The Beginner Drummers Handbook
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Transcript of The Beginner Drummers Handbook
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Every question you’ll ever ask
after buying your rst drum set – Answered!
By Rob Brown
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About the Author
My name is Rob Brown. I’m a session drummer, clinician
and educator from the Toronto, Canada area. I started
playing the drums when I was 17 and bought my rst
ofcial kit in 1987, which was a metallic burgundy 5 piece
set of Pearl Forums, which I loved and spent countless hours
on! Over the next several years I have invested an endless
amount of time playing and learning everything that I could
about drums and working on my craft. In 2004 I got a
job working in the drum department of a major musical
instrument retailer and for the next 6 ½ years I’ve seen,
played on and repaired drums of all types and answered
a million questions from old drummers, young drummers,
experienced drummers, new drummers and parents of newdrummers. Of the many questions red at me in the course
of an 8 hour shift, day after day, I’ve noticed that many of
these questions, typically from beginner drummers and their
parents, were asked quite frequently. So one day I made
the decision to write down all of the most frequently asked
questions and compile them all in one book. The purpose
of this handbook is to help educate you after obtaining yourrst set of drums. In this book is every question you will
most likely ask within your rst year of playing – already
answered! Its mainly to give you a bit of guidance before
making one of your many trips to the drum shop to pick up
that next pair of sticks, cymbal, drum head or accessory.
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Table of Contents
Drumsticks 4
Drumheads 16
Snare Drums 27
Cymbals 36
Drums 49
Bass Drum Pedals 62
Stands & Hardware 73
Accessories & Gadgets 82
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DRUMSTICKS
What’s the difference between all these
drumsticks on the wall?
Drumsticks, as you may have noticed, come in
all kinds of lengths and thicknesses. The main
difference is diameter. Your preferred diameter will
be determined by your playing style. If you play
metal or hard rock – you may prefer a thicker ‘beeer’
stick. If you play swing jazz – you’re probably going
to want something lighter. Chances are that you are
going to go through a few different sizes before you
nd the one you’re comfortable with. Just start withone that feels good in your hands. For the average
size new drummer, if you’re unsure where to start,
a pair of 5As are your best bet. As far as size goes,
those are pretty much in the middle. From there
you’ll decide if you want to go heavier or lighter.
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How do I know what sticks to use?
Pick up a pair of 5As and see how they feel. 5A
sticks are pretty much in the middle of all available
common sizes. Sticks are like shoes. Every drummer
uses a size most comfortable to them. You may
eventually even get used to a couple different sizes
and keep them in your bag. If a pair of sticks camewith your rst kit, don’t get too used to them. They
are not usually in mass production and were just a
cheap pair thrown in with your package. So if you
fall in love with them and they break, you most likely
wont nd the same pair on any shelf. But you will
denitely be able to nd an equivalent from a majorstick manufacturer.
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What ‘s the difference between wood
tips and nylon tips?
That is really a personal preference. Nylon tips
produce a ‘brighter’ sound on cym-bals. Wood tips
tend to rebound or ‘bounce’ better on hi-hats. Neither
will make your drums sound any different to an
audience. When you’re rst starting out, it doesn’treally matter what you use. As far as durability goes,
on higher quality sticks, nylon tips will surely last
longer than wood tips because they wont wear down
to pencils over time. But on some lesser quality sticks,
sometimes they may y off while you’re playing.
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Does the size/shape of the tip matter?
Depends. On the drums? No. On cymbals? Sometimes
signicantly, particularly on ‘ride’ work. The sound
of your ride cymbal will take on a different tone
depending on the size of the tip hitting it. There
are diamond shapes, barrel shapes, teardrops, balls;
some sticks, like Zildjian’s Absolute Rock sticks,don’t even have a tip. Both ends are butt ends. Try
some out and see which ones you like.
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What about the taper of the stick?
(Bonus Question)
I threw this one in there because most beginner’s
wont recognize the taper on a drumstick. The length
and severity of the taper (towards the tip) makes a big
difference in how it feels in your hand while you’re
playing. Many of the thicker and heavier stickshave a very short taper towards the tip, allowing
more weight at the end and producing more power.
Medium tapers are found on most general purpose
sticks, particularly in 5As and 5Bs.
And long, sleek tapers are common on thinner sticks,giving them a much lighter feel while you’re playing.
If you’re into jazz, you’ll like that.
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Are there sticks I can use to play
quieter?
Yes. Multi-rod sticks are probably the best for
situations when you need something quieter than
sticks but louder than brushes. The most common
types are Pro Mark’s Hot Rods, Cool Rods and
Thunder Rods and Vic Firth’s Tala Wands. The onlydownside is that because the stick is softer in its
construction, you won’t get the same volume out of
your ‘cross sticking’ (playing across the rim).
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What sticks can I buy that won’t break?
