, Jr. The Lion King - Independent School District...
Transcript of , Jr. The Lion King - Independent School District...
The Lion King
, Jr.
Character List
Rafiki
A wise mandrill who acts as healer of the Pridelands and guides Simba
on his journey home. She is an omniscient character, evincing an air of
mystery. Rafiki has significant solos in "Circle of Life" and "He Lives in
You," and leads the African chants thro
ughout the show, so cast a
confident performer with a strong singing voice.
Female, Any Age
Range: A3
-‐
C5
Ensemble
The ensemble plays various inhabitants of the Pridelands, such as
giraffes, elephants, antelopes, wildebeest, and other creatures you
choose to include. This group can have as few or as many performers as
your production permits. Be sure to cast many stron
g singers. There are
also several moments to showcase individual dancers in "The Lioness
Hunt" and "I Just Can't Wait to Be King."
Mufasa
The strong, honorable, and wise lion
that
leads the Pridelands. Mufasa
should command respect onstage and also s
how tenderness with his
son, Simba. Cast a mature actor who can convincingly portray the king.
Male, Any Age
Range: B3
-‐
C5
Sarabi
A featured lioness, Mufasa's mate, and Simba's mother. Sarabi has a few
key speaking lines for an actor who can deli
ver the care and command of
a queen.
Female, Any Age
Zazu
The anxious yet loyal assista
nt to Mufasa who is always busy
trying to do
his duty. Zazu's lyrics are spoken rather than sung, and the role can be
played by a boy or girl.
Male or Female, Any Age
Scar
The antagonist of the show, overcome with jealousy of his brother,
Mufasa, and nephew, Simba. Coldhearted and wickedly intelligent, he
will stop at nothing to become king of the Pridelands. Cast a mature
performer who ca
n bring out this villain's dark side while handling
Scar's sarcastic sense of humor. As his solos can be spoken, opt for an
actor over a singer.
Male, Any Age
Range: A3
-‐
A4
Young
Simba
The protagonist of the story, is an adventurous and endearing
cub who
can't wait to be king of the Pridelands. Simba is playful, energetic, and
naive, but after his father Mufasa's death, Simba struggles with shame
and his destiny. Cast a strong singer and dynamic performer in this role.
Male, Any Age
,
Range: B3
-‐
E5
Simba
Grows from a cub to lion in "Hakuna Matata." Older Simba has more
complex moments as he reunites with Nala, mourns his father, and
returns to confront Scar, so cast a more mature actor. Be sure that the
change in actors is clear: Try having Young Simba han
d
-‐
off a costume
piece, such as a medallion, to older Simba. Also be sure that Simba and
Young Simba share a movement vocabulary.
Male, Any Age
Range: B3
-‐
E5
Lionesses
The fierce hunters of the Pridelands and featured in "The Lioness Hunt,"
"The M
ourning," and "Shadowland." These actors should be strong
singers, as the material can be challenging. Depending on the complexity
of your choreography, particuarly for "The Lioness Hunt," strong
dancers may be desirable as well.
Female, Any Age
You
ng
Nala
A courageous lion and Young Simba's best friend. She is not afraid to
speak her mind. While Young Nala does sing a little, look for a strong
female performer who can portray this confident cub.
Female, Any Age
Range: A3
-‐
C5
Nala
Grows from a cub to a lioness before she confronts Scar, so cast a more
mature actress to play the character beginning in Scene 10, As with older
Simba and Young Simba, ensure that this switch in actors performing a
single role is clear. Direct the actors
to share a mask or costume piece
that distinctly represents Nala, as well as a movement vocabulary.
Female, Any Age
Range: G3
-‐
E5
Sarafina
A featured lioness and Nala's mother. She has one short, spoken line, so
consider giving this part to an ac
tor who is putting in a lot of effort and
hard work in rehearsal as a lioness.
