N 06317 Paper II Mass Comm and Journlism · 2019-09-29 · N-06317 !N-06317-PAPER-II! 2 Paper-II...

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Signature and Name of Invigilator

1. (Signature)

(Name)

2. (Signature)

(Name) Roll No.

(In words)

Roll No.

(In figures as per admission card)

PAPER - IIMASS COMMUNICATION AND

JOURNALISMTime : 1¼ hours] [Maximum Marks : 100

Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50

Instructions for the Candidates1. Write your roll number in the space provided on the top of

this page.2. This paper consists of fifty multiple-choice type of questions.3. At the commencement of examination, the question booklet

will be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below :(i) To have access to the Question Booklet, tear off the

paper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.

(ii) Tally the number of pages and number of questions inthe booklet with the information printed on the coverpage. Faulty booklets due to pages/questions missingor duplicate or not in serial order or any otherdiscrepancy should be got replaced immediately by acorrect booklet from the invigilator within the periodof 5 minutes. Afterwards, neither the Question Bookletwill be replaced nor any extra time will be given.

(iii) After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR SheetNumber should be entered on this Test Booklet.

4. Each item has four alternative responses marked (1), (2), (3)and (4). You have to darken the circle as indicated below onthe correct response against each item.

Example : where (3) is the correct response.

5. Your responses to the items are to be indicated in the OMRSheet given inside the Booklet only. If you mark yourresponse at any place other than in the circle in the OMRSheet, it will not be evaluated.

6. Read instructions given inside carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your Name, Roll Number, Phone Number or

put any mark on any part of the OMR Sheet, except for thespace allotted for the relevant entries, which may discloseyour identity, or use abusive language or employ any otherunfair means, such as change of response by scratching orusing white fluid, you will render yourself liable todisqualification.

9. You have to return the original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You arehowever, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.

10. Use only Blue/Black Ball point pen.

11. Use of any calculator or log table etc., is prohibited.

12. There are no negative marks for incorrect answers.

13. In case of any discrepancy in the English and Hindi versions,English version will be taken as final.

¬⁄UˡÊÊÁÕ¸ÿÙ¢ ∑§ Á‹∞ ÁŸŒ¸‡Ê1. ß‚ ¬ÎDU ∑§ ™§¬⁄U ÁŸÿà SÕÊŸ ¬⁄U •¬ŸÊ ⁄UÙ‹U Ÿê’⁄U Á‹Áπ∞–2. ß‚ ¬˝‡Ÿ-¬òÊ ◊¢ ¬øÊ‚ ’„ÈÁfl∑§À¬Ëÿ ¬˝‡Ÿ „Ò¥–3. ¬⁄UˡÊÊ ¬˝Ê⁄êU÷ „ÙŸ ¬⁄U, ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê •Ê¬∑§Ù Œ ŒË ¡ÊÿªË– ¬„‹U ¬UÊ°ø Á◊Ÿ≈U

•Ê¬∑§Ù ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ÃÕÊ ©‚∑§Ë ÁŸêŸÁ‹Áπà ¡Ê°ø ∑§ Á‹∞ ÁŒÿ¡Êÿ¢ª, Á¡‚∑§Ë ¡Ê°ø •Ê¬∑§Ù •fl‡ÿ ∑§⁄UŸË „Ò —(i) ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ∑§ Á‹∞ ¬ÈÁSÃ∑§Ê ¬⁄U ‹ªË ∑§Êª¡ ∑§Ë ‚Ë‹ ∑§Ê

»§Ê«∏ ‹¢U– πÈ‹Ë „È߸ ÿÊ Á’ŸÊ S≈UË∑§⁄U-‚Ë‹U ∑§Ë ¬ÈÁSÃ∑§Ê SflË∑§Ê⁄U Ÿ ∑§⁄¢U–(ii) ∑§fl⁄U ¬ÎDU ¬⁄U ¿U¬ ÁŸŒ¸‡ÊÊŸÈ‚Ê⁄U ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ∑§ ¬ÎDU ÃÕÊ ¬˝‡ŸÙ¢ ∑§Ë

‚¢ÅÿÊ ∑§Ù •ë¿UË Ã⁄U„ øÒ∑§ ∑§⁄U ‹¢U Á∑§ ÿ ¬Í⁄U „Ò¢U– ŒÙ·¬Íáʸ ¬ÈÁSÃ∑§ÊÁ¡Ÿ◊¢ ¬ÎDU/¬˝‡Ÿ ∑§◊ „Ù¢ ÿÊ ŒÈ’Ê⁄UÊ •Ê ªÿ „Ù¢ ÿÊ ‚ËÁ⁄Uÿ‹U ◊¢ Ÿ „Ù¢•ÕʸØ Á∑§‚Ë ÷Ë ¬˝∑§Ê⁄U ∑§Ë òÊÈÁ≈U¬Íáʸ ¬ÈÁSÃ∑§Ê SflË∑§Ê⁄U Ÿ ∑§⁄¢U ÃÕÊ©‚Ë ‚◊ÿ ©‚ ‹Uı≈UÊ∑§⁄U ©‚∑§ SÕÊŸ ¬⁄U ŒÍ‚⁄UË ‚„Ë ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ‹‹¢– U ß‚∑§ Á‹∞ •Ê¬∑§Ù ¬Ê°ø Á◊Ÿ≈U ÁŒÿ ¡Êÿ¢ª– ©‚∑§ ’ÊŒ Ÿ Ãٕʬ∑§Ë ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê flʬ‚ ‹Ë ¡ÊÿªË •ı⁄U Ÿ „Ë •Ê¬∑§Ù •ÁÃÁ⁄UQ§‚◊ÿ ÁŒÿÊ ¡ÊÿªÊ–

(iii) ß‚ ¡Ê°ø ∑§ ’ÊŒ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ∑§Ê Ÿ¥’⁄U OMR ¬òÊ∑§ ¬⁄U •¢Á∑§Ã ∑§⁄¢U•Uı⁄U OMR ¬òÊ∑§ ∑§Ê Ÿ¥’⁄U ß‚ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ¬⁄U •¢Á∑§Ã ∑§⁄U Œ¢–

4. ¬˝àÿ∑§ ¬˝‡Ÿ ∑§ Á‹∞ øÊ⁄U ©ûÊ⁄U Áfl∑§À¬ (1), (2), (3) ÃÕÊ (4) ÁŒÿ ªÿ „Ò¢–•Ê¬∑§Ù ‚„Ë ©ûÊ⁄U ∑§ flÎûÊ ∑§Ù ¬Ÿ ‚ ÷⁄U∑§⁄U ∑§Ê‹Ê ∑§⁄UŸÊ „Ò ¡Ò‚Ê Á∑§ ŸËøÁŒπÊÿÊ ªÿÊ „Ò–©ŒÊ„⁄UáÊ — ¡’Á∑§ (3) ‚„Ë ©ûÊ⁄U „Ò–

5. ¬˝‡ŸÊ¥ ∑§ ©ûÊ⁄U ∑§fl‹ ¬˝‡Ÿ ¬ÈÁSÃ∑§Ê ∑§ •ãŒ⁄U ÁŒÿ ªÿ OMRU ¬òÊ∑§ ¬⁄U „Ë•¥Á∑§Ã ∑§⁄UŸ „Ò¥– ÿÁŒ •Ê¬ OMRU ¬òÊ∑§ ¬⁄U ÁŒÿ ªÿ flÎûÊ ∑§ •‹ÊflÊ Á∑§‚Ë•ãÿ SÕÊŸ ¬⁄U ©ûÊ⁄U ÁøqÊ¢Á∑§Ã ∑§⁄Uà „Ò¥, ÃÙ ©‚∑§Ê ◊ÍÀUÿÊ¢∑§Ÿ Ÿ„Ë¢ „٪ʖ

6. •ãŒ⁄U ÁŒÿ ªÿ ÁŸŒ¸‡ÊÙ¢ ∑§Ù äÿÊŸ¬Ífl¸∑§ ¬…∏¢U–7. ∑§ìÊÊ ∑§Ê◊ (Rough Work) ß‚ ¬ÈÁSÃ∑§Ê ∑§ •ÁãÃ◊ ¬ÎDU ¬⁄U ∑§⁄¢U–8. ÿÁŒ •Ê¬ OMR ¬òÊ∑§ ¬⁄U ÁŸÿà SÕÊŸ ∑§ •‹ÊflÊ •¬ŸÊ ŸÊ◊, ⁄UÊ‹ Ÿê’⁄U,

»§ÊŸ Ÿê’⁄U ÿÊ ∑§Ê߸ ÷Ë ∞‚Ê Áøq Á¡‚‚ •Ê¬∑§Ë ¬„øÊŸ „Ê ‚∑§, •¥Á∑§Ã ∑§⁄UÄҥ •ÕflÊ •÷Œ˝ ÷Ê·Ê ∑§Ê ¬˝ÿʪ ∑§⁄Uà „Ò¥, ÿÊ ∑§Ê߸ •ãÿ •ŸÈÁøà ‚ÊœŸ ∑§Ê¬˝ÿʪ ∑§⁄Uà „Ò¥, ¡Ò‚ Á∑§ •¥Á∑§Ã Á∑§ÿ ªÿ ©ûÊ⁄U ∑§Ê Á◊≈UÊŸÊ ÿÊ ‚»§Œ SÿÊ„Ë ‚’Œ‹ŸÊ ÃÊ ¬⁄UˡÊÊ ∑§ Á‹ÿ •ÿÊÇÿ ÉÊÊÁ·Ã Á∑§ÿ ¡Ê ‚∑§Ã „Ò¥–