None, really. At least none that are worth buying. If
you’re going through a whole lot of sticks, it’s not a
stick issue. Its a technique issue. Playing with proper
hand technique saves you a fortune on sticks! As far
as which wood makes the strongest drumstick...that
would probably be Oak. But that would also make itmore brittle and prone to snapping and also, because
it’s such a hard and dense wood, they will vibrate
more in your hands. Maple is the lightest wood that
sticks are made of. They absorb dings well but heavy
hitters will snap them in no time.
So if you’re a metal banger – avoid Maple. Hickory
is the most widely common. There are other sticks
made from various high impact plastics and even
aluminum, but are usually heavier in feel and clunky.
And quite honestly, an unnecessary replacement for
proper technique.
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One of my sticks broke after
just three songs.
Unfortunately, that’s the gamble. The odd stick might
just have a weak spot in the grain and if struck in
just the right spot...boom! Toast. Most stores can’t
really warranty sticks so you may not have much
luck getting your cash back. Not that common. Butit happens.
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What do the numbers on
the stick mean?
They determine the diameter of the stick. They’re
like shoe sizes in a way. 7A, 5A, 5B and 2B are the
standard sizes and also serve as templates for about a
thousand offshoot sizes. 7A is the thinnest. 2B is the
thickest. The letters are also an indication of the therecommended application. The ‘A’ could be thought
of as ‘all purpose’. It indicates a smaller diameter.
‘B’ actually stands for ‘band’ and indicates a medium
diameter, identifying the stick as ideal for studio and
live applications. There’s also ‘S’ which stands for
‘street’ applications like drum corps and marching.They’re generally thicker for more volume.
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Are rubber dipped sticks good?
Well, they denitely work. Rubber dipped ends
improve grip while playing. But they can also
sometimes cause blistering in your ngers.
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Will aluminum sticks last longer? How
much are they?
Technically , yes. They are stronger than wood.
But they’re not completely indestructible. Plenty of
drummers still snap aluminum sticks in half. The
Ahead models feature changeable sleeves and tips,
which is good because they’re cheap to replace.Depending on your area, aluminum sticks are about
$45 to $50.
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What’s that thing that attaches to the
oor tom? You put all your sticks in it…
It’s actually a drumstick bag. When it folds out it
can clip on to the tension rods on your oor tom and
stand upright.
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DRUMHEADS
I just bought a starter drum kit How
long should the drum heads last?
The life of any drumhead depends on how often its
played. They don’t particularly put great heads on
starter kits under $500 and they’re generally quite
thin and ‘tinny’ sounding so you might nd yourself
changing them within the rst few months, either
our of necessity or by choice. Swapping them out
for a good set of Remo or Evans heads will denitely
improve the sound of your drums. Figure on spending
between $120 and $140 to outt a typical 5pce kitincluding the bass drum and excluding the bottom
(resonant) heads.
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I need to change my drumheads How
do I know what to get?
There are many different types of heads available
from single ply, double ply, clear, coated, black
heads, heads with built in mufe rings, dots for
reinforcement and even double ply heads with drops
of oil between the two plies. All were designed forspecic applications – some for all purpose, some
for a very specic sound result. Choose your heads
according to what style of music you play. For all
around applications, Remo Pinstripes or Evans G2s
are great choices, clear or coated.
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What’s the difference between clear and
coated heads?
Clear heads give you more ‘attack’ on stick impact.
Coated heads are ‘warmer’ sounding and sustain
longer, popular with jazz drummers.
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What’s the difference between single ply
and double ply heads?
Single ply heads will give you more ‘projection’ and
are good heads for live applications. But they’re also
harder to control on larger toms. Double ply heads
are more controlled, more durable and easier to tune
on bigger oor toms than clear heads.
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I’ve noticed an indent where my beater
hits the bass drum headWhat should I do?
You can put a bass drum ‘patch’ on the head to
reinforce it where it’s played. They’re available for
single and double bass drum pedals. You can triple
the life of a bass drum head just by putting a patchon it.
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Is there a difference between Remo and
Evans heads?
Only in selection. Each company makes some unique
drumheads, experimenting with ply thicknesses and
combinations, rings, dots and even vent holes, but
quality wise? The same. They are arguably the top
two drumhead manufacturers in the world.
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How do I know when my heads
need changing?
You’ll either hear it, see it, or both. The obvious
signs are if your heads look as if they’ve endured a
severe hailstorm – chances are it’s time to toss them,
or if they’ve lost their sound just from regular wear.
For snare drums in particular, you can also tell by theheight of the head compared to the rim or ‘hoop’. A
very small gap or even a head that’s sitting almost
ush with the top of the hoop is an indication that
it’s been stretched to capacity and it’s time to change
it. You’ll know for sure once you take it off and it
concaves or ‘dips’ in the middle.
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I’m changing my tom heads Do I need
to change the bottom ones too?