Female, Any Age
Banzai
A slick yet childish hyena who works for Scar. He would be the leader of
the group if hyenas weren't so lazy. Look for an outgoing and confident
a
ctor who can portray nastiness and gruffness. As banzai is always
featured with Shenzi and Ed, consider audit
Male, Any Age
Shenzi
One of Scar's hyenas who plot to take over the Pridelands. She is the
sassy one of the trio and is always looking out
for herself. With Banzai
and Ed, she should be able to laugh loudly and long, as well as be
menacing to Young Simba and Young Nala.
Female, Any Age
Ed
The third member of Scar's trio of lackeys. He has a loud, cackling laugh
that is his only form of communication. Ed should be played by an actor
who can laugh unabashedly and communicate through physicality and
facial expressions rather than words. This r
ole can be played by a boy or
girl.
Male or Female, Any Age
Hyenas
Scar's army, helping carry out his evil plot to take over the Pridelands.
Hyenas are mangy, mindless creatures who sing in "Be Prepared." Cast
actors who are able to sing the backgr
ound parts of that song while
playing the loud and raucous characters. Your hyenas can double as
animals of the Pridelands or lionesses.
Male or Female, Any Age
Timon
An outcast meerkat who lives in the jungle with Pumbaa. He is afraid of
his own s
hadow, but pretends to be the confident, relaxed leader of the
duo. Timon is one of the funniest characters in the show and should be
played by a charismatic acto
r who understands comic timing.
This part
can be played by a boy or a girl.
Male or Female, A
ny Age
Range: B3
-‐
B4
Pumbaa
A kindhearted, sensitive warthog who enjoys his simple life of grubs and
relaxation. Cast a boy or girl who can portray this loveable and loyal
friend to Timon and Simba with deadpan humor.
Male or Female, Any Age
Range: D4
-‐
G5
-
CHARACTER DESCRIPTIONS – THE LION KING JR
Rafiki (f) – A wise mandrill who acts as healer of the Pridelands and guides Simba on his journey home. She is an omniscient character, evincing an air of mystery. Rafiki has significant solos in "Circle of Life" and "He Lives in You," and leads the African chants throughout the show during “The Mourning” and “Shadlowland.” Based on 1994 Movie character of the African baboon, so Jamaican accent preferred. Confident soloist /performer. Range: A3 – C5 Mufasa (m) – Strong, honorable, and wise lion who leads the Pridelands. Mufasa must convincingly portray the king; he should command respect onstage and also show tenderness with his son, Simba. Solo: “They Live in You” Range: B3 – C5 (Actual: B2 – C4) Sarabi (f) – A featured lioness, Mufasa's mate, and Simba's mother. Sarabi has a few key speaking lines for an actor who can deliver the care and command of a queen. Short duet with Nala begins “The Mourning” (soft belter) Zazu (smaller m or f) – Anxious and feathery parrot who is always busy trying to do his duty as loyal assistant to Mufasa. Zazu's lyrics are spoken rather than sung. Youthful boy or girl. Caribbean or Africa accent preferred. Scar (m) – The antagonist overcome with jealousy of his brother (Mufasa) and nephew (Simba). Cold-hearted and wickedly intelligent, he stops at nothing to become king of the Pridelands. A mature performer will bring out this villain's dark side while handling Scar's sarcastic sense of humor. Solo: “Be Prepared” Range: A3 – A4 (Actual: A2 – A3) Young Simba (m*-unchanged voice) – The adventurous and endearing cub who can't wait to be king of the Pridelands. Simba is playful, energetic, and naïve; struggles with shame and destiny after death of his father (Mufasa). Strong singer/dynamic performer/young sound. Solos: “I Just Can’t Wait to be King” and “Hakuna Matata” Range: B3 – E5 Simba (m) - Grows from a cub to lion in "Hakuna Matata“ and solos in “Can You Feel the Love Tonight” This older Simba has more complex moments as he reunites with Nala, mourns his father, and returns to confront Scar. Must share movement vocabulary with Young Simba to create clear change in the actors. Range: B3 – E5 Young Nala (f) – A courageous lion and Young Simba's best friend. She is not afraid to speak her mind. While Young Nala does sing a little, look for a strong female performer who can portray this confident cub. Featured in “I Just Can’t Wait to be King” and “The Mourning” Range: A3 – C5 Nala (f) – Grows from a cub to a lioness before she confronts Scar (Sc. 10). Shares mask or costume piece and movement vocab.with Young Nala to create clear transition. May have multiple roles (Act 1 vs. Act 2) Featured solos: “Shadowland” and “Can You Feel the Love Tonight” Range: G3 – E5 LIONESSES ENSEMBLE (f ens.)– The fierce hunters of the Pridelands featured in: "The Lioness Hunt," "The Mourning," and “Shadowland." Strong singers (challenging material) and dancers (or dance ensemble) for “The Lioness Hunt”
Sarafina (f) – A featured lioness and Nala's mother. She has one short, spoken line, so this role will be given to an actor who is putting in a lot of effort and hard work in rehearsal as a lioness. Timon (m or f) – Meerkat outcast who lives in the jungle with Pumbaa. He is afraid of his own shadow, but pretends to be the confident, relaxed leader of the duo. One of the funniest characters and should be played by a charismatic actor who understands comic timing. Solos in “Hakuna Matata,” “Can You Feel the Love Tonight” & “Luau Hawaiian Treat” Range: B3 – B4 Pumbaa (m or f) – Kindhearted, sensitive warthog who enjoys his simple life of grubs and relaxation; loveable, loyal friend to Timon and Simba; deadpan humor. Duet with Timon as lower but entertaining singer in “Hakuna Matata” and “Luau Hawaiian Treat” Range: D4 – G5 SCAR’S TRIO OF LEAD HYENAS (m/f/o): featured in “Be Prepared” Banzai (m) – A slick yet childish hyena who works for Scar. He would be the leader of the group if hyenas weren't so lazy. Look for an outgoing and confident actor who can portray nastiness and gruffness. As banzai is always featured with Shenzi and Ed, consider audition. Shenzi (f) – One of Scar's hyenas who plot to take over the Pridelands. She is the sassy one of the trio always looking out for herself. With Banzai and Ed, she should be able to laugh loudly and long, and be menacing to Young Simba & Young Nala. Ed (m or f) – The third member of Scar's trio of lackeys has a loud, cackling laugh as his only form of communication. Ed should be able to laugh unabashedly and communicate through physicality and facial expressions rather than words. (may be comic role in “Be Prepared”) HYENAS ENSEMBLE (m or f) - Scar's army, helping carry out his evil plot to take over the Pridelands. Hyenas are mangy, mindless creatures who sing "Be Prepared." Must be able to sing the background parts of that song while playing the loud and raucous characters. May double as animals of Pridelands or lionesses. PRIDELANDS ENSEMBLE - Various inhabitants of the Pridelands: giraffes, elephants, antelopes, wildebeest, and other optional creatures. This group can have as few or as many performers as the production permits. Strong singers required- There are also several moments to showcase individual dancers in "The Lioness Hunt" and "I Just Can't Wait to Be King." FEATURED DANCERS - will be showcased in “The lioness Hunt” and “I Just Can’t Wait to Be King” Student Director (m or f) - Honorable role for strong auditioning student who is reliable and shows great potential and enthusiasm for theatre, with a great desire to learn and develop hands-on leadership skills. Large Chorus Numbers: Circle of Life, They Live in You, Stampede, The Mourning, Can You Feel the Love Tonight, He Lives in You, Finale
