan,andTibet EmmaMARTIN,UniversityofManchester,UnitedKingdomTibetanTreasuresoftheWeltmuseumWien:ACriticalAnalysisofRenédeNebesky-Wojkowitz'sPolicyofCollecting UweNIEBUHR,UniversityofVienna,Austria VerenaWIDORN,UniversityofVienna,AustriaDiscussant:ReginaHÖFER,UniversityofBonn,GermanyPanel26Fri17:00–19:00;KOL-F-104BetweenImaginationandRepresentation: Neo-ConfucianLiteratiGardensoftheJoseonDynastyChairedbyJeong-heeLEE-KALISCH,FreeUniversityofBerlin,GermanyGivingaNameandMakingaPoem: TheAestheticsofInvisibilityinJoseonLiteratiGardens SUNGJongsang,SeoulNationalUniversity,KoreaBetweentheImaginationofIdealsandtheRepresentationofGardens:Soswaewon(GardenofVivifyingPurification)asanExample Jeong-heeLEE-KALISCH,FreeUniversityofBerlin,GermanyCompositionofFiguresandActivitiesinGardenUseinJoseonDynasty LEEJaei,SeoulNationalUniversity,SouthKorea“Re”-presentationofaKoreanLiteratiGardenintheWest:TheKoreanGardeninBerlin MariaSOBOTKA,FreeUniversityofBerlin,GermanyRoundtablediscussion
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Panel27Fri17:00–19:00;KO2-F-152ArchitectureandGardensOrganizationandTechnologicalChoiceofCastIronProductioninAncientChina:ACaseStudyonTaichengIronFoundryoftheWesternHanDynasty WengCheongLAM,TheChineseUniversityofHongKong,HongKongOrnamentationoftheQutbMinarbetweenHinduEastandIslamicEast HeeSookLEE-NIINIOJA,IndependentScholar,Helsinki,FinlandBeyondMughalGardenWaterworks:SomeAspectsofWaterUsageinLahore
AmnaSAEEDGILLANI,UniversityofBonn,GermanyPanel28Fri17:00–19:00;KOL-E-18MaterialSymbolsintheEarlyStateFormationofJapan(3rdtoEarly7thCenturiesA.D.)ChairedbyKen’ichiSASAKI,MeijiUniversity,JapanBronzeMirrorsasStatusSymbolsintheProcessofEarlyStateFormation Shin’yaFUKUNAGA,OsakaUniversity,JapanAnalysesofInternalBurialFacilitiesasanApproachtoSocialStratification AkiraSEIKE,OkayamaUniversity,JapanTheDesignofIronWeaponsandtheEmergenceofPoliticalIdentitiesintheStateFormationofJapan TakehikoMATSUGI,NationalMuseumofJapaneseHistory,JapanDistributingthe“Standard” ofMoundConstructiontoLocalElitesasanExampleofInalienableWealth Ken’ichiSASAKI,MeijiUniversity,JapanPanel29Fri17:00–19:00;KO2-F-174QuestioningIdentity: DifferentPerspectivesonIdentitiesinAsiaChairedbyJuliaHOLZ,UniversityofBonn,Germany,SandraSCHLAGE,UniversityofBonn,Germany,andRebekkaWELKER,UniversityofBonn,GermanyQueerIdentity:TheCaseofContemporaryPakistaniArt
WaheedaBANOBALOCH,UniversityofSindh,Pakistan;UniversityofBonn,Germany
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IdentityChallenged:TheBodyinContemporaryVietnameseArt JuliaHOLZ,UniversityofBonn,GermanyIdentitiesofBharataNaṭyamDancersinTamilNaduattheBeginningofthe21stCentury SandraSCHLAGE,UniversityofBonn,GermanyIdentityandAlterityinthePicturesoftheBaselMission,ShownintheEvangelischeHeidenbotefrom1859till1863 RebekkaWELKER,UniversityofBonn,GermanyPanel30Fri17:00–19:00;KO2-F-175CollectingChinaAHandscrollintheFormerCollectionofPanShicheng(c.1804–1873),LegendaryMerchantandConnoisseurfromCanton XiaoxinLI,SOASUniversityofLondon,UnitedKingdomFromGatheringtoResearch:ChineseObjectsoftheFirstThirdoftheNineteenthCenturyintheCollectionsoftheMuseumofAnthropologyandEthnography
