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people and places

Stanton Moore

AUSTRALIA

OptimumPercussion(Carolyn Watson,EisteddfodCoordinator)presentedthe

12thAnnualAustralianPercussionEisteddfodonAugust27–28inSydney.AdjudicatorsandcliniciansincludedJames Campbell(UniversityofKentucky),Gray France(AustralianNa-tionalUniversity,PASAustraliaChapterPresi-dent),Sergei Golovko(MelbournePercussionEnsembleSchoolandMarimbaAcademy),andAllan Watson(AustralianOperaandBalletOrchestra).Eachyear,OptimumPercussionholdstheAustralianPercussionEisteddfodinSydney,Brisbane,orMelbourne,whereprimaryandhighschoolstudentscancompeteinsoloorensembleevents.SchoolsandpercussionistsfromalloverAustraliahaveattendedthiseventsinceitsinception.

Galactic drummer Stanton Moore recentlycompletedaclinic/performancetourof

Australia,wherehedelighteddrummerswithhisNewOrleans-flavoredfunkystyle.Stanton’sappearanceswerepartoftheDrumsceneLiveAustraliaTour2011,sponsoredbyDrum-tek,thecountry’slargestpercussionretailer.FromAug.14–21Stantonandhistourmatescrossedthecontinent,entertainingdrummersinBrisbane,Sydney,Canberra,Newcastle,andAdelaide.Theyfinishedupatthe2011editionofAustralia’sUltimateDrummersWeekend&DrumExpoinMelbourne,whereStantoncon-ductedmasterclassesonAug.20andclosedtheshowonAug.21.

BELGIUM

ThefiftheditionoftheLudwigAlbertIn-ternationalMarimbaAcademytookplace

April11–21intheAcademicHall,whichwasalsothehostlocationoftheUniversalMarimbaCompetitioninJuly.ThisAcademywasopenforintermediate,advanced,andprofessionalmarimbaplayersandprovidedagreatoppor-tunitytotakeprivatelessonswithmarimbavirtuosoLudwig AlbertandassistantLin Chin Cheng.TheAcademyhostedstudentsfromPoland,Uruguay,HongKong,Bulgaria,SouthKorea,Taiwan,Mexico,Japan,Thailand,Spain,Tenerife,Serbia,andBelgium,whosharedtheclosingconcertswiththelecturers.Adams,In-novativePercussion,Concorde,andPustjensPercussionProductsco-sponsoredthisevent.ThenexteditionwilltakeplaceinJuly2012;forinformationvisitwww.ludwigalbert.com.

BRAZIL

MembersoftheWestVirginiaUniversityAfricanMusicandDanceEnsemble

(Zane Cupec,John Lofink,John Posey)underthedirectionofDr. Michael B. Vercellipar-ticipatedinathree-weekculturalexchangetoRecifeandRiodeJaneiroMay19–June9.Col-laboratingontheexchangewereDr.ChristineGustafson(flute,EastCarolinaUniversity),Dr. Michael Sammons(percussion,UniversityofSouthAlabama),Dr.SergioAlvares(ethno-musicology,UniversidadeFederaldoRiodeJaneiro),andDr.MauroMaibrada(guitar,Uni-versidadeFederaldoPernambuco).WorkshopsandmasterclasseswerepresentedattheUFPEandUFRJonAfricanpercussion(Vercelli/WVUAfricanMusicandDanceEnsemble),snaredrum(Sammons),flute(Gustafson),gui-tar(Maibrada),theBrazilianChoro(Alvares),maracatuwithUFPEProfessorofPercussionAntonio Barreto,andaperformancebyTxai-

mus,theUFPEhand-chimeensembleunderthedirectionofDr. Flavio Medeiros.Studentsalsohadtheopportunitytoparticipateinava-rietyofcommunity-basedworkshopsincludingpandeirolessonswithClaudio Santana,ma-racatuworkshopswithCorposPercussivosdi-rectedbyJorgeMartin,andsambaclasseswithMonoblocounderthedirectionofCelsoAlvim.Theexchangewastheconcludingprojectofthefive-yearMusicAlive!FIPSE-CAPESgrantforstudentexchangesandcollaborativeprojectsbetweenWestVirginiaUniversity,EastCarolinaUniversity,UniversidadeFederaldoPernambuco,andUniversidadeFederaldoRiodeJaneiro.SupplementalfundingforthisexchangewasgenerouslyprovidedbytheWestVirginiaUniversityCollegeofCreativeArtsandEastCarolinaUniversity.CANADA

Incelebrationofthe40thanniversaryseasonofNexus,twoback-to-backperformanceswere

givenbytheToronto-basedquartetonJuly31aspartoftheOttawaInternationalChamberMusicFestivalChamberfestatSt.Brigid’sCentrefortheArts.ThefirstperformancewasafullNexussoloconcertfeaturingworksbySteveReich,JohnCage,andNexusmemberBill Cahn,aswellasseveralofthegroup’ssig-naturenoveltyragtimexylophonearrangementsfeaturingBob Becker.AlsojoiningNexusforthiseventwastheCanadianpercussiongroupTorq.