CATEGORY RATING COMMENTS
RANGE:
SONGS:
Singing Role No ? Yes
Ensemble
hold a part No ? Yes
__EVERYONE (m/f) – Hakuna Matata
__Young voices – I Just Can’t Wait to Be King
__Low Voices/Mufasa/Scar – Be Prepared
__Mid range/Simba – Can You Feel the Love Tonight
RECALLS: __Nala (f) – Shadowland ___ Circle of Life
RECALLS: ___Rafiki/Mufasa (m/f) – They Live in You
1 2 3 4 5
1 2 3 4 5
TIMING: Stays in tempo with recording PITCH: Stays on pitch TONE QUALITY: fullness of tone/projection tone style makes use of different tone PROJECTION/CONFIDENCE: volume & poise CHARACTERIZATION: plays the part in song
1 2 3 4 5 1 2 3 4 5 1 2 3 4 5
Soft Full Belter No Some Yes
1 2 3 1 2 3 4 5
DANCE: Picks up quickly Ability & rhythm
1 2 3 4 5 1 2 3 4 5
SPEAKING: Projection/diction ACTING: Use of facial and body gestures CONFIDENCE: Seems comfortable & confid. EFFORT: Show effort & desire to learn EXPERIENCE: &/or natural talent for theatre
1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 No Some Yes
1 2 3
Scripts Read:
1) Nala & Simba 2) Mufasa & Young Simba
3) Scara & Sarabi 4) Scar & Young Simba
5) Scar & Young Simba 6) Simba & Rafiki
7) Timon & Pumbaa 8)Zazu, Yng Nala, Yng Simba
9-1lineers) Zazu, Mufasa, Scar, Nala
10-CB): Comic or Sinister
OVERALL PERFORMANCE: entertaining PREPARATION/RECOVERY/ROADMAP: Did they recover well? Poised?
1 2 3 4 5
1 2 3
Name: __________________________ Circle tshirt size: YL S M L XL Grade: _____
Circle skills you have: Dance, Voice study, piano, or describe other: _____________________________________
List any performing experience. Be specific. ________________________________________________________
____________________________________________________________________________________________
Role(s) you’d like to play: _________________________________________________________
(Circle one)
Would you also like to be considered for Student Director? Yes No Maybe
TOTAL:
SINGING ROLE CONSIDERATIONS Rafiki (m or f), Nala, Timon Mufasa, Scar, Simba, Pumbaa Zazu (parrot), Young Simba , Young Nala FEATURED DANCER or VOCAL ENS.: Lioness Hyena
(Sarabi) Banzai (m) Shenzi (f) Ed (m)
PRIDELAND CHORUS: elephants, giraffe, antelope, wildebeest
MAINLY NON-SINGING ROLES: Ed & Sarafina (opt to +side solo “Can You Feel the Love)
NO MAYBE YES
NO MAYBE YES
C4
C3
G5
G2
The Lion King
, Jr.
Character List
Rafiki
A wise mandrill who acts as healer of the Pridelands and guides Simba
on his journey home. She is an omniscient character, evincing an air of
mystery. Rafiki has significant solos in "Circle of Life" and "He Lives in
You," and leads the African chants thro
ughout the show, so cast a
confident performer with a strong singing voice.
Female, Any Age
Range: A3
-‐
C5
Ensemble
The ensemble plays various inhabitants of the Pridelands, such as
giraffes, elephants, antelopes, wildebeest, and other creatures you
choose to include. This group can have as few or as many performers as
your production permits. Be sure to cast many stron
g singers. There are
also several moments to showcase individual dancers in "The Lioness
Hunt" and "I Just Can't Wait to Be King."
Mufasa
The strong, honorable, and wise lion
that
leads the Pridelands. Mufasa
should command respect onstage and also s
how tenderness with his
son, Simba. Cast a mature actor who can convincingly portray the king.
Male, Any Age
Range: B3
-‐
C5
Sarabi
A featured lioness, Mufasa's mate, and Simba's mother. Sarabi has a few
key speaking lines for an actor who can deli
ver the care and command of
a queen.
Female, Any Age
Zazu
The anxious yet loyal assista
nt to Mufasa who is always busy
trying to do
his duty. Zazu's lyrics are spoken rather than sung, and the role can be
played by a boy or girl.