Normally, no. The bottom or ‘resonant’ heads can
stay on there longer because they generally don’t
suffer the same wear as the top or ‘batter’ heads.
Now they do stretch over time from just the down
forces of air inside the drum each time it’s hit but notenough to render them unusable. They can stay on
there much longer than batter heads.
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Are the bottom heads important?
Absolutely! That’s where you get all of that tone and
sustain from. The resonant head does most of the
work after the batter head is hit, helping to control the
movement of air inside the drum. What about concert
toms, you ask? Well, put it this way – there’s a reason
why you can’t nd a major drum manufacturer thatmakes concert tom drum kits anymore!
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What kind of head should I use on the
bottom of my toms?
Single ply clear. That’s it. Double ply heads are too
thick to use as resonant heads because they can’t
vibrate at the same rate as single ply heads, causing
the drum to sound thick and muddy.
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Do I need a hole in my front
bass drum head?
Only if you plan to mic it. That’s what the hole is for
– to stick a mic in it. Bass drums actually sound fuller
without a hole in the front head. With both heads
resonating freely, you’ll get more low end ‘woof’ out
of it and it sounds much bigger, particularly if you play it open or ‘off the head’. But a 5” or 6” hole
makes the bass drum punchier for those that bury the
beater into the head when they play.
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SNARE DRUMS
What size skin do I need for my
snare drum?
14”. All full size starter and intermediate drums kits
come with a 14” snare drum. Junior drum kits, which
are considerably smaller, would come with a 12”
snare drum.
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My snare drum rings a lot when I hit it
How do I get rid of that?
There are a few different ways, actually. The simplest
way is grab what’s called an ‘O-Ring for it. It’s
just a 1” to 1.5” wide mylar (same material as the
drumhead) ring that you just sit right on top of the
snare. This cuts down on the ringing signicantly.They’re about $3 and they make them for toms as
well. Another way is to change the head and grab one
with a built in o-ring or ‘mufe ring’ underneath the
head. Moon Gel’s are also great. There are aftermarket
internal and external dampening pads available, too.
In emergency situations, a couple strips of duct tapeworks. But save that for emergency situations. Duct
tape residue is hard to remove.
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Whenever I play my bass drum, my
snare drum kind of ‘rattles’Can I x that?
‘Fix’? Not really. Snare buzz, as it’s known, is natural
and unless your snares are in the off position, you’re
going to get snare buzz. But you can adjust the snare
tension by turning the little knurled knob on the snarethrow-off. If you still get excessive buzz even when
your snare wire tension is really tight – that could be
a sign that your snares are overstretched and it’s time
to change them. But this happens over time. Try and
remember to throw your snares ‘off’ when you’re not
playing.
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I want to replace my snare drum and get
a better one How much are they?
Assuming that you just want a good sounding and
affordable upgrade, gure on spending anywhere
from $160 to $250 for a good quality snare drum.
These snares are generally the ones that are included
in many of the major manufacturer’s intermediatekits. (Pearl, Tama, Yamaha, Sonor, Mapex, etc.) The
typical size is 14x5.5”.
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I want to replace my snare drum What
size should I look for?
Depends on what sound you’re going for, really. Shop
for a snare drum that will cater to your preferred style
of music. Just keep in mind that the more extreme the
size, the less versatile that snare will be. So if you’re
the type that likes to play many different styles ofmusic and your budget allows for just one snare,
13x3 is probably not a wise choice. Neither is a 14x8.
Look for something in either a 14x5.5, 14x6 or 6.5 or
even a 13x7 is cool. These sizes will offer the widest
tuning ranges.
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What’s the difference between wood and
metal snare drums?
The honest answer is that the sound difference is not
that noticeable to the ears of your average listener.
But generally, wood is warmer and more ‘full
bodied’ sounding than metal and metal snares are
much harsher and louder than wood.
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My snare wires rattle no matter how
much I tighten them Why?
They’ve most likely been stretched to capacity. It’s
probably time to change them.
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A couple of tension rods on my snare
keep coming loose after playingCan I x that?
Yes. You might nd that the ones closest to where you
actually hit the snare, particularly if you’re a rimshot
kind of player, keep coming loose. The impact is
just knocking them loose a little at a time. First off,don’t use ‘Lock Tight’. Save that stuff for plumbers
and mechanics. You can get these little white plastic
things called ‘lug locks’ that snap right on to the
tension rod which keeps them from loosening. Or
you can actually buy specially designed tension rods
that are self locking as well. They’re a little moreexpensive, but they do work. Ask your local drum
shop about them.
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I want to add a second snare drum to my
kit What can I get?
