portfolio book (for email)

LASALLE COLLEGE OF THE ARTS (LEVEL 3)

- Sustainable Living (Rubanisation) - Reconnecting The Senses

LASALLE COLLEGE OF THE ARTS (LEVel 2) - Apocalyse Now ! - Study - Study Trip - Japan (Pictures) - School’s Out - Good Craft

LASALLE COLLEGE OF THE ARTS (LEVEL 1)

- Adapting Structures - Design Intervention - Rendering an Image (Digitally) - Rendering an Image (Digitally) - Elevation Rendering (Digitally) - Casa Kao - Design as a verb - Text In Space

SKYBLUE INSTITUE OF DESIGN (DIPLOMA)

- Design Inspi - Design Inspire - Staircase Project

ENHANCING BASICS SKILLS - Painting - Sketches - Photography (Bali)

LOGO DESIGNSLOGO DESIGNS

- The Connection - Uber Pack

A WAY FORWARD TOWARDS A SUSTAINABLE FUTURE.

ECOLOGICAL SOCIAL ECONOMICAL+ +

RESIDENTIAL, COMMUNITY CENTER AND URBAN FARMS

The solution for the issue is to redesign the residential buildingby capturing the concept of Rubanisation through essence

of Rural and Urban living.

+ESSENCE OF URBAN ESSENCE OF RURAL

The issue that is been addressed here is of how a building should react in passive ways rather than active solutions. This means making a building a living structure by devel-oping the core qualities. Rubanisation is a concept that apporaches to achieve by cap-turing the essence of rural and urban living whether on rural or urban grounds. Tay kheng Soon a singapore architect has tested the theory on rural grounds but the theory should work both ways. Therefore this project approaches to test the theory on urban grounds that would change the living perspective and could be a possible ap-proach to the future living.

VIEW FROM NEW BLOCK OVERLOOKING THE COMMUNAL SPACES SUCH AS CAFE

VIEW OF TRANSITIONAL SPACES OF DIFFERENT LEVELS FROM THIRD FLOOR

VIEW FROM RESIDENTIAL BALCONY ON SECOND FLOOR

ENTRANCE OF SITE FROM RIVER VALLEY ROAD

VIEW FROM RESIDENTIAL BALCONY ON SECOND FLOOR

ENTRANCE OF SITE FROM RIVER VALLEY ROAD

The idea of how the essence is captured in space is by using a few elements of rural that lack in the urban. Firslty the conectivity. Residentials are connected through movement that is an open space in cut through site to allow residents and others to connect and the link circulated around the site conecting resi-dentials at upper levels .Secondly Activities such as community functions and activities that collaborate a community functions and activities that collaborate a few families at a stretch as one,therefore programmes such as cafe, workshops , gallery space for events etc are additional programmes are introduced. Thirdly the link of human and nature approached by creating activi-ties such as urban gardens where people can farm and interact and for the residentials the gardens creates a pathway that is going home through a garden street. In the Urban context many facilities such as organic mar-kets, etc are easliy approached but in an rural space we need to travel to access them.

Essence of Urban (Codependent relationship

with neighbours

Essence of rural (Easy approach to services

and complexitand complexity.)

DESIGN INTERVENTION.

VIEW OF THE BRIDGES FROM FOURTH FLOOR CONNECTING RESIDENTIAL BLOCKS

CONCEPT OF RURAL THAT IS WALKING HOME THROUGH A GARDERN STREET

VIEW OF THE BRIDGES FROM FOURTH FLOOR CONNECTING RESIDENTIAL BLOCKS

CONCEPT OF RURAL THAT IS WALKING HOME THROUGH A GARDERN STREET

VOLUMETRICS.

The eight diagrams show the design processfrom the existing residential to the new rede-signed residential

VOLUMETRICS.