Male or Female, Any Age
Scar
The antagonist of the show, overcome with jealousy of his brother,
Mufasa, and nephew, Simba. Coldhearted and wickedly intelligent, he
will stop at nothing to become king of the Pridelands. Cast a mature
performer who ca
n bring out this villain's dark side while handling
Scar's sarcastic sense of humor. As his solos can be spoken, opt for an
actor over a singer.
Male, Any Age
Range: A3
-‐
A4
Young
Simba
The protagonist of the story, is an adventurous and endearing
cub who
can't wait to be king of the Pridelands. Simba is playful, energetic, and
naive, but after his father Mufasa's death, Simba struggles with shame
and his destiny. Cast a strong singer and dynamic performer in this role.
Male, Any Age
,
Range: B3
-‐
E5
Simba
Grows from a cub to lion in "Hakuna Matata." Older Simba has more
complex moments as he reunites with Nala, mourns his father, and
returns to confront Scar, so cast a more mature actor. Be sure that the
change in actors is clear: Try having Young Simba han
d
-‐
off a costume
piece, such as a medallion, to older Simba. Also be sure that Simba and
Young Simba share a movement vocabulary.
Male, Any Age
Range: B3
-‐
E5
Lionesses
The fierce hunters of the Pridelands and featured in "The Lioness Hunt,"
"The M
ourning," and "Shadowland." These actors should be strong
singers, as the material can be challenging. Depending on the complexity
of your choreography, particuarly for "The Lioness Hunt," strong
dancers may be desirable as well.
Female, Any Age
You
ng
Nala
A courageous lion and Young Simba's best friend. She is not afraid to
speak her mind. While Young Nala does sing a little, look for a strong
female performer who can portray this confident cub.
Female, Any Age
Range: A3
-‐
C5
Nala
Grows from a cub to a lioness before she confronts Scar, so cast a more
mature actress to play the character beginning in Scene 10, As with older
Simba and Young Simba, ensure that this switch in actors performing a
single role is clear. Direct the actors
to share a mask or costume piece
that distinctly represents Nala, as well as a movement vocabulary.
Female, Any Age
Range: G3
-‐
E5
Sarafina
A featured lioness and Nala's mother. She has one short, spoken line, so
consider giving this part to an ac
tor who is putting in a lot of effort and
hard work in rehearsal as a lioness.
Female, Any Age
Banzai
A slick yet childish hyena who works for Scar. He would be the leader of
the group if hyenas weren't so lazy. Look for an outgoing and confident
a
ctor who can portray nastiness and gruffness. As banzai is always
featured with Shenzi and Ed, consider audit
Male, Any Age
Shenzi
One of Scar's hyenas who plot to take over the Pridelands. She is the
sassy one of the trio and is always looking out
for herself. With Banzai
and Ed, she should be able to laugh loudly and long, as well as be
menacing to Young Simba and Young Nala.
Female, Any Age
Ed
The third member of Scar's trio of lackeys. He has a loud, cackling laugh
that is his only form of communication. Ed should be played by an actor
who can laugh unabashedly and communicate through physicality and
facial expressions rather than words. This r
ole can be played by a boy or
girl.
Male or Female, Any Age
Hyenas
Scar's army, helping carry out his evil plot to take over the Pridelands.
Hyenas are mangy, mindless creatures who sing in "Be Prepared." Cast
actors who are able to sing the backgr
ound parts of that song while
playing the loud and raucous characters. Your hyenas can double as
animals of the Pridelands or lionesses.
Male or Female, Any Age
Timon
An outcast meerkat who lives in the jungle with Pumbaa. He is afraid of
his own s
hadow, but pretends to be the confident, relaxed leader of the
duo. Timon is one of the funniest characters in the show and should be
played by a charismatic acto
r who understands comic timing.
This part
can be played by a boy or a girl.