9. •Ê¬∑§Ù ¬⁄UˡÊÊ ‚◊Ê# „ÙŸ §¬⁄U ◊Í‹ OMR ¬òÊ∑§ ÁŸ⁄UˡÊ∑§ ◊„ÙŒÿ ∑§Ù ‹Uı≈UÊŸÊ•Êfl‡ÿ∑§ „Ò •ı⁄U ¬⁄UˡÊÊ ‚◊ÊÁ# ∑§ ’ÊŒ ©‚ •¬Ÿ ‚ÊÕ ¬⁄UˡÊÊ ÷flŸ ‚ ’Ê„⁄UŸ ‹∑§⁄U ¡Êÿ¢– „Ê‹Ê¥Á∑§ •Ê¬ ¬⁄UˡÊÊ ‚◊ÊÁ# ¬⁄U ◊Í‹ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ÃÕÊ OMR¬òÊ∑§ ∑§Ë «ÈUå‹Ë∑§≈U ¬˝Áà •¬Ÿ ‚ÊÕ ‹ ¡Ê ‚∑§Ã „Ò¥–

10. ∑§fl‹ ŸË‹/∑§Ê‹ ’Ê‹U åflÊßZ≈U ¬Ÿ ∑§Ê „Ë ¬˝ÿʪ ∑§⁄¢U–11. Á∑§‚Ë ÷Ë ¬˝∑§Ê⁄U ∑§Ê ‚¢ªáÊ∑§ (∑Ò§‹∑ȧ‹≈U⁄U) UÿÊ ‹Êª ≈U’‹ •ÊÁŒ ∑§Ê

¬˝ÿÙª flÁ¡¸Ã „Ò–12. ª‹Ã ©ûÊ⁄UÊ¥ ∑§ Á‹∞ ∑§Ê߸ Ÿ∑§Ê⁄UÊà◊∑§ •¥∑§ Ÿ„Ë¥ „Ò¥–13. ÿÁŒ •¥ª˝¡Ë ÿÊ Á„¥ŒË Áflfl⁄UáÊ ◊¥ ∑§Ê߸ Áfl‚¥ªÁà „Ê, ÃÊ •¥ª˝¡Ë Áflfl⁄UáÊ •¥ÁÃ◊

◊ÊŸÊ ¡Ê∞ªÊ–

OMR Sheet No. : .......................................................... (To be filled by the Candidate)

N 1 76 3

1 P.T.O.N-06317 !N-06317-PAPER-II!

0

2N-06317 !N-06317-PAPER-II! Paper-II

MASS COMMUNICATION AND JOURNALISM

PAPER - II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questionsare compulsory.

1. Aurobindo Ghosh’s Journal was :

(1) Satyavadini (2) Dharma

(3) Swadesimitran (4) Bala Bharathi

2. __________ are arbitrary, abstract and represent unseen phenomena.

(1) Symbols (2) Signs

(3) Rules (4) Codes

3. Priming effect of Leonard Berkowitz focusses on :

(1) Political manipulations (2) Television Violence

(3) Individualism (4) Personal Relations

4. Who is the author of the book ‘Pen as my sword’ ?

(1) K. Rama Rao (2) S.K. Rau

(3) M. Chalapathi Rao (4) S. Prakasa Rao

5. The information processing theory argues that our cognitive resources are :

(1) Large (2) Superflous

(3) Limited (4) Unreliable

6. The positioning of news stories to highlight some aspects of a political issue is known as :

(1) Frame of reference (2) Semantic noise

(3) Homophily (4) Priming

3 Paper-IIN-06317 !N-06317-PAPER-II!

¡Ÿ‚¥øÊ⁄U •ÊÒ⁄U ¬òÊ∑§ÊÁ⁄UÃÊ

¬˝‡Ÿ¬òÊ - II

ŸÊ≈U — ß‚ ¬˝‡Ÿ¬òÊ ◊¥ ¬øÊ‚U (50) ’„È-Áfl∑§À¬UËÿ ¬˝‡Ÿ „Ò¥– ¬˝àÿ∑§ ¬˝‡Ÿ ∑§ ŒÙ (2) •¢∑§ „Ò¥– ‚÷Ë ¬˝‡Ÿ •ÁŸflÊÿ¸„Ò¥U–

1. •⁄UÁ’¥ŒÊ ÉÊÊ· ∑§Ë ¬ÁòÊ∑§Ê ÕË —

(1) ‚àÿflÊÁŒŸË (2) œ◊¸

(3) SflŒ‡ÊËÁ◊òÊÊŸ (4) ’Ê‹ ÷Ê⁄UÃË

2. ___________ ÿÊŒÎÁë¿U∑§ „Ò, ¡Ê •ŒÎ‡ÿ ¬Á⁄UÉÊ≈UŸÊ ∑§Ê ‚Ê⁄U „Ò •ÊÒ⁄U ©‚ ¬˝SÃÈà ∑§⁄UÃÊ „Ò–

(1) ¬˝ÃË∑§ (2) ‚¥∑§Ã

(3) ÁŸÿ◊ (4) ∑§Ê«U

3. Á‹ÿÊŸÊ«¸U ’∑§Ê¸Áfl≈˜U¡ ∑§Ê ¬˝ÊÕÁ◊∑§ÃÊ ∑§Ê ¬˝÷Êfl ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚ ¬⁄U ¬˝∑§Ê‡Ê «Ê‹ÃÊ „Ò?

(1) ⁄UÊ¡ŸËÁÃ∑§ ¿U‹ ¬˝¬¥ø (2) ≈U‹ËÁfl¡Ÿ Á„¥‚Ê

(3) √ÿÁÄàÊflÊŒ (4) flÒÿÁÄàÊ∑§ ‚¥’¥œ

4. “¬ÒŸ ∞¡ ◊Ê߸ ‚ÊÒ«¸U” ŸÊ◊∑§ ¬ÈSÃ∑§ ∑§ ‹π∑§ ÁŸêŸÁ‹Áπà ◊¥ ‚ ∑§ÊÒŸ „Ò¥?

(1) ∑§Ê≈U◊⁄UÊ¡Í ⁄UÊ◊Ê ⁄UÊfl (2) ∞‚.∑§. ⁄UÊfl

(3) ∞◊. ø‹Ê¬Áà ⁄UÊfl (4) ∞‚. ¬˝∑§Ê‡Ê ⁄UÊfl

5. ‚ÍøŸÊ ¬˝Á∑˝§ÿÊ Á‚hÊãà ÿ„ Ã∑¸§ ŒÃÊ „Ò Á∑§ „◊Ê⁄U ôÊÊà ‚¥‚ÊœŸ „Ò¥ —

(1) √ÿʬ∑§ (2) •ÁÃÁ⁄UÄàÊ

(3) ‚ËÁ◊à (4) •Áfl‡fl‚ŸËÿ

6. ‚◊ÊøÊ⁄U ‹πÊ¥ ∑§Ê ß‚ ¬˝∑§Ê⁄U ⁄UπŸÊ Á∑§ ©Ÿ‚ ⁄UÊ¡ŸËÁÃ∑§ ◊ÈŒ˜Œ ∑§ ∑ȧ¿U ¬„‹È•Ê¥ ∑§Ê ©¡Êª⁄U Á∑§ÿÊ ¡Ê∞, ÁŸêŸÁ‹ÁπÃ◊¥ ‚ ÄÿÊ ∑§„‹ÊÃÊ „Ò?

(1) ‚¥Œ÷¸ ∑§Ê ŒÊÿ⁄UÊ (2) •Õ¸Áfl·ÿ∑§ ‚¥∑§Ã

(3) „Ê◊ÊÁ»§‹Ë (4) ¬˝ÊÕÁ◊∑§ÃÊ

4N-06317 !N-06317-PAPER-II! Paper-II

7. Which folk drama is known for its humour and social criticism ?

(1) Yakshagana of Karnataka (2) Nautanki of Uttar Pradesh

(3) Kariyala of Himachal Pradesh (4) Mohiniyattam of Kerala

8. Deliberate manipulation of communication was referred to as :

(1) Campaigning (2) Propaganda (3) Advertising (4) Gossip

9. The concept of structural violence as related to mass communication can be traced to :

(1) Johann Galtung (2) Jacob Thompson

(3) William Parker (4) Mark Pearson

10. The lack of access to communication technology among people of different races, the poor,the disabled and the rural communities is known as :

(1) Group conformity (2) Technically savvy

(3) Group deviance (4) Digital divide

11. The ‘Copyright day’ is observed on :

(1) February 01 (2) October 15 (3) July 05 (4) April 23

12. Holism refers to :

(1) Interdependent systems exchange information

(2) Consists of sub-systems and supra-system affects every other part

(3) System have boundaries that separate them

(4) Interpenetrating systems freely exchange information

13. Logo is an identifying mark of a :

(1) Product (2) Company (3) Person (4) Purchaser

14. Bernard Berelson developed the research method :

(1) Content analysis (2) Telephone interview

(3) Action research (4) Focus group discussion

5 Paper-IIN-06317 !N-06317-PAPER-II!

7. ÁŸêŸÁ‹Áπà ◊¥ ‚ ∑§ÊÒŸ-‚Ê ‹Ê∑§ ŸÊ≈U∑§ „¥‚Ë-◊¡Ê∑§ •ÊÒ⁄U ‚Ê◊ÊÁ¡∑§ •Ê‹ÊøŸÊ ∑§ Á‹∞ ¡ÊŸÊ ¡ÊÃÊ „Ò?