You have a couple of options here. The most common
is called a ‘piccolo’ snare. A piccolo snare is 13” or
14” in diameter, no more than 3.5” deep and available
in wood or metal. Very high pitched and loud. Then
there’s the ‘soprano’ snare. These guys are 12” andnormally 5” deep. They have a smaller diameter than
piccolos but a deeper shell to add a little body and
projection. There’s also the ‘popcorn’ snare. These
little guys are only 10” in diameter, normally 6”
deep and really loud!, especially the metal ones.
You’ve noticed that as the diameter gets smaller,the depth increases. This is to make up for the loss
in body as the shell gets smaller. A 10x3 snare, for
example, would probably sound like crap. Finally,
on the extreme end, Drum Workshop (DW) makes
something called a ‘ballad’ snare. This beast is 16”
in diameter, 10” deep and sits on legs, like your oor
tom. It is a full edged snare drum, throw-off, snare
wires and all! It’s designed for that huge, thick, snare
sound usually heard on rock and R&B ballads.
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CYMBALS
My drum kit came with hi-hats and a
crash/ride I want to add a cymbal to my
kit What should I get?
Typically your minimum set up should be hi-hats, a
crash and a ride cymbal. Chances are that your crash
ride is thin enough to use as a crash – so shop for an
affordable ride cymbal.
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How much is a crash? Does the stand
come with it?
Crash cymbals come in all makes and sizes and
typically start at 14”. So before you head into your
drum shop and ask the person behind the counter this
question, it’s good to have an idea of what you might
want or at least narrow it down for them. “How muchis a good sounding, affordable 16” crash?” would
be a better question. Your rst crash could be 14”,
16” or even 18” and you should be able to nd one
between $40 and $90, depending on the size. The
stand is always sold separately and usually starts at
around $40-$45.
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I’m looking for a ride cymbal
What’s a good size?
20” and 22” are the norm for ride cymbals. The
beginner rides are usually one weight or ‘thickness’.
Professional lines offer more choices in the same
series. Rock ride, Medium Ride, Heavy Ride, etc.
You should be able to nd a good intermediate ride between $99 and $140.
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What’s the difference between a ride and
crash cymbal?
Purpose. Rides are more for ‘color’ whereas crash
cymbals are more for accents; punctuation. Your ride
cymbal is typically the largest cymbal on your kit and
is played differently than crash cymbals, although
these days, thinner rides are popular because theyalso make fabulous crashes – and were probably the
inspiration for 19” and 20” crashes for a really big
sound.
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I want to add a splash cymbal to my
setup What size should I get?
Splash cymbals range from 6” to 12”. If you’re
starting with just one – 8” or 10” is normally a good
place to start. 6” and 12” make good additional
splashes to compliment the ones you already have.
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What’s a ‘china’ cymbal?
Chinese crashes or ‘china’s as they’re popularly
known, are those interesting looking cymbals with
their identifying ‘upside down’ appearance that
you’ve surely seen and denitely heard before. The
ange of the cymbal is turned up (or down, depending
on how you look at it) and produce a very dark, harshand trashy sound, originally modelled after the old
Chinese gongs. Although they were originally larger
in size, various companies have since introduced 14”,
12” and even 10” models with names like ‘trash’,
‘kang’ and ‘pang’.
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How can I mount my new
splash cymbal?
You don’t need an entire cymbal stand for a splash
cymbal. You have a few options, actually. You can get
a ‘grabber arm’ which is just a boom extension with
a clamp built on to it, allowing you to clamp it on to
one of your existing cymbal stands. You can also just‘piggyback’ it, upside down, on top of one of your
cymbals (a great space saver), or you can put it on a
cymbal ‘stacker’ which is just a little extension, 4” or
6” long, that replaces the wing nut on your cymbal
stand allowing you to mount one cymbal on top of
another. Looks cool, too!
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I want to add a cool effects cymbal to
my setup What can I get?
These days? Lots! There are chinas, mini-chinas,
splashes, trashes, pangs, kangs, stacks, choppers,
ice bells, cymbals with jingles, cymbals with rivets,
cymbals with holes in them, cymbals that ring and
cymbals that warble – you name it! Check out somemanufacturers websites like Zildjian, Sabian, Meinl,
Hammerax, Factory Metal, Soultone, etc. There are
some very cool and unique cymbals out there!
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I’ve noticed that some cymbals have a
really shiny nish Is that just for looks?
Actually, no. It serves a purpose. There are two main
nishes applied to cymbals. ‘Traditional’, which is
the most common, and ‘Brilliant’. There’s a high
speed bufng process added to some cymbals after
the lathing/hammering process which results in avery ‘bright and shimmering’ sound.
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What can I use to clean my cymbals?
Proper cymbal polish. There are many different
brands of cymbal polish out there. Some are all
purpose and some are specic to the type of nish on
the cymbal. Crazy John’s, for instance, was developed
specically for brilliant nish cymbals. Using this
stuff on traditional cymbals will have you scrubbingfor hours! Groove Juice has proven to be the best
cymbal cleaner for most common cymbals, brilliant
or traditional. Paiste cymbal owners are encouraged
to use only Paiste brand polish, especially on their
high end Rude and Giant Beat series. This is because
of the special coating they use on many of their lines.