The eight diagrams show the design processfrom the existing residential to the new rede-signed residential FIRST FLOOR PLAN

SECOND FLOOR PLAN

SECOND FLOOR PLAN THIRD FLOOR PLAN

FOURTH FLOOR PLAN

FOURTH FLOOR PLANROOFTOP PAVILION PLAN

ELEVATION A

ELEVATION B

ELEVATION A

ELEVATION B

SECTION A

SECTION B

SECTION A

SECTION B

MUSEUM OF CHINESE ORCHESTRA.

SENSE OF SOUND

FOCUSPATH

HARMONY RYTHM ++ REJUVINATION

Museum of chinese orchestra displayes the instruments of the chinese orchestra and also allows the visitors to play and enjoy the instruments sound through out the space The idea of expThe idea of expressing and experiencing sound in the space has many factors which have been used. The orchestra that has been referred to is the Orchestra for the Chinese Opera. There are five different Han Opera”s Orchestra that are to be shown in the 5 galleries. This orchestra is a lot differ-ent fent from the other western orchestra we see which is that it cant be seen. It can only be heard.

A VIEW OF VOID FROM THE LIBRARY

GALLERY SPACE ON THE FIRST FLOOR

INTERIORS OF WORKSHOP SPACE

SECOND FLOOR ENTRANCE OF GALLERY 3

When walking into the spaces the When walking into the spaces there is path that begins from the reception that gives us information about the space and leads us to the different galleries.The sound from the galleries flow through out the space and gaps form the walls play around with the frequency of the sound. There are indirect entrances to each gallery making the journey rythmic and continous. Going up to the second flow theflow there a continuation fo gallery space and also a LI-brary which would have an extensive collection of the Chi-nese Orchestras. The Library is aspace that is for both tourista and Locals.Tourist could space about a little ex-tended time to explore more and enchance their experi-ence in the space from her the tourist exit hown back to the first floor tto the souviner shop. There is alos a workshop on the third flor that mainly fo Locals and and less for tourists. This space also creates visual interaction

HAN OPERA

HUANGMEI OPERA

THE JOURNEY OF SOUND

HENAN OPERA

BEIJING OPERAYUE OPERA

CANTONESE OPERA

VOLUMETRICS

The eight volumetrics show how the programmes have been moved to created a jounery ffrom entering to exiting the space,

TEMPLE STREETFIRST FLOOR PLAN

SECOND FLOOR PLAN

TEMPLE STREET

TEMPLE STREETTHIRD FLOOR PLAN

ROOF PLAN

TEMPLE STREET

TEMPLE STREETFIRST FLOOR PLAN

SECOND FLOOR PLAN

TEMPLE STREET

TEMPLE STREETTHIRD FLOOR PLAN

ROOF PLAN

TEMPLE STREET

ELEVATION A

ELEVATION BSECTION B

SECTION A

ELEVATION A

ELEVATION B

SECTION B

SECTION A

SECTION B

SECTION A

REFORMATIVE CENTRECONEPT OF INJECTION

This project is designing after a disaster that would help people who you target move on from it. we form spces and programme that fit and enhance their lifestyle and experience in the space.The site that has been rede-signed is the Old and New Books Center in Hiroshima, Japan. The site is surrounded by shopping district , banks and slots gaming zones would attract target group). My issue is about a crime syndicate gissue is about a crime syndicate group called the yakuza. The Yakuza are members of transnational organized crime syndicates originating in Japan. In an curent event the head of the yakuza were caught which caused a number of approx 200 members to leave the clan in the fear of being caught. The target group of people have no qualifi-cation in education and it is gets hard for for them to fit in he normal society so therefore they fall into doing little crimes. The programme that is being proposed is a refor-mative center that will help them change their life style and improvise a change. The programme helps is rebuilding and reforming onself and being well trained to get a better job.