CHINA

Dr. Michael B. Vercelli(WestVirginiaUniversity)wasinresidencyattheCentral

ConservatoryofMusic,BeijingChinafromJune25–29(Prof.ZhangBoyu,host).Theresi-dencyconcludedatwo-yearprojectcenteredonInternet-basedinstructionofthegyil(Ghana-ianxylophone).Workshopsandlessonsfocusedongyilrepertoireandhanddrummingtech-

Ludwig Albert, Lin Ching Cheng and students at the Ludwig Albert International Marimba Academy

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In MemoriamDavid SearcyBy Michael Quinn

DavidSearcy,timpanistoftheLaScalaOperaorchestraformorethanthreedecades,diedon

August2,2011,afteralongillness. Davidwasasingularauthorityamongcol-leaguesallovertheworld,andformanyyoungtimpanistsandpercussionistsaninspiringteacherandfatherlyfriend.Hisplayingcareer,bothlyricandsymphonic,andhisinnatemusicalcuriositymadethescopeofhisknowledgeoftherepertoireprobablythebroadest,andhisinterpretationofthatrepertoirethedeepest,ofanytimpanistever.Hisnever-flagginginterestinmusichistoryfueledhisconvictionoftheworthoftraditioninanevermoreunsettledworld,andhelookedalwaystopassontheculturalheritageofhisinstrumentanditspracticetothosewhosoughthispres-ence. BorninRichmond,California,onJanuary21,1946,DavidfirststudiedinhishomecityofOakland,andinhisteenswasastudentofRolandKohloff.In1964hewenttoTanglewood,thenremainedontheEastCoasttostudywithVicFirth,andin1965gaveintoalong-heldwishtoplayinEuropewhenatimpaniopeningintheMusikselskabetHarmonieninBergen,Norway,madethemovepossible.Twoyearslaterhewaslookingfornewchallenges,otherconcepts,andanewartisticorientation.InViennahestudiedwithRichardHochrainer,andthenfoundhistruementorandguideinRobertHinzeinHamburg,Germany. In1968hebecamesolotimpanistoftheBavarianStateOperainMunich,wherehere-maineduntil1972whenClaudioAbbadoinvitedhimtojointheorchestraatLaScala.Later,whenAbbadofoundedtheEuropeanYouthOrchestraandtheGustavMahlerYouthOr-chestra,Davidwashisfirstchoiceforapercussiontutor. From1980untilhisdeath,DavidguidedthepercussionclassatMilan’sCivicMusicSchool.Here,heformedawholenewgenerationoftimpanistsforItalyandEurope,andafewmoredistantpartsoftheworldaswell.HewasalsovisitingProfessorattheRoyalAcad-emyofMusicinLondon. Davidbroughtawholesomefantasyintotheworldandnoone,notevenhispeers,everlefthiscompanywithouttakingawaysomebitofknowledgethatmademusic,orplaying,orevenlife,abitclearerandmoremeaningful.Forthatwe’llbeevergratefultohim.

niqueandperformancesbyindividualCCOMstudents.

CUBA

KoSACubahelditsannualworkshopandfestivalMarch6–13.Theweekstartedwith

aconferenceandanintroductiontoCubanmusicbyethnomusicologistDr.OlavoAlen,followedbyapersonalizedintroductiontourtoOldHavanaandotherhistoricsites.CongadrumclasseswereconductedbyTomas Ramos “El Panga” Julio LopezfromKlimax,Yaroldi AbreufromIrakereandChucho Valdes.Tim-baleclasseswereconductedbyJean Roberto FigueroafromKlimaxwithhispersonal“timbarhythm”approachtothatinstrument.SpecialguestRoberto Smith,theinventorofthenewfootmaracashakermanufacturedbyLP,demonstratedtheultimateindependenceinperformanceasasolopercussionistcoveringallthepercussionparts.LegendarytimbaleroAmadito ValdesofBuenaVistaSocialClubfamespokeabouthisphilosophyandapproach

tosoloingwhiledemonstratingtheclassicwayofplayingdanzón.DrumsetwastaughtbyJuan Carlos Rojas “El Peje”(ChuchoValdezdrummer)andsessiondrummerOliver Valdes,eachexemplifyinghisowncreativeapproachtoCubanrhythmsonthedrumset.Assistingwithtranslationand“handson”instructionwereAldo MazzaandMemo Acevedo. HighlightsoftheworkshopwereaspecialclasswithCubanpercussiongroupPercuba Ensembleteachingrumbaandtraditionalcon-ceptsinperformance,andseeingAmaditoVal-dés,OliverValdes,JesusandYulietAbreufromLosPapinesandEnriquePladoanimpromptujam/descarga.KoSAparticipantswerealsogiventheopportunitytoseeliveperformanceswithtopCubanartistsanddancetroupesthroughouttheweek.Thewinnersofthena-tionalpercussionistcontestperformedliveandreceivedprizesofdrums,congas,timbales,bon-gos,andcymbalsofferedgraciouslybysponsorsLP,Sabian,Evans,andMapex.