PolinaRUD,PetertheGreatMuseumofAnthropologyandEthnography,RussiaCollectingEarlyChina:TheBritishMuseumandTheKarlbeckSyndicate(1930–1934) ValérieJURGENS,IndependentScholar,Zurich,SwitzerlandStudyonRobertvanGulik’sAppreciationandCollectionofChineseCalligraphyandPainting SHIYe,ShanghaiNormalUniversity,China
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Saturday,August26,2017Panel31Sat09:00–11:00;KOL-F-101ArtsfortheEmpire:PoliticalExpansions,CulturalEncounters,andImperialRepresentationsinChinaChairedbyYu-chihLAI,PrincetonUniversity,USARegulatingtheEmpire:AStudyonIllustratedRegulationsforCeremonialParaphernaliaoftheQingDynasty Yu-chihLAI,PrincetonUniversity,USAMorethanWriting:EfficaciousWords,DecorativeScripts,andCross-CulturalEncountersinTangChina Hui-WenLU,NationalTaiwanUniversity,RepublicofChinaTheMakingandReinventionoftheDijiantushuo 帝鑑圖說fortheEmpires Li-chiangLIN,NationalTaiwanNormalUniversity,RepublicofChinaCulturalContending:KangxiPaintedEnamelwareasGlobalCompetitor
Ching-feiSHIH,NationalTaiwanUniversity,RepublicofChinaImaginaryChineseDressinQingCourtPainting:TemporalMultiplicityandtheEmperorship
MeiMeiRADO,BardGraduateCenter,USAPanel32Sat09:00–11:00;KOL-F-104EastAsianArchaeologyAcrosstheSea:TheNewlyDiscoveredWa(AncientJapan)ArmoursandHelmetsintheSouthwesternPartoftheKoreanPeninsula ArianePERRIN,TheCentreforStudiesonChina,KoreaandJapan(UMR8173),FranceAnOutstandingPaintingonHempintheGuimetMuseumCollection:The« ArcheologicalConservation» Contribution ValerieZALESKI,GuimetMuseum,France ViolaineGARCIA,IndependentConservator,Montreuil-sous-Bois,FranceDecoratedTombsinSouthwestJapan:BehindtheIdentityandtheSocio-PoliticalDevelopmentsoftheLateKofunSocietyinKyushu ClaudiaZANCAN,LeidenUniversity,theNetherlandsFrom"PictureCoins"to"RealMoney":ArtandArchaeologyinEarlyJapaneseCurrency EthanI.SEGAL,MichiganStateUniversity,USA
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Panel33Sat09:00–11:00,KO2-F-152NewInsightsintoAnthropomorphicMasksofCentralAsiaAnthropomorphicMask-FacesoftheSayan-AltaiRegioninBronzeAge:NewImagingandTracingofKarakolBurialMounds
AlexanderPAKHUNOV,RussianAcademyofSciences,RussiaMasksintheCraftsandRockCarvings(SouthSiberia,CentralAsiaandFarEast)
EkaterinaDEVLAT,RussianAcademyofSciences,RussiaAnthropomorphicMasksinMedievalArtofCentralAsia
GalinaKOROL,RussianAcademyofSciences,RussiaPanel34Sat09:00–11:00;KOL-E-18AuthenticityandtheArtMarketinChina1600–2000ChairedbyCHIENLi-kuei,TheHongKongPolytechnicUniversity,HongKongTracesofAuthenticity:Seventeenth-CenturyForgeriesofWenZhengming’sCalligraphyinClericalScript CHIENLi-kuei,TheHongKongPolytechnicUniversity,HongKongMarketingtheMasters:RevisionandConsumptionofCalligraphyintheLateMing XUELei,UniversityofOregon,USAXueSusu’sTwoIdenticalPaintings:ACaseStudyoftheForgeryBusinessintheWorkshopofTanJing譚敬 SylviaLEE,CityUniversityofHongKong,HongKongDistinction:ThePracticeandLegacyofthe“AlbumtoSeetheLargewithintheSmall” WANGChing-ling,Rijksmuseum,Amsterdam,theNetherlandsDiscussant:NicoleCHIANG,TheMuseumofEastAsianArt,UnitedKingdomPanel35Sat09:00–11:00;KO2-F-174PrehistoricInteractionsandEarlyMaterialCultureNewDiscoveriesofPrehistoricBarkclothBeatersfromSoutheastAsia TANGChung,ChineseUniversityofHongKong,HongKong