SITE PLAN

This project is designing after a disaster that would help people who you target move on from it. we form spces and programme that fit and enhance their lifestyle and experience in the space.The site that has been rede-signed is the Old and New Books Center in Hiroshima, Japan. The site is surrounded by shopping district , banks and slots gaming zones would attract target group). My issue is about a crime syndicate gissue is about a crime syndicate group called the yakuza. The Yakuza are members of transnational organized crime syndicates originating in Japan. In an curent event the head of the yakuza were caught which caused a number of approx 200 members to leave the clan in the fear of being caught. The target group of people have no qualifi-cation in education and it is gets hard for for them to fit in he normal society so therefore they fall into doing little crimes. The programme that is being proposed is a refor-mative center that will help them change their life style and improvise a change. The programme helps is rebuilding and reforming onself and being well trained to get a better job.

SITE PLAN

RENDER SHOWING SPACES IN SECOND FLOOR

RENDER SHOWING SPACES IN THIRD FLOOR

RENDER SHOWING HORIZONTAL INJECTION OF VOID

RENDER SHOWING VERTICAL INJECTION OF VOID

RENDER SHOWING HORIZONTAL INJECTION OF VOID

RENDER SHOWING VERTICAL INJECTION OF VOID

IMAGES OF YAKUZA

HEAD OF CLAN TATOO RITUAL

CONCEPT IN PLAN VIEW

CONCEPT IN SECTION VIEW

CONCEPT

LEGEND FOR CONCEPT

EXISTING SITE SPACES BEING INJECTED INTO VOID

VOID BEING INJECTEDSITE ANOTATION

The concept is therefore derived from this which is Injection. There are a few different ways the concept has been shown. Firstly new programmes have been put in like tatoo removal and grooming making the space for specific to the target group of people. Secondly a void has been injected through the first floor giving a clear access to carpark and the shooping ashooping arcade which would force people to walk throuh my space and explore more about it. Thirdly a vertial void as been made letting in natural light light up the space. After a bad storm when natural light comes itz depicts a sign of hope and a new change. Similaryly it would give the former yakuza a hope to change and a better change. The space plays with the concept of open and close. Open plays with the concept of open and close. Open when ready to start a new begining and close when still undergoing the process of change.

LEGEND -

1. Reception for enquiry 2. Office 3. Cafe for public to blend in4. Outdoor sitting for cafe5. Library as public use and information6. 6. Toilets7. Group Discussion Room (to have a better view )8. Personal Counselling Room (for people to need personal guidance )9. Tattoo Removal (to help former yakuza have an external chang)10. Grooming (to remake themselves)11. Training Room (to help them gain knowledge ) 12. Roof

LEGEND -

1. Reception for enquiry 2. Office 3. Cafe for public to blend in4. Outdoor sitting for cafe5. Library as public use and information6. 6. Toilets7. Group Discussion Room (to have a better view )8. Personal Counselling Room (for people to need personal guidance )9. Tattoo Removal (to help former yakuza have an external chang)10. Grooming (to remake themselves)11. Training Room (to help them gain knowledge ) 12. Roof

FIRST FLOOR PLAN

SECOND FLOOR PLAN

ROOF PLAN

THIRD FLOOR PLAN

ROOF PLAN

THIRD FLOOR PLAN

ELEVATION A

SECTION A

SECTION B

SECTION A

SECTION B

THE STUDY TRIP TO JAPAN SHOWS A FEW PICTURES OF ALL THE

WELL KNOWN ARCHITECTS WORKS SUCH AS TADAO ANDO, LE-

COBURSIER, SANAA, KENZO TANGE, KISHO KUROKAWA AND

MANY MORE. WE EXPERIENCED THE SPACE LOOKING AT EACH OF

THEM FROM DIFFERENT PERSPECTIVES TO UNDERSTAND THE

DESIGN AND WALKTHROUGH OF THE SPACE.