(1) ∑§ŸÊ¸≈U∑§ ∑§Ê ÿˇÊªÊŸ (2) ©ûÊ⁄U ¬˝Œ‡Ê ∑§Ë ŸÊÒ≈¥U∑§Ë

(3) Á„◊Êø‹ ¬˝Œ‡Ê ∑§Ê ∑§Á⁄UÿÊ‹Ê (4) ∑§⁄U‹ ∑§Ê ◊ÊÁ„ÁŸÿ≈˜U≈U◊

8. ‚¥øÊ⁄U ‚ ¡ÊŸ’ͤÊ∑§⁄U ∑§Ë ªÿË ¿U«∏Ê¿UÊ«∏Ë ∑§Ê ∑§„Ê ¡ÊÃÊ ÕÊ —

(1) •Á÷ÿÊŸ (2) ¬˝øÊ⁄U (3) ÁflôÊʬŸ (4) •»§flÊ„

9. ¡Ÿ‚¥øÊ⁄U ‚ ‚ê’㜠…UÊ¥øʪà Á„¥‚Ê ∑§Ê dÊ ß¥ÁªÃ „ÊÃÊ „Ò —

(1) ¡Ê„ÊŸ ª‹≈È¥Uª (2) ¡∑§Ê’ ÕÊÒ◊‚Ÿ

(3) ÁflÁ‹ÿ◊ ¬Ê⁄U∑§⁄U (4) ◊Ê∑¸§ Á¬ÿ⁄U‚Ÿ

10. •‹ª-•‹ª ŸS‹Ê¥, ª⁄UË’Ê¥, •¬¥ª ‹ÊªÊ¥ •ÊÒ⁄U ª˝Ê◊ËáÊ ‚◊ÈŒÊÿ ∑§ ‹ÊªÊ¥ ◊¥ ‚¥øÊ⁄U ¬˝ÊÒlÊÁª∑§Ë Ã∑§ ¬„È°ø ∑§Ë ∑§◊Ë ∑§ÊÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚∑§ M§¬ ◊¥ ¡ÊŸÊ ¡ÊÃÊ „Ò?

(1) ‚◊Í„ •ŸÈM§¬ÃÊ (2) Ã∑§ŸË∑§Ë ‹‹∑§

(3) ‚◊Í„ Áfl¬ÕŸ (4) Á«UÁ¡≈U‹ Áfl÷Ê¡Ÿ

11. “∑§ÊÚ¬Ë⁄UÊß≈U ÁŒfl‚” ◊ŸÊÿÊ ¡ÊÃÊ „Ò —

(1) 01 »§⁄Ufl⁄UË ∑§Ê (2) 15 •ÄÃÍ’⁄U ∑§Ê (3) 05 ¡È‹Ê߸ ∑§Ê (4) 23 •¬˝Ò‹ ∑§Ê

12. ‚¥¬ÍáʸÃÊ ‚ ÃÊà¬ÿ¸ „Ò —

(1) SflÃ¥òÊ ¬˝áÊÊ‹Ë ÁflÁŸÿ◊ ‚ÍøŸÊ

(2) ¬˝àÿ∑§ •ãÿ ÷ʪ ¬⁄U ©¬-¬˝áÊÊ‹Ë •ÊÒ⁄U ©ìÊ ¬˝áÊÊ‹Ë ∑§Ê ¬˝÷Êfl ’ŸÊ ⁄U„ŸÊ

(3) ¬˝áÊÊ‹Ë ∑§Ë ‚Ë◊Ê∞¥ „ÊÃË „Ò¥ ¡Ê ©ã„¥ ¬ÎÕ∑§ ∑§⁄UÃË „Ò¥

(4) ◊ÈÄàÊ ÁflÁŸ◊ÿ ‚ÍøŸÊ ∑§Ë •¥Ã—¬˝ÁflÁc≈U ¬˝áÊÊ‹Ë

13. ‹ÊªÊ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚∑§Ê ¬„øÊŸ Áøq „Ò?

(1) ©à¬ÊŒ (2) ∑¥§¬ŸË (3) √ÿÁÄàÊ (4) ∑˝§ÃÊ

14. ’ŸÊ¸«¸U ’⁄UÀ‚Ÿ Ÿ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚ •ŸÈ‚¥œÊŸ ∑§Ë ÁflÁœ Áfl∑§Á‚à ∑§Ë „Ò?

(1) Áfl·ÿ-flSÃÈ Áfl‡‹·áÊ (2) ≈U‹Ë»§ÊŸ ‚ÊˇÊÊà∑§Ê⁄U

(3) Á∑˝§ÿÊÁŸc∆U •ŸÈ‚¥œÊŸ (4) »§Ê∑§‚ ‚◊Í„ øøʸ

6N-06317 !N-06317-PAPER-II! Paper-II

15. Purposive Sampling is not amenable to :

(1) Field work (2) Testing

(3) Descriptive statistics (4) Inferential statistics

16. The textuality of television is considered as :

(1) Limited (2) Indeterminate (3) Monosemy (4) Inter-textual

17. The Limited Effect Theory was developed by :

(1) Coillion Cowper (2) John Abraham

(3) Elihu Katz (4) Joseph Klapper

18. In innovation diffusion theory, those who directly influence early adopters are known as :

(1) Rejectors (2) Enforcers (3) Commentators (4) Change agents

19. DPA is a news agency of __________.

(1) Spain (2) Sweden (3) Finland (4) Germany

20. Identify the scale which is simply a system of assigning numbers to events :

(1) Ordinal scale (2) Internal scale (3) Nominal scale (4) Ratio scale

21. E.M. Rogers’ work of ‘diffusion of innovations’ illustrates the power of :

(1) Meta-analysis (2) Content analysis

(3) Group analysis (4) Cognitive effects

22. Most commonly used method specially in studies relating to behavioural sciences :

(1) Observation Method (2) Survey Method

(3) Interview Method (4) Content Analysis Method

7 Paper-IIN-06317 !N-06317-PAPER-II!

15. ‚¬˝ÿÊ¡Ÿ ¬˝ÁÃøÿŸ ÁŸêŸÁ‹Áπà ÁSÕÁÃÿÊ¥ ◊¥ ‚◊ÊÁ„à Ÿ„Ë¥ Á∑§ÿÊ ¡Ê ‚∑§ÃÊ „Ò —

(1) »§ËÀ«U ∑§Êÿ¸ (2) ¬⁄UˡÊáÊ

(3) Áflfl⁄UáÊÊà◊∑§ ‚Ê¥ÁÅÿ∑§Ë (4) •ÊŸÈ◊ÊÁŸÃ ‚Ê¥ÁÅÿ∑§Ë

16. ≈U‹ËÁfl¡Ÿ ∑§Ë ‚Ê⁄UªÁ÷¸ÃÊ ∑§Ê ‚◊¤ÊÊ ¡ÊÃÊ „Ò —

(1) ‚ËÁ◊à (2) •◊ˬ (3) ∞∑§ÊÕ¸ (4) •¥Ã— ¬Ê∆U

17. ‚ËÁ◊à ¬˝÷Êfl Á‚hÊãà ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚Ÿ Áfl∑§Á‚à Á∑§ÿÊ ÕÊ?

(1) ∑§ÊÁ‹Ÿ ∑§ÊÚ¬⁄U (2) ¡ÊÚŸ •’˝Ê„◊

(3) ∞Á‹ ∑§≈˜U¡ (4) ¡Ê‚»§ Ä‹Ò¬⁄U

18. Ÿfl¬˝fløŸ Áfl‚⁄UáÊ Á‚hÊãà ◊¥ ¡Ê ¬˝Õ◊ SflË∑§Ê⁄U∑§Ãʸ ∑§Ê ‚Ëœ ¬˝÷ÊÁflà ∑§⁄Uà „Ò¥ —

(1) •SflË∑§Ê⁄U∑§Ãʸ (2) ¬˝flø∑§ (3) fláʸŸ∑§Ãʸ (4) ¬Á⁄UfløŸ •Á÷∑§Ãʸ

19. «UË.¬Ë.∞. ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚∑§Ë ∞¡¥‚Ë „Ò?

(1) S¬Ÿ (2) SflË«UŸ (3) Á»§Ÿ‹Ò¥«U (4) ¡◊¸ŸË

20. ÉÊ≈UŸÊ•Ê¥ ∑§Ê ‚¥ÅÿÊ ‚ ÁŸM§Á¬Ã ∑§⁄UŸ ∑§Ê ◊ÊòÊ ∞∑§ ¬˝áÊÊ‹Ë ∑§ S∑§‹ ∑§Ë ¬„øÊŸ ∑§ËÁ¡∞–

(1) •Ê«U˸Ÿ‹ S∑§‹ (2) ßã≈U⁄UŸ‹ S∑§‹ (3) ŸÊÁ◊Ÿ‹ S∑§‹ (4) ⁄UÁ‡ÊÿÊ S∑§‹

21. ‹π∑§ ߸.∞◊. ⁄UÊ¡⁄U Ÿ •¬ŸË ⁄UøŸÊ “Á«UçÿÍ¡Ÿ •ÊÚ»§ ߟÊfl‡ÊŸ” ◊¥ ÁŸêŸÁ‹Áπà ∑§Ë ‡ÊÁÄàÊ ∑§Ê ÁøòÊáÊ Á∑§ÿÊ „Ò —

(1) ◊≈UÊ-Áfl‡‹·áÊ (2) flSÃÈ-Áfl‡‹·áÊ

(3) ‚◊Í„-Áfl‡‹·áÊ (4) ‚¥ôÊÊŸÊà◊∑§ ¬˝÷Êfl

22. √ÿfl„Ê⁄U ÁflôÊÊŸ ‚ ‚¥’¥ÁœÃ •äÿÿŸÊ¥ ◊¥ Áfl‡Ê· M§¬ ‚ •Áà ‚Ê◊Êãÿ M§¬ ‚ ¬˝ÿÈÄàÊ ÁflÁœ „Ò —

(1) ¬˝ˇÊáÊ ÁflÁœ (2) ‚fl¸ˇÊáÊ ÁflÁœ

(3) ‚ÊˇÊÊà∑§Ê⁄U ÁflÁœ (4) Áfl·ÿ-flSÃÈ Áfl‡‹·áÊ ÁflÁœ

8N-06317 !N-06317-PAPER-II! Paper-II

23. “The need for decolonisation and democratisation of information and communication” waspropagated by :

