This PowerPoint presentation is ©2007 by Robin L. Simmons.
All Rights Reserved.
This PowerPoint presentation is ©2007 by Robin L. Simmons.
All Rights Reserved.
The Hero Cycle
The Hero Cycle
I m p o r t a n tBackgroundI m p o r t a n tBackground
Carl JungCarl Jung1875 – 19611875 – 1961
Swiss psychologist/ Swiss psychologist/ psychiatristpsychiatrist
Collaborator and Collaborator and friend of Freudfriend of Freud
Collective Collective unconscious unconscious = = inherited fantasy lifeinherited fantasy life
ArchetypesArchetypes = basic = basic components of human components of human psychic naturepsychic nature
The The herohero = an = an important archetypeimportant archetype
Just as the human body Just as the human body shows a shows a common common
anatomyanatomy over and above over and above all racial differencesall racial differences, so, , so,
too, the human psyche too, the human psyche possesses a possesses a common common
substratumsubstratum transcending transcending all differences in all differences in cultureculture
and and consciousnessconsciousness..
Just as the human body Just as the human body shows a shows a common common
anatomyanatomy over and above over and above all racial differencesall racial differences, so, , so,
too, the human psyche too, the human psyche possesses a possesses a common common
substratumsubstratum transcending transcending all differences in all differences in cultureculture
and and consciousnessconsciousness..
I have called this I have called this substratum the substratum the
collective collective unconsciousunconscious, … , … [which] is … the [which] is … the brain structure brain structure
irrespective of irrespective of all racial all racial
differencesdifferences..
I have called this I have called this substratum the substratum the
collective collective unconsciousunconscious, … , … [which] is … the [which] is … the brain structure brain structure
irrespective of irrespective of all racial all racial
differencesdifferences..
Just as everyone Just as everyone has two arms has two arms
and two legs, so and two legs, so too does too does
everyone share everyone share
common common ideasideas for for
stories and the stories and the characters who characters who
populate the populate the tales.tales.
Just as everyone Just as everyone has two arms has two arms
and two legs, so and two legs, so too does too does
everyone share everyone share
common common ideasideas for for
stories and the stories and the characters who characters who
populate the populate the tales.tales.
Joseph Joseph CampbellCampbell
Joseph Joseph CampbellCampbell1904 – 19881904 – 1988Mythologist, college Mythologist, college professor, authorprofessor, authorCampbell’s big Campbell’s big contribution: contribution: definition of a herodefinition of a hero [from mythical to [from mythical to ordinary human]ordinary human]Path with specific Path with specific stages, stages, all of whichall of which the potential hero must the potential hero must traveltravel
MythologyMythology
World-wide phenomenon with fundamental similarities“The symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source” (Campbell)
Campbell says this about the Campbell says this about the MythologyMythology::Campbell says this about the Campbell says this about the MythologyMythology::
It is the secret It is the secret opening through opening through
which the which the inexhaustible inexhaustible
energies of the energies of the cosmos pour into cosmos pour into all human cultural all human cultural
manifestations.manifestations.
It is the secret It is the secret opening through opening through
which the which the inexhaustible inexhaustible
energies of the energies of the cosmos pour into cosmos pour into all human cultural all human cultural
manifestations.manifestations.
Hero’s JourneyHero’s Journey
Central motif in world mythology.
MONOMYTHA hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.
First Major Section of the Cycle
Departure
First Major Section of the Cycle
Departure
Stage 1: Call to AdventureStage 1: Call to AdventureA A heraldherald or or announcerannouncer appears appears
OftenOften [but not [but not alwaysalways] someone dark, loathly, ] someone dark, loathly, terrifying, and/or unordinaryterrifying, and/or unordinarySometimes a beastSometimes a beast
The call is typically heard The call is typically heard someplace someplace remoteremote—for example, in a dark forest, near —for example, in a dark forest, near a great tree, beside a babbling spring, etc.a great tree, beside a babbling spring, etc.The call promises The call promises both treasure and both treasure and dangerdanger..The call requires The call requires traveltravel to a distant land, to a distant land, forest, or kingdom somewhere underground, forest, or kingdom somewhere underground, beneath the waves, above the sky, on a beneath the waves, above the sky, on a secret island, atop a lofty mountain—even secret island, atop a lofty mountain—even into a profound dream state.into a profound dream state.