YOYOGI NATIONAL GYNAMSIUM STADIUM, TOKYO

ATOMIC DOMB

YOYOGI NATIONAL GYNAMSIUM STADIUM, TOKYO

ATOMIC DOMB

GARDEN OF FINE ARTS, KYOTO BY TADAO ANDO

HIROSHIMA PEACE MEMORIAL MUSEUM

GARDEN OF FINE ARTS, KYOTO BY TADAO ANDO

HIROSHIMA PEACE MEMORIAL MUSEUM

CHURCH OF LIGHT, OSAKA JAPAN BY TADAO ANDO

21-21 DESIGN,TOKYO BY TADAO ANDO

WATER TEMPLE BY TADAO ANDO

NAKAGIN CAPSULE TOWER TOKYOHUGO BOSS SHOWROOM , TOKYO

WATER TEMPLE BY TADAO ANDO

NAKAGIN CAPSULE TOWER TOKYOHUGO BOSS SHOWROOM , TOKYO

LASALLE DANCE STUDIOCONCEPT - FRAGMENTATION

IN THIS PROJECT LASALLE COLLEGE OF ARTS WINDSTED CAMPUS HAD BEEN REDESIGNED USING A PROGRAMME FROM THE VARIETY OF PROGRAMMES THE COLLEGE HAS TO OFFER.

THE CONCEPT USED IT ALSO DERVIED FROM THE PROGRAMME THEREFORE INTENDING TO CAPTURE THE ESSENCE OF THE

PROGRAMME THROUGH DESIGN

The site that has been redesigned is Lasalle College of The Arts, Winsted Campus. In this project we redesign programmes of Lasalle. The programme that I have choosen is Dance.This is a dynamic boutique-programme. The programme focuses on helping you to dis-cover new expressive languages. The concept that has been derived fthat has been derived from Dance is Fragmen-tation. When we see a dance show as a whole there are little fragments that are performed dif-ferently therefore when put together form one big show. A similar concept has been used while redesigning. Many dance forms come to-gether to form on performance or show. Most spaces wihin the design are public since we are redesigning a school.

INTERIOR VIEW SHOWING RECEPTION AND LOUNGE

INTERIOR VIEW SHOWING SECOND FLOOR

THE IMAGES ABOVE AND THE LEFT SHOW HOW CONCEPT

HAS BEEN APPLIED AND HOW IT IS CONCEPTS OF THE PRES-

TON SCOTT COHEN HAVE BEEN USED IN SHOWING

FRAGMENTATION .

HOW FRAGMENTATION WORKS IN A PLAN

PRESTON SCOTT WORKS

HOW THE CONCEPT WORKS SECTIONALLY

On the first floor an open entrance welcomes stu-dents and visitors to enter site. It also consists of a reception for queries regarding the programme, a lounge, a small scale theatre where performanc-es and shows can be showcased, a changing room for students performing and a storgae for props. Going up to my second floor I have 2 dance studios where students will be trained and understand different aspects of dance in praticals. On the third floor I have 1 more dance studio, a lecture studio were theory regarding the history of dance would be taught and a staff rooms for lec-turers. It also has a balcony where student and lectures and relax out for some fresh air

THE IMAGES ABOVE AND THE LEFT SHOW HOW CONCEPT

HAS BEEN APPLIED AND HOW IT IS CONCEPTS OF THE PRES-

TON SCOTT COHEN HAVE BEEN USED IN SHOWING

FRAGMENTATION .

HOW FRAGMENTATION WORKS IN A PLAN

PRESTON SCOTT WORKS

HOW THE CONCEPT WORKS SECTIONALLY

On the first floor an open entrance welcomes stu-dents and visitors to enter site. It also consists of a reception for queries regarding the programme, a lounge, a small scale theatre where performanc-es and shows can be showcased, a changing room for students performing and a storgae for props. Going up to my second floor I have 2 dance studios where students will be trained and understand different aspects of dance in praticals. On the third floor I have 1 more dance studio, a lecture studio were theory regarding the history of dance would be taught and a staff rooms for lec-turers. It also has a balcony where student and lectures and relax out for some fresh air