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AStudyontheGuqinImageontheBronzeMirrors’ OrnamentationduringtheHanDynastyMei-YenLEE,NationalPingtungUniversity,RepublicofChina
PrehistoricInteractionsinXinjiang:ARe-EvaluationoftheBronzeAgeRemainsinthePamirRegion MarcellaFESTA,Ca’ FoscariUniversityofVenice,ItalyPanel36Sat09:00–11:00;KO2-F-175ReinventingTraditionalImages:VisualIdeologiesinContemporaryEastAsiaChairedbySimonKANER,UniversityofEastAngliaandSainsburyInstitutefortheStudyofJapaneseArtsandCultures,UnitedKingdom“BoomingJomon”?PrehistoricMaterialCultureandItsPerceptioninContemporaryJapan IlonaBAUSCH,UniversityofTokyo,JapanFluffyTreesandDragons:ForestsinChildren’sInternetinChina AnnikaPISSIN,LundUniversity,SwedenAPatchworkofGoldLeafandMangaOutlines:TheInventionofCoolJapan’sHistoricRoots DaanKOK,NationalMuseumofEthnology,theNetherlandsHowBuddhaWorks:ZeninContemporaryEastAsianArt ParamitaPAUL,AmsterdamUniversityCollege,theNetherlandsDiscussant:SimonKANER,UniversityofEastAngliaandSainsburyInstitutefortheStudyofJapaneseArtsandCultures,UnitedKingdomPanel37Sat14:00–16:00;KOL-F-101BuddhistLifeandSpaceWhereDidtheBuddhistMonksLiveandTranslateinYungang? JoyLiduYI,FloridaInternationalUniversity,USATheExperienceofSeeing:TheLingyanTempleLuohanSculpturesandSongDynastyVisualPractices RebeccaBIEBERLY,OaklandUniversity,USATheGeographicOpeningtotheSecularSpace:TheRiseofBuddhistShuiluHallsandMuralsintheMingDynasty YiLIU,NanjingUniversity,China
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TheWayofAgarwood:FromChinatotheKoreanPeninsulaAnnaS.SHMAKOVA,NovosibirskStateNationalResearchUniversity,RussiaElenaE.VOYTISHEK,NovosibirskStateNationalResearchUniversity,Russia
Panel38Sat14:00–16:00;KOL-F-104ChineseandCentralAsianTextilesfromHantoYuanDynastyChairedbyShingMÜLLER,Ludwig-MaximilianUniversity,Germany,andHelenPERSSON,SwedishHistoryMuseum,SwedenChineseJin-SilkswithInscriptions: WitnessesofSocialCultureandBeliefsinHan-Period MichèleGRIEDER,AbeggFoundation,SwitzerlandTheEmbroideredChineseGarmentattheAbegg-Stiftung: ANewInsightintotheMaterialandVisualCultureofEarlyMedievalChina JuliaESCHER,UniversityofZurich,Switzerland CarolineVOGT,AbeggFoundation,SwitzerlandSeventhtoNinthCenturyWovenSilkswithBoldPatternsofAnimalsandBirds RegulaSCHORTA,AbeggFoundation,SwitzerlandTheTinyMotifsTartarClothsoftheVestmentsofBenedictXIinPerugia MariaLudovicaROSATI,IndependentScholar,Turin,ItalyDiscussants:ShingMÜLLER,Ludwig-MaximilianUniversity,Germany,andHelenPERSSON,SwedishHistoryMuseum,SwedenPanel39Sat14:00–16:00;KO2-F-152TermsandConditions:WordsThatShapeArtandItsHistoriesIChairedbyMakiFUKUOKA,UniversityofLeeds,UnitedKingdom,andMingyuanHU,UniversityofLeeds,UnitedKingdomTheJapaneseReceptionofGonse’sandAnderson’sHistoriesofJapaneseArt:TranslatingtheConceptofSelf-Reference SoniaCOMAN,ColumbiaUniversity,USAStaggeredHangings:TheReceptionoftheTerm “kakemono” intheWest