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ITALy

OnApril2–3,KoSAhelditsfirstofficialworkshopinTurinincollaborationwith

theGMDrumSchoolinTorino,directedbyGigi Morello.Aldo Mazza(Repercussion,KoSAFounderandArtisticDirector)anddrumsetartistSergio Bellotti(BerkleeCollegeofMusic)wereinvitedtoleadandinstructatwo-dayintensiveworkshopcoveringthetopic“itisaboutthegroove.” Coveringabroadrangeoftopics,fromdrumsettohandandworldper-cussion,theclassesincludedbothperformingandinteractivesessions. Attheendofthefirstday,the50partici-pantsinTorinoweretreatedtoalivevideoconnectiontoNewYorkwhereKoSAartistalumnusanddigitalmediaexpertAllan Mol-narfacilitatedaliveinteractivevideodiscussionwithKoSAalumnifacultyartistsMike Main-ieri,Marcus Santos,Michael WimberleyandJim Royle. Thetwo-dayintensiveworkshopculminatedinapublicjamsessionatalocalclubinthefamousPiazzaImmanuele.BellottiandMazzawerejoinedbylocalmusiciansinaneveningofjammingandhangingwithmanystudentsandlocalmusicians. KoSAItalysponsorswereLP,Sabian,Pro-Mark,Evans,Zildjian,VicFirth,RingoMusic,andVibeDrums.

MOROCCO

Wes Crawfordperformedtwiceondrum-setwithBetweenWorldsattheGnaoua

FestivalinEssaouirathissummer.Thefirstshowwasforanestimatedaudienceof25,000onJune23.TheJune24showwasacollabora-tiveconcertwithGnaouansuperstarmusicianHamidKesri,heldontopofanoldPotuguese

fort.FestivalCreativeDirectorandinternation-allyknownFrench/AlgeriandrummerKarim Ziadshareddrumsetdutiesonthissecondconcert.BetweenWorldsincludedBroto Royontablas. 

SERBIA

TheStankovic Percussion Ensemblehasbeenveryactivethisyear,playingover60

concertsinSerbiaandMontenegro.InFebru-aryJeff Queenpresentedaclinicandtwocon-certswiththeSPE DrumlineinBelgradeandNoviSad.InJulythegrouphadguestsfromSouthernMissouriUniversityandIllinoisStateUniversityforafive-dayworkshop,clinic,andtwoperformanceswiththeensemble.Clini-cianswereMatt Brusca,Josh Zimmer,Gregg Walker,Arthur Johnson,andKevin Ranney.TheclinicwassupportedbytheU.S.EmbassyinBelgrade.TwoSerbiangraduatestudentswillcontinuetheirstudiesintheU.S.Milos BranisavljevicreceivedafullscholarshiptotheBerkleeCollegeofMusic,andIgor StojanovicreceivedafullscholarshiptoBenedictCollege.

SOUTH kOREA

TheTaiwanInternationalPercussionConvention(formerlytheTaipeiInter-

nationalPercussionConvention)washeldinMay,sponsoredbytheJu Percussion Group.Theeventfeatured13groupsfrom10nationsperforming26concertsineightcities.GuestartistsincludedNebojsa Zivkovic(Germany),Svet Stoyanov(Bulgaria),TaCTuS(France),PercaDu(Israel),theAmsterdam Percussion Group(Holland),theSeoul Percussion En-sembleandHannuri Yeon-Hee Dan(SouthKorea),Okada( Japan),Azaguno(USA),andStrike Percussion(NewZealand).

USAAlabama

The5thAnnualJSUGreyDrummersSummerGigwasheldJune23–25at

JacksonvilleStateUniversity.TheGrey Drum-mersarepartofthebandalumniorganizationknownastheGreyEchelon.TheMarchingSouthernersofJSUisenteringits55thyearin2011.SpearheadedandorganizedbyDaniel Hammond,theSummerGighasgrowneveryyearsinceitsinception.ClinicswerepresentedbyRichard McLendon(I.P.EducatorArtistandJSUgraduate),Hammond( JSUgraduate),Jim Dinkins(DCIpercussionjudge1977–97),Clint Gillespie( JSUAssistantBandDirec-torandJSUgraduate),specialguestspeakersJohn C. Smith(HawthorneCaballerosAlumniDrumandBugleCorps,Hawthorne,NJ)andBob Peterson(HawthorneCaballerosandtheWorldDrumCorpsHallofFame),Dr. David L. Walters( JSUBandDirectorEmeritus),andDaisy Cordona( JSUgraduate). Thethree-dayeventincludedmusicsection-als,fullensemblemusicrehearsalsofthedrummusicplayedbyJSUdrumlinesovertheyears,clinics,andsocialactivities.JSUpercussionistsfrom1956tothepresentwereinattendanceandcamefromTexas,Kentucky,Tennessee,Alabama,andGeorgia.Percussioninstruments,providedbyHammond,wererebuiltandusedtoprovideinstrumentsthatwereusedduringeachtimeperiodofthedrumline’shistory.