The call [is] a … moment, of The call [is] a … moment, of spiritual passagespiritual passage, which, when , which, when complete, amounts to complete, amounts to a dying a dying
and birthand birth. The familiar life . The familiar life horizon has been outgrown; the horizon has been outgrown; the
old concepts, ideals, and old concepts, ideals, and emotional patterns emotional patterns no longer no longer
fitfit; the time for the ; the time for the passing of a passing of a thresholdthreshold is at hand. is at hand.
The call [is] a … moment, of The call [is] a … moment, of spiritual passagespiritual passage, which, when , which, when complete, amounts to complete, amounts to a dying a dying
and birthand birth. The familiar life . The familiar life horizon has been outgrown; the horizon has been outgrown; the
old concepts, ideals, and old concepts, ideals, and emotional patterns emotional patterns no longer no longer
fitfit; the time for the ; the time for the passing of a passing of a thresholdthreshold is at hand. is at hand.
Campbell says this about the Campbell says this about the call call to adventureto adventure::Campbell says this about the Campbell says this about the call call to adventureto adventure::
Remember Gandalf from The Lord of the Rings, who called first Bilbo and
then Frodo?
Remember Gandalf from The Lord of the Rings, who called first Bilbo and
then Frodo?
Stage 2: Refusal of the CallStage 2: Refusal of the CallStage 2: Refusal of the CallStage 2: Refusal of the CallAll true heroes All true heroes at firstat first refuse the adventure. refuse the adventure.The consequences of finally The consequences of finally acceptingaccepting the the call:call:
The person gains The person gains self-awarenessself-awareness and and controlcontrol..The person responds only to the deepest, highest, The person responds only to the deepest, highest, richest answers to problems faced in life.richest answers to problems faced in life.
The consequences of always The consequences of always refusingrefusing the call: the call:The person The person loses the power of affirmative loses the power of affirmative actionaction and becomes a victim to be saved. and becomes a victim to be saved.According to Campbell, the person’s “According to Campbell, the person’s “flowering flowering worldworld becomes a becomes a wastelandwasteland of dry stones and his of dry stones and his life feels life feels meaninglessmeaningless.”.”
Call to AdventureCall to Adventure
If accepted…Supernatural Aid and Guidance are there
If refused…Hero becomes a victim to be savedSometimes becomes a monster
“Be bold and great forces will come to your aid.” (Goethe)
Campbell says this about the Campbell says this about the refusal of the callrefusal of the call::Campbell says this about the Campbell says this about the refusal of the callrefusal of the call::
The The refusalrefusal is is essentially a essentially a
refusal to refusal to give upgive up what one takes to what one takes to
be be one’s own one’s own interestinterest..
The The refusalrefusal is is essentially a essentially a
refusal to refusal to give upgive up what one takes to what one takes to
be be one’s own one’s own interestinterest..
Do you want your Do you want your life to be this, a life to be this, a wasteland of dry wasteland of dry
stones?stones?
Do you want your Do you want your life to be this, a life to be this, a wasteland of dry wasteland of dry
stones?stones?
… … Or do you Or do you want your life to want your life to
be this, a be this, a flowering world?flowering world?
… … Or do you Or do you want your life to want your life to
be this, a be this, a flowering world?flowering world?
Stage 3: Stage 3: Super-natural Super-natural
AidAid
Stage 3: Stage 3: Super-natural Super-natural
AidAidUsually [but not Usually [but not always] always] masculinemasculine in formin formTypically a wizard, Typically a wizard, hermit, shepherd,or hermit, shepherd,or smith—someone smith—someone peripheral peripheral to the to the communitycommunitySupplies the Supplies the amuletsamulets and and adviceadvice that the hero that the hero will require to beginwill require to begin
Campbell says this about Campbell says this about supernatural aidsupernatural aid::Campbell says this about Campbell says this about supernatural aidsupernatural aid::
For those who have For those who have notnot refused the call, the refused the call, the first first encounterencounter … is with a … is with a protective figureprotective figure … …
who provides the who provides the adventurer with adventurer with amuletsamulets
against the against the dragon dragon forcesforces he is about to he is about to
pass.pass.
