Post on 01-Feb-2016
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“My love for type design started about 15 years ago. I was playing around on my first MAC with a very early version of Quark Xpress. While I was doing that I kept wondering what it would be like to set a piece of text in my very own font. That’s how my first font family Delicious came to see the light. Every Friday (and most weekends) I dedicate my time to type design. Every typeface I worked on was a great journey where I could really lose myself in the creative
process and for me, that’s what counts the most.”
JOS BUIVENGAborn in
1965lives inArnhem
MUSEOSEOMUOMUSEUSEOM
ArtDirector
“Museo was conceived out of the
love for one letter form.
In some kind of daydream I saw before me the letter ‘U’ with the
endings bent. So it
really started with my love for the letter
‘U’...
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300 500 700
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Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
0123456789!@#$%^&*()-+=_<>?/:;{}[]|”\~
This uppercase letter just came to me as an image
in a daydream. The top of both stems bent into
semi-slab serifs. From this principle I worked out
the rest of the uppercase letters. My first intention
was to make it an all-caps display font, but after a
while, I changed my mind. I wanted it to be a bit
more versatile, so I decided to add lowercase and
adjust spacing and kerning to increase legibility.”
~This OpenType font family comes in five weights (3 are free), and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo
has a ‘case’ feature for case-sensitive forms.
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300500700
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
0123456789!@#$%^&*()-+=_<>?/:;{}[]|”\~
300500700
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
0123456789!@#$%^&*()-+=_<>?/:;{}[]|”\~
one of the TOP FONTS OF 2008,
MUSEONothing prepared us for the phenomenal success of Museo and Museo Sans, the year’s top geometric display fonts. When introducing Museo, a clean yet unconventional semi-serif, designer Jos Buivenga got everyone’s attention by offering three out of the five styles for free. On the strength of the paid weights alone, Museo made it to the top of our list of hot new fonts. When its
sans-serif companion was launched some months later, again with part of the family offered at no cost, it smoothly sailed to the top spot as well. Both typefaces are lucid and versatile, great for cool-looking headlines but also very effective in medium-sized texts. As a bonus, we couldn’t resist giving the Museo pair an extra-special award for the year’s best marketing strategy.
THIS COULD BE YOUR BLOG POST TITLE.January 01, 2013; 12:01am
This could be your blog post body. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font, but after a while, I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility.
This OpenType font family comes in five weights, and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo has a ‘case’ feature for case-sensitive forms.
TITLE OF BLOGARCHIVE
201120122013 >> January
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