Alaska

FromJuly17–23,nineadvanced-levelpercussionistsparticipatedintheAlaska

MidnightSunChamberPercussionIntensive.ThisprogramwaspartoftheannualFairbanksSummerArtsFestivalandwasheldattheUni-versityofAlaskaFairbanks.Morris PalterwastheprogramdirectorandBob Beckerwastheguestfacultymember.ParticipantsperformedtwodedicatedconcertsincludingacompleteperformanceofSteveReich’s“Drumming”andaseriesofsmallerchamberworksincluding“AwayWithoutLeave,”“UnseenChild,”and“TurningPoint”byBecker,aswellasworksbyToruTakemitsu,JohnCage,andEdgardVarèse.ThiseventwassponsoredinpartbyYamaha,Sabian,andBlackSwamp.

California

Jim Greinerrecentlyconductedadrumcircleatthe39thAnnualSantaCruzWharfto

WharfRace.The10Kraceattracts15,000run-nersfromall50statesandover20countries,includingeliteAfricanrunners,andhasraisedover$300,000forareaschoolathleticprograms.Jim’sdrumcirclehelpsmotivatetherunnersatthestartinglineandhasbecomeaWharftoWharfRacetradition.Hisdrumcirclewasoneof50musicalgroupsthatlinedtheracecoursealongthesceniccoastfromtheSantaCruzWharftotheCapitolaWharfintheMontereyBayarea.Jeff Queen with the Stankovic Percussion Ensemble Drumline

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DrumChannel.comandLosAngelesMusicAcademyCollegeofMusichostedthe

SecondAnnualDrummer’sRealityCampJune29–July2.GuestartistsincludedAlex Acuña,Kenny Aronoff,Terry Bozzio,Jim Keltner,Cobus Potgieter,Gil Sharone,Thomas Pridgen,andL.A.MusicAcademy’sRalph Humphrey,Dave Beyer,Aaron Serfaty,Tony Inzalaco,andJoe Porcaro.Thefour-dayeventtookplaceatL.A.MusicAcademyinPasadena.Campersweretreatedtoworkshops,lessons,masterclasses,specialperformances,meet&greets/autographsessions,aDWDrumsfactorytour,andanin-studio,liveclinicbyBozzioatDrumChannel.comstudios.

Colorado

TheAspenMusicFestivalandSchoolPercussionDepartmentfeaturingfaculty

artistsJonathan Haas,David Herbert,Doug Howard,andTom Stubbswerejoinedby19percussionstudentsfromaroundtheworldalongwithguestartistsCollin Currie,Keith Aleo,andMichael Udow.CurrieperformedtheRousepercussionconcerto,“DerGeretteteAlberich,”withtheFestivalOrchestraandpresentedamasterclass.AleoandUdowof-feredtheirexpertisetothepercussionclassalongwiththeweeklymasterclassesgivenbythefaculty.Elliot BeckservedastheAspenConductorsAcademyfellowshipprincipaltim-panist,Simon Gomez GallegowasthewinneroftheCharlesOwenMemorialFellowship,andRyan NestorservedasthepercussionistfortheAspenContemporaryensembleunderthedirectionofSidneyHodgkinson. Thepercussionensemble,underthedirectionofHaas,presentedasapartoftheShakespeare

minifestivalanunprecedentedperformanceofHarrisonBirstwhistle’s“Foro,foro,thehobbyhorseisforgot,”whichincludedactorsfromtheAMFSOperaprogram.Otherworksontheprogramincluded“OmphaloCentricLecture”byNigelWestlake,“Tak-Nara”forpercussionquartetbyNebojsaJovanZivkovic,“20MinutesoffthePavement”byDavidFried-manwithMatthew Lau,vibraphonesoloist,and“FirstConcertoforFluteandPercussion”byLouHarrisonwithNadineAsin,flutesolo-ist.Charles RosmarinwasthewinneroftheMessianExoticBirdsaudition,whichresultedinaperformancewithacclaimedpianistDavidFriendandmembersoftheAMFSpercussiondepartment.

Connecticut

GrammyAward-winningpercussionist,composer,andsongwriterRalph Mac-

DonaldwashonoredwithadayalltohimselfonthefinaleveningoftheJazz-upJulymusicfestivalinStamford.MacDonald,a35-yearStamfordresident,wasemotionallyovercomebythesurprisehonor,whichcameintheformofaproclamationbyMayorMichaelPavia:“Wehavethegreatestresourcesintheworld,andweareabouttoseeoneofthem,liveandinperson,”Paviasaid.“RalphMacDonald,todayisyourdayonbehalfofthecitizensofStamford.”HeandfellowStamfordresidentDennisCol-linsperformedasetofsongsatthestartoftheconcert,pavingthewayfortheevening’shead-liner,RobertaFlack.

kentucky

Chad Floyd,DirectorofPercussionStudiesatCampbellsvilleUniversity,presenteda

varietyofpercussionclinicsandmasterclassestoseveralhighschoolsandmiddleschoolsthroughoutKentuckyduringaone-weektourinMay.TheschoolsincludedOldKentuckyHomeMiddleSchool,ShelbyCountyHighSchool,SpencerCountyMiddleSchool,SouthWarrenSchools,BullittLickMiddleSchool,andLebanonMiddleSchool.Theclinicsfo-cusedonanumberoftopicsincludingsnaredrum,keyboardpercussion,timpani,anddrum-set.TheclinicsweresponsoredbyInnovativePercussion.