For those who have For those who have notnot refused the call, the refused the call, the first first encounterencounter … is with a … is with a protective figureprotective figure … …
who provides the who provides the adventurer with adventurer with amuletsamulets
against the against the dragon dragon forcesforces he is about to he is about to
pass.pass.
Crossing the Crossing the ThresholdThreshold
Crossing the Crossing the ThresholdThreshold
Second Major Section of the Cycle
Crossing the ThresholdCrossing the Threshold
Beginning of the spiritual journey.
The idea of passage of the magical threshold is a transit into the sphere of rebirth is symbolized through the image of the belly of the whale.
Hero appears gone in some way.
ThresholdThreshold
Great Unknown
Great Unknown
Stage 4: Stage 4: Crossing of the First ThresholdCrossing of the First Threshold
Stage 4: Stage 4: Crossing of the First ThresholdCrossing of the First Threshold
Sphere of Sphere of KnowledgeKnowledge
I am so I am so out ofout of here!here!
I am so I am so out ofout of here!here!
Campbell says this about the Campbell says this about the crossing of the first thresholdcrossing of the first threshold::Campbell says this about the Campbell says this about the crossing of the first thresholdcrossing of the first threshold::
The hero goes forward The hero goes forward in his adventure until he in his adventure until he
comes to … the comes to … the entrance zone of entrance zone of magnified power.magnified power.
Beyond … is Beyond … is darknessdarkness, , the the unknownunknown, and , and
dangerdanger..
The hero goes forward The hero goes forward in his adventure until he in his adventure until he
comes to … the comes to … the entrance zone of entrance zone of magnified power.magnified power.
Beyond … is Beyond … is darknessdarkness, , the the unknownunknown, and , and
dangerdanger..
Campbell says, “The hero … is swallowed into the
unknown, and would appear to have died.”
Campbell says, “The hero … is swallowed into the
unknown, and would appear to have died.”
Stage 5: The Stage 5: The Belly of the Belly of the
WhaleWhale
Stage 5: The Stage 5: The Belly of the Belly of the
WhaleWhale
Crossing the Crossing the threshold is a form of threshold is a form of self-annihilationself-annihilation. .
The The bellybelly = the = the adventure, where the adventure, where the rules are rules are differentdifferent..
The hero is to be The hero is to be born againborn again, undergo , undergo a a metamorphosismetamorphosis, , shed his old character shed his old character for a for a new onenew one..
Third Major Section of the Third Major Section of the CycleCycle
InitiationInitiation
Third Major Section of the Third Major Section of the CycleCycle
InitiationInitiation
Stage 6: The Stage 6: The Road of TrialsRoad of TrialsStage 6: The Stage 6: The Road of TrialsRoad of TrialsThe hero must put The hero must put aside pride, virtue, aside pride, virtue, beauty, and life.beauty, and life.He must He must bowbow and and submitsubmit to the to the absolutely absolutely intolerableintolerable..Dragons must be Dragons must be slain, victories won, slain, victories won, barriers passed, barriers passed, ecstasies ecstasies experienced, etc.--experienced, etc.--usually in series of usually in series of threesthrees..
Campbell says this about the Campbell says this about the road road of trialsof trials::Campbell says this about the Campbell says this about the road road of trialsof trials::
Once having Once having traversed the traversed the threshold, the threshold, the hero … must hero … must survivesurvive a a
succession of succession of trialstrials..
Once having Once having traversed the traversed the threshold, the threshold, the hero … must hero … must survivesurvive a a
succession of succession of trialstrials..