THIRD FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

LEGEND -

1. RECEPTION FOR ENQUIRY2. LOUNGE3. THEATRE4. CHANGING ROOM AND STORAGE5. DANCE STUDIO FOR PRACTICE AND PREPARATION 6. STUDIO FOR PREREHERSAL AND RECORDING6. STUDIO FOR PREREHERSAL AND RECORDING7. LECTURE /THEORY STUDIO8. RESTROOMS9. STAFF STUDIO

FIRST FLOOR PLAN

SECOND FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLANFRONT ELEVATION

THIRD FLOOR PLAN

SECTION B

SECTION A

SECTION B

SECTION A

SOHO FOR ANCIENT CHINESE LANTERN MAKERCONCEPT - FRAGMENTATION BY EXPLODING AND IMPLODING

IN THIS PROJECT IIOTC NEAR LASALLE IS THE CHOSEN SITE IN

SINGAPORE TO BE REDESIGNED. THE PROJECTS HELPS TO EX-PLORE THE VARIOUS LOST CRAFTS IN SINGAPORE AND BRING

THEIR ESSENCE BACK .THE CRAFT ITSELF HAS BEEN USED AS AN INSPIRATION TO DESIGN THE SOHO.

Chinese lanterns are a very ancient craft that still maintains its spark today. It is a process of creat-ing a balloon like structure with just very simple material i.e paper and wire. The concept that was derived from the crafts is fragmentation.It is a process of making the lanterns. The craftsman builds up a wireframe to give shape and them explodes and implodes the structure, therefore explodes and implodes the structure, therefore giving it shape and design.The site that we have rebuild on is the International Insitute of tea cul-ture which is at a junction, bounded by selegie road and short street.

VIEW SHOWING VOIDS AND REFLECTION

EXTERIOR VIEW

SAMPLES OF CHINESE LANTERN

The first floor is a gallery/ museum space where the visitors can see ancient samples of lanterns and how it has been made and its history.The second floor is a retail space where lanterns can be customised or purchased. The third is working studio and fourth is a private housing for the crafts men. The concept has showen spacelly in many ways firstly the floors aways firstly the floors are at different heights show-ing how the lantern blows up from just a flooded piece of paper.Secondly I have fragemnted each floor by exploding and imploding crealing different volumes and voids. Third I have simple materials in such a that creates a contrast of light and experi-ence in the space

SAMPLES OF CHINESE LANTERN

The first floor is a gallery/ museum space where the visitors can see ancient samples of lanterns and how it has been made and its history.The second floor is a retail space where lanterns can be customised or purchased. The third is working studio and fourth is a private housing for the crafts men. The concept has showen spacelly in many ways firstly the floors aways firstly the floors are at different heights show-ing how the lantern blows up from just a flooded piece of paper.Secondly I have fragemnted each floor by exploding and imploding crealing different volumes and voids. Third I have simple materials in such a that creates a contrast of light and experi-ence in the space

FIRST FLOOE PLAN

SECOND FLOOR PLAN

THIRD FLOOR PLAN

FOURTH FLOOR PLAN

THIRD FLOOR PLAN

FOURTH FLOOR PLAN

SECTION A

SECTION B

ELEVATION A

PROGRAMME - LODGE + WRITERSSITE - ISTANA PARK, SINGAPORE

STRUCTURE EXPLORED - AN EAGLE

IN THIS PROJECT A STRUCTURE OF AN EAGLE WAS EXPLORED WHICH RELATED THE SCIENCE AND MOVEMENT OF THE EAGLE.

AFTER CREATING A STRUCTURE INSPIRED FROM THE EAGLE, THE STRUCTURE WAS PUT IN THE SITE THE BEST WAY IT FIT. AND

THEN TRANSFORM INTO SPACES AND PROGRAMMES.