Maryland

TheDrumsetandPercussionCamp,partoftheGoucherSummerArtsInstitute,

washeldatGoucherCollegeinBaltimoreJuly10–23forpercussionistsages13–18.TeachingandperformingfacultymembersconsistedofWes Crawford(campdirector,GoucherCol-lege),Kwame Ansah-Brew(GoucherCollege),Phil Bronson(drummerforJonathanScalesFourchestra),Greg Clark(RaheemDevaughn,GreysonChance),Orlando Cotto(DarinAtwater,AndyGonzalez,MichaelSpiro),Je-rome Herskovitz(GoucherCollege),Jeremy Hummel(formerlywithBreakingBenjamin),

Jim Greiner in front of the world-famous Giant Dipper roller coaster at the Santa Cruz Beach Boardwalk.

Aspen Music Festival and School percussion department at 12,500 feet

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Dr. Michelle Humphreys(TowsonUniversity,ShepherdUniversity),Keith Larsen(BaltimoreDrumCompany),John Locke(GoucherCol-lege,BaltimoreSymphony),Marshall Maley(VA/DCPASChapterPresident),Joe Mc-Carthy(AfroBopAlliance),Mike Miller(OldMillHighSchool),John Parsons(drummerwithNavyCommodores),K. S. Resmi(S.Indianvocalist),N. Scott Robinson(GoucherCollege),Jonathan Scales( JonathanScalesFourchestra),Scott Tiemann(Avec),andCodyWright(bassistforJonathanScalesFourches-tra).Offeringsincludedjazzcombos,concertpercussionensemble,Braziliandrummingensemble,drumline,steelpanensemble,WestAfricanensemble,worldpercussionensemble,anddanceaccompaniment,aswellasnumer-ousclinics,workshops,andconcerts.SponsorsincludedBaltimoreDrumCompany,ChuckLevin’sWashingtonMusicCenter,CoopermanDrums,DreamCymbals,Evans,GoucherCol-legeMusicDept.,InnovativePercussion,LockePercussion,Maley’sMcLeanMusic,Mid-AtlanticDrum,MusicAndGames4U.com,My-DrumLesson.com,Pearl,ProLogixPercussion,Pro-Mark,Remo,Sabian,VicFirth,Yamaha,andZildjian.Visitwww.DrumsetAndPercus-sionCamp.orgforfurtherinfo.

New Hampshire

HeldfromJuly4–16attheEnfieldShakerMuseuminEnfield,theinauguralChosen

ValeInternationalPercussionSeminarwasaresoundingsuccess.AspartoftheCenterforAdvancedMusicalStudies,thepercussionsem-inarwashostedbyPearl/AdamsartistDoug PerkinsandCAMSdirectorEdward Carroll.Theseminarwasattendedby30talented,youngmusicians,comingfromacrosstheU.S.aswell

asfromItaly,Brazil,Canada,andJapantostudyandperformatthetwo-weekseminar.PearlDrumsandAdamsMusicalinstrumentspro-videdafullarrayofkeyboardpercussion,drums,andhardwaretobeusedatChosenVale.  ChosenValeofferedatrulyuniqueexperi-encetoalloftheattendees.Notonlydidna-tionallyandinternationallyrecognizedfacultyteachattheevent,includingMatthew DuvallandTom Freer,butprominentcomposerswerealsoinattendancetodiscussandworkwithstudents.Aspartofacollaborativeprocess,composersSteveReich,StevenMackey,LarryPolansky,DavidRosenboom,ChristianWolff,andJosephSchwantnerallvisitedChosenValetogivelecturesorcoachingsessionsontheirworks.  Studentspreparedfourconcertsofchambermusicoverthetwo-weekperiod.Overthecourseoftheseminar,membersoftheguestfacultygavelectures,lessons,andmasterclassesforthestudents.Withalmostalleventsattheseminarheldinagroupsetting,allattendeeswereabletobenefitfromtheconstructivecriti-cism,encouragement,andsupportofferedbythefaculty.

New york

Larry S. LevinewasoneofthefeaturedcliniciansattheWoodstockMusicTrade

ShowinMay.Promotinghisacclaimed,award-winninginstructionalseries,“Drumistix—fromPadtoPerformance,”heplayedtoacapacitycrowd.Levine’sinteractiveclassdemonstratedandcoveredsuchtopicsasrudimentalapplica-tions,stylisticdevelopment,anddrumming/musicalawareness.TheeventwassupportedbyYamaha,Sabian,RegalTip/Calato,Aquar-ian,LTLugLocks,SKBCases,HHotHat,

JaMusic,KMCMusic,MountainRythym,PAS,Classic Drummermagazine,theLIDC,NARAS,andLARAS.