Stage 7: Stage 7: Meeting withMeeting with the Goddess the Goddess
Stage 7: Stage 7: Meeting withMeeting with the Goddess the Goddess
Usually depicted Usually depicted youngyoung and/or and/or beautifulbeautifulTeaches the hero an Teaches the hero an important lessonimportant lesson..Does not have to be a Does not have to be a goddessgoddess [such as the [such as the Greek Athena or the Greek Athena or the Egyptian Isis]. Any Egyptian Isis]. Any strong femalestrong female or or feminine forcefeminine force meets the meets the requirements for this requirements for this stage.stage.
[The goddess] is [The goddess] is the incarnation of the incarnation of the the promisepromise of of perfectionperfection …. ….
She … guides [the She … guides [the hero] to hero] to burst his burst his
fettersfetters..
[The goddess] is [The goddess] is the incarnation of the incarnation of the the promisepromise of of perfectionperfection …. ….
She … guides [the She … guides [the hero] to hero] to burst his burst his
fettersfetters..
Campbell says this about the Campbell says this about the meeting with the goddessmeeting with the goddess::Campbell says this about the Campbell says this about the meeting with the goddessmeeting with the goddess::
Stage 8: Woman Stage 8: Woman as Temptressas Temptress
Stage 8: Woman Stage 8: Woman as Temptressas Temptress
Woman is the metaphor Woman is the metaphor for the for the physicalphysical or or material temptationsmaterial temptations of life.of life.A temptation tries to lead A temptation tries to lead the hero the hero offoff his path of his path of adventure.adventure.The “woman” can be a The “woman” can be a femalefemale, a , a strong strong feminine forcefeminine force, or a , or a temptationtemptation representing representing lustlust, , comfortcomfort, and/or , and/or lack of lack of spiritualityspirituality..
Not even monastery walls, … Not even monastery walls, … not even the remoteness of not even the remoteness of
the desert, can defend the desert, can defend against against female presencesfemale presences; ;
for as long as the [hero’s] for as long as the [hero’s] flesh clings to his bones and flesh clings to his bones and pulses warm, the pulses warm, the images of images of
lifelife are alert to are alert to stormstorm his his mindmind..
Not even monastery walls, … Not even monastery walls, … not even the remoteness of not even the remoteness of
the desert, can defend the desert, can defend against against female presencesfemale presences; ;
for as long as the [hero’s] for as long as the [hero’s] flesh clings to his bones and flesh clings to his bones and pulses warm, the pulses warm, the images of images of
lifelife are alert to are alert to stormstorm his his mindmind..
Campbell says this about the Campbell says this about the woman as temptresswoman as temptress::Campbell says this about the Campbell says this about the woman as temptresswoman as temptress::
Woman as Temptress: SirensWoman as Temptress: Sirens
Fourth Major Section of the Fourth Major Section of the CycleCycle
AtonementAtonement
Fourth Major Section of the Fourth Major Section of the CycleCycle
AtonementAtonement
Stage 9:Stage 9:Atonement with the Atonement with the
FatherFather
Stage 9:Stage 9:Atonement with the Atonement with the
FatherFatherAtonement = Atonement = atat ++ oneone + + mentmentThe hero encounters his The hero encounters his biologicalbiological father, a father, a father father figurefigure, a , a strong male strong male presencepresence, or someone or , or someone or something with something with incredible incredible powerpower..At first, the “father” At first, the “father” represents what the hero represents what the hero despisesdespises or or disagreesdisagrees with.with.The hero is killed during the The hero is killed during the encounter--either encounter--either literallyliterally or or symbolicallysymbolically--so that a --so that a new selfnew self can come into can come into being.being.
Atonement or Slaying the DragonAtonement or Slaying the Dragon
This last and mightiest deed marks the end of initiation. The result of the breakthrough to the source. Sometimes symbolized as a marriage or killing of the mother or oneness with the father. It is seeing the face of god. It is a movement beyond our blind spots, our illusions and delusions. It is enlightenment.
There is a new There is a new element of element of rivalryrivalry in the picture: the in the picture: the sonson against the against the
fatherfather for for masterymastery of the of the
universeuniverse..
There is a new There is a new element of element of rivalryrivalry in the picture: the in the picture: the sonson against the against the
fatherfather for for masterymastery of the of the
universeuniverse..