Male or Female, A
ny Age
Range: B3
-‐
B4
Pumbaa
A kindhearted, sensitive warthog who enjoys his simple life of grubs and
relaxation. Cast a boy or girl who can portray this loveable and loyal
friend to Timon and Simba with deadpan humor.
Male or Female, Any Age
Range: D4
-‐
G5
-
The Lion King
, Jr.
Character List
Rafiki
A wise mandrill who acts as healer of the Pridelands and guides Simba
on his journey home. She is an omniscient character, evincing an air of
mystery. Rafiki has significant solos in "Circle of Life" and "He Lives in
You," and leads the African chants thro
ughout the show, so cast a
confident performer with a strong singing voice.
Female, Any Age
Range: A3
-‐
C5
Ensemble
The ensemble plays various inhabitants of the Pridelands, such as
giraffes, elephants, antelopes, wildebeest, and other creatures you
choose to include. This group can have as few or as many performers as
your production permits. Be sure to cast many stron
g singers. There are
also several moments to showcase individual dancers in "The Lioness
Hunt" and "I Just Can't Wait to Be King."
Mufasa
The strong, honorable, and wise lion
that
leads the Pridelands. Mufasa
should command respect onstage and also s
how tenderness with his
son, Simba. Cast a mature actor who can convincingly portray the king.
Male, Any Age
Range: B3
-‐
C5
Sarabi
A featured lioness, Mufasa's mate, and Simba's mother. Sarabi has a few
key speaking lines for an actor who can deli
ver the care and command of
a queen.
Female, Any Age
Zazu
The anxious yet loyal assista
nt to Mufasa who is always busy
trying to do
his duty. Zazu's lyrics are spoken rather than sung, and the role can be
played by a boy or girl.
Male or Female, Any Age
Scar
The antagonist of the show, overcome with jealousy of his brother,
Mufasa, and nephew, Simba. Coldhearted and wickedly intelligent, he
will stop at nothing to become king of the Pridelands. Cast a mature
performer who ca
n bring out this villain's dark side while handling
Scar's sarcastic sense of humor. As his solos can be spoken, opt for an
actor over a singer.
Male, Any Age
Range: A3
-‐
A4
Young
Simba
The protagonist of the story, is an adventurous and endearing
cub who
can't wait to be king of the Pridelands. Simba is playful, energetic, and
naive, but after his father Mufasa's death, Simba struggles with shame
and his destiny. Cast a strong singer and dynamic performer in this role.
Male, Any Age
,
Range: B3
-‐
E5
Simba
Grows from a cub to lion in "Hakuna Matata." Older Simba has more
complex moments as he reunites with Nala, mourns his father, and
returns to confront Scar, so cast a more mature actor. Be sure that the
change in actors is clear: Try having Young Simba han
d
-‐
off a costume
piece, such as a medallion, to older Simba. Also be sure that Simba and
Young Simba share a movement vocabulary.
Male, Any Age
Range: B3
-‐
E5
Lionesses
The fierce hunters of the Pridelands and featured in "The Lioness Hunt,"
"The M
ourning," and "Shadowland." These actors should be strong
singers, as the material can be challenging. Depending on the complexity
of your choreography, particuarly for "The Lioness Hunt," strong
dancers may be desirable as well.
Female, Any Age
You
ng
Nala
A courageous lion and Young Simba's best friend. She is not afraid to
speak her mind. While Young Nala does sing a little, look for a strong
female performer who can portray this confident cub.
Female, Any Age
Range: A3
-‐
C5
Nala
Grows from a cub to a lioness before she confronts Scar, so cast a more
mature actress to play the character beginning in Scene 10, As with older
Simba and Young Simba, ensure that this switch in actors performing a
single role is clear. Direct the actors
to share a mask or costume piece
that distinctly represents Nala, as well as a movement vocabulary.