OnMarch29,KoSAhelditsKoSANYCone-dayworkshopincludingclinics

andconcertsatLehmanCollege.ClinicianswereArnie Lang,Aldo Mazza,Johanthan Haas,Allan Molnar,Scott Kettner,Mike Clark,andVictor RendónjoinedbyhisgroupCo-Tim-Bó(Victor,ChemboCorniel,Guill-ermo“Memo”Acevedo,Cascadu,andYasuyoKimura).TheeventstartedwithLang(NYPhilharmonic),Haas(NYU)andMazza(Re-percussion),whoengagedinaworkshopon“ThePercussionSectionintheConcertBand.”ParticipantsincludedPenelope Jaconodirect-ingtheCelia Cruz High School Percussion Sectionperforming“AmericanFaces”byDavidHolsinger.Thecliniciansthengavevaluablesuggestionsforimprovingperformancesuchasstickselection,playingpositioninrelationtotheconductor,attackandarticulationofspecificnotevalues,anddynamics. Kettnertooktheaudienceonamusicaljour-neytoBrazilcoveringtheNortheastrhythmknownasMaracatuanddemonstratedanddiscussedsomeofthesimilaritiesbetweenBra-zilianandNewOrleansdrumming.Clark,whoisknownforhisworkwithHerbieHancock,coveredthetopic“FromSwingtoLinearFunk”andperformedanddemonstratedwithspecialguestJerryZonorgan.ThefinalclinicianofthedaywasRendónjoinedbyhisgroup,Co-Tim-Bó.Thegroupstartedwithaperformancefea-turingbatádrumsandseguedintoatraditionalCubanbembé.Adiscussionofthedifferentrumbastylesthenfollowed,whichincludedyambú,rumbacolumbia,guaguancó,andtherelativelynewstyleofguarapachangueo.Theclinicendedwiththeperformanceofapercus-sionarrangementof“Manteca,”whichfeaturedthegroupandguestsMazza,Molnar,andKettner.  Theeventculminatedwithaperformancebythe80-pieceLehmanCollegeConcertBand(ledbyAlanHollander)performing“Mambo#5”arrangedbyArmandoRodriguezandVic-torRendón.Langjoinedthegroupontimpani,alongwithMazza,Molnarandothers.  ManythankstotheKoSANYCsponsors:Sabian,Evans,LPMusic,VicFirth,Remo,LangPercussion,Pro-Mark,Toca,IstanbulAgop,Tama,andDW.

NexusjoinedforceswiththeCanadianBrassinanIndependenceDayweekend

performanceatthehistoricMaverickHallinWoodstock,hostedbyNexusmemberGarry Kvistad.Theconcertwastitled“StarsandStripes”andfeaturedtraditionalAmericansongsandmarches.MuchofthemusicwasarrangedbyformerNexusmemberRobin EngelmanfortherecentlyreleasedCD,Stars and Stripes: Canadian Brass Salute America.

Drumset and Percussion Camp Faculty Concert performers (L–R): K.S. Resmi, Orlando Cotto, Jeremy Hummel, N. Scott Robinson, Wes Crawford (host), Jonathan Scales, and Jonathan Scales Fourchestra members Phil Bronson and Cody Wright.

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TheCDfeaturesmembersofNexuswiththeCanadianBrass,andforweeksitwasontheBillboardClassicalChartpeakingatNumberTwo.AmongthehighlightsintheWoodstockconcertwereBillCahn’sarrangementofCop-land’s“FanfarefortheCommonMan”followedbyPeterSchickele(aka“P.D.Q.Bach”)person-allyintroducinghisown“FanfarefortheCom-monCold.”

Bill Cahn,amemberofNexusandProfes-sorofPercussionattheEastmanSchool

ofMusic,facilitatedaCreativeMusicMakingworkshopfor14participantsaspartoftheweek-longsummerpercussioninstitutedirectedbyEastmanProfessorMichael Burritt.TheworkshopfocusedonfreeformimprovisationbasedonBill’sbook,Creative Music Making,publishedbyRoutledgeBooks.Eachpartici-panthadtheopportunitytoperformandrecordanimprovisedpieceforimmediateplayback,listening,analysis,anddiscussion.Earlierintheweek,Billperformedinanimprovisedduettitled“ReadytoHatch”onBurritt’ssolofacultyrecitalintheEastmanSchool’snewHatchRe-citalHall.InadditiontoBurritt’sdailysessions,additionalworkshopswerepresentedbyLee Vinson,Jacob Nissly,andJohn Beck.

Pennsylvania

Quey Percussion Duo(Gene KoshinskiandTim Broscious)completedasix-

weekresidencyattheInternationalPerform-ingArtsInstituteSummerMusicFestivalinKingstonfromJune26toAug.6.Theduofilledthefestivalwithperformances,masterclasses,clinics,workshops,privatelessons,andside-by-sideexperiencesinlargeensembles.OnehighlightwasaperformanceofKoshinski’s“ConcertoforMarimbaandChoir,”presentedonJuly2withthePerformingArtistInsti-tuteChoirwithKoshinski(marimbasoloist),Tim Broscious,Mike Dobson,andMatt

Smallcomb(percussion).OnJuly31,theduopresentedaspecialprogramentitled“Medita-tionandImagery,”whichfeaturednewandstandardworksforpercussionincludingGeorgeCrumb’s“Quest”forguitar,sopranosax,harp,doublebass,andtwopercussion,performedbyPerformingArtsInstitutefacultymembers.ThefestivalwasgenerouslysponsoredbySabian,Remo,InnovativePercussion,andKorogiMa-rimbas. 