SITE PLAN

FINAL MODEL - VIEW 1

FINAL MODEL

SITE PLAN

FINAL MODEL - VIEW 1

FINAL MODEL

The progarmme details of this project are

1. Reception2. Lobby3. Library4. Rooms and bathrooms5. Cafe 6. Discussion Rooms.6. Discussion Rooms.

The progarmme details of this project are

1. Reception2. Lobby3. Library4. Rooms and bathrooms5. Cafe 6. Discussion Rooms.6. Discussion Rooms.

GRID PLAN

GRID PLANFIRST FLOOE PLAN

SECOND FLOOR PLAN

ELEVATION A

ELEVATION B

SECTION A

SECTION B

SECTION A

SECTION B

. PROGRAMME - OFFICE AND RESIDENTIAL

DESIGN PHILOSOPHY - TADAO ANDOSITE - LASALLE LOWERCASE

IN THIS PROJECT WE EXPLORE ETHICS AND DESIGN

LANGUAGES OF FAMOUS DESIGNERS TRANSLATE THEM TO CREATE OUR OWN NEW LANGUAGE AND

EXPRESS THEM IN OUR OWN WAY.

In this project the famouse architect Tadao Ando was the inspiration. His ethics and styles in design and architec-ture were explored and used for exam-ple geometry in planning, concrete walls, inside and outside spaces, Trans-parency within a space and so on. A few of them were used in designing and planning out the spaces.SITE

SKETCH MODEL 1

SKETCH MODEL 2

SKETCH MODEL 2 SKETCH MODEL 3

SKETCH MODEL 4

RENDERING AN IMAGE

THIS PROJECT WAS TO ENHANCE OUR DIGITAL SKILLS USING PHOTOSHOP. A PICTURE WAS TAKEN OF LASALLE COLLEGE OF

THE ARTS AND THEN RENDERED TO A DIFFERENT SCENENARIO

ELEVATION RENDERING

THIS PROJECT WAS TO ENHANCE OUR DIGITAL SKILLS USING PHOTOSHOP. ELEVATIONS WERE USED TO RENDER USING MA-

TERIALS AND COLOUR TONES

KITCHEN AND CORRIDOR WALKWAYLIVING AND DINING AREA

STUDY AND WALK-IN WARDROBE LIBRARY AND DISPLAY SHELVES

LIVING AND DISPLAY AREA KITCHEN AREA

LIVING AREA CORRIDOR WALKWAY MASTER BEDROOM

KITCHEN AND CORRIDOR WALKWAYLIVING AND DINING AREA

STUDY AND WALK-IN WARDROBE LIBRARY AND DISPLAY SHELVES

LIVING AND DISPLAY AREA KITCHEN AREA

LIVING AREA CORRIDOR WALKWAY MASTER BEDROOM

CASA KAODAVID CHIPPERFIELD

IN THIS PROJECT WE USED AN EXISTING HOUSE AND LEARNED THE DIFFERENT ASPECTS PERSPECTIVE OF THE HOUSE WHEN

DESIGNING. WE HAVE OBTAINED AN UNDERTSANDING OF HOW PLANS, MODELS, ELEVATION, SECTIONS,

PERPECTIVES HELP IN BETTER UNDERTSANDING AND DEVEL-OPING IN OUR FUTURES PROJECTS THAT WE DESIGN

The house is to be built in a comfort-able suburb of boston for a film pro-ducer.The site faces south and over-looks a small lake.The ground floor contains the living working space, a sort of playground in which life is not determined in terms of public and private but rather seen as an interaction between enthusiasms and professional requirement.

Sketches depicting various volumes of the house.

Sketches depicting various volumes of the house. Sketches depicting various volumes of the house.

FIRST FLOOR PLAN

SECOND FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

WEST ELEVATION EAST ELEVATION

NORTH ELEVATION SOUTH ELEVATION

CROSS SECTIONS

EXTERIOR VIEWS

South East View North East View

INTERIOR VIEWS

PERSPECTIVE DRAWINGS

View of stairs on ground floorView of stairs on first floor

SITE - LASALLE CORRIDORCONCEPT - SLOT

IN THIS PROJECT WE EXPLORE A RANDOM VERB INTO CONCEP-TUAL ABSTRACT MODELS AND THE USE THEM TO TRANSLATE

THEM TO ACTUAL INTERIOR SPACE IMPLYING THEM IN A SITE AND USING REFERENCES OF EXISTING ARCHITECTURE .