(1) The New World Information and Communication Order (NWICO)

(2) Monopoly of broadcasting

(3) The Marxist Theory of Media and Society

(4) Copyright Policies

24. The term, objectivity rituals, is used in :

(1) News reporting (2) Public relations

(3) Advertising (4) Cultural communication

25. Identify one of the key recommendations of the First Press Commission :

(1) Setting up of the office of Registrar of Newspapers of India

(2) Abolition of Press Council of India

(3) Introduction of Article 19 (1) (A)

(4) Special privileges to newspaper owners

26. Assertion (A) : The do-it-yourself digital tools offer an audience public control over mediaenvironment.

Reason (R) : The dominant media models are resorting to unbridled supply of frivolousentertainment to survive.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

27. Assertion (A) : Editorial neutrality and political detachment are a great journalistic tradition.

Reason (R) : Partisan media systems result in an alliance between a section of the mediaand government, which is a positive result.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

9 Paper-IIN-06317 !N-06317-PAPER-II!

23. ““‚ÍøŸÊ •ÊÒ⁄U ‚¥øÊ⁄U ∑§ ©¬ÁŸfl‡ÊË∑§⁄UáÊ •ÊÒ⁄U ‹Ê∑§Ã¥òÊË∑§⁄UáÊ ∑§Ë •Êfl‡ÿ∑§ÃÊ”” ∑§Ê ¬˝ÁìʌŸ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚ŸÁ∑§ÿÊ „Ò?

(1) Ÿfl Áfl‡fl ‚ÍøŸÊ •ÊÒ⁄U ‚¥øÊ⁄U √ÿflSÕÊ (∞Ÿ.«UéÀÿÍ.•Ê߸.‚Ë.•Ê.)

(2) ¬˝‚Ê⁄UáÊ ∑§Ê ∞∑§ÊÁœ∑§Ê⁄U

(3) ◊ËÁ«UÿÊ •ÊÒ⁄U ‚◊Ê¡ ∑§Ê ◊ÊÄ‚¸flÊŒË Á‚hÊãÃ

(4) ∑§ÊÚ¬Ë⁄UÊß≈U ŸËÁÃÿÊ°

24. “flSÃȬ⁄U∑§ÃÊ ⁄UËÁÃ-Á⁄UflÊ¡” ‡ÊéŒÊfl‹Ë ∑§Ê ¬˝ÿʪ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚ ◊¥ Á∑§ÿÊ ¡ÊÃÊ „Ò?

(1) ‚◊ÊøÊ⁄U Á⁄U¬ÊÁ≈ZUª ◊¥ (2) ¡Ÿ-‚¥¬∑¸§ ◊¥

(3) ÁflôÊʬŸ ◊¥ (4) ‚Ê¥S∑ΧÁÃ∑§ ‚¥¬˝·áÊ ◊¥

25. ¬˝Õ◊ ¬˝‚ ∑§◊ˇʟ ∑§Ë ¬˝◊Èπ Á‚»§ÊÁ⁄U‡Ê ∑§Ê ÁøÁqà ∑§ËÁ¡∞–

(1) ÷Ê⁄UÃËÿ ‚◊ÊøÊ⁄U¬òÊ ¬¥¡Ëÿ∑§ ∑§ ∑§Êÿʸ‹ÿ ∑§Ë SÕʬŸÊ

(2) ÷Ê⁄UÃËÿ ¬˝‚ ¬Á⁄U·Œ ∑§Ë ‚◊ÊÁåàÊ

(3) •ŸÈë¿UŒ 19 (1) (∑§) ‹ÊªÍ ∑§⁄UŸÊ

(4) ‚◊ÊøÊ⁄U¬òÊ ∑§ SflÊÁ◊ÿÊ¥ ∑§Ê Áfl‡Ê· ‚ÈÁflœÊ∞¥

26. •Á÷∑§ÕŸ (A) : Sfl-‚¥øÊÁ‹Ã Á«UÁ¡≈U‹ ©¬∑§⁄UáÊ ◊ËÁ«UÿÊ ¬Á⁄UŒÎ‡ÿ ¬⁄U üÊÊÃÊ•Ê¥ ∑§ ÁŸÿ¥òÊáÊ ∑§Ê ‚¥÷fl ∑§⁄UÃÊ „Ò–

Ã∑¸§ (R) : ¬˝÷ÊflË ◊Êäÿ◊ •¬Ÿ •ÁSÃàfl ∑§Ê ’ŸÊ∞ ⁄UπŸ ∑§ Á‹∞ „À∑§ ◊ŸÊ⁄¥U¡Ÿ ∑§Êÿ¸∑˝§◊Ê¥ ∑§Ê ¬˝‚ÊÁ⁄UÃ∑§⁄Uà „Ò¥–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

27. •Á÷∑§ÕŸ (A) : ‚¥¬ÊŒ∑§Ëÿ ÁŸc¬ˇÊÃÊ •ÊÒ⁄U ⁄UÊ¡ŸËÁà ∑§ ¬˝Áà •ŸÊ‡ÊÁÄàÊ ∞∑§ ∑§Ê‹¡ÿË ¬òÊ∑§ÊÁ⁄UÃÊ ¬⁄¥U¬⁄UÊ „Ò–

Ã∑¸§ (R) : ÿ„ ¬ˇÊ¬ÊÃË ◊Êäÿ◊ √ÿflSÕÊ∞° ‚⁄U∑§Ê⁄U •ÊÒ⁄U ◊ËÁ«UÿÊ ∑§ ∞∑§ ÷ʪ ∑§ ’Ëø ∞‚Ê ª∆U’¥œŸ ’ŸÊÃË„Ò, Á¡‚∑§ ¬Á⁄UáÊÊ◊ ‚∑§Ê⁄UÊà◊∑§ „Êà „Ò¥–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

10N-06317 !N-06317-PAPER-II! Paper-II

28. Assertion (A) : There have been fast paced shifts in media management paradigms all overthe world.

Reason (R) : The emergence of new semiotic socio-political order has affected the mediaeconomics to a large extent.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

29. Assertion (A) : The mainstream media managers have now lost the way to hold theiraudiences intact.

Reason (R) : For, in the new socio-technical world, audiences produce their own contentsand meanings.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

30. Assertion (A) : The convergent technology is transforming the socio-cultural orders all overthe world.

Reason (R) : The new media have offered expanded options for the users to experimentwith.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

31. Assertion (A) : The distinctions among different media are getting erased fast.

Reason (R) : The convergent digital technology has made the hybrid media possible.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

11 Paper-IIN-06317 !N-06317-PAPER-II!

28. •Á÷∑§ÕŸ (A) : ‚Ê⁄U Áfl‡fl ◊¥ ◊ËÁ«UÿÊ ¬˝’㜟 ∑§ •ÊÿÊ◊ Ã¡Ë ‚ ’Œ‹ ⁄U„ „Ò¥–

Ã∑¸§ (R) : ©÷⁄UÃË „È߸ ‚Ê¥∑§ÁÃ∑§ ‚Ê◊ÊÁ¡∑§ ⁄UÊ¡ŸÒÁÃ∑§ √ÿflSÕÊ Ÿ ◊ËÁ«UÿÊ ∑§ •Õ¸‡ÊÊSòÊ ∑§Ê ∑§Ê»§Ë „Œ Ã∑§¬˝÷ÊÁflà Á∑§ÿÊ „Ò–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

29. •Á÷∑§ÕŸ (A) : ◊ŸS≈˛UË◊ ◊ËÁ«UÿÊ ¬˝’¥œ∑§ flÊSÃfl ◊¥ •¬Ÿ üÊÊÃÊ•Ê¥ ◊¥ ¬∑§«∏ ’ŸÊŸ ∑§Ê Ã⁄UË∑§Ê πÊ øÈ∑§ „Ò¥–

Ã∑¸§ (R) : Ÿÿ ‚Ê◊ÊÁ¡∑§-Ã∑§ŸË∑§Ë Áfl‡fl ◊¥, üÊÊÃÊ •¬ŸË Áfl·ÿ-flSÃÈ •ÊÒ⁄U •Õ¸ ’ŸÊà „Ò¥–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

30. •Á÷∑§ÕŸ (A) : •Á÷‚Ê⁄UË ¬˝ÊÒlÊÁª∑§Ë ¬Í⁄U Áfl‡fl ◊¥ ‚Ê◊ÊÁ¡∑§-‚Ê¥S∑ΧÁÃ∑§ √ÿflSÕÊ•Ê¥ ◊¥ ¬Á⁄UfløŸ ‹Ê ⁄U„Ë „Ò–

Ã∑¸§ (R) : Ÿfl ◊Êäÿ◊ Ÿ ¬˝ÿÊÄàÊÊ•Ê¥ ∑§Ê ¬⁄UˡÊáÊ ∑§⁄UŸ ∑§ √ÿʬ∑§ Áfl∑§À¬ ©¬‹éœ ∑§⁄U ÁŒ∞ „Ò¥–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

31. •Á÷∑§ÕŸ (A) : ÁflÁèÊ㟠◊Êäÿ◊Ê¥ ◊¥ •¥Ã⁄U Ã¡Ë ‚ ‚◊ÊåàÊ „Ê ⁄U„ „Ò¥–

Ã∑¸§ (R) : ‚◊Êfl‡ÊË Á«UÁ¡≈U‹ ¬˝ÊÒlÊÁª∑§Ë ◊¥ ‚¥∑§⁄U ◊ËÁ«UÿÊ ∑§Ê ‚¥÷fl Á∑§ÿÊ „Ò–

∑ͧ≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

12N-06317 !N-06317-PAPER-II! Paper-II

32. Assertion (A) : The counter-hegemonic media practices will be marginalised in due course.

Reason (R) : It is to neutralise the threat they pose to the established media order.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

33. Assertion (A) : The Indian film industry represents a splintered semiotics of inter-culturalintegration.

Reason (R) : Films in India frequently project sub-cultural themes to exhibit identityintegration.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

34. Assertion (A) : The issue of hyphenated identities dot the discourse of new internationalinformation and communication order.