July10–16markedtheannualSummerMusicCamp(GrantMoore,director)heldatEliza-

bethtownCollege.James Armstrong,Instruc-torofPercussionatElizabethtownCollegeandMillersvilleUniversity,oversawallpercussionactivitiesandwasassistedbystudentsKatelyn Santee(EtownCollege)andForrest Black(MillersvilleUniversity).Theweek-longcampcateredtoover150youngmusiciansgrades7–12inalldisciplinesofmusic.Percussionactivitiesincludeddailymasterclassespre-sentedbyArmstronginallareasofpercussion,percussionensemblerehearsals,aswellassec-tionrehearsalswithlargeensembles.Eveningconcertsfeaturedfacultyandstudentchamberensembles,includingtheMusic Camp Percus-sion Ensemble,Latin Jazz Percussion Ensem-ble,andtheFaculty Percussion Trio.Thecampclosedwithafinaleconcertthathighlightedstudentsperformingwithinthelargeensemblesetting.ArmstrongwassponsoredinpartbyYamaha,Sabian,andVicFirth.

Sam RuttenbergandhisstudentJustin Faulkner(BranfordMarsalis)sharedthe

billwithsingerJoThompsonatthePhiladel-phiaJazzClefClub.ItwasatributetothelateLenaHornewhomSamplayedwithyearsago.

South Carolina

The1stannualnief-norfSummerFesti-valenjoyedenormoussuccessduringits

ten-dayrunfromJune1–10.TheeventwasgenerouslyhostedbyFurmanUniversityinGreenvilleandallowedparticipantsfromaroundtheU.S.toparticipateintheperfor-manceandstudyofsomeofthemostpromi-nentpiecesfromthepercussionrepertoire.UtilizingaselectionofgenerouslyborrowedinstrumentsfromYamahaandPearl/Adams,nief-norf’sofferingincludedsixconcertsintendays,allfreeandopentothegeneralpublic. Thefestivalbeganwithaneveningconcertbythefacultygroupthenief-norf Project,whoperformedChristopherAdler’scompel-lingwork“PinesLongSleptinSunshine,”aswellasworksbyMarkApplebaumandSteveReich.Dayslater,theparticipantsheadeddowntowntoFallsParkandpresentedTerryRiley’s“InC”andJohnZorn’s“Cobra”toavibrantandenthusiasticaudienceofallages.Thefestivalalsoincludedafirst-rateeveningperformancebyemergingsoloartistRyan Nestor,whichincludedarenditionofRogerReynolds’“Watershed,”andamoreinformalCabaretConcertmade-upofsoloperformancesbytheparticipants,whichwashighlightedbyCalebHerron’sclosingperformanceofVinkoGlobokar’s“Corporel.”Additionally,composersCarolineMalloneeandStevenSnowdenvisitedcampus,presentedmasterclassesandcoachings,andthenheardtheirpiecespresentedinconcertnexttoworksbyAlexandreLunsqui,StuartSaundersSmith,andthevintagesoundsofMa-rioDavidovsky’s“SynchronismsNo.5.” Aftermorethanaweekofdiscussion,rehearing,andhang-time,theparticipantspresentedafinalconcertonJune9aspartofFurman’sMusicbytheLakeconcertseries,at-tendedbyover500people.TheperformersgaveaperformanceofJohnLutherAdams’“Qily-aun,”whichwassurroundedbyDavidCrowell’s“TheDayAfter...,”ChristopherAdler’s“SignalsIntelligence,”andmasterworksbySteveReichandIannisXenakis.

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OCTOBER 2011 14 pERCussiOn nEws www.pas.org

ThefestivalwasdirectedbyAndrew BlissandstaffedbyfacultymembersOmar Car-menates(host),Mike Truesdell(AssistantDirector),andBill Sallak(TechnicalDirector)aswellasChristopherAdler(composer-in-residence)andMeganArns(intern).Thefes-tivalwishestothankBlackSwamp,InnovativePercussion,VicFirth,Zildjian,andSabianfortheirsupport.

The2011SouthCarolinaDayofPercus-sionwashostedbyDr. Scott Herringat

theUniversityofSouthCarolinacampusonApril16.Thisyear’seventincludedthesecondannualHighSchoolSoloCompetitionandAll Collegiate Percussion Ensemble.Sympatico Percussion GroupheadlinedthedaythroughtheirparticipationindirectingtheAllCol-legiateEnsemble,givingindividualclinics,andclosingthedaywithaperformance.Thegroup’sclinicsincludedKristopher Keeton’s“Be-yondBoundaries,”Susan PowellandJoseph Krygier’s“ImprovingEnsembleSkills,”andamarimbaclinicbyChristopher Norton.The

eventalsoincludeda“RumbaAnatomy”clinicbyMichael SpiroandJesse WillisaswellasaconcertpresentedbytheBlythewood High School Percussion Ensembleunderthedirec-tionofJonathan Burbank.