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I have some brass cleaner in the house
Can I use that to clean my cymbals?
That’s debatable. Some have used it with good
results. Others, not so good. You might hear of many
home remedies for cleaning cymbals – Brasso, soap
and water, even ketchup. Yes. Ketchup! My personal
opinion? Protect your investment, keep it on the safeside and stick with the proper cymbal polishes.
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My cymbal has a crack in it
What should I do?
Unfortunately, once a cymbal is cracked, there’s not
a whole lot that you can do to save it or stop it from
eventually getting bigger. First of all, if it’s still under
warranty, take it back and get a new one, of course. If
not, some might suggest drilling a hole at the end or both ends of the crack, but it’s a temporary x at best.
This doesn’t mean that your cymbal is trash, though.
Get creative with it. Pop some rivets in it or turn it
into a stack with another cymbal.
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I want to get a good cymbal bag What
should I look for?
Most of the cheaper nylon bags are just a plain 22”
bag with no extra pockets and usually under $24. If
you have a lot of cymbals, stay away from the thinner
‘shiny’ nylon bags. The stitching is normally not able
to handle lots of weight, the straps aren’t padded andit’s probably going to rip on you eventually. Look for
a nice sturdy nylon bag with nice padding a few extra
pockets for things like extra tuning keys, dictation
and songbooks, pencils, etc. and thick, strong
stitching. A padded shoulder strap is important, too.
A reinforced bottom is available on the better bags.Leather cymbal bags are great and some, you’re able
to carry ‘backpack’ style. Figure on spending $50
to $95 on a really good bag that will protect your
investment.
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DRUMS
How long should it take me to
learn drums?
That totally depends on the person. Some take to it
very easily, others much longer. But as with anything
– you get out of it what you put into it. The more
seriously you take it and the more time you invest
in developing the physical and mental aspects to
playing the drums, the faster you’ll improve.
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Do you have to tune drums?
Many people are surprised by the answer ...but yes.
Who woulda’ thought? Learning how to tune your
drums is as important as learning how to play them.
There are many resources available to you from
YouTube to instructional DVDs dedicated to tuning.
It’s important and highly recommended that you takeadvantage of them!
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How often should I tune my drums?
Well, as often as they go out of tune, really. There are
a few factors that will affect a drum’s tuning. Extreme
humidity, extreme cold, or just neglect. You’ll know
when a drum needs a ‘tune up’ when you hit it and
it just doesn’t sound good. It could possibly be xed
with a quick turn of the right tension rod or it couldneed a full tuning from scratch.
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What’s the hole in the front bass drum
skin for?
The hole is there to accommodate the bass drum mic.
Unless you’re going to be playing on stage, you don’t
really need a hole on the front skin.
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My bass drum sounds hollow and
‘ringy’ How can I get rid of that?
Its almost always necessary to mufe a bass drum to
control all of that air moving around in the shell. The
best home remedies are either a pillow or a blanket.
Take a pillow and position it lengthwise in the shell,
so that one end is touching the front head and theother end is touching the back. You can strap it down
to the shell with two strips of duct tape just to keep
it from moving around during transport and that
should work very well. A folded blanket laid across
the bottom of the shell works well, too. There are
plenty of cool products for bass drum mufing thatyou can pick up, too. Evans and Remo offer some
really good solutions for bass drums, including some
great sounding pre-mufed bass drum heads like the
Remo Powersonic, Evans EQ series drumheads and
the Evans Emad pad.
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I need to replace all my drumheads
What sizes are my drums?
With most starter drum kits under $500, your bass
drum is 22”, your toms are 12”, 13” and 16” and your
snare is 14”. Your conguration could also be a set
of what ‘s sometimes known as ‘fusion’ sizes which
include a 20” bass drum, 10”, 12” and 14” with a14” snare drum. Get to know your kit. If you’re
measuring for size, measure the inside diameter of
the drum. Don’t include the hoop.
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I want to replace all of my drum skins,
including the bass drum How muchwould it cost me?
Figure on spending about $120 to $140 on a set of
skins for a 5pce kit, excluding the bottom (resonant)
skins.
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My drums are really loud Is there a way
that I can make them quieter when Ipractice?
Yes. They’re called ‘sound off’ or ‘mute’ pads. Vic
Firth makes them as well as HQ percussion. They
are just oppy rubber discs, cut to diameter for your
toms. You just throw them on the drums and theycut down at least 90% of the noise. You can buy
them individually or in a set, which includes pads for
cymbals as well.
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I want to dampen the sound of my
drums How can I do that?
You can get what’s called ‘O-Rings’ for your toms
and snare to control the ringing or ‘overtones’.