Reason (R) : The issues of identity and culture often work against cultural homogenisationprompted by Western media.

Code :

(1) Both (A) and (R) are correct.

(2) Both (A) and (R) are correct, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

35. Assertion (A) : Mutual understanding forms the basis of an open, two-way communicationin Public Relations.

Reason (R) : For, it enables an organisation to influence public opinion, public judgementand public behaviour.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

36. Find out the correct chronological sequence of the following Newspapers.

(1) Forward, Bombay Chronicle, Swarajya, National Herald

(2) National Herald, Bombay Chronicle, Swarajya, Forward

(3) Bombay Chronicle, Swarajya, Forward , National Herald

(4) Swarajya, National Herald, Forward, Bombay Chronicle

13 Paper-IIN-06317 !N-06317-PAPER-II!

32. •Á÷∑§ÕŸ (A) : ∞∑§ÊÁœ∑§Ê⁄U Áfl⁄UÊœË ◊ËÁ«UÿÊ ÷Áflcÿ ◊¥ „ÊÁ‚∞ ¬⁄U •Ê ¡Ê∞¥ªË–Ã∑¸§ (R) : ß‚∑§Ê ∑§Ê⁄UáÊ SÕÊÁ¬Ã ◊ËÁ«UÿÊ ◊ÊÁ‹∑§Ê¥ ∑§Ê „ÊŸ flÊ‹ πÃ⁄U ∑§Ê ‚◊ÊåàÊ ∑§⁄UŸÊ „Ò–∑ͧ≈U —(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

33. •Á÷∑§ÕŸ (A) : ÷Ê⁄UÃËÿ Á»§À◊ ©lʪ •¥Ã⁄-‚Ê¥S∑ΧÁÃ∑§ ∞∑§Ë∑§⁄UáÊ ∑§ ≈ÍU≈U „È∞ ‚¥∑§ÃÊ¥ ∑§Ê Œ‡ÊʸÃÊ „Ò–Ã∑¸§ (R) : ÷Ê⁄Uà ◊¥ Á»§À◊¥ •Ä‚⁄U ©¬-‚Ê¥S∑ΧÁÃ∑§ ∑§ÕÊŸ∑§ ‚ ∞∑§Ë∑§⁄UáÊ ∑§Ê ¬˝ŒÁ‡Ê¸Ã ∑§⁄Uà „Ò¥–∑ͧ≈U —(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

34. •Á÷∑§ÕŸ (A) : ¡È«∏Ë „È߸ ¬„øÊŸ ∑§Ê Áfl◊‡Ê¸ Ÿÿ •¥Ã⁄Uʸc≈˛UËÿ ‚ÍøŸÊ •ÊÒ⁄U ‚¥øÊ⁄U √ÿflSÕÊ ◊¥ ‚Ê»§ ÁŒπÊ߸ ŒÃÊ „Ò–Ã∑¸§ (R) : ¬„øÊŸ •ÊÒ⁄U ‚¥S∑ΧÁà ∑§ ◊ÈŒ˜Œ ‚Ê¥S∑ΧÁÃ∑§ ∞∑§ÊÁœ∑§Ê⁄UflÊŒ ◊¥ ¬Á‡ø◊Ë Œ‡ÊÊ¥ ∑§ ◊Êäÿ◊ mÊ⁄UÊ ¬…∏Ê∞

ª∞ „Ò¥–∑ͧ≈U —(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

35. •Á÷∑§ÕŸ (A) : ¬Ê⁄US¬ÊÁ⁄U∑§ ‚◊¤Ê, ¡Ÿ-‚¥¬∑¸§ ◊¥ ◊ÈÄàÊ, ŒÊÃ⁄U»§Ê ‚¥øÊ⁄U ∑§Ê •ÊœÊ⁄U ’ŸÊÃÊ „Ò–Ã∑¸§ (R) : ß‚‚ ‚¥ª∆UŸ ¡Ÿ ◊Ã, ¡Ÿ ÁŸáʸÿ •ÊÒ⁄U ¡Ÿ √ÿfl„Ê⁄U ∑§Ê ¬˝÷ÊÁflà ∑§⁄UÃÊ „Ò–∑ͧ≈U —(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

36. ÁŸêŸÁ‹Áπà ‚◊ÊøÊ⁄U¬òÊÊ¥ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ ÁøÁqà ∑§ËÁ¡∞–(1) »§Êfl¸«¸U, ’¥’߸ ∑˝§ÊÁŸ∑§‹, Sfl⁄UÊ¡, Ÿ‡ÊŸ‹ „⁄UÊÀ«U(2) Ÿ‡ÊŸ‹ „⁄UÊÀ«U, ’¥’߸ ∑˝§ÊÁŸ∑§‹, Sfl⁄UÊ¡, »§Êfl¸«¸U(3) ’¥’߸ ∑˝§ÊÁŸ∑§‹, Sfl⁄UÊ¡, »§Êfl¸«¸U, Ÿ‡ÊŸ‹ „⁄UÊÀ«U(4) Sfl⁄UÊ¡, Ÿ‡ÊŸ‹ „⁄UÊÀ«U, »§Êfl¸«¸U, ’¥’߸ ∑˝§ÊÁŸ∑§‹

14N-06317 !N-06317-PAPER-II! Paper-II

37. Identify the correct Chronological sequence of the following television networks.

(1) Rupavahini, STAR, Zee TV, Al Jazeera

(2) STAR, Zee TV, Al Jazeera, Rupavahini

(3) Zee TV, Al Jazeera , Rupavahini, STAR

(4) Al Jazeera, Rupavahini, STAR, Zee TV

38. Write the correct sequence of the following top magazines of the world.

(1) Time, Reader’s Digest, Cosmopolitan, National Geographic

(2) Reader’s Digest, Cosmopolitan, National Geographic, Time

(3) Cosmopolitan, National Geographic, Time, Reader’s Digest

(4) National Geographic, Time, Reader’s Digest, Cosmopolitan

39. Find out the correct chronological sequence of the following films.

(1) Sita Bibaha, Joymati, Kalidas, Ayodyacha Raja

(2) Kalidas, Ayodyacha Raja, Joymati, Sita Bibaha

(3) Ayodyacha Raja, Joymati, Sita Bibaha, Kalidas

(4) Joymati, Sita Bibaha, Ayodyacha Raja, Kalidas

40. Identify the sequence of the following research studies.

(1) Communication and perception, War propaganda, experiments in masscommunication, voter studies

(2) War propaganda, experiments in mass communication, voter studies, communicationand perception

(3) Voter studies, War propaganda, experiments in mass communication, communicationand perception

(4) Experiments in mass communication, communication and perception, voter studies,War propaganda

41. Match the following :

List - I List - II

(Author) (Book)

(a) Veer Sanghvi (i) Emergency Retold

(b) M J Akbar (ii) Mandate

(c) Kuldip Nayyar (iii) Emergency

(d) Coomi Kapoor (iv) A Mirror to power

Code :

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (iv) (i) (iii) (ii)

(3) (i) (ii) (iii) (iv)

(4) (ii) (iii) (iv) (i)

15 Paper-IIN-06317 !N-06317-PAPER-II!

37. ÁŸêŸÁ‹Áπà ≈U‹ËÁfl¡Ÿ Ÿ≈Ufl∑¸§ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ ÁøÁqà ∑§ËÁ¡∞–(1) M§¬ÊflÊÁ„ŸË, S≈UÊ⁄U, $¡Ë ≈UË flË, •‹ ¡$¡Ë⁄UÊ(2) S≈UÊ⁄U, $¡Ë ≈UË flË, •‹ ¡$¡Ë⁄UÊ, M§¬ÊflÊÁ„ŸË(3) $¡Ë ≈UË flË, •‹ ¡$¡Ë⁄UÊ, M§¬ÊflÊÁ„ŸË, S≈UÊ⁄U(4) •‹ ¡$¡Ë⁄UÊ, M§¬ÊflÊÁ„ŸË, S≈UÊ⁄U, $¡Ë ≈UË flË

38. Áfl‡fl ∑§Ë ÁŸêŸÁ‹Áπà ©à∑Χc≈U ¬ÁòÊ∑§Ê•Ê¥ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ Á‹Áπ∞–(1) ≈UÊß◊, ⁄UË«U‚¸ «UÊß¡S≈U, ∑§ÊS◊ʬÊÁ‹≈UŸ, Ÿ‡ÊŸ‹ Á¡ÿʪ˝ÊÁ»§∑§(2) ⁄UË«U‚¸ «UÊß¡S≈U, ∑§ÊS◊ʬÊÁ‹≈UŸ, Ÿ‡ÊŸ‹ Á¡ÿʪ˝ÊÁ»§∑§, ≈UÊß◊(3) ∑§ÊS◊ʬÊÁ‹≈UŸ, Ÿ‡ÊŸ‹ Á¡ÿʪ˝ÊÁ»§∑§, ≈UÊß◊, ⁄UË«U‚¸ «UÊß¡S≈U(4) Ÿ‡ÊŸ‹ Á¡ÿʪ˝ÊÁ»§∑§, ≈UÊß◊, ⁄UË«U‚¸ «UÊß¡S≈U, ∑§ÊS◊ʬÊÁ‹≈UŸ