RaduLECA,SainsburyInstitutefortheStudyofJapaneseArtsandCultures,UnitedKingdom
FormsofIdol MakiFUKUOKA,UniversityofLeeds,UnitedKingdom
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Discussant:ShoKONISHI,UniversityofOxford,UnitedKingdomPanel40Sat14:00–16:00;KOL-E-18AsianArtefactsinEuropeanCollectionsbefore1940:BackgroundStoriesChairedbyMichaelaPEJCnOCHOVA~ ,NationalGalleryinPrague,CzechRepublicTheYuanmingyuaninBritainandFrance:CollectingandDisplayingObjectsfromthe‘SummerPalace’ intheWest LouiseTYTHACOTT,SOASUniversityofLondon,UnitedKingdomFromTombtoMuseum:TheJourneyofaChineseBronzeVesselOverThreeThousandYears LyceJANKOWSKI,UniversityofOxford,UnitedKingdomTheAcquisitionofUkiyo-ePrintsfromPrivateCollectionsintheStateMuseumofOrientalArt(Moscow,Russia) AnnaPUSHAKOVA,StateMuseumofOrientalArt,RussiaRe-DiscoveringtheArtsofChinathroughNativeSources:LaurenceBinyon,GeorgeEumorfopoulosandTheirTasteinChinesePainting Ying-LingMichelleHUANG,LingnanUniversity,HongKongDiscussant:ChristineHOWALD,TechnicalUniversityofBerlin,GermanyPanel41Sat14:00–16:00;KO2-F-174India:WordsandImagesFromKırtimukhatoMouseFace,GanaWhoConsumedHimself:KırtimukhainNorthIndianLiteratureandArt AnishaSAXENA,JawaharlalNehruUniversity,IndiaSocialStatusofanArt-PersoninClassicalIndia BarbaraBANASIK,UniversityofWarsaw,PolandPanel42Sat14:00–16:00;KO2-F-175AgencyandMaterialityinCulturalDynamicsChairedbyKittyZIJLMANS,LeidenUniversity,theNetherlands
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TheArtObjectintheNexusofSocialRelationships:ContemporaryArtfromEastAsia KittyZIJLMANS,LeidenUniversity,theNetherlandsTrans-MediaDisplayandEverydayEncounter:TheTransculturalAgencyofaChinesePaintingMotif FengHE,HeidelbergUniversity,GermanyThePictorialIconofEvidentialScholarshipinQingChina LilianLan-yingTSENG,NewYorkUniversity,USAPerformativePowerofChineseExportPaintings:OutlookonaNew‘Horizon’
RosalienVANDERPOEL,NationalMuseumofEthnology,theNetherlandsDiscussant:MarcBOUMEESTER,ArtEZUniversityoftheArts,theNetherlandsPanel43Sat16:30–18:30;KOL-F-101ChineseBurialCustom
CANCELLEDPanel44Sat16:30–18:30;KOL-F-104ArtandReproductioninRepublicanChinaChairedbySarahE.FRASER,HeidelbergUniversity,GermanyThePrintedLandscape:Photo-BooksandFamousPlacesinEarlyTwentiethCenturyChina MarineCABOS,IndependentScholar,Paris,FranceCrossingBoundaries:TheInterplayofPaintingandPrintingintheWorksofJinCheng(1878–1926) TianS.LIANG,UniversityofOxford,UnitedKingdomPublishingModernInkPaintingaround1930:VenuesandStrategies JulianeNOTH,FreeUniversityofBerlin,GermanyTheIssueofReproduction:InkPaintersandPhotographyinChina(1920–1950) MiaYinxingLIU,BatesCollege,USADiscussant:SarahE.FRASER,HeidelbergUniversity,Germany