They’re made by Evans and they work well. Cooler,
still, are MoonGels. These things work great on
toms, snares and even cymbals. Talk to your localdrum shop about these options.
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I want to add more toms to my kit
Can I do that?
Well, yes and no. Yes you can add extra toms to
your setup, but it’s unlikely that you can order extra
drums to actually match your starter kit. The reason
being that most starter drum kit manufacturers don’t
make component drums for their kits. What you getis all you get. If you have a black kit it’s possible to
order extra drums from a different and more popular
manufacturer like Pearl or Yamaha in an intermediate
line.
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What are ‘roto-toms’?
Roto-toms are an inexpensive way to add extra drums
to your rst kit. It’s a set of three drums, which have
no shells, that all sit on a single stand. Each drum is
basically a single head that sits in a rotating aluminum
frame. The pitch of each drum can be increased or
decreased by rotating it on a threaded spindle. Thesizes are usually 6” 8” and 10” for the inexpensive
sets and usually sell for under $180.
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My drums stay in my garage Is this OK?
It’s not particularly ideal just because of the normal
year ‘round temperature changes in a garage.
Especially in the summer and winter months.
Room temperature is best for drums. If the garage
is your only option then just make sure your drums
are covered when you’re not playing them and tryto move them inside the house if the humidity gets
crazy during the summer.
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What can I use to clean my drums?
New kits will generally stay clean out of the box.
They just get a bit dusty so as long as you stay on top
of that, even with a regular household duster, they
will stay looking great. As far as actually polishing
them, you can get drum shell polish. Although its
mainly for lacquered nishes it still works great onwrap nishes and chrome. A damp cloth and a little
soap works ne, too.
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BASS DRUM PEDALS
My bass drum pedal is cheap How
much is a better one?
Figure on spending anywhere between $50 and $80
on a decent upgrade to your stock pedal.
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I want a double bass drum pedal How
much are they?
Double pedals usually start in and around the $200
to $250 mark. It’s well worth while looking into
pedals from the more popular manufacturers like
Pearl, Tama and Gibraltar. Many of the lesser known
companies will probably make a cheaper pedal, butthat will probably mean lesser quality as well. If your
local drum shop accepts trade ins, you’ll also get a
better return on the better makes if and when you
decide to trade up to a more expensive pedal.
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Is there a real difference between the
cheaper and more expensivebass drum pedals?
Yes. There is, actually. The biggest differences will be
noticed in feel and adjustability. The more expensive
(and very expensive) pedals feel noticeably smoother
and faster, have plenty of customizable adjustmentsand there are more ne details in the construction,
not to mention that they all come with a carrying
case. Cheaper pedals under $250 normally don’t.
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My bass drum pedal feels stiff when I
step on it Can I adjust it?
Yes. The spring on the side of the pedal is for the pedal
tension and it can be adjusted for a light or heavy
feel. Now keep in mind that a lighter feel going down
means slower coming up. And a heavier feel going
down means faster coming up. Because the springis tighter, it means that the beater will spring back
much faster. So if speed is what you’re after, tight is
your thing.
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My bass drum beater is worn out
Can I replace just the beater?
You sure can. There are many different beaters
available from felt to wood to plastic to even
skateboard wheel beaters. You can probably get the
same one again, one from a competing manufacturer
or you can get an aftermarket beater. The diameter onall of these different shafts are universal so any one
of them will t on your pedal.
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The beater on my pedal has a felt side
and a plastic sideWhat’s the difference?
The initial sound of the beater hitting the head.
Harder beaters like plastic and wood give you more
denition at the initial strike of the head. Drummers
that are fast with the double footwork like this because it gives those notes more denition.
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What’s the difference between straps
and chains on bass drum pedals?
Feel, mainly. The strap has a faster feel going down,
which double bass drummers like, but they also have
a bit more lag on the upstroke. Chain drive pedals are
just more durable and provide a fairly even feel on
both the down and the upstroke.
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What’s a ‘direct drive’ bass drum pedal?
Direct drive pedals feature a metal bar in place of the
strap or chain, directly connecting the pedal to the
drive shaft and are probably the best feeling pedals
available, providing superior feel on both the down
and the upstroke with virtually 0% lag. There’s little
to no maintenance to these pedals but they’re also a bit more expensive.
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Is there a difference between a single
chain and double chains on a pedal?
Mainly in durability. The double chain also provides
a smoother and more solid feel than the single
chain, which is found mainly on the entry level to
intermediate level pedals.
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My double bass drum pedal ‘clicks’
when I step on the left pedalHow can I x it?
This will require some close inspection. The answer
could be in a loose tension rod on the connecting bar,
or it could be that one of the tiny, and sometimes
hard to spot, allan key bolts came loose. Check the beater, the connecting bar and the drive shaft on the
left pedal for any loose rods or nuts. If none of that
works, then the problem could be in the bearings.