39. ÁŸêŸÁ‹Áπà Á»§À◊Ê¥ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ ÁøÁqà ∑§ËÁ¡∞–(1) ‚ËÃÊ ÁflflÊ„, ¡Êÿ◊ÃË, ∑§Ê‹ËŒÊ‚, •ÿÊäÿÊøÊ ⁄UÊ¡Ê(2) ∑§Ê‹ËŒÊ‚, •ÿÊäÿÊøÊ ⁄UÊ¡Ê, ¡Êÿ◊ÃË, ‚ËÃÊ ÁflflÊ„(3) •ÿÊäÿÊøÊ ⁄UÊ¡Ê, ¡Êÿ◊ÃË, ‚ËÃÊ ÁflflÊ„, ∑§Ê‹ËŒÊ‚(4) ¡Êÿ◊ÃË, ‚ËÃÊ ÁflflÊ„, •ÿÊäÿÊøÊ ⁄UÊ¡Ê, ∑§Ê‹ËŒÊ‚

40. ÁŸêŸÁ‹Áπà •ŸÈ‚¥œÊŸ •äÿÿŸÊ¥ ∑§Ê ∑˝§◊ ÁøÁqà ∑§ËÁ¡∞–(1) ‚¥øÊ⁄U •ÊÒ⁄U ’Êœ, ÿÈh ∑§Ê ¬˝øÊ⁄U, ¡Ÿ-‚¥øÊ⁄U ◊¥ ¬⁄UˡÊáÊ, ◊ÃŒÊÃÊ •äÿÿŸ(2) ÿÈh ∑§Ê ¬˝øÊ⁄U, ¡Ÿ-‚¥øÊ⁄U ◊¥ ¬⁄UˡÊáÊ, ◊ÃŒÊÃÊ •äÿÿŸ, ‚¥øÊ⁄U •ÊÒ⁄U ’Êœ(3) ◊ÃŒÊÃÊ •äÿÿŸ, ÿÈh ∑§Ê ¬˝øÊ⁄U, ¡Ÿ-‚¥øÊ⁄U ◊¥ ¬⁄UˡÊáÊ, ‚¥øÊ⁄U •ÊÒ⁄U ’Êœ(4) ¡Ÿ-‚¥øÊ⁄U ◊¥ ¬⁄UˡÊáÊ, ‚¥øÊ⁄U •ÊÒ⁄U ’Êœ, ◊ÃŒÊÃÊ •äÿÿŸ, ÿÈh ∑§Ê ¬˝øÊ⁄U

41. ÁŸêŸÁ‹Áπà ∑§Ê ‚È◊Á‹Ã ∑§ËÁ¡∞–‚ÍøË - I ‚ÍøË - II

(‹π∑§) (¬ÈSÃ∑§)(a) flË⁄U Á‚¥ÉÊflË (i) ß◊¡Z‚Ë Á⁄U≈UÊÀ«U(b) ∞◊ ¡ •∑§’⁄U (ii) ◊ÒŸ«U≈U(c) ∑ȧ‹ŒË¬ Ÿƒÿ⁄U (iii) ß◊¡Z‚Ë(d) ∑ͧ◊Ë ∑§¬Í⁄U (iv) ∞ Á◊⁄U⁄U ≈ÍU ¬Êfl⁄U∑ͧ≈U —

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (iv) (i) (iii) (ii)

(3) (i) (ii) (iii) (iv)

(4) (ii) (iii) (iv) (i)

16N-06317 !N-06317-PAPER-II! Paper-II

42. Match the following :

List-I List-II

(Brand) (Tag Line)

(a) Beardo (i) The real scent of success

(b) Panasonic LED Light (ii) Future connected for a smarter India

(c) Denever (iii) Perfectly built

(d) Boch India (iv) Be a man

Code :

(a) (b) (c) (d)

(1) (iv) (iii) (i) (ii)

(2) (iii) (iv) (ii) (i)

(3) (i) (ii) (iv) (iii)

(4) (ii) (i) (iii) (iv)

43. Match List-I with List-II :

List-I List-II

(Brand) (Tag Line)

(a) BMW (i) Simply clever

(b) Scoda Octiva (ii) Sheer Driving pleasure

(c) Datsun (iii) World’s Ahead

(d) Honda City (iv) Break Through

Code :

(a) (b) (c) (d)

(1) (ii) (i) (iv) (iii)

(2) (i) (ii) (iii) (iv)

(3) (iv) (iii) (i) (ii)

(4) (iii) (iv) (ii) (i)

17 Paper-IIN-06317 !N-06317-PAPER-II!

42. ÁŸêŸÁ‹Áπà ∑§Ê ‚È◊Á‹Ã ∑§ËÁ¡∞–

‚ÍøË - I ‚ÍøË - II

(’˝Ê¥«U) (≈ÒUª ‹Êߟ)

(a) Á’ÿ⁄U«UÊ (i) ‚»§‹ÃÊ ∑§Ê flÊSÃÁfl∑§ ‚¥≈U

(b) ¬ŸÊ‚ÊÁŸ∑§ ∞‹ ߸ «UË ‹Êß≈U (ii) S◊Ê≈¸U⁄U ߥÁ«UÿÊ ∑§ ÷Áflcÿ ‚ ‚¥’h

(c) Á«UŸfl⁄U (iii) ¬Íáʸ× ÁŸÁ◊¸Ã

(d) ’Êø ߥÁ«UÿÊ (iv) ◊ŸÈcÿ ’ŸÊ

∑ͧ≈U —

(a) (b) (c) (d)

(1) (iv) (iii) (i) (ii)

(2) (iii) (iv) (ii) (i)

(3) (i) (ii) (iv) (iii)

(4) (ii) (i) (iii) (iv)

43. ‚ÍøË - I ∑§Ê ‚ÍøË - II ‚ ‚È◊Á‹Ã ∑§ËÁ¡∞–

‚ÍøË - I ‚ÍøË - II

(’˝Ê¥«U) (≈ÒUª ‹Êߟ)

(a) ’Ë ∞◊ «UéÀÿÍ (i) Á‚êå‹Ë Ä‹fl⁄U

(b) S∑§Ê«UÊ •ÊÁÄ≈UflÊ (ii) ‡ÊË⁄U «˛UÊßÁfl¥ª •ÊŸ¥Œ

(c) Œà‚Ÿ (iii) flÀ«¸U‚ ∞„«U

(d) „Ê¥«UÊ Á‚≈UË (iv) ’˝∑§ Õ˝Í

∑ͧ≈U —

(a) (b) (c) (d)

(1) (ii) (i) (iv) (iii)

(2) (i) (ii) (iii) (iv)

(3) (iv) (iii) (i) (ii)

(4) (iii) (iv) (ii) (i)

18N-06317 !N-06317-PAPER-II! Paper-II

44. Match List-I with List-II :

List-I List-II

(a) Trade books (i) Educational in character

(b) Paperbacks (ii) For general consumer

(c) Textbooks (iii) For Specialists

(d) Professional books (iv) All things to all people

Code :

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (iii) (ii) (iv) (i)

(3) (ii) (i) (iv) (iii)

(4) (iv) (iii) (ii) (i)

45. Match the following tag line :

List-I List-II

(Brand) (Tag Line)

(a) Microtek (i) Go beyond

(b) Nasaka RO (ii) Easy clean

(c) Olive Active Oil (iii) Be health sure

(d) Berger Paints (iv) Technology we live

Code :

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (i) (ii) (iii) (iv)

(3) (iv) (iii) (i) (ii)

(4) (iii) (i) (iv) (ii)

19 Paper-IIN-06317 !N-06317-PAPER-II!

44. ‚ÍøË - I ∑§Ê ‚ÍøË - II ‚ ‚È◊Á‹Ã ∑§ËÁ¡∞–

‚ÍøË - I ‚ÍøË - II

(a) √ÿʬÊ⁄U ¬ÈSÃ∑¥§ (i) ‡ÊÒÁˇÊ∑§ ¬ÊòÊÃÊ

(b) ¬¬⁄U’Ò∑§ (ii) ‚Ê◊Êãÿ ©¬÷ÊÄàÊÊ ∑§ Á‹∞

(c) ¬Ê∆K¬ÈSÃ∑¥§ (iii) Áfl‡Ê·ôÊÊ¥ ∑§ Á‹∞

(d) √ÿÊfl‚ÊÁÿ∑§ ¬ÈSÃ∑¥§ (iv) ‚’ ∑ȧ¿U ‚’∑§ Á‹∞

∑ͧ≈U —

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (iii) (ii) (iv) (i)

(3) (ii) (i) (iv) (iii)

(4) (iv) (iii) (ii) (i)

45. ÁŸêŸÁ‹Áπà ≈ÒUª ‹Êߟ ∑§Ê ‚È◊Á‹Ã ∑§ËÁ¡∞–

‚ÍøË - I ‚ÍøË - II

(’˝Ê¥«U) (≈ÒUª ‹Êߟ)

(a) ◊Êß∑˝§Ê≈U∑§ (i) •Êª ’Á…∏ÿ

(b) ŸÊ‚Ê∑§Ê •Ê⁄U •Ê (ii) •Ê‚ÊŸË ‚ ‚Ê»§

(c) •ÊÁ‹fl ∞ÁÄ≈Ufl •ÊÚÿ‹ (iii) SflSâÊ ⁄UÁ„∞

(d) ’¡¸⁄U ¬¥≈˜U‚ (iv) ¬˝ÊÒlÊÁª∑§Ë Á¡‚◊¥ „◊ ⁄U„à „Ò¥

∑ͧ≈U —

(a) (b) (c) (d)

(1) (ii) (iv) (i) (iii)

(2) (i) (ii) (iii) (iv)

(3) (iv) (iii) (i) (ii)

(4) (iii) (i) (iv) (ii)

20N-06317 !N-06317-PAPER-II! Paper-II

Read the passage carefully and answer questions from No. 46 to No. 50

With the proliferation of printed and especially broadcast media in the late nineteenth and

early-twentieth century serious concerns about the social impact of the mass media emerged. There

was considerable excitement about the positive and constructive contribution of the media to

peaceful international relations. Such positive expectations were expressed in the 1933 Convention

for Facilitating the International Circulation of Films of an Educational Character. This Convention

was signed at Geneva on October 11, 1933. The Contracting parties to the Convention, which was

registered with the secretariat of the League of Nations, considered the international circulation of

educational films which contribute “towards the mutual understanding of peoples, in conformity

with the aims of the League of Nations and consequently encourage moral disarmament” highly

desirable. In order to facilitate the circulation of such films the signatories agreed to exempt their

importation, transit, and exportation from all Customs duties and accessory charges of any kind.