Campbell says this about the Campbell says this about the atonement with the fatheratonement with the father::Campbell says this about the Campbell says this about the atonement with the fatheratonement with the father::
Eventually, Luke realizes that his father and he share the same potential to be
evil.
Eventually, Luke realizes that his father and he share the same potential to be
evil.
Fifth Major Section of the Cycle
Fifth Major Section of the Cycle
APOTHEOSISAPOTHEOSIS
apotheosisapotheosis n. n. Exaltation to Exaltation to divine rank divine rank or stature; or stature; deification; deification; Stage 10Stage 10
apotheosisapotheosis n. n. Exaltation to Exaltation to divine rank divine rank or stature; or stature; deification; deification; Stage 10Stage 10
ApotheosisApotheosis
This is where one achieves:Mastery
Oneness
Enlightenment
Godhood
Higher levels of awareness
Stage 10:The Ultimate
Boon
Stage 10:The Ultimate
BoonAll previous steps All previous steps have have preparedprepared and and purifiedpurified the hero for the hero for the boon.the boon.A A difficult taskdifficult task is is accomplished with accomplished with great easegreat ease..The boon is The boon is sometimes the sometimes the goalgoal of the adventure--a of the adventure--a magical elixir, the magical elixir, the holy grail, a golden holy grail, a golden fleece.fleece.
Campbell says this about Campbell says this about the the ultimate boonultimate boon::Campbell says this about Campbell says this about the the ultimate boonultimate boon::
The The easeease with which the with which the adventure is here adventure is here
accomplishedaccomplished signifies signifies that the hero is a that the hero is a superior superior manman, a , a born kingborn king. Where . Where the usual hero would face a the usual hero would face a test, the test, the electelect encounters encounters
no delaying obstacleno delaying obstacle and and makes no mistakemakes no mistake..
The The easeease with which the with which the adventure is here adventure is here
accomplishedaccomplished signifies signifies that the hero is a that the hero is a superior superior manman, a , a born kingborn king. Where . Where the usual hero would face a the usual hero would face a test, the test, the electelect encounters encounters
no delaying obstacleno delaying obstacle and and makes no mistakemakes no mistake..
Sixth Major Section Sixth Major Section of the Cycleof the Cycle
R e t u r nR e t u r n
Sixth Major Section Sixth Major Section of the Cycleof the Cycle
R e t u r nR e t u r n
Stage 15:Stage 15:The Crossing of the Return ThresholdThe Crossing of the Return Threshold
Stage 15:Stage 15:The Crossing of the Return ThresholdThe Crossing of the Return Threshold
Old Sphere of
Knowledge
The Now Known Unknown
The Now Known Unknown
Hero’s ReentranceI’m I’m
back!back!I’m I’m
back!back!
He [must] re-enter … He [must] re-enter … where men who are where men who are fractionsfractions imagine imagine themselves to be themselves to be
completecomplete..
He [must] re-enter … He [must] re-enter … where men who are where men who are fractionsfractions imagine imagine themselves to be themselves to be
completecomplete..
Campbell says this about Campbell says this about crossing crossing the return thresholdthe return threshold::Campbell says this about Campbell says this about crossing crossing the return thresholdthe return threshold::
Old Sphere of KnowledgeOld Sphere
of Knowledge
The Now Known Unknown
The Now Known Unknown
The Hero-Now-Master
The Hero-Now-Master
Master of the Two WorldsMaster of the Two WorldsMaster of the Two WorldsMaster of the Two Worlds
WhereverWherever, , wheneverwhenever, , I am I am freefree to to act!act!
WhereverWherever, , wheneverwhenever, , I am I am freefree to to act!act!
Your Job…Your Job…
Realize that you can apply this narrative structure, not only to literature, but to religion, education, politics, and every essential part of your life.
You may not slay a literal dragon, but you will encounter obstacles to overcome.
Is Campbell correct? Is there a universal narrative structure to everything?
To which stories can YOU apply this concept?
How does the Hero’s Journey work in your life?
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