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Panel45Sat16:30–18:30;KO2-F-152TermsandConditions:WordsThatShapeArtandItsHistoriesIIChairedbyMakiFUKUOKA,UniversityofLeeds,UnitedKingdom,andMingyuanHU,UniversityofLeeds,UnitedKingdomTheSpaceThatNeverWas MingyuanHU,UniversityofLeeds,UnitedKingdomPhilologyofthe“Image” inJapaneseArtHistory KristopherW.KERSEY,UniversityofRichmond,USAAwakeningsandEntrances:StagingCivilityinTwentiethCenturyChina RosHOLMES,UniversityofOxford,UnitedKingdomDiscussant:CatherineSTUER,DenisonUniversity,USARoundTable46Sat16:30–18:30;KOL-E-18Identification,CategorizationandDigitizationofEastAsianArtObjectsinLocalCollectionsofDifferentEuropeanCountriesChairedbyNatašaVAMPELJSUHADOLNIK,UniversityofLjubljana,SloveniaHiddeninPlainSight:ChineseObjectsinWelshCollections ThomasJANSEN,UniversityofWalesTrinitySt.David,UnitedKingdomEastAsianCollectionsinHungary BeatrixMECSI,EötvösLorándUniversity,HungarySurveyingEastAsianArtinAustrianCollections LukasNICKEL,UniversityofVienna,AustriaExaminingEastAsianArtObjectsinSwitzerland HansBjarneTHOMSEN,UniversityofZurich,SwitzerlandIdentification,CategorizationandDigitizationofEastAsianArtObjectsinSlovenia NatašaVAMPELJSUHADOLNIK,UniversityofLjubljana,SloveniaChinaArtResearchNetwork(CARN):MappingChineseObjects/CollectionsintheUK
MinnaTÖRMÄ,UniversityofGlasgow,Scotland
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Panel47Sat16:30–18:30;KO2-F-174Re-ExaminingSouthAsiaALookthroughtheArchives:SuratkhanaatAmber-Jaipurinthe18thCentury ShailkaMISHRA,MehrangarhMuseum,Jodhpur,IndiaUnityinDiversity:TheBirlaTempleinDelhiasanExampleofNationalArt
DorotaKAMINSKA-JONES,NicolausCopernicusUniversity,PolandAgnieszkaSTASZCZYK,JagiellonianUniversity,Poland
ArtisticAutonomyinIndianArtafterIndependence: IndiannessinArtandtheFemaleVoices MiaDoraPRVAN,UniversityofBonn,GermanyArtofLoss:WoodenAncestralEffigiesinKalashValley
AliKalhoroZULFIQAR,PakistanInstituteofDevelopmentEconomics(PIDE),PakistanPanel48Sat16:30–18:30;KO2-F-175"Scrolling"ChairedbyPikaGHOSH,UniversityofNorthCarolina,USAMovingthroughStory AnnaLiseSEASTRAND,UniversityofChicago,USATransformingGeographyintoReligiousTopography:ThePhiladelphiaMuseumofArt’sGosainkundScroll NeerajaPODDAR,TheCityPalaceMuseumUdaipur,IndiaTheBundleandtheText:TheMaterialityofRolledMughalFarmans SlyviaHOUGHTELING,BrynMawrCollege,USATheWholeasaScroll:CyclicalManuscriptsfromanAerialPerspective YaelRICE,AmherstCollege,USADiscussant:MaryBethHESTON,CollegeofCharleston,USA
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Theconferenceismadepossiblebythegeneroussupportof:
GeorgundBerthaSchwyzer-WinikerFoundation
ChiangChing-kuoFoundationforInternationalScholarlyExchange
Hochschulstiftung,UniversityofZurich
KoreaFoundation
SwissNationalScienceFoundation
CityofZurich
CantonofZurich
articulationsassociationsuissepourlarelèveenhistoiredel’art
SchweizerVereinfürdenkunsthistorischenNachwuchs
Hochschulstiftung
