New Orleans Brass Band Traditions and Popular Music _ Elements Of
© 2010 The McGraw-Hill Companies, Inc. All rights reserved Part II Listening to American Music...
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Transcript of © 2010 The McGraw-Hill Companies, Inc. All rights reserved Part II Listening to American Music...
![Page 1: © 2010 The McGraw-Hill Companies, Inc. All rights reserved Part II Listening to American Music Chapter 4 Religious Music Traditions The World of Music.](https://reader036.fdocuments.us/reader036/viewer/2022082711/56649ee75503460f94bf7e41/html5/thumbnails/1.jpg)
Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
The World of Music7th edition
Part 2
Listening to American Music: Folk, Religious,
Pop, and Jazz
Chapter 4: Religious Music Traditions
![Page 2: © 2010 The McGraw-Hill Companies, Inc. All rights reserved Part II Listening to American Music Chapter 4 Religious Music Traditions The World of Music.](https://reader036.fdocuments.us/reader036/viewer/2022082711/56649ee75503460f94bf7e41/html5/thumbnails/2.jpg)
Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
The Roots of American Protestant Music
Comes from both white and black populations
Based in rural and small-town folk cultures Made a deep impact on American culture
![Page 3: © 2010 The McGraw-Hill Companies, Inc. All rights reserved Part II Listening to American Music Chapter 4 Religious Music Traditions The World of Music.](https://reader036.fdocuments.us/reader036/viewer/2022082711/56649ee75503460f94bf7e41/html5/thumbnails/3.jpg)
Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Psalm Singing and Psalters Urban
European Formal Notated
Rural Memorized Lining Out
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Lining Out Begun in England and Scotland Common in rural congregations Still can be heard in rural areas of
southeastern United States
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Singing Schools Encourages people to sing together
“decently” Participants learned music, sang hymn
tunes, made friends, and had a good time
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Shape-Note System Introduced in The Easy Instructor in 1801 Each pitch is notated on staff Used in singing schools in the South
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Traditional Black Gospel Music Emotional Vocal Physical Theatrical Musically Skillful Syncopated Ornate
Cross-Over Artists Edwin Hawkins Singers Aretha Franklin Sam Cooke Little Richard
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Traditional White Gospel Music Austere Classical Four-Part
Composers Thomas Hastings William Bradbury Lowell Mason
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Gospel Music Today Often Racially Mixed Television All Styles
Country & Western Rhythm & Blues Heavy Metal
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Chapter Summary Discuss meaning of the terms psalter,
shape-note system, and lining out Discuss hymnody and psalm-singing Compare and contrast black gospel and
white gospel
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Part II Listening to American Music Chapter 4 Religious Music Traditions © 2010 The McGraw-Hill Companies, Inc. All rights
reserved
Image Credits Slide 2 Fototeca Storica Nazionale/
Getty Images Slide 6 White Spirituals in the
Southern Uplands, by George Jackson Pullen.