Take it back to your drum shop and ask them to look
at it.
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On my double bass drum pedal, the left
side feels slower than the right? What’swrong with my pedal?
Most likely? Nothing. It’s just the nature of the
construction of the pedal. The left pedal is now
about 10” to 14” away from the actual beater and
the connecting rod will add lag and naturally slow itdown a bit. The right pedal is directly under its beater
and will obviously feel faster than the left. On much
higher end double pedals like Pearl’s Demon Drive,
DW’s 9000s, Axis’ Longboards and Trick’s Pro-V,
the Lamborghini of double pedals, this problem is
given much more attention to in their design and thelag on these pedals is far less noticeable if it even
exists at all. Of course, these pedals are also in the
$650 to $1000 price range! If you paid under $200
for your pedal, it will be even more noticeable. But
it’s not a defect. It’s just what it is.
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STANDS & HARDWARE
I want to add a cymbal stand to my kit
How much are they?
Figure on spending anywhere from $40 to $65 for a
beginner lightweight stand and between $45 to $75
for a good lightweight boom stand.
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What’s the difference between a boom
stand and a straight stand?
A boom stand has a ‘boom’ extension on it to allow
for more exibility and more reach for positioning a
cymbal. A straight stand is basically what it sounds
like – straight up, no boom and is more for close
positioning.
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Is it OK to use a cymbal stand without
the plastic sleeve on it?(Bonus Question)
NO! Your cymbals should never make direct contact
with the stand. The constant force and friction
created when you hit the cymbal will cause the hole
to bend, crack or develop what’s called a keyhole.Keyhole’ing happens when the bare metal thread post
wears right up against the hole as the cymbal moves
up and down after you hit it. Not good! It can void
the warranty on your cymbal as well. Always make
sure there’s a plastic sleeve on the stand. If yours
wears out, replace it. You can get just the sleeve itselfor a sleeve with the cymbal seat attached. Both are
available in packs of four for around $10 per pack.
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I want a new hi hat stand
How much are they?
You can gure on spending between $70 and $85
for a good affordable hi hat stand upgrade from your
starter hi hat stand.
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I just picked up a double bass pedal and
now I can’t set up my hi hat stand rightWhat can I do?
Unfortunately there’s not much you can do with your
current stand. Here’s why. On most inexpensive hi
hat stands, especially the ones included with the
starter kits, the legs are xed and don’t move. Youronly real option is to upgrade to a better stand. On
most good quality aftermarket hi hat stands, the legs
rotate 360 degrees. This allows double bass users
to simply move the leg out of the way of the left
bass pedal. There are also some very good two leg
design hi hat stands available from companies likePearl, Yamaha and Tama which eliminates the need
to move anything. The two legs are completely out of
the way of the left pedal. Two leg hi hat stands start
around the $145 range and go up from there.
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I just picked up a splash cymbal What
kind of stand should I get for it?
You don’t need a whole stand for your splash cymbal.
You can just get what’s called a ‘grabber arm’. It’s a
boom arm with a clamp attached to it. You can just
clamp the arm off of one of your existing stands and
put your splash on that. Grabber arms are generallygood for any cymbal up to 12”.
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My hi hat stand is broken When I step
on the pedal, it goes right to the oorand the hi hats don’t move!
Don’t fret just yet. Your stand might not be broken.
The hi hat pull rod simply may have come detached.
Try removing the hats from the stand, loosen the the
wing nut in the middle of the stand and remove thetop post. The hi hat pull rod threads in to the bottom
half of the stand and it connects at the middle of the
stand. Sometimes just from repeated up/down motion
of the pedal, the rod starts to gradually loosen until it
just comes out. Just thread it back in and you’re back
in business.
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My bottom hi hat cymbal doesn’t sit
straight It’s kind of sitting on a slantHow do I x it?
Actually, you don’t. You might have noticed that on
the underside of the plastic hi hat seat, there’s a little
screw. This is actually an adjustment screw for the
bottom hi hat cymbal to adjust the level of ‘tilt’. The bottom cymbal is actually supposed to sit on a slight
angle to improve contact with the top cymbal when
you play the hats with the left foot. With the top and
bottom cymbals both sitting completely level, you
wont get much of a sound when they connect.
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What’s a ‘drum rack’?
How much are they?
A drum rack is a bar based system designed to cut
down on set up time and save oor space under a
drum kit by eliminating the need for multiple cymbal
stands. Whatever you currently have on your kit
that’s mounted on your bass drum or sitting on astand, can all be mounted on a rack system. Popular
companies offering rack systems are Yamaha,
Pearl, Pacic Drums (PDP), and Gibraltar, which is
probably the company offering the most exible and
expandable rack systems for drums. Simple front bar
rack systems start around $150 to $450, dependingon the manufacturer.