Tennessee

OnAug.27,guestartistJulie Davilaworkedhands-onwithsixregionalmarch-

ingpercussionsectionsattheUniversityofTennesseeatMartin’s7thAnnualDrumLineTuneUpDay.Davilaworkedontechnique,musicality,andavarietyofpercussivesubjectswithinthemarchingpercussiongenre.JuliealsogaveaclinicforallparticipatingstudentsandbanddirectorsusingtheUTMMarchingPercussionSection(Hill,Coordinator,andNolaJones,DirectorofBands)asthedemonstrationgroup.Theeventhostedover300highschoolstudentsandbanddirectors.ThiseventwassponsoredbyZildjian,Pearl/Adams,InnovativePercussion,andEvans.

Texas

EighteenTexaslibrarieshostedpercussionprogramsbyMark SheltonduringJune

andJuly.TheperformancesofMark’s“Strike,Scrape,&ShakeShow”werepartofthelibrar-ies’summerreadingseries.

Participants of the University of Tennessee at Martin’s 7th Annual Drum Line Tune Up Day

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TheUniversityofNorthTexasCollegeofMusicpresentedthe5thAnnualUNT

MarimbaWorkshopwithfacultymembersProfessor She-e WufromNorthwesternUniversity,Dr. Brian ZatorfromTexasA&MUniversity–Commerce,Dr. Scott HerringfromtheUniversityofSouthCarolina,andUNTPercussionCoordinatorandworkshophostProfessor Mark Ford.Guestcliniciansfortheweek-longworkshopwerecomposer/percus-sionistMichael ColgrassandUNTPercussionProfessorChristopher Deane.Studentscamefromacrossthecountrytoparticipateinmasterclasses,techniquesessions,keyboardensembles,privatelessons,andmuchmore.Inadditiontoinstruction,therewerethreestudentrecitalsandafacultyrecital.SponsorsfortheworkshopweretheUNTCollegeofMusic,Dynasty,In-novativePercussion,andZildjian.

vermont

The16thAnnualKoSAInternationalPercussionWorkshop,DrumCampand

Festivalwrappeditsannualweekofintensive,intimatelivingandlearningwithinternationaldrumandpercussionmastersandaveryspecialsurpriseguest.ParticipantsandfacultyalikewerestunnedandreactedquiteemotionallywhenNeil PeartofthelegendaryCanadianrockgroupRushtookcenterstageatthecamp’sclosingsession.  ItwasanhonorforKoSAFounderAldo MazzatohaveNeilacceptaninvitationtocometoKoSAandjoinAldoforapubliclycandidinterviewonvarioustopics.NeilalsotookafewquestionsfromKoSAparticipants.Forapostscript,AldoandKoSAArtistFacultymembersMarcus Santos,Michael Wimberly,andMemo AcevedojoinedNeilonadrumkitanddjembeensembleimprovisation,withNeilmovingtodjembeforthefinaleofaonce-in-a-lifetime,spontaneouspercussionperformance. RegisteredparticipantscamefromMexico,theU.K.,andallovertheU.SandCanadatostudywithKoSA’sfaculty,whichincludedAcevedo(TitoPuente),Carmine Appice(VanillaFudge,RodStewart),Sergio Bellotti(Spajazzy,Berklee),Jimmy Cobb(MilesDa-vis),Dominick Cuccia(CompanyofFifers&Drummers),Mario DeCiutiis(KATDrums&Mallets,RadioCity),Dom Famularo(drum-ming’sglobalambassador),Aiyun Huang(McGillUniversity),AldoMazza(Repercus-sion),Allan Molnar(NellyFurtado),Jim Ro-yle(steeldrummaster),Jeff Salisbury(AlbertKing,JamesHarvey),MarcusSantos(PaquitoDíRivera),Glen Velez(Grammy-winningframedrummaster),MichaelWimberly(P-Funk,Africandrumspecialist)withdancerAlexisJohnson,Zoro(LennyKravitz)andtheKoSArhythmsection:BobQuaranta(piano)andFrancescoBeccaro(bass). KoSALifetimeAchievementAwardsweregiventoJimmyCobbandNeilPeart.  KoSA16wassponsoredinpartby Beatnik,

Cadeson,Cooperman,CanadianMusician,ddrum,DreamCymbals,Evans,FactoryMetal,HudsonMusic,Istanbul Mehmet,KATPer-cussion,LP,Ludwig/Musser,Mapex,MikeBal-ter,ModernDrummer,PAS,Pro-Mark,Remo,Sabian,Shure,Sticks‘nSkins,Taye,Toca,VibeDrum,VicFirth,Yamaha,andZildjian.w

Jolan Kovacs Mazza, Neil Peart and Aldo Mazza with the KoSA Lifetime Achievement award, given to Neil at the 16th Annual KoSA International Percussion Workshop

News items for the “People and Places,” “Industry News” and “On the Road” sections of Percussion News must

be received at the PAS office within three months of the date of the event.

Please send materials to PAS: 110 W. Washington Street, Suite A, Indianapolis, IN 46204

Fax: (317) 974-4499 . E-mail: publications@pas.org