FINAL MODEL VIEW 1

FINAL MODEL VIEW 2

ARCHITECTURE AND INTERIOR REFERENCES USED TO ENHANCE THE CONCEPT

MIND MAP - SLOT

CONCEPT MODEL - SLOT

ARCHITECTURE AND INTERIOR REFERENCES USED TO ENHANCE THE CONCEPT

MIND MAP - SLOT

CONCEPT MODEL - SLOT

CONCEPT - EXPAND, VOLUME AND PATTERN

THIS PROJECT HELPS IN ENHANCING THE VISUALS OF A WORD FROM A 2D ABSTRACT DRAWING OR SKETCH TO 3D PHYSICAL

SKETCH MODEL TO UNDERTSAND AND DEVELOPTHE IDEA TO FORM AN OBSURE DESIGN

FINAL MODEL

MODEL 2 - VOLUME EXPAND

MODEL 1 - CURVE PATTERN

MODEL 2A - EXPAND,VOLUME,PATTERN

MODEL 1A - SOFT CURVE PATTERN

MODEL 2A - EXPAND,VOLUME,PATTERN

MODEL 1A - SOFT CURVE PATTERN

PROGRAMME- CAFE AND BARSITE - AHEMDABAD, INDIA

PHILOSOPHY OF SANTIAGO CALATRAVA AND ZAHA HADID

THIS PROJECT HELPS IN EXPLORING THE DESIGN PRINCIPLES OF FAMOUS ARCHITECTS AND INSPIRE FROM THEM TO

REDESIGN THE SPACE USING THEIR PHILOSOPHIES AND DESIGN.

ELEVATION

SECTION A

SECTION B

SECTION A

SECTION B

The above table shows the different variety of furniture used in the space with the materi-als.The first one is the furniture used in the garden cafe . Second one is the furniture used in the bar. Third one is the furniture used in the cafe

PLAN ELEVATION ISONOMETRIC

IN THIS PROJECT WE UNDERSTAND ABOUT STAIRCASES. STAIR-

CASES ARE AN IMPORTANT PART OF ANY DESIGN WE DO. THERE-FORE UNDERSTANDING THE DIMENSIONS AND MATERIALS THAT

CAN USED IN A STAIRACSE IS AN IMPORTANT PART .

STYLE - CONCRETE STAIRCASE

A Concrete staircase is designed as an inclined one way reinforced slab with steps formed on its upper surface . It also requires a creful analysis of load, span and support conditions

If the stair is constructed after the floor beam or If the stair is constructed after the floor beam or wall supports, it acts as a simple beam

If it is cast with the beam as slab supports, it is de-signed as a continous beam.

LANDING

DIMENSIONS

STYLE - CONCRETE STAIRCASE

A Concrete staircase is designed as an inclined one way reinforced slab with steps formed on its upper surface . It also requires a creful analysis of load, span and support conditions

If the stair is constructed after the floor beam or If the stair is constructed after the floor beam or wall supports, it acts as a simple beam

If it is cast with the beam as slab supports, it is de-signed as a continous beam.

LANDING

DIMENSIONS

FRONT VIEW

SIDE VIEW

DETAILS.

STRAIGHT RUN STAIRCASE. - Extends from one level to another without turns or winders - Building codes generally limit the vertical rise between landing to 12’ (3660mm)

- A stairway may be approached or departed either axially or perpendicular to stair run

DETAILS.