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ACCESSORIES &
GADGETS
I just got my drums Is there a good
book or DVD that I can get for learning?
Plenty! If you’re asking for specic titles, there arethree that you should never be without.
• Syncopation by Ted Reed (book)
• Stick Control by George Lawrence Stone (book)
• Secret Weapons For The Modern Drummer by
Jojo Mayer (DVD)
In the meantime, take advantage of the web as there is
denitely no shortage of free instructional resources
(articles, websites, Youtube, etc) on the internet. You
can search for whatever tip or technique you want to
learn and you’ll be there for hours looking at videos
and reading articles.
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What’s a ‘Drum Dial’? Do I need one?
It’s a tuning aid; a little gadget used to measure the
tension directly in front of the tension rod on a drum.
Its a way to ensure that all of your lugs are tuned to
the same tension. Is it necessary? Not really. You can
achieve the same result with two drum keys and a
little practice.
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I need a metronome
What should I be looking for?
Depends. Do you want one just for working out on
a practice pad? Or will you be playing the kit with
it? Cheaper metronomes, generally under $40 are
good for pad workouts but don’t provide enough
volume when you start playing the drums, even withheadphones or ear buds on. Professional metronomes
designed for performing and practicing on the drums
are a little larger in size and have more features,
including back-lit display, trigger start/stop and the
option of saving a series of tempos in consecutive
sequence, which is great for set lists. They also provide the appropriate volume needed while you’re
playing the kit. These metronomes or ‘clicks’ usually
start around the $85 mark and can get up to $300.
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What are ‘drummers gloves’?
Drummers gloves resemble the batting gloves that
baseball players use. Some drummers use them to
improve grip when their hands start to sweat. The
only drawback to consider is that your hands can
sometimes get hot in those things.
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I need a new drum seat What’s the
differences and price ranges?
There are a few different types of drum thrones
available and range from $40 right to about $400.
the cheapest thrones, typically included in beginner
drum kits under $500 are pretty light in construction
and actually have a weight limit. These ones just havea pin setting for seat height and are the cheapest of
the bunch. The next type of throne features a smooth
post for height adjustment along with a collar lock to
keep you from slowly sinking while you’re grooving.
These ones are good intermediate and general duty
thrones for the occasional drummer and hobbyist.Prices range from $50 to $140ish. Serious drummers
looking for something heavy duty will want a good,
double braced, thick seated throne with a threaded
post for ‘swivel’ height adjustment. Most are three-
legged and some are four-legged for superior stability.
Prices range from about $150 to $400. Models with
back support start around $230ish.
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I need a good practice pad
What should I be looking for?
Nothing special, really. There is no practice pad on
the market that’s actually bad. But there are some
that are better than others and there are quite a bit
to choose from. There are table top models, strap on
models, pads that can thread onto a cymbal stand, pads that can sit on a snare stand, double sided pads,
pads with simulated snare sounds, multi-surface pads
and even models with removable and re-positionable
pads. Full practice pad kits are available, too. Cheaper
single pads start around $12 and size up around 8”.
These will get the job done ne for general practicing.Larger 12” pads range from about $15 to $45.
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What’s a ‘drop clutch’?
A drop clutch is a modied two piece version of a
regular hi hat clutch that allows you to play your hats
in the closed position while playing your double kick
pedal. There’s a little lever that you strike with the
stick; this releases the top cymbal allowing you to
continue to riff on the double kick while playing thehats. To raise the top hat again, you just step on the
pedal again. Drop clutches range from $14 to $20.
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I just bought a cowbell
How can I mount it?
Depends on where you want to put it. There’s a mount
available for any situation. You can get a bass drum
accessory mount if you want it beside your leg, or if
you want it to mount off one of your cymbal stands
- there’s a mount for that, too. Some ask if they canmount it off their hi hat rod. Technically, yes. But
keep in mind that it will add weight to the rod, which
is threaded, and it’s most likely going to spin around
on you while you’re playing.
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What’s the difference between a cheap
cowbell and an expensive one?
Mainly where it attaches to the mount. Cheaper
cowbells just have a threaded wing nut or key bolt
to attach the bell to the mount, which just pushes
up against the mounting post to keep it tight. The
problem with that is that sometimes with constanthitting it can come loose and your cowbell will
drop down - which can be annoying. Better quality
cowbells have an ‘eye bolt’, which pulls against the
mounting post when you tighten the key, pretty much
eliminating the problem of slippage. They also sound
better.
7/21/2019 The Beginner Drummers Handbook
http://slidepdf.com/reader/full/the-beginner-drummers-handbook 91/91
I hope this helps. There are
probably, and hopefully more
questions that you’ll have
about drums and drumming.
Remember that there is no
shortage of resources for
learning. take advantage of
all of them. Every question
you ask is an investment into
your craft.
Have fun!
www.robbrownondrums.com