There was however also a serious concern about the negative social impact of the mass media. A

moral, educational concern was expressed regarding the spread across borders of obscene

publications. This concern resulted in the adoption of the 1910 and 1924 treaties on traffic in

obscene publications. The 1924 International Convention for the Suppression of the Circulation of

and Traffic in Obscene Publications declared it a punishable offence “to make or produce or have

in possession (for trade or public exhibition) obscene writings, drawings, prints, paintings, printed

matter, pictures, posters, emblems, photographs, cinematograph films or any other obscene objects.”

It was also punishable to import or export said obscene matters for trade or public exhibition and

persons committing the offence “shall be amenable to the Courts of the Contracting Party in whose

territories the offence... was committed.” Concern about the negative impact of the mass media

also arose from the increasing use of the mass media (in the course of the nineteenth century) as

instruments of foreign diplomacy. Although this was particularly the case with the newspapers,

the development of wireless radio did significantly increase the potential for this new form of

diplomacy. Increasingly diplomats shifted from traditional forms of silent diplomacy to a public

diplomacy in which the constituencies of other states were directly addressed. In most cases this

in fact amounted to the propagandistic abuse of the radio. During World War I an extensive use

was made of the means of propaganda. This psychological warfare continued after the war had

ended and International short wave radio began its proliferation.

46. What was the issue related to the proliferation of media in the early twentieth century ?

(1) Media reach (2) Social impact

(3) Passive excitement (4) Competition among media

21 Paper-IIN-06317 !N-06317-PAPER-II!

ÁŸêŸÁ‹Áπà ªlÊ¥‡Ê ∑§Ê ¬Á…∏ÿ •ÊÒ⁄U ¬˝‡Ÿ ‚¥¥ÅÿÊ 46 ‚ 50 ©ûÊ⁄U ŒËÁ¡∞–

©ÛÊË‚flË¥ ‚ŒË ∑§ ©ûÊ⁄UÊœ¸ •ÊÒ⁄U ’Ë‚flË¥ ‚ŒË ∑§ ‡ÊÈM§ ◊¥ ◊ÈŒ˝áÊ •ÊÒ⁄U Áfl‡Ê·Ã— ¬˝‚Ê⁄UáÊ ∑§ ÁflSÃÊ⁄U ‚ ¡Ÿ-‚¥øÊ⁄U ∑§

‚Ê◊ÊÁ¡∑§ ¬˝÷Êfl ∑§ ‚¥’¥œ ◊¥ ª¥÷Ë⁄U Áø¥ÃÊ ¬ÒŒÊ „Ê ªß¸ „Ò– ‡ÊÊ¥ÁìÍáʸ •¥Ã⁄Uʸc≈˛UËÿ ‚¥’¥œÊ¥ ◊¥ ◊ËÁ«UÿÊ ∑§ ‚∑§Ê⁄UÊà◊∑§ •ÊÒ⁄U

⁄UøŸÊà◊∑§ ÿʪŒÊŸ ∑§ ’Ê⁄ ◊¥ ∑§Ê»§Ë Á¡ôÊÊ‚Ê ÕË– 1933 ∑§ ‡ÊÒÁˇÊ∑§ Á»§À◊Ê¥ ∑§ •¥Ã⁄Uʸc≈˛UËÿ ¬Á⁄UøÊ‹Ÿ ‚ÈÁflœÊ ‚ê◊‹Ÿ ◊¥ ∞‚Ë

‚∑§Ê⁄UÊà◊∑§ •¬ˇÊÊ∞° √ÿÄàÊ ∑§Ë ªß¸ ÕË– ß‚ ‚ê◊‹Ÿ ∑§ ÁŸáʸÿÊ¥ ¬⁄U 11 •ÄàÊÍ’⁄U, 1933 ◊¥ „SÃÊˇÊ⁄U Á∑§∞ ª∞ Õ– ‹Ëª •ÊÚ»§

Ÿ‡Êã‚ ∑§ ‚ÁøflÊ‹ÿ ◊¥ ¬¥¡Ë∑Χà ߂ ‚ê◊‹Ÿ ◊¥ ÷ʪ ‹Ÿ flÊ‹ ¬ˇÊÊ¥ Ÿ ‡ÊÒÁˇÊ∑§ Á»§À◊Ê¥ ∑§ ∞‚ •¥Ã⁄Uʸc≈˛UËÿ ¬Á⁄UøÊ‹Ÿ ∑§Ê •ÁÃ

flÊ¥¿ŸËÿ ‚◊¤ÊÊ, Á¡‚∑§Ê ““‹Ëª •ÊÚ»§ Ÿ‡Êã‚ ∑§ ©Œ˜Œ‡ÿ ∑§ •ŸÈM§¬ ‹ÊªÊ¥ ∑§Ë ¬⁄US¬⁄U ‚◊¤Ê •ÊÒ⁄U ß‚∑§ ¬Á⁄UáÊÊ◊× ŸÒÁÃ∑§

ÁŸ‡ÊSòÊË∑§⁄UáÊ ∑§Ê ¬˝Êà‚ÊÁ„à ∑§⁄UŸ ∑§Ë ÁŒ‡ÊÊ ◊¥”” ÿʪŒÊŸ ÕÊ– ∞‚Ë Á»§À◊Ê¥ ∑§ ¬Á⁄UøÊ‹Ÿ ∑§Ë ‚ÈÁflœÊ ∑§ Á‹∞ „SÃÊˇÊ⁄U∑§ûÊʸ Œ‡ÊÊ¥

Ÿ ©Ÿ∑§ •ÊÿÊÃ, ¬Ê⁄Uª◊Ÿ •ÊÒ⁄U ÁŸÿʸà ∑§Ê ‚÷Ë ‚Ë◊Ê ‡ÊÈÀ∑§Ê¥ •ÊÒ⁄U ‚÷Ë ¬˝∑§Ê⁄U ∑§ •ŸÈ·¥ªË ¬˝÷Ê⁄UÊ¥ ‚ ¿ÍU≈U ŒŸ ¬⁄U ‚„◊Áà √ÿÄàÊ

∑§Ë– ‹Á∑§Ÿ ¡Ÿ-‚¥øÊ⁄U ∑§ Ÿ∑§Ê⁄UÊà◊∑§ ‚Ê◊ÊÁ¡∑§ ¬˝÷Êfl ∑§ ’Ê⁄U ◊¥ ÷Ë ª¥÷Ë⁄U Áø¥ÃÊ √ÿÄàÊ ∑§Ë ªß¸ ÕË– ‚÷Ë ¡ª„ •‡‹Ë‹

¬˝∑§Ê‡ÊŸ ∑§ ¬˝‚Ê⁄U ∑§ ’Ê⁄U ◊¥ ŸÒÁÃ∑§ •ÊÒ⁄U ‡ÊÒÁˇÊ∑§ Áø¥ÃÊ √ÿÄàÊ ∑§Ë ªß¸ ÕË– ß‚Ë Áø¥ÃÊ ∑§ ¬Á⁄UáÊÊ◊× •‡‹Ë‹ ¬˝∑§Ê‡ÊŸ ∑§

‚¥ø‹Ÿ ∑§ ‚¥’¥œ ◊¥ 1910 •ÊÒ⁄U 1924 ∑§Ë ‚¥ÁœÿÊ¥ ∑§Ê •¬ŸÊÿÊ ªÿÊ „Ò– •‡‹Ë‹ ¬˝∑§Ê‡ÊŸÊ¥ ∑§ ¬Á⁄UøÊ‹Ÿ •ÊÒ⁄U •ÊflÊ-¡Ê„Ë

∑§Ê ‚◊ÊåàÊ ∑§⁄UŸ ∑§ Á‹∞ 1924 ∑§ •¥Ã⁄Uʸc≈˛UËÿ ‚ê◊‹Ÿ ◊¥ ““•‡‹Ë‹ ¬˝∑§Ê‡ÊŸ ∑§Ê ÃÒÿÊ⁄U ∑§⁄UŸ ÿÊ ©à¬ÊÁŒÃ ∑§⁄UŸ ÿÊ •¬Ÿ

¬Ê‚ ⁄UπŸ (√ÿʬÊ⁄U ÿÊ ‚Êfl¸¡ÁŸ∑§ ¬˝Œ‡Ê¸Ÿ), •‡‹Ë‹ ‹πŸ, «˛UÊÁfl¥ª, Á¬˝¥≈˜U‚, ¬¥Á≈¥Uª, Á¬˝¥≈U«U ‚Ê◊ª˝Ë, ÁøòÊ, ¬ÊS≈U⁄U, ¬˝ÃË∑§,

»§Ê≈Uʪ˝Ê»§, Á‚Ÿ◊Ê≈Uʪ˝Ê»§ Á»§À◊ ÿÊ ∑§Ê߸ •ãÿ •‡‹Ë‹ ‚Ê◊ª˝Ë”” ∑§Ê Œ¥«UŸËÿ •¬⁄UÊœ ÉÊÊÁ·Ã Á∑§ÿÊ ªÿÊ ÕÊ– ©ÄàÊ •‡‹Ë‹