STRAIGHT RUN STAIRCASE. - Extends from one level to another without turns or winders - Building codes generally limit the vertical rise between landing to 12’ (3660mm)

- A stairway may be approached or departed either axially or perpendicular to stair run

PAINTING IS A MODE OF CREATIVE EXPRESSION, AND THE FORMS ARE NUMEROUS. DRAWING, GESTURE, COMPOSITION, NARRA-

TION, OR ABSTRACTION, AMONG OTHER AESTHETIC MODES, MAY SERVE TO MANIFEST THE EXPRESSIVE AND CONCEPTUAL

INTENTION OF THE PRACTITIONER. PAINTINGS CAN BE NATURAL-ISTIC AND REPRESENTATIONAL (AS IN A STILL LIFE OR LAND-

SCAPE PAINTING), ABSTRACT, NARRATIVE, OR POLITICAL IN NATURE.

WATER COLOUR PAINTING OF SCENERY

STILL LIFE PAINTING

WATER COLOUR PAINTING OF SCENERY

STILL LIFE PAINTINGWATER COLOUR PAINTING OF A VILLAGE

A NIGHT VISION PAINTING

TRADITIONAL PAINTING OF INDIA

SKETCHES CAN BE MADE IN ANY DRAWING MEDIUM. THE TERM IS MOST OFTEN APPLIED TO GRAPHIC WORK EXECUTED IN A DRY MEDIUM SUCH

AS SILVERPOINT, GRAPHITE, PENCIL, CHARCOAL OR PASTEL. BUT IT MAY ALSO APPLY TO DRAWINGS EXECUTED IN PEN AND INK, BALLPOINT PEN,

WATER COLOUR AND OIL PAINT. THE LATTER TWO ARE GENERALLY RE-FERRED TO AS "WATER COLOUR SKETCHES" AND "OIL SKETCHES".

SKETCH OF A DOG SHOWING FURIOUS

CHARCOAL SKETCH OF A GIRL

SKETCH OF A DOG SHOWING FURIOUS

CHARCOAL SKETCH OF A GIRL

INNOCENCE OF A LITTLE GIRL PENETRATING BEAUTY OF A LADY

THE ART OF QUILLING

THE IMAGES ARE TAKEN AT ALILA RESORT IN BALI.THE RESORT’S DESIGN IS VERY ENVIRONMENT FRIENDLY.

THE CONTEXT OF THE SITE IS CONSIDERED IN DESIGN AND SELECTION OF MATERIALS.

THE CONNECTION

IN THIS PROJECT LOGOS WERE DESIGNED AS PER THE CI-LENTS REQUEST AND THE LOGO DESIGN TO BEST REPRESENT

THE COMMANY’S NATURE.

The logo was design for a car modifiying compa-ny. The nature of the company was to remodify existing cars and also do repairs for cars. So therefore the name connection was inspired taking in mind the connection of exisitiing wires of a car and rewiring and customizing the car in all sorts of ways.

THE UBERPACK

IN THIS PROJECT LOGOS WERE DESIGNED AS PER THE CI-LENTS REQUEST AND THE LOGO DESIGN TO BEST REPRESENT

THE COMMANY’S NATURE.

U B E R P A C K

Ths logo was designed for a company that sells bags for youngsters and working class people which had an in-built charging station that can charge upto 3 devices at a time.The bag also benefits to have a gps tracking system. The company that the logo is designed for has its origin in India and designed for has its origin in India and is soon beginning to lauch its products in September. The clients vision for the logo was to have a simple yet easily reco

U B E R P A C K

Ths logo was designed for a company that sells bags for youngsters and working class people which had an in-built charging station that can charge upto 3 devices at a time.The bag also benefits to have a gps tracking system. The company that the logo is designed for has its origin in India and designed for has its origin in India and is soon beginning to lauch its products in September. The clients vision for the logo was to have a simple yet easily reco

U B E R P A C K U B E R P A C K

UUTM TM

U B E R P A C K

The logo was alos customized in different materials so that it could be used acord-ing to the customers choice. For exam-ple a whit bag could use a navy blue logo and a black one could use a silver one and so on

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