Female, Any Age
Range: G3
-‐
E5
Sarafina
A featured lioness and Nala's mother. She has one short, spoken line, so
consider giving this part to an ac
tor who is putting in a lot of effort and
hard work in rehearsal as a lioness.
Female, Any Age
Banzai
A slick yet childish hyena who works for Scar. He would be the leader of
the group if hyenas weren't so lazy. Look for an outgoing and confident
a
ctor who can portray nastiness and gruffness. As banzai is always
featured with Shenzi and Ed, consider audit
Male, Any Age
Shenzi
One of Scar's hyenas who plot to take over the Pridelands. She is the
sassy one of the trio and is always looking out
for herself. With Banzai
and Ed, she should be able to laugh loudly and long, as well as be
menacing to Young Simba and Young Nala.
Female, Any Age
Ed
The third member of Scar's trio of lackeys. He has a loud, cackling laugh
that is his only form of communication. Ed should be played by an actor
who can laugh unabashedly and communicate through physicality and
facial expressions rather than words. This r
ole can be played by a boy or
girl.
Male or Female, Any Age
Hyenas
Scar's army, helping carry out his evil plot to take over the Pridelands.
Hyenas are mangy, mindless creatures who sing in "Be Prepared." Cast
actors who are able to sing the backgr
ound parts of that song while
playing the loud and raucous characters. Your hyenas can double as
animals of the Pridelands or lionesses.
Male or Female, Any Age
Timon
An outcast meerkat who lives in the jungle with Pumbaa. He is afraid of
his own s
hadow, but pretends to be the confident, relaxed leader of the
duo. Timon is one of the funniest characters in the show and should be
played by a charismatic acto
r who understands comic timing.
This part
can be played by a boy or a girl.
Male or Female, A
ny Age
Range: B3
-‐
B4
Pumbaa
A kindhearted, sensitive warthog who enjoys his simple life of grubs and
relaxation. Cast a boy or girl who can portray this loveable and loyal
friend to Timon and Simba with deadpan humor.
Male or Female, Any Age
Range: D4
-‐
G5
-
MUSICAL NUMBERS – The Lion King Jr. Circle of Life with Nants’ Ingonyama Rafiki, ENSEMBLE Grasslands Chant ENSEMBLE The Lioness Hunt LIONESSES I Just Can’t Wait to Be King Young Simba, young Nala, Zazu, ENSEMBLE Be Prepared Scar, Shenzi, Banzai, Ed, HYENAS They Live in You Mufasa, ENSEMBLE The Stampede ENSEMBLE The Mourning Sarabi, Young Nala, Rafiki, Lionesses, HYENAS Hakuna Matata Timon, Pumbaa (lines & ens), Young Simba, Simba, ENSEMBLE Shadowland Nala, LIONESSEs, Rafiki Can You Feel the Love Tonight Timon, Pumbaa, Simba, Nala, ENSEMBLE He Lives in You Rafiki, ENSEMBLE Luau Hawaiian Treat Timon, Pumbaa, ENSEMBLE Finale COMPANY
PLOT The Lion King JR. tells the story of the epic adventures of a curious cub named Simba as he struggles to accept the responsibilities of adulthood and his destiny as king. Along the way, the young lion encounters a colorful cast of characters including spunky lioness Nala, charismatic meerkat Timon, and loveable warthog Pumbaa. To claim his rightful place on the throne and save his beloved Pridelands, Simba must find his inner strength and confront his wicked Uncle Scar. The Lion King JR. features classic songs from the 1994 film such as “Hakuna Matata” and the Academy Award®-winning “Can You Feel the Love Tonight” as well as additional songs penned for the Broadway production. The African savannah comes to life on stage with Simba, Rafiki and an unforgettable cast of characters as they journey from Pride Rock to the jungle... and back again, in this inspiring, coming-of-age tale. STYLE OF MUSIC & SETTING The Lion King JR. is set in Africa. Music is African in sound and style. Vocal technique is straight tone without vibrato and generally belted – but do not pushed/forced.