‚Ê◊ª˝Ë ∑§Ê √ÿʬÊ⁄U ÿÊ ‚Êfl¸¡ÁŸ∑§ ¬˝Œ‡Ê¸Ÿ ∑§ Á‹∞ •ÊÿÊà ÿÊ ÁŸÿʸà ∑§⁄UŸÊ ÷Ë Œ¥«UŸËÿ •¬⁄UÊœ „Ò •ÊÒ⁄U ¡Ê √ÿÁÄàÊ ß‚ •¬⁄UÊœ

∑§Ê ∑§⁄UªÊ ©‚ ¬⁄U ß‚ ‚¥Áœ ¬⁄U „SÃÊˇÊ⁄U ∑§⁄UŸ flÊ‹ ©‚ Œ‡Ê ∑§ ãÿÊÿÊ‹ÿ ◊¥ ◊È∑§Œ◊Ê ø‹ÊÿÊ ¡Ê∞ªÊ, Á¡‚∑§ ˇÊòÊ ◊¥ ÿ„

•¬⁄UÊœ Á∑§ÿÊ ªÿÊ „Ò–”” ¡Ÿ-‚¥øÊ⁄U ∑§ Ÿ∑§Ê⁄UÊà◊∑§ ¬˝÷Êfl ∑§ ’Ê⁄U ◊¥ Áø¥ÃÊ, ÁflŒ‡ÊË ⁄UÊ¡ŸÁÿ∑§ ∑§ ‚ÊœŸÊ¥ ∑§ M§¬ ◊¥ ¡Ÿ-‚¥øÊ⁄U

∑§Ê ¬˝ÿʪ ’…∏Ÿ (©ÛÊË‚flË¥ ‚ŒË ◊¥) ‚ ÷Ë ’…∏Ë „Ò– „Ê‹Ê¥Á∑§ ∞‚Ê Áfl‡Ê· M§¬ ‚ ‚◊ÊøÊ⁄U-¬òÊÊ¥ ∑§ ◊Ê◊‹ ◊¥ „È•Ê „Ò, ÃÕÊÁ¬ ’ÃÊ⁄U

⁄UÁ«UÿÊ ∑§ Áfl∑§Ê‚ Ÿ ß‚ Ÿÿ ⁄UÊ¡ŸÁÿ∑§ M§¬ ∑§ Á‹∞ ‚¥÷ÊflŸÊ∞° ∑§Ê»§Ë ’…∏Ê ŒË „Ò¥– ß‚‚ ‡Êʥà ⁄UÊ¡ŸÁÿ∑§ÃÊ ∑§ ¬Ê⁄¥U¬Á⁄U∑§ M§¬

‚ ‚Êfl¸¡ÁŸ∑§ ⁄UÊ¡ŸÁÿ∑§ÃÊ ∑§Ê ⁄UÊ¡ŸÁÿ∑§ ’…∏ø…∏ ∑§⁄U •¬ŸÊŸ ‹ª „Ò¥, ß‚∑§ ∑§Ê⁄UáÊ •ãÿ ⁄UÊíÿÊ¥ ∑§ flªÊZ ∑§Ê ‚Ëœ ‚¥’ÊÁœÃ

Á∑§ÿÊ ¡ÊŸ ‹ªÊ– •Áœ∑§Ê¥‡Ê ◊Ê◊‹Ê¥ ◊¥ flÊSÃfl ◊¥, ⁄UÁ«UÿÊ ∑§Ê ¬˝øÊ⁄U ◊¥ ŒÈL§¬ÿʪ Á∑§ÿÊ ªÿÊ– ¬˝Õ◊ Áfl‡fl ÿÈh ∑§ ŒÊÒ⁄UÊŸ ¬˝øÊ⁄U

∑§ ‚ÊœŸÊ¥ ∑§Ê √ÿʬ∑§ ¬˝ÿʪ Á∑§ÿÊ ªÿÊ ÕÊ– ÿ„ ◊ŸÊflÒôÊÊÁŸ∑§ ÿÈhŸËÁÃ, ÿÈh ‚◊ÊåàÊ „ÊŸ ∑§ ’ÊŒ ÷Ë ¡Ê⁄UË ⁄U„Ë •ÊÒ⁄U •¥Ã⁄Uʸc≈˛UËÿ

‡ÊÊÚ≈¸U flfl ⁄UÁ«UÿÊ ∑§Ê ÁflSÃÊ⁄U „ÊŸ ‹ªÊ–

46. ’Ë‚flË¥ ‚ŒË ∑§ ‡ÊÈM§ ◊¥ ◊ËÁ«UÿÊ ∑§ ÁflSÃÊ⁄U ‚ ‚¥’¥ÁœÃ ◊ÈŒ˜Œ ÄÿÊ Õ?

(1) ◊ËÁ«UÿÊ ∑§Ë ¬„È°ø (2) ‚Ê◊ÊÁ¡∑§ ¬˝÷Êfl

(3) ÁŸÁc∑˝§ÿ Á¡ôÊÊ‚Ê (4) ◊ËÁ«UÿÊ ◊¥ ¬˝ÁÃS¬œÊ¸

22N-06317 !N-06317-PAPER-II! Paper-II

47. The Geneva Convention wanted the promotion of educational films to :

(1) Export them (2) Import them

(3) Encourage their circulation (4) Support moral disarmament

48. The 1924 International Convention made the declaration that the trade and public exhibitionof obscene matters are :

(1) A punishable offence

(2) A transient phenomenon

(3) To be exempted from customs duty

(4) Artistic representations

49. What was the other concern of the Convention ?

(1) Emphasis on traditional forms of silent diplomacy

(2) Use of newspapers for communication

(3) Use of media as instruments of diplomacy

(4) Understanding the new forms of media

50. The passage has an over-all description of mass media’s :

(1) Role for peaceful purposes

(2) Adoption of important treaties

(3) Use for educational communication

(4) Positive as well as negative use

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23 Paper-IIN-06317 !N-06317-PAPER-II!

47. ¡ŸflÊ ‚ê◊‹Ÿ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚∑§ Á‹∞ ‡ÊÒÁˇÊ∑§ Á»§À◊Ê¥ ∑§Ê ’…∏ÊflÊ ŒŸÊ øÊ„ÃÊ ÕÊ?

(1) ÁŸÿʸà ∑§⁄UŸ ∑§ Á‹∞ (2) •ÊÿÊà ∑§⁄UŸ ∑§ Á‹∞

(3) ©Ÿ∑§Ê ¬Á⁄UøÊ‹Ÿ ’…∏ÊŸ ∑§ Á‹∞ (4) ŸÒÁÃ∑§ ÁŸ‡ÊSòÊË∑§⁄UáÊ ∑§ ‚◊Õ¸Ÿ ∑§ Á‹∞

48. 1924 ∑§ •¥Ã⁄Uʸc≈˛UËÿ ‚ê◊‹Ÿ ◊¥ ÉÊÊ·áÊÊ ∑§Ë ªß¸ ÕË Á∑§ •‡‹Ë‹ ‚Êêʪ˝Ë ∑§Ê √ÿʬÊ⁄U •ÊÒ⁄U ‚Êfl¸¡ÁŸ∑§ ¬˝Œ‡Ê¸Ÿ —

(1) Œ¥«UŸËÿ •¬⁄UÊœ „Ò–

(2) •SÕÊÿË ¬Á⁄UÉÊ≈UŸÊ „Ò–

(3) ©‚ ‚Ë◊ʇÊÈÀ∑§ ‚ ¿ÍU≈U ŒË ¡Ê∞–

(4) ∑§‹Êà◊∑§ ¬˝SÃÈÁà „Ò–

49. ß‚ ‚ê◊‹Ÿ ∑§Ë •ãÿ Áø¥ÃÊ∞° ÄÿÊ ÕË?

(1) ‡Êʥà ⁄UÊ¡ŸÁÿ∑§ÃÊ ∑§ ¬Ê⁄¥U¬Á⁄U∑§ M§¬ ¬⁄U ’‹

(2) ‚¥øÊ⁄U ∑§ Á‹∞ ‚◊ÊøÊ⁄U¬òÊÊ¥ ∑§Ê ¬˝ÿʪ

(3) ⁄UÊ¡ŸÁÿ∑§ÃÊ ∑§ ‚ÊœŸ ∑§ M§¬ ◊¥ ◊ËÁ«UÿÊ ∑§Ê ¬˝ÿʪ

(4) ◊ËÁ«UÿÊ ∑§ Ÿÿ M§¬ ∑§Ê ‚◊¤ÊŸÊ

50. ß‚ ÇÊlÊ¥‡Ê ◊¥ ¡Ÿ-‚¥øÊ⁄U ∑§ ÁŸêŸÁ‹Áπà ◊¥ ‚ Á∑§‚∑§Ê ‚◊ª˝ Áflfl⁄UáÊ ÁŒÿÊ ªÿÊ „Ò?

(1) ‡ÊÊ¥ÁìÍáʸ ¬˝ÿÊ¡ŸÊ¥ ∑§ Á‹∞ ¡Ÿ-‚¥øÊ⁄U ∑§Ë ÷ÍÁ◊∑§Ê

(2) ◊„àfl¬Íáʸ ‚¥ÁœÿÊ¥ ∑§Ê •¬ŸÊŸÊ

(3) ‡ÊÒÁˇÊ∑§ ‚¥øÊ⁄U ∑§ Á‹∞ ©‚∑§Ê ¬˝ÿʪ

(4) ‚∑§Ê⁄UÊà◊∑§ ÃÕÊ Ÿ∑§Ê⁄UÊà◊∑§ ¬˝ÿʪ

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24N-06317 !N-06317-PAPER-II! Paper-II

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